Born: Vienna, Austria 1811; Arrived: Melbourne, Victoria, Australia 1852; Died: London, Middlesex England 1901RomanticismLedger Gift, 1984Rural valley and mountain landscape with two figures walking down a track beside a waterfall towards a river. Gold brushed gesso decorative edged timber frame.Recto: Signed and dated "Eug.V.Guérard / D. 85" in red oil in l.r.c of composition; Not titledpainting, landscape, river, cliff, mountain, figures, buildings, waterfall, sky, clouds

Born: St Petersurg, Russia 1828; Arrived: Melbourne, Victoria, Australia 1854; Lived and worked: Switzerland 1845-1848, Germany 1851-1854, Australia 1854-1865, New Zealand 1865-1866, England 1870-1902; Died: London, Middlesex, England 1902RomanticismGift of Mrs E.E. Ledger, 1985View from rustic house with two figures overlooking lake surrounded by mountains and trees. Grey brushed stained timber.Recto: Signed and dated "N.Chevalier. / 1886" in brown watercolour in l.l.c of composition; Not titledwatercolour, landscape, waterscape, building, trees, mountains, water, cabin, sunset

watercolour, work on paper, macedon, macedon ranges, central goldfields, victoria, australian artist, landscape, mountain

This Japanese journal features a photographic article on Boyd's Walsh Street home. It was written by a Japanese architecture student who visited Walsh Street with a group of 6 such students in 1961. A translation of the text follows. ________________________________________________________ "An Architect’s House in Melbourne, Australia Author: Tamon Okubo This house was built by architect Robin Boyd as an experimental work. Although in a residential area of Melbourne, the site is a 40 x 126 ft rectangle in a corner of a former park with high rise buildings on either side. Due to its location, the design focuses on protecting the privacy of the house from the outside and on the composition of the interior space, creating a somehow introverted plan. However, the interior is not completely closed from the outside; it is cleverly designed to provide both views of the rooves of nearby houses as well as the mountains in the distance. Firstly, the couple’s room and the children’s rooms are in separate buildings. These two independent structures are connected by a courtyard. The ceiling of the courtyard is partly open, so one can look out from the second-floor terrace of the couple’s room. The walls on both sides of the courtyard are of opaque glass to ensure privacy from outside. In both buildings brick walls with three-inch steel pipe inserted into the brick cavities form the structure and separate each room. The roof is connected to pairs of 3/4-inch thick cables, spaced four feet apart, attached to the brick walls of both buildings and supported by wooden posts that separate the glass panels in the rooms. The cables are not tightly strung together but are loosely suspended from the front structure, where the entrance is, to the rear one. The upper cable in the courtyard is covered with vine. The materials used are insulation board for the roof, raw timber for the structural materials, native jarrah for the timber sections of the interior walls and white eucalyptus for the joints. Robin Boyd – A Brief Personal History 1919 Born in Melbourne, Australia 1947 As an architect, was the first director of the Small Homes Service, a public housing research institute established to provide homes for needy Australians. 1960 Wins the American Institute Architects Prize (the Japanese architect, Kenzo Tange, was awarded the same prize in 1959). In the same year he was elected an honorary member of the Institute. Mr Robin Boyd is currently writing a book on the history of Australian architecture, The Walls Around Us, as well as a book on Kenzo Tange. He is a frequent visitor to Japan to exchange ideas with Japanese architects and is quite a Japanophile. " This is a photocopy of the article from Japan Interior Design No 17. Pages 4-5 are glued together, and pages 6-7 are glued together, p8 p9, p10 are separate. There is writing on it (not Robin Boyd's hand). Geoffrey Serle, Robin Boyd's biographer, may have given it to Patricia Boyd.walsh st library

Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka and travelled to Osaka several times in 1969-1970. Boyd designed the innovative Space Tube, which had over 25 exhibition boxes, projecting from it. Amongst the topics covered were Australian scientific innovation (including brain research, immunology, Antarctic research, Snowy Mountains Hydro-Electric Power Scheme, rainmaking, and the night sky), Australian sport, house interiors, car manufacturing, Australian music and art, and Japanese-Australian relations.Colour slide in a mount. General view Osaka Expo '70, Japan, with Australian Pavilion in the backgroundMade in Australia / 13 / MAY 70M3expo 70, osaka, robin boyd, slide

Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka and travelled to Osaka several times in 1969-1970. Boyd designed the innovative Space Tube, which had over 25 exhibition boxes, projecting from it. Amongst the topics covered were Australian scientific innovation (including brain research, immunology, Antarctic research, Snowy Mountains Hydro-Electric Power Scheme, rainmaking, and the night sky), Australian sport, house interiors, car manufacturing, Australian music and art, and Japanese-Australian relations.Colour slide in a mount. General view Osaka Expo '70, Japan, with Australian Pavilion in the backgroundMade in Australia / 5 / MAY 70M3expo 70, osaka, robin boyd, slide

