John O'LOUGHLIN Born Snowtown, South Australia In 1980 John O'Loughlin's life changed when he started wheel throwing ceramic vessels. During this time he discarded the superfluous and unnecessary clutter collected on the journey of life, yet retaining the essence of what mattered to him. John O’Loughlin's later artworks, such as 'Reliquary No. 20' engages with the way in which organised religion, specifically the Catholic Church, deals with the translation of the spiritual into the material. Informed by his extensive travels and studies, O’Loughlin’s ceramics reference the reliquaries and church artefacts that connect the life of this world with that of faith in another world. Completing undergeduate and post graduate works at Federation University John O'Loughlin's honours thesis was entitled "Ways and Means of Meaning, The Use of Symbol and Surface as Expressive Media in Ceramic Sculpture". The University provided a serious ceramic studio equipped with all the research tools for advanced ceramic exploration. Access to raw materials and a variety of kilns combined with excellent lecturers, mentors and technicians inspired, motivated and challenged him to push his accumulating knowledge to higher levels. O'Loughlin's working method in the studio is one of quiet, determined interaction with clay, idea and content. Experimentation with a variety of temperatures, firing methods and atmospheric conditions has produced a broad tonal and textural palette. He has worked with various clay bodies overlaid with coloured oxides, slips and engobes as the foundation for many of his works. O'Loughlin ufilised raised surfaces from old cemetery tombstones using the impressed forms and textures in his constructions. This research led him to the use of dry engobes to create a sense of antiquity, with crusty and distressed surfaces that resemble objects neglected in the oceans. These objects seem covered with the accretions and accumulations of history when re-discovered and brought to the surface as miraculous objects of mystery and magic. (https://www.thefreelibrary.com/John+O%27Loughlin%3A+a+man+re-invented.-a0216897107, accessed 12 September 2020) This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Four wheel thrown goblets, two with decorative stems. art, artwork, john o'loughlin, ceramics, goblets

John O'LOUGHLIN Born Snowtown, South Australia In 1980 John O'Loughlin's life changed when he started wheel throwing ceramic vessels. During this time he discarded the superfluous and unnecessary clutter collected on the journey of life, yet retaining the essence of what mattered to him. John O’Loughlin's later artworks, such as 'Reliquary No. 20' engages with the way in which organised religion, specifically the Catholic Church, deals with the translation of the spiritual into the material. Informed by his extensive travels and studies, O’Loughlin’s ceramics reference the reliquaries and church artefacts that connect the life of this world with that of faith in another world. Completing undergeduate and post graduate works at Federation University John O'Loughlin's honours thesis was entitled "Ways and Means of Meaning, The Use of Symbol and Surface as Expressive Media in Ceramic Sculpture". The University provided a serious ceramic studio equipped with all the research tools for advanced ceramic exploration. Access to raw materials and a variety of kilns combined with excellent lecturers, mentors and technicians inspired, motivated and challenged him to push his accumulating knowledge to higher levels. O'Loughlin's working method in the studio is one of quiet, determined interaction with clay, idea and content. Experimentation with a variety of temperatures, firing methods and atmospheric conditions has produced a broad tonal and textural palette. He has worked with various clay bodies overlaid with coloured oxides, slips and engobes as the foundation for many of his works. O'Loughlin ufilised raised surfaces from old cemetery tombstones using the impressed forms and textures in his constructions. This research led him to the use of dry engobes to create a sense of antiquity, with crusty and distressed surfaces that resemble objects neglected in the oceans. These objects seem covered with the accretions and accumulations of history when re-discovered and brought to the surface as miraculous objects of mystery and magic. (https://www.thefreelibrary.com/John+O%27Loughlin%3A+a+man+re-invented.-a0216897107, accessed 12 September 2020) This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Lidded ceramic form.art, artwork, john o'loughlan, ceramics, available, available ceramics

Thomas, Eliza and eight children lived at Mountain Grange. Thomas was employed as an engineer for Lillydale Shire, but died suddenly in 1888, aged 42. About 1910, Eliza and her daughter Florence opened the Kalorama Post Office. Eliza died in 1918.eliza hand, thomas hand, mountain grange

