Showing 1087 items
matching dressing-gowns
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Flagstaff Hill Maritime Museum and Village
Tool - Broad Axe, Prior to 1950
A cooper's broad axe (or Cooper's side axe) is a short one-handed axe that has a long cutting edge intended for initial dressing of staves and heading pieces used in the making of barrels and other associated items made from wood.A tool of the cooper and other woodworking tradesmen that has been in use since the making of barrels and wooden buckets for hundreds of years without much change to the design or how the tool is used.Broad head axe with wooden handle with handle on an angle to allow use. Nonewarrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, maritime village, coopers tools, broad axe, barrel making, cutting staves -
Churchill Island Heritage Farm
Decorative object - Crochet Circles x 4
These small 8cm circles are not crochet but are made of bobbin lace. They may have been placed under trinkets on a dressing table or on a side table. In the late 19th century it was fashionable to have a collection of lace, and these may have been acquired for this purpose.The Amess family owned Churchill Island from 1872 to 1929. This lace collection was owned and contributed to by four generations of Amess women.Handmade - probably bobbin lacecrochet, churchill island, janet amess lace collection, lace, bobbin, crotchet, amess -
Kew Historical Society Inc
Clothing - Grey silk wedding dress, 1842
This wedding gown was worn by Mary Ann Lawrence at 8.00am on 5 January 1842 at St John's Church, Launceston, when she married Francis Henty. The couple were to catch the tide on their way to Portland two hours later. Francis Henty was the youngest son of Thomas Henty, who with his family, their retainers and property moved to the Australian colonies between 1829 and 1832. In 1834, Francis’ older brother, Edward, sailed from Launceston in Van Diemen’s Land to what was to become Portland in the western part of Port Phillip District [Victoria]. Francis, together with the first flock of Merino sheep [in Victoria], followed some months later. The first and second generations of the Henty family established vast pastoral properties in the Western part of the Port Phillip District. Francis Henty managed ‘Merino Downs’ near Casterton, while also living in his retirement at ‘Field Place' in Kew. The Henty Collection of nineteenth and twentieth century clothing, including outerwear and underwear, was collected, stored and exhibited over time by female family members descended from Francis and Mary Ann Henty. During the twentieth century, items from the collection were modelled in two fashion parades by various descendants [1937, 1959]. The items in the collection are historically and aesthetically significant, with provenance provided by oral and written tradition within or held by the family. A number of the items in the collection are very rare survivors, and provide researchers with the evidence needed to reconstruct the lives of notable women in the Port Phillip District [later Victoria] during the nineteenth and early twentieth century.Mary Ann Lawrence's grey silk wedding gown has a v-line waist and a partly smocked bodice. It is lined with muslin throughout. It has hand-tatted cotton lace and handmade piping around the neck and bodice and pleated short sleeves. There was originally trimming on the skirt which was removed at a later date. Orange blossom made of chamois and tiny coiled springs originally decorated the neckline. The outfit was complemented by a bonnet to which a Limerick lace veil was attached. Measurements (mm): Girth - Neck 914, Chest 812.8, Waist 660.4, Cuff 330.2, Hem circumference 3200.4. Vertical - Front neck to hem 1270, Front waist to hem 1016, Back neck to hem 1320.8, Back waist to hem 1041.4, Sleeve length 114.3. Horizontal - Neck to sleeve head 50.8, Chest back 406.4, Underarm to underarm 406.4.mary ann lawrence, francis henty, wedding dresses, fashion -- 1840s, women's clothing -
Greensborough Historical Society
Annual Report, Greensborough Football Club: 1966 Annual Report and financial statement, 08/11/1966
