An older woman sits on an outdoor chair, smiling to camera. She wears a cardigan and a floral dress.1 B/W photographs of older female sitting outsideassociation for the blind, elanora home (brighton)

Female Elanora resident raises her black skirt and smiles for the camera. She is wearing a white lacy cap, white pinafore and holds a flower. In the background, balloons are decorating a room, so possibly a fancy dress party.1 b/w photograph of smiling elderly womanassociation for the blind, elanora home (brighton)

A young boy, dressed in blue top and trackpants, sits on the floor with his teacher. Whilst he touches the rug, she holds his chin in one hand and has the other, as if lifted off his shoulder. The teacher is possibly dressed in a black exercise outfit, and may have been undertaking physical therapy with him.1 digital image of a female sitting on the floor with a young boyrvib burwood school, occupational therapy

Hilda Dance (graduated 1936, staff 1941-47)2 copies of a CD with photographs taken by Hilda Dance. (1) 4 female students working in a flower bed. (2) 6 students at a flower show. (3) 4 female students on the lawn wearing dresses. (4) Group of students sitting on benches on the lawn. (5) 1936 Year Group. (6) 4 female students playing around on the lawn. (7) Students working near the Luffmann Ponds. (8) Newspaper cutting: 'She knows all the answers.' Student answering questions on a Vegetable Growing public day. (9) 2 female students playing around on the lawn. (10) Possibly an excursion to the zoo-man holding snake. (11) Female student bathing in the Yarra River. (12) Female student climbing a tree with steps cut into it, not Burnley. (13) Students bathing in the Yarra River. (14) 4 female students on the lawn wearing dresses. (15) Group of male students with lawnmower. (16) George Barnett/Russ? (17) Female student watering seedlings. (18) Group of male students with lawnmower. (19) Orchard Border. (20) Group of male students with lawnmower.hilda dance, female students, flower beds, students, flower show, luffmann ponds, students working outside, recreation, lawnmower, tree climbing, george barnett, orchard border

2 copies black and white photograph and negative. 3 female students holding 2 draught horses. Students dressed in jodhpurs and long boots. Two of them in shirts and ties.1 Copy nearly life-size (part only) used in Centennial Display.On reverse, "Rodda."female students, draught horse, rodda, centennial display, jodhpurs, long boots, shirts and ties

The original newspaper cutting was lent by Dorothy Baker Barker (1933) in 1991 and returned in February 1992.Photocopy of a newspaper article with a photograph of 5 female students in a line carrying tools.The inscription reads, "... at the Burnley Horticultural College yesterday. Among the new students enrolled were G. Wilson, Ronnie Campbell, Louise Harris, Ruth Pullar, Thelma Johnson and D. Barker." 5 female students walking along side by side, four of them are carrying gardening implements, three in jodhpurs, one in overalls and one in a dress.female students, burnley horticultural college, g. wilson, louise harris, ruth pullar, thelma johnson, dorothy baker ( barker), ronnie campbell

A celluloid female baby doll, wearing a pink babies knitted dress with buttons on the back and a pink ribbon around the waist. It has knitted underpants and white knitted booties. leisure object, toys, dolls

In the 2000s Legacy released a range of Legacy Bears to expand the merchandise available for sale during Legacy Week and at other fundraising opportunities during the year. This bear is in a female Australian Naval black uniform and white cap. Sometimes special editions of the bears were produced. In 2021 the price was increased to $20 per bear.An example of the type of products sold along with Legacy Badges for fundraising in the 2010-2020s.Legacy bear dressed in a female naval uniform with a printed cardboard tag.Printed tag gives the price as $20.legacy appeal, fundraising, legacy bear

In the 2000s Legacy released a range of Legacy Bears to expand the merchandise available for sale during Legacy Week and at other fundraising opportunities during the year. This special edition WW2 land army bear was released in 2019. The Women's Land Army (WLA) was a British civilian group created during World War II to replace the men called up for the military. Over 80,000 women served working on farms, in sawmills, and in forestry. They became know as Land Girls and Lumber Jills. Please note the archive does not have a copy of this bear but is recorded here to complete the series.An example of the type of products sold along with Legacy Badges for fundraising in the 2010-2020s.Legacy bear dressed in a female WW2 Land Army uniform with a printed cardboard tag.Printed tag gives the price as $20.legacy appeal, fundraising, legacy bear