Woodlands Park complex which includes 'Cumberland' and 'Dundonald' ruins and the Gellibrand Hill Quarries was acquired by the Victorian State Government in 1978 and is managed by Parks Victoria.A view taken from Gellibrand Hill looking east towards the developing suburb of Greenvale. There are small rocky outcrops in the foreground and a clump of conifers and cypress trees in the middle. The sky is very overcast and a range of mountains can be seen across the skyline. Coloured photograph with rounded corners and matt finish.woodlands park, gellibrand hill, greene, william pomeroy, anne, george evans collection

Nettleton creates an image of peace and tranquility after the violence felt from the 2009 Black Saturday bush fires / At the Arthurs Creek cemetery Nettleton found the grave of Reg Evans and Angela Brunton, friends who had perished in the fires / Nettleton sat on the edge of their joint grave and photographed their view / It was only after examining the photos more closely that she realized Mount Sugarloaf had burnt almost to the valley / Sugarloaf is always in an indigo haze. This work is by a local contemporary artist and encompasses themes dealing with the 2009 Black Saturday bushfires. Mixed media (acrylic paint, acrylic ink and indian ink) on board / Landscape painting of Mount Sugarloaf and green pastures after the 2009 Black Saturday bushfires / Mount Sugarloaf is depicted in an indigo haze in the background / A line of trees bathed in light border the mountain's edge / Lines of trees parallel to each other jut out diagonally in the foreground / Framing this view of the landscape is a pattern (topographical maps of the Nillumbik area), which suggest the vast extent of the devastated area of landscape. In black marker 'LIZ NETTLETON' + artist signature '2011' on back - middle right side nettleton, respite and repose, landscape, painting, mixed media, black saturday, mount sugarloaf

View of Albert Cox's Orchard at Pomonal c 1938.Black and white photograph of mountain in background and fruit trees in foreground.Albert Cox's orchard Pomonalstawell

Colour Laminated photograph and timber framed view of Stawell from Big Hill. c 1998 The Town Hall is at the center of photograph and the National Hotel on the left. The back of buildings can be seen at top of Main Street. Laminated and Framed photograph taken by Irene Read in c 1998 showing view of Stawell from Big Hill -- The Coloured photograph can be identified by trees in the foreground, Stawell township and mountains in background.stawell, panorama, streetscape

History of the Jallukar and Bellellen areasGrey card cover with tow Photographs. The Top photo a panorama of a range of Mountains in the distance. the lower photo of a house and shed in the middle distance. The Title is between the two photos, the author is below the lower photo.A RANGE OF VIEWS OF JALLUKAR and BELLELLEN. Isabel Armerstawell

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Coats Patons and contains patterns for mens and womens garments knitted in mohair wool. The photographs in this book were taken at 'View Bank', a Welsh mountain pony stud farm owned by Mrs H. Bartramat Heidelberg, Vic.,Patons / BOOK No. 748 / KNITS FOR ALL OCCASIONS / His and hers - a 'V' neck pullover. / Hers only - pullovers, jackets and a skirt / - all in MOHAIR / 2'6 / 25 CENTSknitting handicrafts - history, coats patons (australia) limited, knitting, handicrafts - history

Photographic postcard showing view of town of Bright with mountains in backgroundAt bottom of photo: "Victorian Alpine Scenery. - Birds-eye View of Bright" At bottom left: "H. Manning, Copyright" At bottom right: "F. Foxcraft"bright-victoria, victorian alps

Also second identical copyColour photograph of Sarsfield Flats. Distant view of cattle grazing and farm buildings, foothills in background, and glimpse of mountains. Pine trees in the foreground. Bruthen Victoriabuildings, historic sites

View down the Main Street of Sassafras looking south with the Mechanics Institute in the centre of the picture. The raspberry patch in the foreground belonged to Woniger Hansen who built Mountain Rest (Rostrevor). The land was subdivided after his death in 1923. The raspberry patch is in the area of the current Mason Grove.Black and white Rose Series postcard P. 4765 looking south down the Main Street of Sassafras with buildings either side and berry patches in the foreground.On reverse POST CARD. THE "ROSE' SERIES DELUXE. A REAL PHOTOGRAPH PRODUCED IN AUSTRALIA. PUBLISHED BY 'THE ROSE STENOGRAPHS" Armadale. Victoria sassafras, rose series, rostrevor, woniger hansen, hansen, mechanics' institute, raspberry, raspberry crop, mountain rest, mason grove

Copy of Rose Series Postcard #4797Copy of Rose Series Postcard #4797. View down Main Road Olinda towards Sassafras c1940s showing Post Office to the left.Three people visible in picture.rose series, post office, postcard, olinda, main road

View through trees of Mountain Grange, home of the Hand family. Now the site of Kalorama Memorial Reserve and Karwarra Gardens.Sepia photograph showing a wooden building in a treed setting.thomas hand, mountain grange, kalorama memorial reserve, karwarra gardens

Mountain Grange homestead with the great barn. Left are remains of tree clearance. Fruit tress at right angle to the house. Other cultivation evident. This is the earliest of the 3 views in the collection.mountain grange, kalorama

House in photo is handsome, well maintained with ornamental double doors and dormer window. Narrow view of rear of building. Picture does not resemble earlier photos but Mountain Grange demolished in 1932. Present location of the Karwarra Gardens and Kalorama Memorial Reserve.kalorama memorial reserve, mountain grange

