Photograph: black and white aerial photo of factory ( Switzerland ? ) Large industrial site situated in rural setting. Postcard type photo - on back 'Hanro' Handschin & Ronus, SA, Liestal.unknownorganization, business, hanro, hanro, manufacturing

Document: booklet - 19 pages. Survey conducted by George Patterson Pty. Ltd., on state of industrial relations nationwide. Letter enclosed in front cover sent to McColl, Rankin and Stanistreet.George Patterson Pty. Ltd. Advertising Merchandising, Dominion Chambers, 59 William Street, Melbourne C1 (Registered Office)organization, mining, industrial relations, mccoll, rankin and stanistreet: industrial relations, unions, communism, employees, employers

Robin Boyd wrote two books on Japanese architects and architecture - “Kenzo Tange” published by George Braziller in 1962 and “New Directions in Japanese Architecture” published by Studio Vista in 1968. During the 1960s he travelled several times to Japan to research these books and as part of his role as Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka.Colour slide in a mount. Hiroshima Peace Dome (Atomic Bomb Dome, centopath; originally the Hiroshima Prefectural Industrial Promotion Hall), 1915, Hiroshima, Japan (Architect: Jan Letzel)10slide, robin boyd

Actrol Parts, in Blackburn, have produced innovative new products, they will allow users of Chlorofluorocarbons to recover and re-use the product in automotive, commercial and industrial air conditioning and refrigeration systems.Actrol Parts, in Blackburn, have produced innovative new productstechnology, actrol parts, woodhouse, alan, pullen, barry

Part of the Running Stitch collection, possibly made in BallaratDomestic wagga, unfilled, consisting of two machine sewn layers of woollen garment pieces both knitted and woven. The front pieces are predominantly red, blue and yellow, the back is mostly brown red and blue.WAGGA/ Maker unknown 154cm long X 90cm wide/ Made of parts of wool garments, knitted and woven.....handicrafts quilting quilting - history, running stitch collection, running stitch group, handicrafts, quilting, quilting - history

BHS CollectionSoftcover book with coloured photograph of a large domestic fireplace with various cooking implements. Contains 32 pages of black and white photographs and diagrams of items used in the home from the Middle Ages to the Victorian Era.Jacqueline Fearndomestic equipment, cooking utensils, cooking methods, home appliances, laundry, lighting, eating utensils

Although these scales cannot be identified against a historical period of Australian development they are therefore placed in a time frame when commercial markings from manufacurers were not important enough to have domestic kitchen items labeled. These cast iron scales were made for domestic and possibly rural areas and not for cities where demand for known branded utensils was more an issue. These scales are very "basic" and not to the level of weighing detail that commercial scales had to be at. These scales do not show any visible markers for accurate measurement. The "near enough is good enough" principle can be related to these scales.These scales are significant as they identify one of the basic preparation items for the weighing of foodstuff before the televising of "cooking" shows (1960s onward). The meals for which quantity measurements are required for domestic cooking is not exact however the use of cup measurements for large dishes is tedious and these scales offer the capacity for a larger mixture and an easier method for the "cook". As the need for accurate measurements of ingrediants for rural domestic meals has in the past been not been critical the requirement of accuracy that these scales do not provide is of no consequence. Domestic kitchens in the Kiewa Valley and the type of meals produced would not have required the accuracy of ingrediants that "modern " international cuisines of the later 1900's require. These kitchen scale were used whenrecipes had the terms "pinch, dollop, squidge and smidgen" were about as accurate as most recipes needed to be.Black cast iron, medium weighing scales, with a two arm cradle. On one side of the cradle is a two half circle holding frame for the retention of the metal container scoop. This light weight steel scoop/dish allows for the weighing of loose grain or similar type material to be contained and held in place for establish its saleable contents. On the other side of the weighing cradle is a flat circular platform to hold various metal disc. All the disks used on this platform have their weight stamped on them. When the produced filled in the scoop balances with the metal weight on the opposite end of the balance match (visual horizontal appraisal) the appropriate quantity required is obtained. This scale does not have any visual markings on the arms to identify a true balance. It is therefore reasonable to assume that these scales were for domestic use only and not for commercial transactions. There are two weights that are useable with these scales, one is stamped "1 lB"(pound) and one stamped "1" and both are made as a solid round piece of cast metal.The smaller disc has a "1 lb" moulded and pressed form within a marked inner circle and a mouled ridge outer circle enclosure. The other weight is slightly larger and has a moulded "1" located on the top within a raised circular edge.domestic kitchen scales, weighing scales, metal scales

