Braille hand frames and styluses were the primary way to produce Braille for over a century. The stylus was used to make a separate indentation for each dot, and the hand frame to keep dots within the same cell. Braille rows are produced from right to left. The process was very time consuming. Volunteer transcribers for the library could take an average of ½ hour to produce one page of Braille using this method. For example: “Oliver Twist” required approximately 600 sheets equating to 300 hours of work! This wooden slate, which was used to make the system portable, served as a firm base needed to sustain puncture pressure. The frame can also be slotted into both sides of the slate, thereby ensuring that the lines of Braille were straight across the page. The metal clasp at the top of the frame held the wooden which kept paper from slipping.Brown plastic rectangular hand frame with holes evenly spaced on either long side. Hinged Braille metal guide with space for 2 rows of Braille, each 35 cells long. braille equipment, rnib

Framed post titled "The History of Melbourne's Tramways", providing a detailed map, showing the opening, closing, dates, and notes of Melbourne's horse, cable, electric tramways and railways. Printed on an image of cable trams in Collins St with the Melbourne Town Hall in the background. Has notes on closures, track layouts, accuracy, and acknowledgments. Prepared by Stephen Watson and Ian Johnson in 2006, 3rd Edition See item 506 for other issues. Yields information about the development of the Melbourne tramways and the system.Wooden bevel edge, dark brown stain, framed poster glazed with paper backing.melbourne, map, tramways, cable trams, horse trams, box hill, vr trams

This 'Dayton Scale' was used in a grocery shop in Moorabbin Shire in 20thC to measure grain, sugar, fruit, vegetables, lollies, etc as required by the shopkeeper for the purchase by customers. The Dayton Scale Company, originally known as the Computing Scale Company, built and marketed the first computing scale in 1891. It was part of the Computing-Tabulating-Recording Company formed in 1911, and became an IBM division in 1933. The Dayton Scale Division was eventually sold to the Hobart Manufacturing Company when IBM decided to stop marketing scales to retail stores. The Computing Scale Company of Dayton was operated from 1891-1914 by two businessmen from Dayton, Ohio who purchased patents on the recently invented computing scale. It was merged with other companies to become the forerunner company for IBM. On July 20 1897 Mr CC Hobart & Herbert L. Johnson formed the Hobart Electrical Manufacturing Company in Troy, Ohio USA. 1915 Hobart continues its growth into the World market, opening a sales office in Australia. Dayton grocery scales, capacity 2 pounds, Imperial Measure. It is made from white painted steel with a large metal scoop that sits on 2 steel rods attached to a balance beam connected to a recording mechanism that displays the ‘weight’ in a glass framed gauge. In window of glass framed gauge ; DAYTON SCALE CO. / OHIO USA ; Computed from 0 – 2LB in 1oz sections weights, measures, shops, scales. balances, grocery stores, early settlers, moorabbin, bentleigh, cheltenham, dayton scales company, ibm pty ltd., hobarrt electrical manufacturing company, hobart c.c., johnson herbert l, computing scale company ohio

The author of the letter the Princess Royal is patron of the Mission to Seafarers in Australia. The letter marks the centenary in 2007 of the establishment of the Seafarers Service in Australia. Letter, signed, on Buckingham Palace letterhead mounted and housed in gilt painted frame, glazed . Fitted with single twist hanging wire, and 4 felt stoppers; Core flute backing with Brown paper tape to seal. Signature bottom right in Black ink "Anne" / Conservation Framer's label initials in black ink : "E LH 22/2/08"mission to seafarers, commemorations, princess anne, princess royal, letter, 2007, centenary, seafarers service

The author of the letter the Princess Royal is patron of the Mission to Seafarers in Australia. The letter marks the 150th anniversary in 2007 of the establishment of the Mission to Seafarers in Australia. It acknowledges the work of the Mission and the men and women in Melbourne and the Victorian Ports offering the "hand of friendship to seafarers from all over the world".It also acknowledges the significant role of volunteers in supporting the work of the Missions. This letter is one of 3 letters held in the collection and received from Royal patrons. Letter, signed, on Buckingham Palace letterhead mounted and housed in gilt painted frame, glazed . Fitted with single twist hanging wire, and 4 felt stoppers; Core flute backing with Brown paper tape to seal. Signature bottom right in Black ink "Anne" / Conservation Framer's label initials in black ink : "E LH 22/2/08"mission to seafarers, sesquicentenary, commemorations, princess anne, princess royal, letter, 2007

