Tennis racquet motif document clip. Materials: Bronze/Metal composite, Wood, Felttennis

Tennis racquet motif document clip. Materials: Bronze/Metal composite, Wood, Felttennis

A Spalding tennis ball constructed in accordance to the 'War Specification'. Materials: Felt, Rubber, Inktennis

A tennis ball, with inscription: HENLEY/1931/MADE IN ENGLAND. Materials: Rubber, Felt, Inktennis

Three early 20th century tennis balls (.1 - .3). Materials: Rubber, Felttennis

Five assorted lemon and lime coloured tennis balls. Materials: Rubber, Felt, Inktennis

The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. Most of the hats in the collection were created by milliners for women. There are however a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Conical woman’s hat made of deep blue felt. The hat is decorated with a single feather.Nilheadwear, women's hats

Clip-on Sun Glasses for Spectacles in Hard Brown Metal case with Brown Felt lining.stawell

Pair of spectacles with tortoiseshell surround in a hard black case, with a bone coloured felt lining.Case: "H.A. Barraclough Pty Ltd 219 Collins Street"spectacles, spectacles cases

Thomas Morgan and his daughter Nina(Mangel). The Morgan Family purchased Killarney/Grampian House in 1927. Thomas,his wife Sylvia and four children- John,Thomas,Dorothy and Nina ran Grampian House. It was the first guest house in Halls Gap to offer hot and cold running water.A street photographer's photo showing a lady dressed in a fur stole and a suit, she is also wearing a hat, and a man dressed in a three piece suit wearing a hatpeople, morgan

HUttley - Martin FamilyB/W/ photo. Older Woman in yard, dark Skirt, jacket with fur, light bucket hat holding dark handbag nest to body, light gloves Mum Huttley D'Arcy Street home Stawell West Madge Huttley's mother at D'Arcy St Home.huttley, martin

B/W. Portrait. Solid Woman in Ivory dress with fur (white) Stole dark curly hair with hair clip. corsage. Studio Setting. Bodice renched. Under Photograph Chapmans Studios Stawell, on back OF Photograph To Jack With Love May, Xmas 1949

It is known that we choose our family before we are born, for me I get a great deal of comfort knowing this, for me it is very true. I was adopted at birth, I have always known this. My mum is my best friend, she is my confidant in times of sadness and pain. She is my guiding light in times when I have lost my way. I share everything with her as she does me. She is my hero, especially now that I have my own children, seeing the sacrifices she has made along the way and is still sacrificing so much for our wellbeing. I celebrate her daily for all she does, we celebrate together the wonderful things that we achieve on a daily basis no matter how small they appear to be. She is always there for me – how privileged I am to have her in my life. I met my birth mother once I had children of my own, I understood what a sacrifice it must have been to give me up. The first words that I muttered out of my mouth when I met her was, “I am so proud of you, and thank you”. She was quite baffled by this and then I explained. Through your unconditional sacrifice I have been given a wonderful life, the doors have been opened to me in so many ways. I have been loved unconditionally and have had the devotion of my mum and dad behind me all the way – how blessed I have been. The dual figures that I have weaved signify my mothers, my mum is holding a babe in arms a gift from the universe. My birthmother is present within this figure, her face is at the back of my mums head. She wasn’t physically there during my many years without her, yet spiritually she never left. This figure is a homage to my mothers, a recognition of respect and admiration, to hold them in great esteem, adulation and worship. Lisa Waup, 2016emu feathers, parrot feathers, ostrich feathers, tapa cloth, fibre, crow’s feet, parrot feet, parrot wings, possum fur, seeds, raffia, woodmother and child, sculpure, weaving, lisa waup, torres strait islander, gunditjmara, indigenous, handcraft, chosen before birth, adoption, emu, feather, possum, mother, child

Murray Comrie Collection. Names of some subjects handwritten on card. This photograph is an original print. Monochrome photograph of a group young men, posed together with a makeshift backdrop behind them. Two at front are seated on a fur rug and holding a football between them.tarnagulla, sport, football, youth, teams, radnell, duggan, goltz, theobald, abbott, harwood, spencer

Made and used by internees in Camp 31 Blue padded heart with initials "HB" on one side. 1 red heart. Both attached to small roll of blue felt by a narrow red leather lace. Small safety pin on the back of felt roll. Hand stitchedbrooch, felt, leather, camp 3, tatura, ww2 camp 3, costume, accessory, jewellery

Oil on composition boardSigned 'F. Verheesen 67', underlined in felt tipped pen - lower right corner

Set of ten colour photographs excavations around the rail head to examine sleeper condition in vicinity of poles 4 and 6 in Wendouree Parade, taken by Warren Doubleday on 13.09.2002. Printed on Agfa Paper. 2603.1 - Road surface prior to commencement of excavation near pole 6 2603.2 - About three sleepers excavated - noted poor sleeper nearest to camera. 2603.3 - vertical photo from above showing sleepers and foot of rail. 2603.4 - ditto 2603.5 - ditto 2603.6 - Backfilling with crushed rock near pole 6 - Alan Snowball, Richard Gilbert and Oedf Bylsma. 2603.7 - ditto 2603.8 - Excavation near pole 4. 2603.9 - ditto 2603.10 -ditto On rear of each photo in brown felt tip pen, the details of the location and some notes.wendouree parade, trackwork, st aidans drive

