Rev John G. Wheen born 1858 in England. Local preacher in Yorkshire in 1885. Candidate for the ministry. Methodist Minister: Prahran, Charlton, 1890 - 1897 Tasmania. Elected to the General Conference 1894. President General in 1926. General Secretary of the Foreign Mission Board in 1913. His daughter Agnes was headmistress of Annesley Girls College. Died in 1929.Sepia toned photographic print on cabinet card mount. Waist length studio portrait of the Rev. John Gladwell Wheen.rev john wheen, local preacher, methodist, minister, foreign mission board, general conference, president general, annesley girls' college

Rev Ira Menear (1901 - 1977). Born at Kapunda. Worked at the Kimba and Pt Neill mission stations on the west coast of South Australia before studying at the Brighton Training College and Adelaide University. Graduated B.A. Adelaide University 1928. After completing his theological training he was appointed to the Norwood Circuit before being appointed to take charge of the Methodist Inland Mission at Cloncurry. Minister at Crow's Nest, Gympie & Rockhampton 1936 - 1940. In 1940 he was accepted as a pilot officer in the RAAF, having been given leave of absence by the Methodist Conference. Menear enlisted RAAF air crew but was later transferred to the administrative staff. He rose from A.C.1 to the rank of Acting Wing Commander. He served in many parts of Australia, including the Darwin area. After the war Rev Menear took charge of the Commonwealth Rehabilitation Centre at Mount Osmond and later Mount Breckan, Victoria Harbour Rehabilitation Centre. B & W waist length studio portrait of Rev. Ira Menear dressed in his RAAF Flt. Lt. uniform."Seasons Greetings I Menear F/LT Control Officer Operations Room Pearce W.A."ira menear, methodist, minister, adelaide university, brighton training college, methodist inland mission, cloncurry, raaf, commonwealth rehabilitation centre

David Loader was Principal of Methodist Ladies' College, Kew, from 1979 to 1999 before becoming Principal of Wesley College Melbourne.B&W gloss waist length photograph of David N. Loader standing by a leadlight window at Methodist Ladies' Collegedavid loader; methodist ladies' college; wesley college melbourne; principal

Informal B & W full-length photograph of home mission Sister Maisie Allan standing in front of a weatherboard house.home mission, home missionary, maisie allan

Born Ballarat 1864. Appointed to Boort; Superintendent Lydiard St Circuit Ballarat; Minster of Ashby Methodist Church Geelong West 1897-1900; 1915 Superintendent of Sydney Central Mission; 1921 Superintendent of Melbourne Central Mission. Founded Fairfield home for unmarried Mothers Sepia toned waist length studio portrait of the Rev. Samuel J Hoban. Cabinet card format with deckled edge.rev samuel hoban, methodist, minister, melbourne central mission, geelong

Rev Alan Body ministered at Wentworth (the Victorian parish in New South Wales) for 10 years, and was subsequently transferred to Boort. During his time at Wentworth he conducted a patrol ministry, travelling between 8000 and 10,000 kilometres per year visiting the area from Wentworth to Pooncarie, to Coombah on the Broken Hill road, out west to the South Australian border, south to the Murray and upstream to Wentworth.B & W waist length photograph of Rev. Alan Body with his Wentworth Shire Australia Day Citizen Award."Alan Body page 31 C&N 24/2/1988"rev alan body

Length of Cream Cotton Webbing Material Square of Woven Cream Material used for Sieving the Flour at Wimmera Flour Mills.stawell

This truncheon was issued to Christopher Taylor who helped enforce law and order during the police strike of 1922 - 1923. Christopher Taylor was the father of the donor, Lorna Broad.Length of round wood tapered at one end with cord threaded through hole to form a loop to hang from arm.essential services, police

The coat was donated by Penguin Dry Cleaners Tunstall Square as it had not been collected for two yearsc1970 Full length imitation fur coat with tie belt. Coat is lined with brown rayon and has two pockets.costume, female

British Army Red with Blue stripe double buckle Stable Belt with metal length adjuster. Ceremonial Military wear.No Markings Insciptions.