Report to the Annual Meeting of the Greensborough Football Club. Outlines persons involved in the club, activities for the year and includes statistics and financial statement.A snapshot of the Greensborough Football Club in 1966. White card cover with photo of 1966 premier team. 12 pages. 2 copies.Back cover has an artist's impression of the proposed new hall and dressing rooms to be erected at the War Memorial Park in conjunction with the Park Trust and Greensborough Cricket Club.greensborough football club, annual report -
Dandenong/Cranbourne RSL Sub Branch
Framed Photograph, Circa 1940s
Black framed - black and white photograph.Photograph inscribed " After the Battle of Menin Road". Shows wounded soldiers waiting to be taken to the dressing-station. This photograph part of set of three # 0332 - 0334 & 0335. -
8th/13th Victorian Mounted Rifles Regimental Collection
Functional object - water bottle
This water bottle was carried by stretcher bearers in the Light Horse Field Ambulance. The cup/cap was used to give a drink to a wounded soldier who could not hold a water bottle to his lips. A light horse field ambulance was an Australian World War I military unit whose purpose was to provide medical transport and aid to the wounded and sick soldiers of an Australian Light Horse brigade. Typically a Lieutenant Colonel commanded each ambulance. All officers of the ambulance were medical doctors or surgeons. Dental units were often attached to the ambulance as well. A Field Ambulance consisted of two sections, the Mobile and the Immobile. The Mobile Section travel with its brigade into combat, where it would establish a Dressing Station. It use stretchers or carts to retrieve the wounded and transport them to the Dressing Station. The Immobile Section established and operated a Receiving Station, which received the wounded the Dressing Station sent on. The ambulance's surgeons would operate on the wounded at the Receiving Station. From the Receiving Station, the sick and wounded would go first to the Casualty Clearing Station and ultimately to a Base Hospital. Representative of a water bottle which differed from the regular water bottle and was used for a specific purpose.Water bottle, felt coated, with small metal cup over spout, all held in leather carrier. Strapped to a wooden stand.military, water, medical, light horse, ambulance, stretcher bearer -
The Beechworth Burke Museum
Photograph
Taken in the 1950s, the photograph depicts three women. Two of them are dressed in theatrical costumes, one of whom is being assisted in dressing up by the third woman. The women in the photograph have been identified as P. Crosthwaite, L. Jorg and M. Clark.The photograph provides insight into entertainment, performance and recreation in Beechworth during the 1950s. The item's interpretive capacity is enhanced by its strong relationship to other photographs in the catalogue. Collectively, these records enrich the community's understanding of how the arts have developed in Beechworth since the mid-twentieth century.Black and white rectangular photograph printed on matte photographic paper.Reverse: 5643 /entertainment album, costume, theatre, performance, arts, recreation, theatrical costume, 1950s, beechworth -
Eltham District Historical Society Inc
Book, Eltham War Memorial Trust, A favourite book of country recipes / compiled by the Women's Auxiliary of the Eltham War Memorial Trust, 1958
Subjects Cooking. Contents I. Fish II. Meat III. Puddings and desserts IV. Bread and scones V. Cakes and biscuits VI. Jams, marmalades and chutneys VII. Salads, dressings and sauces VIII. Drinks. https://trove.nla.gov.au/version/354773873 copies 47 p. : ill., b&w., ; 19 cm. Published Eltham, Vic. : Eltham War Memorial Trust, 1958. Language Englisha. & s. davis pty ltd, a. boyd-graham, a. lyon, a. mezner, a. uglow, a.m. lynes, b. clark, b. rothwell, b. thomas, b.j. brinkkotter, b.m. gresford, b.w. morrison, betty p. metcalfe, briar hill timber & trading, c. may, c. pelling, c. smith, cold comfort farm, commercial bank of australia, cook-book, cooking, d. garratt, d. richards, d. warner, d.g. wills, draffin bros pty ltd, e. egan, e. hoppner, e.i. rains, e.s. rothwell, eltham home supplies, eltham hotel, eltham