John EDYE (1944- ) John Edye trained in London at Harrow School of Art in the 1970s, and worked with Peter Dick in Yorkshire and Colin Pearson in Aylesford, Kent before returning to Australia to head the Sturt Pottery at Mittagong from 1974 to early 1978. At Sturt, his trainees included Piers Laverty, Wim Boot, Will Castle, Ruth Elder, Colin McNeill, Penelope Carr, Patrick Forman and Malcolm Campbell. Edye introduced them to salt-glazing, a technique at that time not widely used by studio potters. After leaving Sturt, he established the Little Forest Pottery at Yerrinbool in the Southern Highlands of NSW with Penelope Carr, who moved to Hazelbrook to set up her own pottery in 1983. Edye ran his pottery on a production scale for many years, making reduced and salt glazed stoneware and tutoring part time at East Sydney Technical College. Recently he has been working in Egypt as a technical advisor to an aid project, and he was a speaker at the Australian Ceramics Triennale 09. His works are marked with an impressed 'JE' and/or with the three-lobed tree emblem of Little Forest Pottery. John Edye was a visiting lecturer to the Gippsland Centre of Arts and Design (GCAD).Salt Glazed BowlTwo Stamps on basejohn edye, ceramics, jan feder memorial ceramics collection, gippsland

John Leslie Fitzgerald Vesey Foster was Colonial Secretary of Victoria from 1853-1854.Reverend John Dunmore Langjohn foster, colonial secretary, eureka stockade

Donation includes a letter, dated 12 June 1983 from June Uhl to Mrs [Thea] Sartori referring to research about John Hodgson and the naming of Studley Park.Photographic negative of a lithograph of the Melbourne and Studley Park pioneer John Hodgson, accompanied by a letter from the donor, Jean Uhl.Envelope: "John Hodgson painted* by Ludwig Becker 1855. Photographed by State Library of Victoria from original held by Royal Historical Society of Victoria. Kew Historical Society from Jean Uhl." Editor note: Incorrect attribution. The Becker oil painting is held in the City Collection, City of Melbourne. This negative is of a lithograph based on a drawing of Hodgson, made by L. Becker circa 1855.john hodgson, studley park, stoodley pike - scotland, rev alex davies, jean uhl, ludwig becker

The image in this photograph is the 'John Murray', which was owned by the Government of Victoria from 1909 to 1917 as a training vessel. It was built and registered in Glasgow, UK in 1877 as the 'Loch Ryan'. This photograph is a copy of the original photograph, which was owned by Dr J. Douglas, brother o the donor. The iron baque 'Loch Ryan' was a three masted, 1207 ton sailing ship built by James & George Thomson in Glasgow in 1877. It was purposed as a general cargo vessel and owned by the General Shipping Company, known as the Loch Line because the ships were named after Scottish lochs. The company had a fleet of 25 colonial clipper ships that traded between the UK and Australia between 1866 and 1909, mainly from Glasgow to Melbourne, Sydney and Adelaide. Many of the sips, including the Loch Ryan, had a distinctive white stripe on their dark coloured hulls. The 'Loch Ryan' was purchased in 1909 by the Victorian Government's Défense Department and converted for the purposes of a training in Williamstown. In 1910 it was renamed John Murray, whose namesake, John (Jack) Murray (1851-1916) was born near Koroit. He was the 23rd Premier of Victoria (1909-1912), and a Warrnambool Member of Parliament for twenty years. The government commissioned the ship from 1910-1917 for reforming juvenile offenders, training them as seamen for the Navy and Merchant Navy. The training project ceased after reports of the treatment of the boys. Although 411 did their training under this scheme, the success rate of them qualifying to serve on other vessels was less than twenty percent. In 1917 the John Murray was sold to the Government of Australia to serve during WWI. The ship was loaded with a cargo of dynamite and petroleum at San Francisco then departed for Melbourne when, during its passage, it was wrecked at Malden Island reef in the mid-Pacific Ocean on May 29th, 1918.The photograph of the John Murray , formerly the 'Loch Ryan' is significant for its connection with the Loch Line of the General Shipping Company of Glasgow, the same company that owned the Loch Ard, which was wrecked and tragically lost 52 lives. The photograph is also significant for its connection with Victoria's training ship John Murray, which aimed at reforming delinquent juveniles, to be suitable as seamen for Australia's Navy or Merchant Navy. The ship was the namesake of John Murray, so the photograph is also significant for its connection with Victorian and local Government, as John Murray was the 23rd Premier of Victoria and a Warrnambool Member of Parliament for over 20 years. He was born in the local town of Koroit. The photograph is significant as an image of the many clipper ships that traded between the United Kingdom and Australia, with goods collected from other countries along the way.Photograph, black and white, behind glass, matt, framed in black with gold trim. Image is the Government of Victoria's training ship "John Murray". Label attached to back of frame with inscription. Also a square white sticker with handwritten number.Text on label includes: "The "John Murray" / A training ship for delinquent boys about 1910 / Formerly the Loch Ryan / John Murray - Premier of Victoria and Member for Warrnambool for over 20 years / Donated by Elizabeth O'Callaghan / Original photo in possession of Dr J. Douglas / (Brother of Elizabeth O'Callaghan - nee Douglas)" Sticker; handwritten "57"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, the john murray, loch ryan, john murray, loch line, general shipping company, government of victoria, training ship, juvenile reformation, delinquent boys, james & george thomson, iron barque, three masted ship, clipper ship, uk to australia trade, dynamite cargo, petroleum cargo, maldon island reef, 1909-1917