A special luncheon was held for World War 1 widows as a lead up to "Legacy Week". Legatees dressed up as moustached waiters to add a bit of humour to the day. Due to its success it was held for a number of years. In 1994 the author Patsy Adam-Smith was a personality of the year helping to promote Legacy. She attended the lunch and in one photo is with Legatee Eddie Jowett and widow Mollie Thiele (red jacket). Legatee Eddie Jowett led the Legatees in singing to the widows. There was also a pianist and a female singer attending. Two legatees reading a song sheet are George Standish and Maurie Lockwood. Legatee Lucky Luscombe can be seen in a false moustache posing for the camera. Also a photo of the hard work being done in the kitchen. Audrey the kitchen lady is obscured at far right. It appears to be Joan Miller with her back to the camera, and Sue Sargent (a widow who helped a lot in the kitchens) is on the right hand side. Other ladies names in the photos are not known. The following year more Legatees followed Lucky's lead and wore false moustaches to provide entertainment. The WWI group would meet on the 2nd Thursday of each month at 11 at Legacy House for many years until their numbers dwindled.A record of the type of activities Legacy provided as a social outlet for the widows.Colour photo x 12 of a World War 1 widows lunch.widows, function

Research suggests that this dress dates from the early 1920's when elastic was first used in clothing.Deep cream cotton muslin ladies tea dress. High waisted, square neckline, elbow length sleeves edged in cotton lace. Skirt has four panels of fabric - two side panels extending around front and back, and centre panels at front and back. French seams - some stitched in pink thread - machine stitched. Centre panels have two rectangular inserts of cotton lace. Each side panel has one rectangular insert of cotton lace. Lace inserts are edged on sides with six ball passementerie buttons. Neckline and sleeves edged with cream cotton lace. Soft gathering from neckline of centre front and back. Elastic casing around waist.costume, female, ladies tea dress

BHS Collectionsepia photoghraph on cream board. Adult female, seated and holding rolled paper, left arm resting on cushion with hand at chin. Wearing brocade dress, velvet cape with fur collar. Ward Bros. Paris panel. Photo, Bairnsdale and Sale, written on base of photo board in brown print. 'with very kind regards to Mr. and Mrs. Bush, July, 1899'Ward Bros., Bairnsdale and Sale.person, individual, portrait female, related to bush family ?

Purchased from Baptist Community Care Shop in Station Street , Mitcham1980s Wedding dress with vee neckline, bodice coming to a point over waistline. Satin bodice with lace motives re-embroidered with pearl and sequins. Tulle yoke and sleeves with embroidered pattern lace motives and sleeve edge also re-embroidered. Satin bow on shoulders with pearl and sequins embroidering. Back of bodice to point over waistline, buttons down back - eleven self covered buttons over zip fasteners. Back waist finished with large bow at waist. Circular skirt gathered at bodice. Three panels inserted in centre front to 67cm high and 60cm wide. Attached underskirt. Train gathered to back waistline, two widths of material with embroidered lace inserts around hemline. Nine arrangements of embroidered lace flowers inserts over the train coming out of satin petal shaped pouches gathered at top to give an impression of a vase.costume, female ceremonial

Navy blue rayon slip with black lace overlay dress, round neck piped in navy blue rayon. Unlined cape sleeves.Anthea Crawford 14costume, female

black cotton petticoat, long, with drawstring at waist and pleated trim around bottom.No visible markingscostume, female, petticoat, black, cotton, dress, clothing

Cream coloured long dress with long sleeves and high neck line. Decorated on front and sleeves with lacework. Dress is made of silk and has a belt also made of silk. Petticoat made of cotton underneath.No visible markings.costume, female ceremonial, silk, lace, lacework, wedding, bridesmaid, dress, cream, connie ziebell, janet hubbard, ceremony, marriage.

Black and white photograph. A group of female students harnessing a draught horse to a 2-wheeled cart. See B91.118 for names. The girls are dressed in jodhpurs, some in blazersfemale students, draught horse, students working outside, cart, stable

sepia photograph of adult female holding baby, small girl at her right. Group is standing at gateway to double fronted weatherboard cottage. Youngster wearing pinafore over dark dress. Picket fence and gate, brick chimney at left of cottage. Wall Bros. printed in script, photographers, Melbourne and Bendigo printed in lower case and capitals at bottom front of card.Wall Bros., Melbourne and Bendigoperson, family, casual