13th Brigade (Devil's Own) is part of the 2nd Division and is Headquartered in Perth!! Part of the 4th Light Horse trained at Broadmeadows.Wooden framed glass display box. Contains 10 items : - Anzac Day Medal 1918; Large brass rising sun;set of spurs with three pence piece inserted in place of rowel; Dress medals;1915 Star;British War Medal;Victory Medal;metal bit;brass/black fob watch;white and red patch with a over;silver coloured dog tag belonging to #592 V C Walker HQ 13th ALH C of C.Inscription on rear of frame V C Walker 592 13th A L H.

A depiction of the MS Nella Dan an active primary vessel built in 1961 by the Aarlborg Shipyard PTY Ltd, and regularly chartered by the Australian National Antarctic Research Expeditions (ANARE) in the 20th C. The ship ran aground in December 1987 and unable to be salvaged, had to be scuttled in deep water off Macquarie Island. See link above, this record. The ship was named after Nel Law wife of the Director of the Antarctic Division, DR Phil Law. "Ib Odfeldt (b. 1944) is a self-taught painter and sculptor spending many years inspired by and interest in ships and marine art whilst working as an engineer in the Danish Merchant Navy. His paintings demonstrate a keen eye for technical accuracy and skill. The balance and setting of his works have attracted interest in many commissions by lovers of marine and shipping works. In 2002 Ib was awarded the Southern Ocean Maritime Art Prize and this acquisition of the Nella Dan is presented in the foyer of the Tasmanian Maritime Museum in Hobart." (The ASMA 2019 National Exhibition - Maritime Museum of Tasmania catalogue). According to the Artist, the painting was part of an exhibition he held at "Melbourne maritime museum " (Polly Woodside) to celebrate ANARE (ARTIC SHOW). He donated two paintings of the Nella Dan. This painting was sold to Mr. Jensen when the museum couldn't accomodate the paintings due to a lack of space. Mr Jensen may have donated to the Mission. Ib Odfledt has also entered the Maritime Art Prize several times. (2012)Maritime ArtFramed , oil on board painting depicting a red hulled , single funnel ship cutting through sea iceArtist signature at lwr right corner PAINTED.: IB ODFELDT 95 At the back: Square loose label: 3076 Leonard Joel Bottom corner on the frame in Pencil: POW 2894 (National Trust accession number)nella dan, anare, antarctica, icebreakers, explorations, merchant vessels, artwork, maritime art, ib odfeldt, artwork-paintings, australian national antarctic research expeditions (anare), hobbies, asma, australian society of maritime artists

Framed photograph/portrait of W.J. HILSON WW2 VX 73637. Enlisted 10/2/42, age 20 years. Discharged 12/11/46 with Rank CRAFTSMAN, 1st AUSTRALIAN MECHANICAL EQUIPMENT WORKSHOPS.Photograph - Portrait, black and white, copy of a soldier in uniform. Frame - timber with brown stain, shaped edge. Glass front, cardboard backing. Mount - cream coloured cardboard.framed photograph, portrait, ww2

City of Moorabbin was proclaimed 1934 and managed the areas of Cheltenham, Highett, Moorabbin, Bentleigh, East Bentleigh, East Brighton, McKinnon, Ormond until the Amalgamation of Councils in 1994. The City of Kingston then took over the area south of South Road while City of Glen Eira took the area to the north Kingston City Council possesses the original Mayoral Chain of former City of Moorabbin and it is displayed on the Moorabbin Mayoral Robe at KCC Office Cheltenham for the Annual Opening meeting of KCC in February . 2018 The Moorabbin Mayoral Robe was sent on 7 year loan to KCC for display at Cheltenham with the former City of Chelsea and former City of Mordialloc Mayoral Robes.Since the 1960s far-sighted community members have generously donated many significant items to the ‘Box Cottage’ museum, specifically to provide future generations with a fascinating, and tangible insight into day-to-day life from the 1800’s and up to the mid 1900's. Moorabbin City Council supported their efforts until the Amalgamation of Councils 1994. The City of Kingston donated the 1990 City of Moorabbin Mayoral Robes in 2007 Photograph of the City of Moorabbin Mayoral Chain circa 1990 in a glass covered, wooden frame Photograph of Mayoral Chain worn by Kingston City Council Mayor Steve Staikos, with Councillor Brownlees, in November 2018 when Robe and Jabot were loaned to KCC by CMHS Box Cottage MuseumPlate at base of photograph frame states ' City of Moorabbin Mayoral Chain /Manufactured By / P. Blashki & Sons Pty.Ltd'/moorabbin, kingston, mayors, glen eira, mayoral chain, moorabbin shire