motor garage, eltham real estate & business agency, eltham war memorial trust, f.j. burgoyne, g.b. gresford, gas and fuel corporation of victoria, george lovitt & co pty ltd, guest's biscuits, h.w. downing, heidelberg district bakery, i. putnam, j. & j. burgoyne, j. kimber, j.m. attiwill, jack burgoyne, kraft cheddar, l. carter, lyon bros garage, m. banks, m. battye, m. black, m. erswell, m. foletta, m. johnson, m. roletta, m.h. bucknell, m.j. loosli, millett's foodland, n.h. baxter estate agent, n.h. baxter, new bridge building supplies, m. banks, m. battye, m. black, m. erswell, m. foletta, m. johnson, m. roletta, m.h. bucknell, m.j. loosli, millett's foodland, n.h. baxter estate agent, n.h. baxter, new bridge building supplies, o. holland, o.a. brown, p. moore, p. pease, p. peel, p. reece, presswell's eltham east auto service, r.j. scully, rains, recipes, research meat supply, research post office and general store, s. littlehales, stanley s addison, t. sawyer, t.e. & e.m. moran, v. addison, v. hughes, valley furniture, women's auxiliary -
Flagstaff Hill Maritime Museum and Village
Domestic object - Pin Dish, Mid 20th century
Dressing tables have been around since the beginning of the seventeenth century. However, it wasn't until the early to mid-20th century that middle-class homes included them in their furniture. They were often a matching part of a bedroom suite. Dressing tables often featured a variety of objects such as combs, brushes, hand mirrors, perfume bottles, cosmetics, nail buffers, ring holders, jewellery trinket boxes, trays and pin bowls or pin trays. The latter were small shallow containers used for storing hat pins, hair pins, safety pins, and perhaps earrings. They were made of various materials including glass, metal and ceramic.This pin bowl represents an era in the early-to-mid 20th century when matching dressing table accessories were popular and affordable to middle-class women. They were marketed as gifts and sometimes included perfumed soap and powder.Pin dish, round, cut glass, slightly convex sides without a pattern. Thick heavy, concave base with a concertina fold pattern.flagstaff hill maritime village, shipwreck coast, flagstaff hill, warrnambool, flagstaff hill museum and village, domestic object, dressing table, dressing table tray, glass tray, pin tray, pin bowl, dressing table accessory -
Flagstaff Hill Maritime Museum and Village
Domestic object - Pin Bowl, Mid 20th century
Dressing tables have been around since the beginning of the seventeenth century. However, it wasn't until the early to mid-20th century that middle-class homes included them in their furniture. They were often a matching part of a bedroom suite. Dressing tables often featured a variety of objects such as combs, brushes, hand mirrors, perfume bottles, cosmetics, nail buffers, ring holders, jewellery trinket boxes, trays and pin bowls or pin trays. The latter were small shallow containers used for storing hat pins, hair pins, safety pins, and perhaps earrings. They were made of various materials including glass, metal and ceramic.This pin bowl represents an era in the early-to-mid 20th century when matching dressing table accessories were popular and affordable to middle-class women. They were marketed as gifts and sometimes included perfumed soap and powder.Pin bowl; a light weight, round bowl with straight sides featuring a cut glass pattern, and a flat base with a star design.flagstaff hill maritime village, shipwreck coast, flagstaff hill, warrnambool, flagstaff hill museum and village, domestic object, dressing table, dressing table tray, glass tray, pin tray, pin bowl, dressing table accessory -
Ringwood and District Historical Society
Nightgown, White cotton christening gown with lace edging at sleeves and wrists. C early 1900's, c. early 1900s
Unknown - possibly Maggs familyWhite cotton christening gown with lace edging at sleeves and wrists. Inserted V with lace and lace band at front. Opening at neck back tied with tapes. Pin tucks under neck lace. Machine sewn. +Additional Keywords: Maggs Family -
RMIT Design Archives
Page layout
