Rural Council of Wangaratta Collection - Gift of the artist 1989A bush landscape painted in oil using shades of brown, blue, yellow, and green.Obverse: J. Colin Angus/ 88/ (bottom left corner)wangaratta art gallery, j colin angus, john colin angus, painting, landscape

Painting: acrylic on paper. Image depicts a bird in landscape in bright, vibrant colours.

Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo:Desks, Computor, telephone, Yarn, Second desk - sample designAUnde Australia Ltd. logoindustry, aunde

Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo: Employee watching yarns entering weaving machine correctlyindustry, aunde

Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo: Empty weaving room warping yarn threaded into machine.industry, aunde

Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo: Two male employees setting up the Jacquard Loom.industry, aunde

Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo: Two male employees doing Rachel tying on the loomsRachel Tyingindustry, aunde

Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo: Corrugated sliding door with safety signs. Warehouse door1- Danger Lookout for Forklift 2 - Fire hose and reelindustry, aunde

Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo: Male Employee in overalls protective gloves and goggles working.Maintenance - Building Equipmentindustry, aunde

Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo: 1 Male Employee in overalls wearing safety goggles.industry, aunde

Tower Hill is 18km west of Warrnambool and is accessed from the Princes Highway. Tower hill is a dormant volcano, with associated conical hills, large and small craters, basalt outcrops from lava flows and layers of Ash from long ago eruptions. A black and white image of two trees in a barron landscape at tower Hill,Victoriagum trees, tower hill

Landscape grounds to the Bendigo Ordinance factory Black & white photo, large format

Bendigo Ordinance Factory - landscape to the Ordinance factory large format on mounted board

W.A. Tippett's painting was displayed in the Buninyong Council Chamber in December 1988 during the launch of the book "Three Times Blest".The photo is a historic record of W.A. Tippett's painting, taken in 1988. Photo of a landscape painting of the homestead "Ingliston" displayed in the Buninyong Council Chamber in 1988."Ingliston," by W.A. Tippett, exhibited "Three Times Blest" exhibition, Dec 1988artwork, painting, landscape, buninyong council chamber, three times blest

Local artistLandscape depicting Walhalla Post Office. combination of both positive and negative images.

Thousands of volunteers work tirelessly to conserve and protect the environment of Geelong and the Bellarine. Their work often goes unnoticed. In 'The Work of Nature' the National Wool Museum and the Environment Department at the City of Greater Geelong worked with photographer Nicole Marie to showcase the significant contribution of environment volunteers in our region. Each of the eight people showcased in these portraits were nominated by their peers and members of the community for their significant contribution to conserving and protecting the environment. Dr John Newman - Geelong Field Naturalists Club Over almost twenty years John Newman has organised large groups of volunteers to conduct surveys across Geelong and the Bellarine for shorebirds and waterbirds. Understanding and collecting important environmental data helps in the effort to preserve important sites, much of this data is collected by volunteers. The information collected in Geelong and the Bellarine also forms part of national and international datasets that helps in understanding global patterns of migratory birds, such as sharp-tailed sandpiper, red-necked stint and the critically endangered curlew sandpiper. The data collected at the Moolap Saltworks (since 1981) and co-ordinated by John since 2003 highlighted the importance of this site for these three species and played a crucial role in protecting the area as a conservation site. Photo at Taits Point, Lake Connewarre Wildlife Reserve by Nicole Marie.Image showing an environmental portrait of a man holding binoculars with a water landscape in the background.environment, conservation, portraits, geelong, nature, exhibition, work of nature, geelong nature forum, volunteers, lake connewarre

Ian Winstone, Landscape Lecturer, in the first Student Garden. Another copy with spares.ian winstone, landscape lecturer, student garden

In the 1800s, the stereoscope was the only way to view with world in 3-D. A viewer would look through the lenses of the stereoscope's eyepiece to a card called a stereograph. On the stereograph, two of the same image were printed side by side, which when viewed through the stereograph transformed the one dimensional images into relatively life-like representations. A popular form of entertainment among the middle classes in Europe and America, people could use a stereoscope to view images of real faraway places, or fantastical magic scenes. The first patented stereo viewer was invented by Sir Charles Wheatstone in 1838, and remained a favoured leisure activity until the advent of cinema in the 1930s. This object contributes to our understanding of social life, leisure and entertainment in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history. A cardboard box full of stereoscope cards showing street views and landscape scenery. stereoscope, stereographs, entertainment, fun, leisure

Sydney PERN (c1876-23 October 1967 ) Born Battley, England Dr Sydney Pern began practicing medicine in the Victorian town of Yarram before setting up practice in Ballarat. He was a competent artist, and as an amateur anthropologist collected Aboriginal artefacts during travels in Central and Northern Australia. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Watercolour landscape glued onto card depicting a view towards Mount Dandenong.art, artwork, sydney pern, landscape, mount dandenong

Watercolour landscape around Sulky near Ballarat. Gift of David Alexander, 2013LRS 'Sulky 30/12/90 D.Alexander'art, watercolour, artist, david alexander, sulky, available

In February 2014 severe grassfires blazed across the land north of Sunbury from the Calder Highway across Riddell Road and on to Clarkefield and beyond and caused damage to the Bendigo Railway line. This image was taken about a week later along Riddell Road and looking SW to Red Rock across the skyline.This grass fire caused much damage across a large area north of Sunbury and beyond.A coloured photograph of an open landscape that has been extensively burnt after grassfires.grass fires, riddell road, red rock, sunbury

Colour photographsouth pergola, arch, ballarat botanical gardens, landscaping

Found in the Curator's Cottage, renovated by Robert James before donationLarge timber tripod with means of attachment for dumpy level (but not B24.0049). See B91.126 for photograph of tripod in use by a student.surveying equipment, students, landscaping, dumpy level

This photograph shows a group of workmen standing outside the Ford Street office of the Ovens and Murray Advertiser in Beechworth. The Advertiser was a local paper, first printed as a weekly in 1855, and then as a daily in 1857. It continues to be printed today, albeit in a different form. The Advertiser was launched by architect Francis Hodgson Nixon with assistance from businessman John Henry Gray, and newspaperman Richard Warren. Warren was sole owner from 1860 until his death in 1906, and it responsible for much of the paper’s success. Its goals included coverage of local events, as well as of global news, and the promotion of economic liberty, arts, and sciences. Beyond these initial goals, the Advertiser was instrumental in local politics, particularly Beechworth’s association with conservatism and constitutionalism in the 1860s and 1870s. Numerous other papers sprung up to contest the Advertiser’s hold during the latter half of the nineteenth-century, but none were able to completely oust it from its post. As well as representing a key chapter in Beechworth’s history, the Advertiser can be used as a key source for the stories and figures of historic Beechworth. This photograph has historic significance for its relationship to the history of the Ovens and Murray Advertiser, which is a key example of of successful nineteenth-century business in Beechworth.Faded sepia rectangular photograph printed on photographic material, mounted on board. Obverse: The Owens and Murray Advertiser Reverse: Parkinson (crossed out) BMM 7725 15/ Failey/ [logo Farrell and Martin Landscape Photographers]ovens and murray advertiser, the ovens and murray advertiser, newspaper, printing, ford street, richard warren, journalism, advertising, 1800s, 1800s beechworth, #beechworth, local business, advertiser, workmen, hats, printers, journalists