Portrait of John Atwell for the 1982 Carols by Candlelight program.B/W portrait of John Atwell33%. Artgraf Studioscarols by candlelight, john atwell

John B. ROBINSON (c1877 -25 May1935) Born Ballarat, Victoria A latecomer to painting, John Robinson was known to periodically attend the Max Meldrum School. He joined the administrative staff of the Ballarat School of Mines somewhere around 1902, obtaining the position of Registrar. He stayed in the Schools employment for 35 years. His chief recreations were gardening and the study of art. "His many canvases reveal the sincerity of his work and represent a notable achievement from one who adopted art somewhat late in life. (Obituary, Ballarat School of Mines Students' Magazine, 1935) Robinson studied with Max Meldrum in Melbourne. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed oil painting showing the coast and three boathouses.Verso underneath brown paper No 11 Beaumaris Artists Signation J.B. Robinsonart, artwork, john braisted robinson, beaumaris, seascape, max meldrum school, available

Coloured, hollow back portrait bust of John Wesley with impressed circular plaque to reverse.Plaque reads: "The Rev'd John Wesley M.A. Aged 81 E Wood Sculp Burslem"john wesley, portrait bust, enoch wood, burslem

Photocopy of one-page handwritten employment reference for John Sandow, who had been working as a rabbiter. The reference is signed by Thomas McBeath and dated Linton, 23rd May 1917.john sandow, employment references, thomas mcbeath

John James Bray, Stoker, Submarine AE1, lost September 14, 1914.Memorabilia - framed story of a stoker in colour using memorabilia of the stoker and his life. Printed on paper. Frame - black extruded plastic, glass front, cardboard backing.JOHN JAMES BRAY framed item, anzacs, eaglehawk

Portrait of John Cook, probably taken for the Association's annual reportB/W photographs of John Cookassociation for the blind, john cook

John Smyth, Heidelberg Golf Club President, 1994-1996. John was also HGC Captain 1982-1984.One of a set of framed portraits of Club PresidentsFramed black and white portrait; timber frame with dark green mount under non-reflective glass.John Smyth - President - 1994-1996hgc presidents, john smyth

John Smyth, Heidelberg Golf Club Captain, 1982-1984. John was also HGC President 1994-1996.One of a set of framed portraits of Club Captains. Framed black and white portrait, timber frame with dark green mount under non-reflective glass.John Smyth - Captain - 1982-1984hgc captains, john smyth