Australian domestic architecture of the period between the two world wars is a fascinating and complex subject. Our preconceived notions are based on the more obvious styles and impressions, so that visions of bungalows set row upon row spring to mind quickly. Influences in the designs of Australian houses of the 1920s and 1930s were extraordinarily diverse. Apart from their obvious origins, they can be traced to India, Japan, Switzerland, Holland, Germany, Italy, Spain, Mexico and even the American backwoods. Australian architects travelled to England, Europe and North America bringing back ideas and influences.Includes: index, bibliography. Australian domestic architecture of the period between the two world wars is a fascinating and complex subject. Our preconceived notions are based on the more obvious styles and impressions, so that visions of bungalows set row upon row spring to mind quickly. Influences in the designs of Australian houses of the 1920s and 1930s were extraordinarily diverse. Apart from their obvious origins, they can be traced to India, Japan, Switzerland, Holland, Germany, Italy, Spain, Mexico and even the American backwoods. Australian architects travelled to England, Europe and North America bringing back ideas and influences.Front page: Sue Barnettarchitecture, (mr) peter cuffley, dwellings, interior decoration, 1919 - 1929, 1930 - 1939

Printed receipt/acknowledgement of application for space in connection with the (Geelong) Jubilee Juvenile & Industrial Exhibition, November 1887. From J. H. Curnow (Sectary), unsigned and dated 20th September 1887person, individual, curnow collection

Carte de Visite Photographed by Chevalier, Pall Mall Sandhurst. Two B & W Photographs of an industrial building with a chimney in the background. Both have several men standing in front of the building.Chevalier

The City of Sunshine no longer exists. Part of the eastern area has been annexed by the City of Maribyrnong, and the rest of the old City of Sunshine has been amalgamated with the City of Keilor to form the larger City of Brimbank.This 1967 map is a historical record of the City of Sunshine as it existed 27 years before the amalgamation of Councils, and the creation of the City of Brimbank in 1994.Whitish paper map with black printing that is laminated in clear plastic film, and has a wood slat attached to the top edge. The June 1967 map is of the previous CITY OF SUNSHINE showing City and Parish boundaries, streets, railways, creeks, river etc.Purple ink stamps at top left hand and right hand areas showing address and contact details of 'Sunshine Industrial Promotion Centre.'city of sunshine, june 1967, map, city, parish, boundaries, brimbank

Brown methylated spirits bottle with top and labelSparko Industrial. On label: 19 fl. oz. net. Packed by Sparko Speciality Sales and Service, 24 Percy Street, Heidelberg Westbottles, containers, cleaning liquids, lamps

Letter - from Ross Wilson of Canberra to Keith Kings regarding bus route numbers and the re-opening date for the Northcote cable tramway (23/3/1901). Industrial issues with bus routes.Has a note "Reply 31/10/95, copies of bus route no. list enclosed."trams, tramways, routes, cable trams, northcote, buses, east brunswick

Aulsebrook Collection: Bendigo and District Tourist Association Board Meeting minutes 24th February 1970 (a) and Commercial and Industrial Static Display Centre proposal (b) a) Bendigo and District Tourist Association Board Meeting Minutes, February 24th. 2 pages, typed. Correspondance, Finance, General buisness etc. b) Commercial and Industrial Static Display Centre Proposal. 2 pages, typed. -small note pinned to the front, notice for next meeting for the tourist association (March 24th 1970)

Newspaper clipping from The Herald Sun, 15/12/1992, titled "Shutdown Ahead", about the Government (Liberal - Kennett with Alan Brown as Transport Minister, threatening to shut down the Public Transport system in Melbourne if industrial action is taken. Follows the October 1991 election. Looks at issues with falling patronage, use of conductors and general industrial issues. With the item is a photo and story of Albert Pryor, conductor, who has worked on the trams for 40 years and that his days are numbered.trams, tramways, ptc, tramways, melbourne, unions, victorian government, public transport, conductors