CEMA Art Collection Previously located in History HouseA house set amongst trees with a small body of water in front. The house has smoke rising from the chimney. Pinkish sky. On the water is a small wooden boat, and to the right of the house stands a person. In the background is a green hill with buildings set in the foothills. The hill and trees of the foreground are set against an orange/pink sky. The work has a gilded ornate frame with no mounts and exposed canvas. Signed front of painting bottom rightFront: Jessie Shevill 1894 Plaque attached to frame: The Lonely House Back: (no inscriptions)european painting, 1800s, country

This is a colour photograph of a gum leaf painting that is one of many done by the well-known self-taught Australian artist Alfred William Eustace (1820-1907). A.W. Eustace, an Australian artist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.Colour photograph of an oil painting on gum leaf by A.W. Eustace. A man is panning for gold in a stream with a house and hills in the background. Under glass in a decorative gilt and cream coloured plastic frame.Hand writing on tape at back of frame: COPY OIL ON GUM LEAF 10" x 5" A W EUSTACE owned by Betty & Alf Brownlie 2260alfred eustace, gum leaf painting, chiltern, gold panning, gold

A black and white picture in black frame of Major Chapman and his two soldiers waiting in front of a helicopter to be flown back to base camp. Major Graeme Chapmen OC Charlie Coy 7RAR, waits, with his troops to be flownback to base camp after a grueling operation in South VietnamA black and white picture in black frame of Major Chapman and his two soldiers waiting in front of a helicopter to be flown back to base camp.Major Graeme Chapmen OC Charlie Coy 7RAR, waits, with his troops to be flownback to base camp after a grueling operation in South Vietnam7 rar, 7th battalion, photograph, charlie company, officer commanding, helicopter, maj graeme chapman, 335108, royal australian infantry corps, the royal australian regiment

This photograph frame with its decorative floral and Greek patterned boarder was typical of the early 1900's when photography was in the hands of the professional artist. It was in a period before the "instant" photo and required a dark room and processing liquids for development. It was therefor in a time when photographs were "shot" only at important events be they family or public occasions.This photograph frame holds and protects, part of a very significant occasion, the 90th birthday photograph of the matriarch of one of the founding families within the Kiewa Valley. The frame therefore has historical significance.This gold painted aluminium photograph frame has a glass (broken) pane within a formed inlay and two swivel clip toggles. These are installed to allow the photograph to be securely positioned within the correct alignment of the the frame.The metal front plate has seven rivets holding the cloth covered cardboard back frame to the metal front cover. The front part of the frame has sculptured wild flowers and is boarded with a Greek "key" pattern. Half way on the back panel is a rectangular swiveled stabiliser flap. See also KVHS 0093.photograph frame early 1900's, the roper family

The rider's jersey was mounted and framed and then presented to Diamond Valley Sub Branch in recognition of its support to the inaugural VetRide.Significant because this VetRide was the inaugural event with the Diamond Valley Sub Branch in significant support from the ground level.Framed VetRide participant jersey; predominantly white, orange and black in colour; autographs of other riders are written on the jersey. The riders' team name is front and center on the garment "Diamond Valley Vietnam Veterans" with Vietnam ribbon immediately below. Other sponsors' names are recorded around the garment.Top plate: TEAM Dviets, 2012. Bottom plate: VETRIDE 2012 - TOUR OF DUTY. The inaugural VetRide organised by VVAA Vic was held from 25 March to 28 March covering.....TBAdiamond valley vietnam veterans sub branch, vetride