Sketches of John Woods long standing Stawell Politician, Member of Parliament 1800's.Original in State Library of VictoriaBlack and white photograph of a detailed sketch of the head of a male with short hair and trimmed beard.John Woods 79stawell

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection. A black and white photograph - While Diana Dalton, Judith Little and Janice Voss harmonise, musicians of the Official Jun 69 Tasmanian Concert Party back up the singers with guitars, keyboard and drums while the Diggers packed right up to the edge of the stage, enjoyed the good vibrations.photograph, entertainers, tasmanian concert party, diana dalton, judith little, janice voss, 1 atf, nui dat, luscombe bowl, gibbons collection catalogue, official jun 69 tasmanian concert party, musicians, 1st australian task force, diggers

Portrait photograph of John Lidgerwood for inclusion in 1983 Carols by Candlelight program.B/W photograph of John Lidgerwoodcarols by candlelight, john lidgerwood

The photograph was taken at the Tasmanian Synod 1985.B&W photograph showing Peter Cotterell and John Maynard seated together at the Tasmanian Synod in 1985."Peter Cotterell and John Maynard C&N 30/10/1985 page 21"cotterell, peter, maynard, john, tasmanian synod, uniting church

John Gillies Waite Ellis was named after the captain of a vessel that sailed to Australia. He was a scholar at Redan State School. He later became the Reverend John Gillies Waite Ellis, went to New Zealand and set up homes for boys there before returning to Ballarat, Australia.Image of John Gilies Waite Ellisjohn gillies waite ellis, john ellis, redan state school, reverand john gillies waite ellis, new zealand, radan, sebastopol

John Dunlop was an earlu discoverer of gold at Ballarat.Portrait of John Dunlop from a newspaper clippingjohn dunlop, gold discovery

This thesis examines and analyses the linguistic data in the papers of the Reverend William Thomas (1793-1867) in the Mitchell Library, Sydney (Thomas MS 214). This data was found to refer mainly to the Aboriginal language of the Melbourne area, described by Blake and Reid (1998) as the Central Victorian Language.word listswathawurrung, wathaurong, boonwurrung, boon wurrung, woiwurrung, thagungwurrung, djadjawurrung, tjapwurrung, wergaia, wemba baraba, wemba wemba, yeti, madhi madhi, ledji, wadi, nari nari, wimmera, ballarat, bacchus marsh, gippsland, mount gambier, wonnin, john green, george augustus robinson, r h mathews, luise hercus, linguistics, sociolinguistics

This is the fourth volume in the series presenting 28 years of Thomas' journals, transcribed and annotated by Dr Marguerita Stephens (Vols 1-3). This volume provides a substantial collection of Thomas' records of Kulin Language - some reworked from earlier transcriptions by Dr Stephen Morey.b&w illustrations, word liststaungurung, boon wurrung, kulin, eastern kulin, wurundjeri, dja dja wurrung, wathaurung, wathaurong, bangerang, gunaikurnai, language revival

Studio portrait in Cabinet Card format of John Watson, the father of Mrs Ivory.Reverse: "Donated by Mrs Ivory / taken approx 1890s / Albert John Watson aged 12 / Hawthorn College"albert john watson

Black and white photograph of Thomas (T.R.B.) and Louise Morton in their buggy outside 'Clonmore' in Gordon Crescent, Blackburn.morton thomas richards burrowes, morton, louise, gordon crescent, blackburn.

Two death notices for Harry Osbourne Thomas, died 8 November 1945 aged 79 years.Dear father of Grace, Winifred (deceased), Rhys, Horace, Cornish, Rita, Elma and Gwen (Mrs R. Westmore).

Black and white copy of original photograph showing two men on a tractor, one driving, wearing dark clothes, the other standing behind wearing lighter clothes and a hat."Harry Thomas on Tractor, Happy Valley, Herb Milburn with hat."harry thomas, happy valley, herb milburn, tractor farm

John Wicking speaks from a podium at an unknown function.Col. photograph of John Wicking speaking at a function.association for the blind, john wicking