View of garden and part of circular paths. Man in suit holding young child on right hand side.mountain grange

Front view of the house with Mrs Eliza Hand and a daughter on the verandah.eliza hand, mountain grange

Landscape view from Barbers Road across the valley. Kia-Ora was built by George Barber in 1909 and run as a guest house. John Lundy-Clarke annotated the properties shown with the owners' names. Excellent companion piece to J L-C's "Mountain of Struggle".kalorama valley, kia-ora guest house, mountain of struggle, john lundy-clarke

Copy of a postcard titled "Looking Towards Healesville". View taken from "Cherry Farm" hill looking across farm (now the Kalorama Memorial Reserve), which was the property of Thomas and Eliza Hand. Location recognised because of likeness to a painting.eliza hand, mountain grange, thomas hand

View of Jeeves Saddle in 1907 showing everyday life and including important people and businesses from early settlement - Dodd's grocery and meat cutting carts; Beulah tea Rooms/Post Office; Mrs Hand, Fred Jeeves, Theo Hand.This photograph has a detailed inscription on the back handwritten by John Lundy-Clarke in 1974.“Jeeves Saddle” in 1907. Isaac Jeeves special strip of land Crown Allotment “C” 7 chains wide, lay between the sledge load of pea stalks and the far end of the verandah on Mrs Hand’s “Beulah Tea Rooms” which soon afterwards became the Mt Dandenong North Post Office. The coach road came up from the right behind the tall stump. The big woman in black was Mrs Hand. The wagon at the shop was Dodd’s grocery cart. The nearer wagon was the first coach on the mountain which had belonged to Briarty. The small cart was Dodd’s meat cutting cart. The elm trees are in the centre of the picture and above them is Price’s sign advertising their shop and newsagency. The big house is “Mountjoy” burnt 1975. Walker’s house is among the big trees left centre. Boy at horse’s head is Fred Jeeves. Boy on sledge is Theo Hand. The horse is “Blossom”. Barbers Road goes to the left from behind the elm trees.jeeves, theo hand, fred jeeves, isaac jeeves, barbers road, beulah tea rooms, post office, mount dandenong north, mt dandenong north, kalorama, coach, mountjoy

Copy of Rose Series postcard #385 showing the new Mt Dandenong Tourist Road with wooden railing fence on low side of road. Surface not yet made. This photograph has a detailed inscription on the back handwritten by John Lundy-Clarke in 1974.View downhill from the Windy Bend showing the site of the 1972 landslide. In this picture the road is running along the top edge of the wall 900’ thick of Kalorama Docite that plunges thousands of feet deep down into the earth below the Ranges and extends to Fern Tree Gully. It was once a horizontal terrace nearly ten miles square and tipped over to the left when the mountain subsided into its volcanic cauldron.mt dandenong road, rose series, windy bend, landslide

A postcard from Belfast. Part of the collection relating to John Basil McLean, who normally signs himself Basil. He returned to Australia in April 1920. The date on this card implies someone sent this a few months later from Belfast. One of the items relating to JB McLean was a vesta (match) case from Belfast (see item 01125). This postcard was with other World War 1 memorabilia that has come from Private John Basil McLean, 2nd Reinforcements, 37th Battalion, A.I.F. Possibly these were with him during his time in the First World War and kept them as a mementos. J.B. McLean (Service No. 13824) was from near Maffra, Victoria and enlisted on 22 January 1916. He embarked on 16 December 1916 for Europe. He spent time with the Australian Field Artillery (Pack Section). At the end of the war he worked for a year at the A.I.F. Headquarters in London before returning to Australia on the 'Ceramic', arriving in Portsea in 1920. His full war record is available from the National Archives of Australia (B2455, MCLEAN JBM).Postcards were a very common form of communication. They were also a common souvenir. This type of correspondence would have been familiar to the first Legatees as they had served in World War 1.Standard size postcard showing coloured image of City Hall, Belfast. Front - “City Hall, Belfast / 46398 JV” Back - “Belfast / 18.8.20 / Dear Jack, / I am just here for a / few days on holiday. It’s / charming on the outskirts, and / the scenery is great, though ‘spose / it does not come up to the Blue / Mtns. Many thanks for the book / of views. Am sure you must / have enjoyed your stay amongst / the mountains, and weren’t you / lucky in obtaining 2 months / leave. We’ve just been over this / town hall. The whole of / the interior is practically / built of white and green / marble, with some wonderful old wood carving dotted here / and there. Suppose you have / now settled down, and of course / its getting for summer with / you now. Hope you are / very well. Yours sincerely / Dorothy”souvenir, postcard

Coloured postcard of Picton, Queen Charlotte Sound, N.Z. Card shows a town beside the water with mountains in the background. Written on the back: Written to Nell from Jack. He tells her he is well and when he expects to get to Greymouth and said he didn't have time to write from Wellington so he wrote from Picton instead. Dated May 16/08.Muir & Moodie Dunedin N.Z.place, landscape view, picton nz, john jones collection - picton, muir & moodie dunedin nz