Framed memorabilia from Afghanistan conflict 2011/2012 containing 5 separate pieces 1 - A worn Australian Federal Police Cap, heavily stained appropriately to active use. 2 - Photograph of members of the AFP Contingent of "kamp holland". Features US Marines who guarded AFP members while they were teaching Afghan National Police Recruits. 3 - Embroidered "Australia" Patch stating counter of origin and flag. 4 - Embroidered Rank Epaulette Patch with service number 19054, and other embroidery signifying rank of Commander. 5 - Embroidered patch stating CTU, Combinied Teamwork Uruzgan. Tarin Kowt Afghanistan 2011/12 on plate within frame. Donated to Tramways/ East Melbourne RSL by Cmdr Gavin Ryan APM (Rtd) on plate fixed to exterior of frame. australian federal police, afp uniform cap, afghanistan, kamp holland, service patch, combined team uruzgan, cap, hat

'There are also a number of framed portraits, including those of...Dr. John Wilkinson, a doctor who started a practise in Bright in the late 1880's and helped develop the tourist potential of the Mount Buffalo Plateau. " (Pg 84, Historica, 2011) Dr John .F. Wilkinson was a significant figure in the pioneering of tourism at Mt Buffalo. A Doctor and resident of Bright, he and W.A. Staker were the founder members of the Bright Alpine Club formed in 1887 to promote the natural attractions of the Buffalo plateau. " They form the Alpine Club and charge a membership fee for guiding people up the mountain (led by official guides Bill Weston and Edward Carlisle). this is matched by a grant from the local shire council.... They advertise in the Argus and promote the Australian Alps, Bright district as "The Switzerland of Victoria'. Mt Buffalo, with the railways nearby, is the most accessible snowfield and becomes 'the cradle of skiing in Victoria'." (Pg 179 Historica . 2011) The initial funds raised by the Alpine club funded the Staker's walking track, the first easily accessible route up the mountain. . They engaged the services of early Victorian photographer Nicholas Caire, whose scenic photographs helped to promote the beauty of the mountain. The efforts of these gentlemen culminated in securing 2.800 acres for the one of the first National Parks in Victoria, 1898. Listed in Draft Inventory of significant Items. Framed sepia photograph. Grey mount in wooden frame. Portrait of Dr.J.F Wilkinson. Brass name plaque at base of frame. Hand finished / highlighted in places." DR J.F.WILKINSON"

Framed memorabilia of "WORLD WAR ONE /THE ANZAC LEGEND". Frame: Moulded timber frame, dark brown, coloured with gold painted inner edge. Glass front. Mount: dark green cardboard with gold inner individual mounts. Memorabilia: top - a colourised black and white photograph depicting a large group of soldiers on a pyramid. Middle: Collection of black & white photographs of various ANZAC locations. Lower section: Service and Bravery Award medals with two Rising Sun badges.Gold coloured information label within the mount with the heading "WORLD WAR ONE"AND "THE ANZAC LEGEND" with black printed information on back of frame - handwritten, blue felt tip pen "DONATED TO BGO RSL/ BILL YATES" .framed memorabilia, ww1, anzac

Photograph of Brian 'Lucky' Luscombe who was President of Melbourne Legacy in 1997. Appears to be a professional photo taken for use in publications during his term as president. There is also an article from The Answer introducing Lucky as the new President. More information on President Luscombe is in the newspaper article at 00891.A record of the past presidents of Melbourne Legacy.Colour photo x 2 of President Brian 'Lucky' Luscombe and an article from The Answer.Printed "past presidents, portrait, answer, brian lucky luscombe

A washboard is a tool designed for hand washing clothing that are soaked in hot soapy water in a wash tub or sink, then squeezed and rubbed against the ridged surface of the washboard to force the cleaning fluid through the cloth to carry away dirt. With the invent of mechanized cleaning of clothing becoming more common by with the use of washing machines by the end of the 20th century the washboard was soon discontinued. The traditional washboard is usually constructed with a rectangular wooden frame in which are mounted a series of ridges or corrugations for the clothing to be rubbed upon. For 19th-century washboards, the ridges were often of wood, sometimes glass and by the 20th century, ridges of metal became common The first "fluted" metal washboard was patented in the United States by Stephen Rust in 1833 and Zinc washboards were predominantly manufactured in the United States from the middle of the 19th century. A significant item for cleaning clothes still in use today in many countries giving a snapshot into the domestic life of a housewife into the 20th century.Washboard wooden frame with a ribbed glass sectionNonewarrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, washboard, glass ripples, clothes cleaning, washing, laundry