Set of two colour photographs of the then new road signs indicating the BTM using the words "Tourist Tramway" in the central median strip of Sturt St. West, or Western Highway at the intersection with Hamilton Ave. Photos taken by Warren Doubleday on 13.09.2002. Printed on Agfa Paper. 2604.1 - Taken from the western side 2604.2 - ditto, but further back. On rear of each photo in brown felt tip pen, the words "New Signage at Highway".btm, hamilton ave, western highway, sturt st west

The firm of Harbig was a Melbourne millinery company owned by Mr and Mrs Richard Ernest Harbig. In 1949, an article in the West Australian newspaper reported their return from the United States. It records that: 'FEATHERS SYDNEY, Sept. 14: Mr. and Mr. Richard Harbig, Melbourne milliners who reached Sydney by air tonight from America, gave these details of hat trends for next winter. Shapes: Head-hugging cloches to suit short hair, cut away at the back to clear high collars, and built up and out at the front to give height. Materals: Felts, velours, velvets, and a new long-haired fur fabric called flamond. Colours: Muted pastels, few jewel shades, and no vivid colours. Trimmings: Little veiling, "but feathers and feathers and feathers".'The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Pale green woman’s hat created by Harbig of Melbourne with a large border of flowers and leaves in shades of green. The crown of the hat is swathed with pale green silk gauze.Label: Harbig. Melbourne, New York, Parismilliners -- harbig, women's clothing -- hats, floral hats

The firm of Harbig was a Melbourne millinery company owned by Mr and Mrs Richard Ernest Harbig. In 1949, an article in the West Australian newspaper reported their return from the United States. It records that: 'FEATHERS SYDNEY, Sept. 14: Mr. and Mr. Richard Harbig, Melbourne milliners who reached Sydney by air tonight from America, gave these details of hat trends for next winter. Shapes: Head-hugging cloches to suit short hair, cut away at the back to clear high collars, and built up and out at the front to give height. Materals: Felts, velours, velvets, and a new long-haired fur fabric called flamond. Colours: Muted pastels, few jewel shades, and no vivid colours. Trimmings: Little veiling, "but feathers and feathers and feathers".'The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Rounded hat covered with ivory coloured silk, simulated flowers attached to a stiffened net. Label: Harbigmilliners -- melbourne (vic.) -- harbig, women's clothing -- hats, headwear

Navy Blue Wool Felt Beret with RAAOC (Royal Australian Army Ordnance Corps) badge. Black polyester/cotton edging and adjustment tape. (inner lining has been cut out) Grey felt badge backing inside beret.Nilheadgear, beret

Item in the collection re John D Gardiner No 2832, refer Cat No 5892.2 for his service details.Badge large pressed brass, comprises an eagle with outstretched wings and claw holding a type of staff. Through the centre on a scroll are raised lettering, on the rear are two lugs. Item is curved to fit a German helmet.On the face, " MIT. GOTT. FUR. KOENIG. UND. VATERLAND", Central are letters "F R". English translation meaning, "With God for King and Fatherland".badges, german, fatherland

Khaki colour, 36cm length,16cm.width. made of fur felt.Fawn coloured band with two tone blue patch on one side. Rising sun badge on raised sideD^D 1945 N196

Gilbert Rule Collection: sepia toned photo of infant child, wearing a fur like coat, with long white spats over black shoes. Hat is matching coat.Alan Spicer, Williamson Street, Bendigoperson, individual, gilbert rule

These coasters depict scenes from Warrnambool – the Botanic Gardens, The Hopkins River mouth and the Wollaston Bridge. All are areas of historical and tourist interest. The coaster were produced to raise funds for Peters Project in Warrnambool, a charity organization dedicated to bringing improved cancer care services to Warrnambool. The organization was founded in 2008 by Vicki Jellie in memory of her husband Peter who died of cancer. The major aim of the organization was realized in 2016 when the South West Regional Cancer Care Centre was opened in a new building in Ryot Street and services to assist cancer patients in Warrnambool continue to be extended. These coasters are of some interest as examples of fund-raising material produced by the Peters Project committee to assist with the campaign to bring improved cancer care services to Warrnambool..1 .2.3.4 A wooden drink coaster with a felt base and a colour photograph pasted on the top section.1 Warrnambool Gardens .2 Hopkins River Mouth .3 Wollaston Bridge .4 Warrnambool Gardenspeter’s project, warrnambool, vicki jellie, warrnambool souvenirs

67 Battalion, Bbendigo Infantry 1912-1918Frame - Plastic, Brown glass front, badge on Maroon felt backing, yellow metal badge.67 Battalion BENDIGO INFANTRY "HONOREM CUSTODITE"passchendaele barracks trust, 67 battalion, framed badge

Refer to Cat No. 432.2. Fred Addlem.Rectangular Grey felt patch. On this is sewn two rectangular patches, one/ red - one/ black.On the rear is written "57/60 Btn"ww2, 57/50 btn