Page layout for Costume of Australia book, by Marion Fletcher.Page layout features sketch of twe 1870s , including bodice detail of the second dress: 1. Day Dress c.1873, from the National Gallery of Victoria; 2. Afternoon or Dinner Gown, 1877, from the National Trust of Australia (Victoria).Inscribed in blue pencil, bottom left: '64% in grey ink, bottom left: 'P2' in blue ink, bottom left: '<-----------------------164mm--------------------------->/ OUP 102[cricled]'; bottom left [running horizontally]: <---------------------187.5mm----------ink, paper -
Geoffrey Kaye Museum of Anaesthetic History
Painting, portrait, 1996
The subject of the painting, Dr Michael J Davis, was appointed ANZCA President in 1993 until 1995. The portrait was commissioned in 1996. Further information about Dr. M Davies can be found on Lives of the Fellows; http://anzca.online-exhibition.net/fellows/fellows-1992/michael-joseph-davies/Oil painting on canvas of the ANZCA President Dr Michael J Davies seated in front of a plain grey background wearing both the Presidential gown and medal. Set within a gold leaf frame with a brass plaque affixed to bottom centre of frame.[plaque] Dr Michael J Davies / President / 1993 - 1995 [Artist's signature lower left corner] Paul Fitzgerald / -1996-painting, anzca president, davies, michael, fitzgerald, paul -
Glenelg Shire Council Cultural Collection
Clothing - Evening Gown, n.d
Part of Graham Collection, donated by the Family of Misses Mary and Edith Maude Graham, of 4 Blair Street, Portland.Brown lace evening gown (possibly belonging to Miss Crosbie). Sleeveless, buttoned opening at back. Long skirt with numerous darts for fullness. Matching bolero jacket (3794.2) and likely to have been worn with brown satin heels (3800.1 and 3800.2).clothing, womens clothing, costume, evening wear, graham collection -
Whitehorse Historical Society Inc.
Clothing - Corset, c1960s
Worn b y Gloria Woodland as a foundation garment for special evening gown - she found it a very impractical garment taking up to a half an hour each time at the toilet. Only worn once...Flesh coloured elastic & lace body length garment. Lace bra cup - lace panel down front - elastic shoulder strap, silk nylon crutch with eight adjustable hooks and eyes to close under the crutch - also four loops to hold suspenders.Hickory Style 4512 - size 16Bcostume, female underwear -
Whitehorse Historical Society Inc.
Book - Knitting Pattern, 1/07/1935 12:00:00 AM
A5 size 16 page illustrated pamphlet, a ' Knitting Supplement to the Australian Home Journal; July 1935. Features patterns for a raglan jumper; Toby Wing jumper; Baby's Outfit; Girl' dress - Mavis design; Blue bell dressing Jacket; Man's sock. Sepia printed. Stapled.handcrafts, knitting, documents, pamphlets -
Bendigo Historical Society Inc.
Accessory - FAVALORO COLLECTION: DRESSING TABLE SET
Boxed Xylonite dressing table set in pink cardboard box with pink silk lining, contains a hand mirror, a brush, a comb all in green xylonite with amber coloured edging, also an extra mirror in same colour but with out the amber edging ( most likely does not belong with the set).personal effects, hairdressing, dressing table set -
City of Greater Bendigo - Civic Collection
Photograph - Portrait, Vincent Kelly, Mrs J.A. Michelsen Mayoress 1935 -36, c. 1936
Prior to the election of female Councillors and Mayors from the 1960’s onwards the Mayoress role was one of the few ways women could be active in civic life. Mayoresses made important contributions to their local communities through their charity work and as ambassadors for their region on a state and at times, international level. They also undertook some Mayoral duties on occasions when the Mayor was unavailable. Annie Irene Michelsen (nee Tussup) born Huntly (1870-1955). Mayoress 1926/1927, 1935/1936, 1942/1943. Wife of Cr John Andrew Michelsen OBE. Pioneer in the field of social work and regarded as a woman of tremendous vitality and versatility. Known as an outstanding horse woman and breeder of standardbreds for harness racing. Member numerous sporting clubs and foundation president of the Bendigo Nurses Association. Framed, oval photographic studio portrait. Hand coloured detail. Mrs. Michelsen wore a gown of black crepe eros, cut to mould the figure and fall into a train at the back. A cascade eflect of gold lame from one shoulder to the hem in front gave graceful movement to the front of the gown, and wing draperies lined with gold lame were shirred to the shoulders of the square neckline. She wore a shoulder spray of golden orchids and carried a bouquet of old gold roses and golden leaves (1). The Argus (Melbourne, Vic. : 1848 - 1957) Wed 3 Jun 1936 annie tussup, mayoress michelsen, mayor michelsen, vincent kelly photographer, city of bendigo, city of greater bendigo portraits -