A washboard is a tool designed for hand washing clothing that are soaked in hot soapy water in a wash tub or sink, then squeezed and rubbed against the ridged surface of the washboard to force the cleaning fluid through the cloth to carry away dirt. With the invent of mechanized cleaning of clothing becoming more common by with the use of washing machines by the end of the 20th century the washboard was soon discontinued. The traditional washboard is usually constructed with a rectangular wooden frame in which are mounted a series of ridges or corrugations for the clothing to be rubbed upon. For 19th-century washboards, the ridges were often of wood, sometimes glass and by the 20th century, ridges of metal became common The first "fluted" metal washboard was patented in the United States by Stephen Rust in 1833 and Zinc washboards were predominantly manufactured in the United States from the middle of the 19th century. A significant item for cleaning clothes still in use today in many countries giving a snapshot into the domestic life of a housewife into the 20th century.Washboard wooden frame with a ribbed glass sectionMarked "Possum Brand"warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, washboard, glass ripples, clothes cleaning, washing, laundry

Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders on the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. VIOSH had its first intake of students in 1979. At that time the Institution was known as the Ballarat College of Advanced Education. In 1990 it became known as Ballarat University College, then in 1994 as University of Ballarat. It was 2014 that it became Federation University. VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree - on the basis of extensive work experience and knowledge. Framed photograph of students enrolled in Occupational Health and Safety Certificate Course, Intake 4, January 1994Coloured photograph - black frameNames and date under photoviosh, victorian institute of occupational safety and health, occupational health and safety certificate course, bob blizzard, denise clayton, jeff davis, murray hawgood, peter henderson, john holding, mark jacklyn, paul leitch, david lloyd, allen mcdowell, allan mcgreevey, ian martin, vanessa moore, diane scott, gordon vincent, robyn walton, john white, bob macauley, david mead

'The Department of Defence 50th Anniversary of the Korean War Commemoration Committee. 1213 Jefferson Davis Highway Crystal Gateway 4, Suite 702'Framed print of an illustrated image detailing the Korean War. Image details a map of Korea, all political personal involved, and each nation involved wearing their uniform. Small insert under frame states: 'The Department of Defence 50th Anniversary of the Korean War Commemoration Committee. 1213 Jefferson Davis Highway Crystal Gateway 4, Suite 702'korean war, 50th anniversary of korean war, korea map, illustration

Walter Peake No 6/1688 N.Z.E.F. He was from Bendigo and enlisted in New Zealand. He was " Mentioned in Despatches". This framed photo was one of a number that originally hung in the foyer "Gallery of Honour" at the Soldiers Memorial institute Pall Mall Bendigo which is now the Bendigo Military Museum. Refer Cat No 8003. Refer also 1794, 1793.2, 1791.3, 1792P. These items came into the Museum since it opened in 1998.Portrait photo, B & W set on a cream background re W Peake. Photo is in a dark stained wood frame. Brown wooden frame - glass front - cardboard backing. Head and shoulder, sepia photo in uniform. Mounted on fawn cardboard. By Bartlett Bros, Bendigo"Cpl Walter Peake Died of Wounds received in action 1.6.1917"brsl, smirsl, n.z.e.f

Condiments set including stand made of brass (?) with four ball feet, flat base, wire frame and handle to fit four glass containers. 1st glass container: rectangular glass box (no lid) with moulded geometric pattern. 2nd glass container: square base with round neck, same geometric pattern, broken stopper. 3rd glass container: square with metal hinged lid with knob.E.P.N.S., 1' (Electro-Plated Nickel Silver), embossed on frame and metal lid of 3rd itemdomestic items, food and drink consumption, condiments, glass, rack, e.p.n.s., metalwork