Benedictine Monk - From Christian times nursing was not a women's vocation. Hospitals and Monasteries cared for the sick and poor. In 529 an Italian Monk Benedictine set up Monasteries with his fellow monks and Christianity spread across EuropeMiniature Doll - 30cm Dressed in long brown gown with chain belt around middle extending the full length of the gown.Name tag - Benedictine Monknursing uniforms, nursing history, northern district school of nursing

Glass vegemite jar with lid. The jar contains fifteen syringe needles of varying length. Aileen and John Ellison CollectionOn the lid in black Texta the number 29.medical, needles

Green Torpedo Glass Bottle. The bottle is the shape of a torpedo and is approximately 7 cm in diameter in the centre and 23 cm in length.food technology, bottling, soft drink bottle

Grace James, the creator of the items in the Grace James collection, designed and created costumes over a 19 year period (1969-1988) for her daughter Ceri. The collection of clothing ranges from evening wear to knitted garments. All the items display exemplary dressmaking skills. The designs are of the period and reflect evolving fashions of the time. Some items are copies of published designs whereas others are original creations. The collection was donated in 2006.While most of the items in the Fashion & Design Collection of the Kew Historical Society are commercially designed items of clothing, there are also items made by home dressmakers. Many of these exhibit outstanding design knowledge and technical skills. A large and important group of these items of women's clothing is contained in the Grace James collection of outfits created for the dressmaker's daughter. The items have additional significance due to information about the purpose of the creation and the date when it was constructed.Multicoloured knitted long coat dress. The garment has a high round collar and full-length sleeves. It is buttoned at the front.grace james, women's clothing, dressmakers - surrey hills (vic), fashion design, fashion -- 1970s

About the 1992 Barcelona Olympic Games donator Doug Pleasance wrote- During the 1980s the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technichian, my role was a low profile newly created position of “Controller, Technical Marketing” where wool was to be marketed on its technical properties, as distinct from the “Product Marketing Group” which exploited trhe traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to ‘spot the Aussie’ and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretchGreen knee length skirt with button and zip back. Has two pockets, and two darts in both front and back.Label 1 - Barcelona 1992 Official Uniform supplied by Australian Wool Corporation Label 2 - Fletcher Jones Australia 141992 barcelona olympics, australian wool corporation, wool, olympic games official occasions

Hilary Reardon Collection;Garment made by Mrs. Margaret RobinsonEvening dress of cream self-spotted silk with beaded neck and hem with piped waistline. Full length- Hand finishedlocal history, costume female, dress, robinson, margaret, reardon, hilary, fashion

Found in a box of clothing in the Courthouse holding cell. Unknown originPair of kidskin elbow-length evening gloves, discoloured & stained, misshapen, rust losses around fingers. Poor conditiongloves, evening wear

This item is part of the Dodgson Collection, which was bequeathed to Queen's College in 1892 by the Rev. James Dodgson. The collection was created by Aquila Dodgson, brother of James. Aquila Dodgson was a friend of the English Egyptologist Flinders Petrie, and it was through this friendship the Aquila was able to acquire ancient Egyptian artefacts. A detailed study of the collection was made by Christine Elias "Discovering Egypt: Egyptian Antiquities at the University of Melbourne", M.A. thesis 2010.Very roughly shaped piece of wood with suggestion of fingers at one end. Two circular holes along length for attachment. Small paper label inscribed with 'B3' attached to back of arm.arm, wooden figure, james dodgson, aquila dodgson, flinders petrie

White cotton pants; 3/4 length used as sleepwear. Crochet detail on bottom of pants and tie-up waist.No visible markingscostume, female, white, sleepwear, nightgown, crochet, cotton, clothing, costume.

