http://www.fgb.com.au/natural-products?id=36:extralife-kruses-fluid-magnesia&catid=6Tinted glass bottle with 8 fl ounce capacity."KRUSE'S FLUID MAGNESIA" "KRUSES PRIZE MEDAL MAGNESIA"fluid magnesia, medicine

Brochure from the Peabody Museum of Salem, Massachusetts, dated 1934.Photo of the building on the front of the brochure. Founded in 1867. Brochure contains notes on the Entrance Corridor, Marine Room, John Robinson Hall, Academy Hall Corridor, Hall of Natural History, Hall of Ethnology and the Weld Hall. The back page contains a list of the Trustees and Officers.sciences, instruments - general, scalebuoy, bill ashman collection - correspondence, peabody museum of salem, george peabody, elihu thomson, william c endicott, richard whetland, francis h appleton, john c phillips, ward thoron, dudley l pickman, frank w benson, warren k moorhead, george a vickery, lawrence w jenkins, albert p morse, stephen w phillips, william e northery, s gilbert emilio, miss jessie s ives, j russell treadwell, john w stromberg, albert f hall, dr charles goddard weld

Ertoel Wheels made a wide range of looms, chairs, drum and hand carders, and spinning and weaving accessories. Small drum carder, designed to be used on a table and operated by hand to card wool and or other fibres in preparing them for spinning or felting. This wooden carder has two cylindrical drums covered with coarse or fine metal “tines” designed to rake through and comb the natural fibre. The manufacturer's name 'Ertoel Wheels' is glued at one end"Ertoel Wheels"wool carding, drum carders, carding equipment

UnknownAbstract print. Yellow underlayer with brown layer of ink on top. Darker pigmentation towards the centre of the print. At the top right and bottom centre there are two thin crosses. The entire surface is thickly built up, creating an undulating surface to the image with variation in pigmentation. Mounted in cream matt. Framed in natural wood frame with perspex glazing.Front: Robert Grieve (lower left) Composition (centre) 4-10 73 (lower right) (pencil)

Wooden box with brass top and 24 knobs (22 larger and 2 smaller) on the right-hand side. In addition there are two extra knobs on the right side of the top, as well as two removable oval access panels with handles on each of the ends.Stamped on top of box: a coat of arms 'HARTMANN OF BRAUN A/M' 'RICHTIG BEI / 20 / GRAD CELSIUS' increments for measurement On front side: Sticker labelled 'NATURAL PHILOSOPHY LABORATORY / NO 7 / UNIVERSITY OF MELBOURNE' Stamped on end of metal top: 'No. 2665'hartmann of braun, resitance decade box, resistance box, electical instruments, frankfurt, natural philosophy laboratory

Printed declaration from John Silverlock of Long Gully Sandhurst, Laborer, declaring that he is under the age of 30 years and that his wife does not exceed 40 years and that they do not have any infirmity likely to shorten the natural duration of life. Also signed by H. L. Atkinson that he has examined the Candidate and to the best of his belief, he is quite free of any infirmity which would tend to shorten the natural duration of life. Dated 3 July 1864. Printed by Bro Graham Berry, at The 'Observer' Office, Collingwood. Attached is a white piece of paper - John Silverlock age 29 Born in Chichester England now living in Long Gully Sandhurst. Occupation General servant married. Wifes ? Age 39 / 3 Children. Signed by J. Davidson and R ONeil.societies, aof, correspondence, ancient order of foresters no. 3770 collection - correspondence, court king of the forest, john silverlock, h l atkinson, j davidson, r oneil, graham berry

Nillumbik Shire is known for its natural vegetation. This text encourages locals to plant indigenous plants in their gardens.A guide to indigenous vegetation in the Nillumbik Shire.56 pages, illus. (some col.). Cover has yelloe flowers in band on orange background with shire logo.nillumbik shire council, environmental and cultural planning section, chris delaney, indigenous plants, native gardens

This item is from the pre-plastic days and would have contained a brush made from natural bristles.White enamelled metal cylindrical toilet brush holder. An upright projection has a hole for optional hanging of the object.CLOSET BORSTEL (Toilet Brush) in black paint.