BHS CollectionIvory delustered satin wedding dress, long lily pointed sleeves - five covered buttons and loops at wrist.Boat shaped neckline at front, dipping to a ''V'' at the back. A pleated panel from the back neckline extends into a long cathedral trim rounded at the end hemline - 2.40 meters long. Empire line with two small pleats on each side of bodice. A flat satin bow sits across the train, on the bodice empire-line. Zip, with hook and eye fasteners on left side of bodice. Worn with veil 11400.328. Wedding dress owned by Barbara Gallagher (nee Filcock) of Bendigo. The dress was made by Mrs Clarke of Havlin Street, Bendigo, and is an example of home made fashion of the 1960's. The dress and veil were worn by Barbara Filcock at her marriage to Kevin Gallagher on 20/08/1960, at the Sacred Heart Cathedral Bendigo. Wedding dress 11400.327; Wedding Veil 11400.328; Fur Stole 11400.329. Donated by Regina Marr, items owned by Barbara Gallagher (nee Filcock), Husband Frank Gallagher of McKean's Real Estate note says other items have been donated by Barbara Gallagher (McKean's).costume, female, ivory satin wedding dress

(a) Donated by Carine Williams Wettenhall for the 1991 Centenary Year. (b) Donated by P. McVickar for the 1991 Centenary Year.4 female students standing under the willow beside the lily ponds. (a) Sepia. (b) B/w. Three of the students are dressed in the uniform of jodhpurs, shirt and tie(a) On reverse, "Clowning in a spare moment 1929."female students, willow, lily ponds, carine williams (née wettenhall), 1991, centenary, 1929, pat mcvickar, luffmann ponds, recreation

BHS CollectionOff white shoulder length wedding veil edged with cream coloured nylon lace with scalloped edge. Circular head piece (Tiara) with double row of small net covered wire oval rings ( 2cm). Second row of oval rings each have a rhinestone stitched in centre. Worn with wedding dress 11400.327.costume, female, shoulder length wedding veil

BHS CollectionSage coloured silk long sleeved dress. One piece full length dress. Full length side panels from shoulder to hem. Front of bodice extends below waist line to form two points on either side of front opening. Front opening is fastened with twelve fabric buttons (1-5cm) and button holes. Small standup collar(3cm) fastened at throat with hook and eye. Bodice shaped with two darts on either side of front opening. Small ruched pocket on LHS of bodice at waist level. Long narrow fitted sleeves shaped at the elbow. Decorative cuffs at wrists of ruched frilling (8cm) with triangularturned flap on top edge at back of cuff. Back of dress has four panels. The two centre panels extend below waist to to two points. The centre skirt panel is attached under the centre two panels and is gathered by five deep pleats to form a bustle effect extending to a long train. Front centre panel has horizontal gathering with ruched frills in centre, and at sides. Side panels overlap front centre panel. Hemline has pleated frill above the hem which is finished with cord. Skirt is lined with an open weave, brown cotton fabric. Bodice is lined with brown polished cotton. Hand stitched and machine stitched.costume, female, sage coloured silk dress

BHS CollectionWaist length dark green cotton bodice. Fabric has alternating stripes of pulled thread pattern and wider stripes of small dot pattern. Front opening with deep V to waist with lined lace insert extending from throat to waist. LHS of bodice fastened to lace insert with five press studs. Stand up collar of lined black lace (%cm) fastened with two hook and eyes. The bodice is made from five pieces. The two front sections have three knife pleats facing out and falling from the shoulder. The pleats are stitched down for twenty cms from the shoulders. On either side of the front opening is decorative embroidered black lace that extends across the shoulders to the back of the collar. There are two side panels from under the arm. The back section has three box pleats falling from the collars and tapering to the waist. The hem of the bodice is fastened with black cotton tape. Leg of mutton sleeves are trimmed with black embroidered brais at elbow and wrist. Lower sleeves have pintucks from elbow to wrist. The sleeves are lined with black cotton fabric. The back of the bodice is lined with black cotton fabric almost to the hem. A three cm piece of white and blue cotton tape is attached across the lower back with cotton ties at either end. The underarm panels are lined with brown cotton fabric and green satin inserted sections. The front has a separate lining with front opening and shaped with darts. Fastened with six buttons and buttonholes. Two shoulder pads on each side- one white piece under the shoulder and a green satin piece under the gathered section of each sleeve. Dark green full length skirt. Cotton fabric with alternating stripes of pulled thread pattern and wider stripe of small dot pattern. Skirt is made of three sections. Centre front panel widens slightly to hemline. Side panels continue around to join at centre back. Darts at both hips to shape sides. Panels widen to hemline. Inverted pleats at either side of back opening create fullness. Back opening(30cm) has insert of black satin joined to LHS of opening to enlarge the opening. Insert attached to waist band with two press studs. Two other press studs attach skirt to RHS of insert. Brown cotton waistband hand stitched to skirt. Ties attached to waistband at back opening- one cotton tape, one satin ribbon. Front centre panel has a piece of black satin stitched as lining from eighteen cm below waist (57cm deep). Stitched across and attached to side seams. Lower edge trimmed with black lace. Second piece of satin lining stitched to centre seam and stitched around the hip to partway across back.(Looks like a nylon petticoat cut in two pieces and stitched inside skirt as a lining). Hemline has fifteen cm piece of cotton lining attached and lower edge of hem has fringed cotton binding attached.. Side seams of front panel have decorative trim of embroidered braid extending seventy-six cms from waist. Braid then turned ninety degrees and continued in a horizontal zig zag line around to centre back seam (both sides) twenty cms above hem. Hand and machine stitched.costume, female, ladies dress- bodice.