This hand carved framed mirror is part of a special bequest to the Mont De Lancey Museum of hand carved furniture and items made by Mr Franz Striezel by his grandaughter Mrs Dorothy Adamson. Dorothy was a friend of Nella Lord (nee Sebire). Dorothy passed away in 2007. It was to be known as The Franz Striezel Collection. Franz Streizel came from Germany in 1886 and was one of the three recognised craftsmen (Art Carvers) in Australia who contributed to the wood carvings in public buildings and honour boards throughout Australia. The National Gallery at their request had two small panels and a tobacco jar (some of his work), donated by Mrs D Adamson. They considered these pieces highly valuable.A rectangular beautifully carved wooden framed mirror featuring a gold painted carved lion head at the top and gold painted crest shaped ornamentation around the edges of the frame.mirrors, functional objects, wall mirrors, objects

This framed copy of a sketch of John Ruskin comes from the original steel plate engraving dating from about 1845. John Ruskin (1819-1900) was a notable English writer, philosopher, art critic and polymath in the Victorian era. He was the first Professor of Fine Art at Oxford University and was a prolific writer interested in the connection between nature, art and society, anticipating the more modern interest in environmental and sustainability issues. This framed item is from the collection of the old Warrnambool Museum which was first established in 1871 by the Warrnambool Mechanics' Institute under the curatorship of a local policeman, Joseph Archibald. This first museum faded away but was revived in 1883 by Joseph Archibald in his retirement years. The Museum continued as part of the Mechanics' Institute until 1963 as an important and much-admired institution. Most of the collection was lost over the years but some items remain, housed at the Warrnambool Art Gallery, Flagstaff Hill Maritime Museum and the Warrnambool and District Historical Society, with the John Ruskin item being part of the latter group's collection.This item is of considerable interest, firstly because it comes from the collection of the old Warrnambool Museum and secondly because it shows the local interest in the 19th century of the notable English writer and philosopher, John Ruskin. This is a copy of a steel plate engraving, a black and white sketch of the head and upper body of John Ruskin. It is enclosed in a cut glass frame with a red cardboard backing attached by metal clips. A section of the backing is torn off and there is damage to the bottom part of the glass frame.J. Ruskinold warrnambool museum, warrnambool art gallery, flagstaff hill maritime museum, warrnambool & district historical society, joseph archibald, john ruskin portrait

This book contains a series of questions framed to help museums explore their direction and plans for the future and a set of 'technical guidelines' which set out minimum standards and which are for self evaluation by the museum.39p; 30 cm; This book contains a series of questions framed to help museums explore their direction and plans for the future and a set of 'technical guidelines' which set out minimum standards and which are for self evaluation by the museum.museums, administration, keeping places, galleries, guidelines

Framed program advertising the 'The famous Royal Blind Entertainers from the Royal Victorian Institute for the Blind' held at the Mechanics Hall, Netherby on Wednesday 3rd May 1939. "Biggest variety show of 1939. See some of the speciality acts here! Night of Music and Laughter - Be Sure to Book Your Seat!!! Proceeds in aid of the Blind Babies, Children and Adults of Victoria. Advance Representative - Robert Reid. Concert Manager - Jack Stewart. Authorised Ticket Sellers - B. Redpath & H. Robinson. Popular prices - No Tax." Pictures of two blind children, the Royal Blind Entertainers, Harry Keegan of Radio Fame - Yodeller and Musical novelties, Gordon Girdwood - Musical entertainer and Jack Stewart - Famous comedy skits and Novelty entertainer. The program also mentions famous blind artists, Messrs Austin Anderson, Walter Heggarty, Norman Rees, George Wootton and Terry Scanlon - comedy and tap dancing. 4 page leaflet in wooden frame.royal victorian institute for the blind, fundraising

Colour Laminated photograph and timber framed view of Stawell from Big Hill. c 1998 The Town Hall is at the center of photograph and the National Hotel on the left. The back of buildings can be seen at top of Main Street. Laminated and Framed photograph taken by Irene Read in c 1998 showing view of Stawell from Big Hill -- The Coloured photograph can be identified by trees in the foreground, Stawell township and mountains in background.stawell, panorama, streetscape