Colour photograph showing lengths of metal track. This part of the track is stamped "5-82 VR Krupp 1888 V1".railway tracks, linton railway

Wedding Dress worn by Liz Forster for her marriage to Graham Humphries on 13 January 1965 at St Oswalds Anglican Church conducted by her father the Rev. Joseph Forster.1965 White Guipure lace full length short sleeve wedding dress, piped at waist with full satin lining.costume, female ceremonial

Military leather bandolier with nine pouches used to carry live ammunitionMade and distributed by Holden and FrostBrown leather belting having nine pouches for holding live ammunition riveted to it. Length adjustment by brass buckles at centreHolden and Frost 1915military, bandolier, ammunition

Robert Clark was a self educated man who had arrived in Australia with his step father to take up mining in 1854. He worked in several local mines and being familiar with the hardships associated with mining life helped to establish the eight hour day for miners. Robert married Sarah Jane Kernaghan in 1862 and together they had nine children. Robert Clark was first elected in 1872 and remained a councillor until his death in 1883. He died aged 41 years. 180.1 Donated by Jenny Taylor; 180.2 Organisational created.Photograph mounted on card. Front facing, 3/4 length portrait, wearing mayoral robes with bicorne hat on stand.mayor city of sandhurst, councillor robert clark, mayor clark, mayor of the city of sandhurst

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Three quarter length dress of ecru needle-run lace with pearl buttons at front to waist and green under slip.women's clothing, australian fashion - 1930s, cocktail dresses, lace dresses

The 2 items were presented to “DAVID M KEARIN by the Gun Crew HMAS COOTAMUNDRA. “KEARIN D M No R 41516 RAN 1952-58”.1) & .2) Trench Art made from brass 40 mm shell casings. Engraving is along the length of the caseings..1) & .2) “40 mm M4 LOT 175 1951 (up arrow) AN HMAS COOTAMUNDRA 1957”military history - trench art, ornaments, souvenirs

Pair of women's leather boots given to the donor by Miss Denbigh of 18 Gordon Avenue, Kew in the 1950s. The Denbigh sisters were the daughters of John Denbigh, a pioneer of Kew, and the first resident of 'Wimba' in Cotham Road. The mid nineteenth century silk patchwork quilt in the collection also comes from the Denbigh family via a different donor.Pair of comparatively rare Edwardian women's bootsPair of women's black leather boots. Leather insoles and soles. Mid-calf length with a 2-3 inch heel. Inside in biro "3286 / G. Smitt"footwear, fashion and design --1900s, fashion and design 1910s

Port of Portland CollectionModel of a ship. Hull is painted in black (above water line) and burgundy (below water line). Ship has three masts, a smoke stack (black with red stripes) and a white super structure with portholes. Supported on brass stands. Housed in a timber and glass case. Label in case.Front: T.S.M.V. Clan MacDougall Length BP 475', Breadth 64'-6", Depth 41½. Built by the Greenock Dockyard Co. Ltd. for Clanline Steamers Ltd., London.port of portland collection

One of a pair of separate half-length studio portraits of an unidentified man and a woman photographed using the daguerreotype process. Both portraits are contained within pinchbeck frames, bound in brown-tooled leather cases, with red, cut-velvet binding. Each daguerreotype required an individual negative, presented to the sitter as a positive, and was not reproducible. Due to an exposure time that could extend to many minutes, people were often seated for portraits. Sitters were almost exclusively drawn from the middle to upper classes because of the cost of production of the photograph. It is assumed that the subjects of the two daguerreotypes were unidentified members of Gwen Steele's family. They are the earliest photographs in the pictures collection.Half-length studio portraits of an unidentified woman photographed using the daguerreotype process. The portrait is contained within a pinchbeck frame, bound in a brown-tooled leather cases, with red, cut-velvet binding. The portrait of the woman is notable for her centre-parted hairstyle with the fullness of the hair drawn into a single chignon at the base of the neck. This style set off the tilted-back angle of bonnets and hats. The seated woman wears a dark silk day dress with a voluminous skirt. The bodice is set-off by a large lace collar on its high neckline and at the cuffs. daguerreotype, portraits