See photo NP1832 of Doris & Cecil Evans on their wedding day, arriving at 22 Cassella Street for afternoon tea. Doris's father had died 1 month before, and the wedding had been postponed. The wedding took place at Christ Church, Church of England, Mitcham on 24/12/1938.Cream satin long wedding dress with back train. 'Peter Pan' collar and long sleeves with cuff. Photo of dress on wedding day, see NP1832.costume, female

BHS CollectionPhotograph of a group of ladies: The black and white photo is of a group of ladies in fancy wedding dress for her kitchen tea. Dressed up as a wedding party with the bride groom, marriage celebrant, flower girl, brides maids and groomsman. Nine people in the photo. The wedding party are carrying flowers, the bride has a vale with flowers and the men are in suits. * On the back the names hand written in black ink are: *Joyce Martin, Elsie Boyd, Isobel Thompson, Margaret Shepheard, Elaine Horne, Vi Morgan, Joyce Davidson, Phyliss Brerton. Little Nellie flower girl. The date 16/09/39. Hand written in blue ink *At Alma Pemb's Kitchen Tea. Estelle Dole, 1 Farrell St., Bendigo* Box 116Aphotograph, person, female, bendigo. estelle dole

See Item 11000.189Photograph of the Hanro Sample Room: The black and white photo shows a male employee with glasses and wearing a suit and tie showing a female customer sitting on a chair at a table being showed a sample item of lingerie. The lady is wearing a hat, fitted suit and a bag is resting against the chair. At the back on a wall is a light coloured dress on a hanger with a dark belt. Beside the dress on a carpeted floor is a vase with greenery. Along the wall is a long rack of various samples of Hanro items of lingerie, knitwear, clothing. On the back is a blue and cream label. At the top in a blue strip is *Reg. V. Brook* and at the bottom in a strip of blue is *of Bendigo* In the middle printed in blue is No. * H820* is hand written in biro. Pos. *0* is also hand written in biro. Additional copies may be obtained at any time by quoting this number. Photo has two holes at the top 7.4cm apart to be stored in a binder. Box 116A.Reg. V. Brook of Bendigophotograph, building, hanro, hanro. reg. v. brock of bendigo

Photocopy of a three page document titled "Uniform Dress Standards", providing details of male and female uniforms to be worn during the summer and winter periods, hair styles and what badges were permitted to be worn on the uniform. Issued Jan. 1992 on PTC letterhead, signed by Gregory Dower, Manager Depot Operations.trams, tramways, personnel, crews, the met, uniforms

Hilda Hill Collection. Combination Sepia & Black & White Photos Double Sided Card Total of 8 depicting family life towards the end of the First World War in 1918 up until July 1924. A comparison exists between life at 'The Ranch' ? In Eppalock in 1918 versus life at 'The Ranch' in 1924. lady standing at the front of the house with left arm raised to shade her eyes dressed in a dark coloured dress, light coloured cover on chair in background at 'the Ranch' June 1918. Oval black and white photo of Doreen at Durvol, dressed in black skirt and white shirt with black school? Tie June 1918. Proud parents with baby sitting in pram, both p[parents are wearing dark coloured hats dark clothing and white shirts, pram is boat style body with large rear wheels and smaller front wheels. White picket fence in background, May 1918. Also on this page is a reference to 'The Ranch' July 1924 in white, but no photo. Claire and Doreen sitting on lawn area, small garden to left, row of decorative plants in semi circle, dead tree centre background and other trees to left and right background, S.H.L.C. 24 Sept 1918. Boys' Flag Drill - repatriation Upper Reserve 19 October 1918. Group of people, all but one females, all in white at No. 7 reservoir happy 9 January 1919. Al and Marie sitting, Al in all white and hatless, Marie in white blouse and black waistcoat with black tie, foreground shows large rocks, background has trees in distance, No.7 reservoir 9 January 1919. Childrens folk dance at Upper Reserve, All children dressed in white, large round hat in foreground, and suited man in hat walking past 19 October 10918.Hilda Hill Personal Collectionaustralia, history, post war life