Beechworth RSL Sub-Branch
First Field Dressing, Circa 1942
Item carried into active service by Corporal William Charles Clark VX34546 Item was part of the first aid kit carried by Cpl Clark VX34546 whilst on active servicePrinted on cotton package containing the First Field Dressing. Inside a printed box is printed the following: / FIRST FILED DRESSING / To Open... /Outer Cover. Break thread holding flap / Inner Waterproof Cover/ Tear apart at the uncemented corner (indicated by arrow). /CONTENTS:/ Two dressings in Waterproof Covers, each consisting of a gauze pad stitched to a bandage, and / a safety pin./ DIRECTION FOR USE -Take the folded ends of the / bandage in each hand, and keeping bandage / taut, apply the gauze pad to the wound and fix the / bandage One dressing to be used for each wound. / In the case of head wounds when respirators have to / be worn, care should be taken to adjust the pad so / it does not interfere with the fit of the facepiece. / DO NOT HANDLE THE GAUZE OR WOUND / Outside the printed box is; Johnson & Johnson Pty. Ltd. Sydney. / OCTOBER 1942first field dressing, gauze, dressing -
Geoffrey Kaye Museum of Anaesthetic History
Painting, portrait, Graham Inson, 1993
The sitter, Associate Professor Peter D Livingstone, was the Inaugural President of the newly established ANZCA, February 1992. The portrait was later unveiled at the Council Meeting [17-18 Feb 1994] followed by the official opening of Ulimaroa on 19 February 1994. Further information about Professor Livingstone is found on Lives of the Fellows; http://anzca.online-exhibition.net/fellows/fellows-1992/peter-david-livingstone/ The artist Graham Inson is represented in many major public and private art collections. A finalist in the 1990 and 1992 Doug Moran Portrait Prize, he has painted numerous official portraits of politicians, academics and for many of Australia's largest Companies. Oil painting on canvas of Associate Professor Peter Livingstone, seated at an angle facing left, wearing the College gown and tie with a dark plain background. Mounted on a fabric backing in a gold leaf frame with a small brass plaque affixed to the lower center of the frame.[brass plaque] ASSOCIATE PROFESSOR / PETER D LIVINGSTONE / INAUGURAL PRESIDENT / 1992 / PRESENTED BY THE / AUSTRALIAN SOCIETY OF ANAESTHETISTSpainting, livingstone, peter, anzca president, inson, graham -
Geoffrey Kaye Museum of Anaesthetic History
Painting, portrait, Robert Hannaford, 2013
Professor Kate Leslie was ANZCA President from 2010 - 2012. The portrait was commissioned by ANZCA to mark the presidential term of Professor Kate Leslie and was unveiled at the ANZCA staff Christmas event on the 15 November 2013. The artist, Robert Hannaford, is from South Australia and was a political catoonist. He has a long history of painting portraits of politicians and distinguished professionals in the field. Oil on canvas portrait of Professor Kate Leslie wearing the Presidential medal without the Presidential gown. She has her arms casually crossed in front with legs crossed, and is seated in front of a plain brown background. The painting is set in a wide timber frame.[lower RHS] HANNAFORD '13painting, leslie, kate, anzca president, hannaford, robert -
Kiewa Valley Historical Society
Ball Gown - Pink
Bright pink ball gown , with lace sleeves and floating panel. Long straight pink satin dress with lace sleeves and scoop neck. Princess line with lace under the bodice and across the back. Long back zip and a pleated chiffon attached train.Black label across the top 2 inches x 1 inch.ball gown, reid family -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Personal Effects, leather strop 'Jason', c1940