The key is one of a collection of seven 1860s keys once belonged to the Glenample Homestead near Princetown. They are all keyed with different bits and would have opened the external panelled doors of the Georgian building. The keys would now be around 150 years old. The keys are now part of the John Chance Collection. Locksmiths became a recognised trade by the middle of the 19th century, doing work that blacksmiths and gunsmiths would have done. They were craftsmen and trained apprentices for their trade. The local community and businesses relied on them for making a wide variety of precision objects such as locks and keys, knives, ornamental and decorative latticework, fine instruments, accurate tools and hardware items. Glenample Homestead became famous after the disastrous wreck of the sailing ship Loch Ard on June 1, 1878. The owners, Hugh Hamilton Gibson and Peter McArthur, were involved in the rescue and recovery of Eva Carmichael and Tom Pearce, the only two survivors, as well as overseeing the salvage of items from the shipwreck and the burial of those who lost their lives. Eva first met Jane Shields at Glenample and they became long-time friends. The keys are significant as an example of mid-19th century locksmith hardware, and for their connection with Glenample Homestead, and for their connection to the history of the Loch Ard shipwreck’s only two survivors. The set of keys also hold significance as they were discovered by John Chance, who was also a diver from the wreck of the Loch Ard in the 1960s-70s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. Glenample Homestead is of historical, social and architectural significance to the State of Victoria and is listed on the Victorian Heritage Register (VHR H0392). It is a historical example of early settlement and development of a run in the coastal land of South West Victoria, and it is constructed from locally quarried sandstone but doesn’t take away from its Georgian design. Glenample Homestead is of State significance through its unique connection with the wreck of the ship Loch Ard and the connection to its owners, Hugh and Lavinia Gibson and Peter McArthur, played a historically and socially significant role in the rescue and care of the survivors, the salvage of goods and the burial of those who lost their lives. The shipwreck of the Loch Ard itself is of significance for Victoria and is registered on the Victorian Heritage Register (S417). Key; steel domestic door key. Flat open bow with 'figure 8' space, round shank that flares out slightly above the collar on the bit. The rectangular bit has internal notches and grooves. There is a rounded pin on the end.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, glenample homestead, victorian heritage register vhr h0392, georgian homestead, loch ard, princetown, jane shields, eva carmichael, tom pearce, blue china tea set, antique door key, glenample photographs, john chance

Handwritten copy of a letter to His Excellency Sir Henry Brougham Loch thanking His Excellency and Lady Loch for their assistance at the inauguration of the Bendigo Juvenile & Industrial Exhibition. Date during the reign of Queen Victoria.event, exhibition, bendigo juvenile & industrial exhib, bendigo juvenile & industrial exhibition, his excellency sir henry brougham loch, lady loch, queen victoria

Born: London, England 1801; Arrived: Sydney, New South Wales, Australia 1835; Died: Sydney, New South Wales, Australia 1878ColonialBennett Bequest, 1999 Hand-coloured lithograph depicting industrial waterscape with rocky shoreline and ships and buildings in background. Black painted timber frame with off white arched window mount and gold brushed internal window edgeRecto: Not signed, not dated, not titled print, waterscape, sea, harbour, land, figures, boats, tress, sydney harbour, buildings

Reproduced by permission of Mr John Arnold from his book: "The Riversdale Golf Club - a history, 1892-1977." Copyright to book: Riversdale Golf Club. Surrey Hills Golf Club operated from 1892-1908 then moved and became Riversdale Golf Club. The game was played across paddocks from Trafalgar Street, Mont Albert to Whitehorse Road and down Victoria Crescent to where Box Hill TAFE is now located in Elgar Road. There were problems with cows eating the tee flags! The clubhouse still exists as 30 Trafalgar Street.Black and white photo with a large grassy paddock in the foreground. From the bottom left and right post-and-rail fences converge on a group of large industrial buildings in the centre middle distance. In the background are paddocks and buildings."Top: Looking towards Box Hill from the links in 1902. The old Box Hill Gas Works is in the centre of the picture."sports grounds, surrey hills golf club, riversdale golf club, box hill gas works, gasworks, public utilities, gas

industrialSepia photograph, Employees at Tannery, Buninyong c1880 in front of shed. Photo on damaged original mounting board. Actual photo is 15cm x 19.5cm.buninyong, tannery, workers

Sad-irons or "solid" irons were made by blacksmiths and used to smooth out material by pressing the hot iron over it. A piece of sheet -iron was placed over the kitchen fire and the irons placed on it could be heated whilst remaining clean of ash.. The women used 2 irons - one heating while the other was used. Thick cloth or gloves protected their hands from the hot irons. The handle was removed from the cool iron and re- attached to remove the hot iron from the fire. The cool iron was replaced on the fire or stove to heat again. These irons were cleaned with steel wool to prevent them marking the material. If the iron was too hot the material would scorch. Most homes set aside one day for ironing and some large households had an ironing room with a special stove designed to heat irons. However, most women had to work with a heavy, hot iron close to the fireplace even in summer.These sad irons remind us of the difficult circumstances experienced in their daily routines by the pioneers and early settlers of Moorabbin Shire. The family of Miss M Curtis were early settlers in Moorabbin Shire. Sad-iron, domestic, flat, cast iron, Silvester's Patent, No 6, Salter, England, c. 1890-1900s A sad iron made from cast iron was heated over a fire or on a stove and used for pressing clothing and table wareSILVESTER'S/ PATENT/ SALTERS / No 6 with the pretzel & a arrow going through the centresad iron, kitchen equipment, pioneers, early settlers, market gardeners, sewing, craftwork, clothing, moorabbin, brighton, bentleigh, fireplaces, stoves