A razor strop (or razor strap) is a flexible strip of leather or canvas used to straighten and polish the blade of a straight razor, a knife, or a woodworking tool like a chisel. Unlike honing or sharpening a blade, in which a whetstone removes metal bent out of alignment from the blade's edge, stropping the blade re-aligns the indentations without removing any material. The strop may be a hanging strop or a hand-held paddle. Various abrasive compounds may be applied to the strop to aid in polishing the blade while stropping to obtain a mirror-like finish. The properties of the compound applied will alter the polishing result. Jeweller's rouge is a very fine abrasive compound. The green Chromium(III) oxide compound is most often used as an abrasive compound. Sprays containing diamond particles are another option. Stropping is primarily done with straight razors, used for shaving, as these are the thinnest blades in everyday use, and require stropping at each use, due to the thinness of the blade Two points are key to stropping: Draw the blade spine-first along the strop. By contrast, honing is done edge-first. When you turn the blade at the end of a stroke, turn it over the spine, so the edge moves away from the strop and faces you, and the spine rests on the strop. This preserves the edge – if the blade is turned over with the edge against the strop, this will roll the blade edge, defeating the purpose of stropping As the use of safety razors increased in popularity this 'Jason' strop prolonged the life of each razor blade thus making them economical.A leather 'Jason' strop, for sharpening safety shaving razor blades, with box. Top of Box: J / The JASON / STROP/ Reg. Trade Mark / for SAFETY RAZOR BLADES / Reg. Patent No. 25435/35 ; Back : How to operate the JASON STROP ( instructions) Side: JASON / Razor Strop Dressing / A keen smooth blade will always be assured by the / occasional use of JASON RAZOR STROP DRESSING/ Side: FIFTY SHAVES WITH ONE BLADE ! / by using - JASON and JASON / Razor Blade Strop Razor Blade Dressing. End: JASON / Made by MEIK BROS. Pty. Ltd. / 15-17 Bedford St., Collingwood, and / 287 Flinders Lane, Melbourne, Vic. End: JASON / SAFETY RAZOR BLADE STROP.safety razors, the jason strop, shaving equipment, personal effects, strops, meik bros pty ltd, gillette, collingwood melbourne -
Whitehorse Historical Society Inc.
Wedding Gown, 1871
The wedding gown was worn by Lucy Kneeshaw Prout for her marriage to John Sommers on 29th November, 1871 at Trinity Church of England and Ireland, Williamstown, Victoria. Lucy was born in Woolwich, Kent, England in August 1850 and immigrated to Australia with her family in 1852 on the 'SS Coromandel'. She was the youngest of five children. Their parents were Edward and Elizabeth Prout (nee Hall). Lucy died in 1940 - 90 years of age. John E. Sommers was born in Glasgow, Scotland in 1846 and emigrated to Australia with his family in June 1853 on the 'Tongataboo'. His marriage certificate shows that he was an engineer. He studied at the National Gallery's School of Design under both Clark and Campbell from 1872 to 1879. He drew a compressed charcoal and pencil portrait of Fred McCubbin in 1876. The portrait was displayed in the Golden Summers exhibition at the National Gallery of Victoria in 1985 and is shown on page 40 of the Golden Summers catalogue. Their grand-daughter, Mrs Marjorie Gibson (born 1910) said he was associated with the Heidelberg School and the Box Hill Artists Camp. He is also noted in the 'Book of Australian Artists'. He exhibited prolifically with the Victorian Artists Society until his resignation in 1898. In 1881 John Sommers took employment with the Education Department at Castlemaine (Ref. Golden Summer catalogue - pages 26 and 40). John died in 1930 aged 84 years. John and Lucy Sommers children John and Dora both studied at the National Gallery of Victoria, so senior was added to John E. Sommers Senior's works. There is a short biography on page 26 of Golden Summers. Researched by Valda and Ted Arrowsmith May 2006.One piece old gold Paper Taffeta wedding gown, stand up collar, piped in green taffeta. Forty covered buttons from neck to hemline. Shaped sleeve with 15cm cuff and three buttons. Two rows of seven cm appliqued green and gold shaped fans along hemline. Two rows of green and gold piping and 8cm deep gold fringe. Back of dress has central panel of pleats and six covered buttons and a square cut hem line for the train at back. Dress bodice is lined and has two 7cm bones in side seam.costume, female ceremonial -
Kew Historical Society Inc
Clothing - Brown & Gold Acetate Evening Dress, Henry Chavin, 1980
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.This example of evening wear from 1980 is one of two pieces in the collection owned and worn by Kaye Cole.This dress was bought for and worn by Cr Kaye Cole, Mayor of Kew 1979/80, to a Mayoral Dinner on Friday 25 July 1980. An accompanying seating plan lists the attendees including the Governor of Victoria, the Victorian Premier, State and Federal parliamentary representatives and distinguished guests from neighbouring municipalities. The evening dress was donated to the Society by Kaye Cole on the occasion of an interview on 6 August 2018 relating to the period on which she served on Kew Council as a representative of North Ward (1973-6) and Prospect Ward (1978-85) and her achievements as mayor.Brown acetate evening gown, and floor-length evening coat retailed by Bianca, Sydney, and manufactured under licence to Henry Chavan, Lyon & Paris. The sheer fabric of the coat is decorated by the use of pile weave, forming a floral pattern of velvet outlined in gold thread.mayors of kew (vic), cr. kaye cole, international fashion - france - henry chavin, women's clothing, evening wear, fashion retailers - bianca - sydney, evening dresses, evening ensembles -
Stawell Historical Society Inc
Clothing - Costume and Accessories
A White Batiste material Infants Christening Gown Cotton. Short Puff sleeves trimmed with embroidery edge. Tape gathering waistline. A panel front Alternate pieces of Diagonal tucking a cotton insertion. Cotton edging trim on each side. Mrs Thelma Clark.stawell clothing material -
Uniting Church Archives - Synod of Victoria
Photograph, C. 1920s
George Percival Rayner, BA (Adel), BD (MCD), DCM was born in Strathfield, NSW, in 1894 and died in Adelaide, SA, on 12 December 1976. He was ordained a Congregational minister at Vardon Memorial, Kings Park, SA on 21 December 1921. His ministries were: Vardon Memorial, Kings Park, SA 1921-1923; Augustine, Hawthorn, Vic 1923-1928; Staines, Middlesex, UK 1929-1937; Lea Road, Wolverhampton, UK 1937-1948 and Unley Park, SA 1950 - ?Sepia toned 3/4 studio portrait tipped on to brown card of the Rev. G. P. Rayner, wearing an academic gown and clerical collar. He has his arms at his side, his body slightly angled and he is looking directly at the camera.rev g p rayner ba bd, congregational minister, augustine congregational church hawthorn, george percival rayner, vardon memorial congregational church -
Kiewa Valley Historical Society
Ball Gown - Pink Flowers on black with sash
Long flowery gown -pink flowers with black background. Long bright pink 'sash'. Long sleeves. Kimono style. Long princess line, pink, black and white floral dress with V neckline. A fine cotton material with a bright pink chiffon sash.Tag: "Snazzi" "Follow the Dot with Dash" "Sydney"ball gown, reid family -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1945c
Black and white photograph mounted on heavy card of the female members of wedding party after the marriage of Belle Coate to Lawrence. Bride's gown has handkerchief point hemline, three bridesmaids and flower girl in short sleeved full length frocks and gauzy hats.genealogy -
Bendigo Historical Society Inc.
Document - CENTRAL DEBORAH GOLD MINE - PRESS STATEMENT
Hand written press statement from A. Richardson, President, Bendigo Branch of R. H. S., Vic. Statement mentions Central Deborah Restoration, also the Eaglehawk Logs and the Victoria Hill Project. Mentioned also is an exhibition and parade of historical gowns on 7th March.mine, gold, central deborah gold mine, central deborah gold mine, central deborah restoration, eaglehawk logs, victoria hill project, exhibition and parade of historical gowns, mrs biggs, a. richardson