Robert Ingpen, illustrator, designer, writer and consultant, was born in Geelong in 1936. He was educated in Geelong before studying art and illustration under Harold Freedman at the Royal Melbourne Institute of Technology, 1955-58. Early in his career he specialised in relating design to scientific research, and this included work as a graphic design artist for the CSIRO, 1958-67, commissions for designing pamphlets on fisheries for the United Nations in Mexico and Peru, and involvement in a number of Australian conservation and environmental projects. He launched into freelance work in 1968. Ingpen's work has focused on environmental and heritage issues and his exploration of fantasy and imagination. He is best known as an illustrator, and as an author of children's books, and historical books and pamphlets for adults. He has painted murals on public buildings, designed the flag and coat of arms for the Northern Territory, and designed postage stamps, including stamps for the Captain Cook Bicentenary and the 50th anniversary of CSIRO. He has been involved in a number of conservation and environmental projects, including the establishment of the Swan Hill Pioneer Settlement as consultant/designer. He was one of the founders of the Australian Conservation Foundation. Ingpen rose to prominence with his illustrations for Colin Thiele's classic children's story Storm Boy, winning for him the first Visual Arts Board award for children's book illustration. He won the international Hans Christian Anderson Medal for children's literature in 1986, and the Dromkeen Medal in 1989.Robert Ingpen, celebrated Geelong artist, was commissioned to paint a mural to be located above the entrance of the new west wing. The mural was designed to represent the objects and systems that characterise Geelong and its district and that played a major role in the city’s growth and development. The three systems comprise: the natural (producing) system; the man-made or technological system, and the natural (trading) system.ingpen, mural, city hall geelong, james harrison

Article celebrating the Tower Hill State Game reserve and the new Natural History Centre, designed by Robin Boyd.Double page, p 34-35walsh st library

A red covered book - the annual Young Australia for boys Throughout the English-speaking World comprising issues of Young England bound together. On the cover is St George on horseback and the St George's cross flag. Contents - adventure, school and historical stories; articles on many topics such as science, natural history, sports, hobbies and crafts; as well as verse, competitions and puzzles.On spine - Vol X1Vbook magazine young-australia

MEDIUM: Mixed media on wood. DESCRIPTION: A three dimensional work, assemblage art. The base a dark stained natural wood, the second layer is painted in pastels with mixed media. Three painted and mixed media pieces are attached symmetrically positioned alongside one another. Ornate and decorative the centre piece spells home sweet home, also the title of the work.NILhome, art, bach, assemblage, sweet

Small paper boklet by J. C. Marconi titled 'Natures Problems Solved' Curing disease and regaining bodily strength by natural methods, without drugs or surgical operations. Promoting Goanna Salve & Oil. Manufactured solely by J. C. Marconi. White paper with black print & black & white illustrations. Robt. McGregor & Co. Printers Brisbane.J. C. Marconi, Bulimba, Brisbane, Qldmedical, malone collection, natures problems solved, j. c. marconi, robt. mcgregor & co

Document Victoria District, IOR SU, Star of Bendigo Tent No. 5. Declaration of 'Candidate and Surgeon's Certificate'. Document details a declaration of the candidate for admission to Lodge, and the surgeon's certificate declaring that the candidate and his wife, are quite free from any marked tendency or predisposition to any constitutional infirmity which would tend to shorten the natural duration of life.bendigo, clubs, lodge

'Grasshopper Tennis' game. Contains four bone discs, four painted wooden miniature paddles, a rules pamphlet and a tournament invitation/instruction sheet. Inside of box line with printed felt (as 'court') and miniature net attached to hinge of box. Two metal net braces are missing. Materials: Cardboard, Ink, Wood, Metal, Natural fibre, Felt, Bonetennis

Two part object (1) Metal ball cleaner. Consists of metal upper and lower circular sections, lined with strong bristle. Top has a handle for turning, and fits into a spingdle in the base. Upper section inscription states: 'PATENTAPPLIED FOR'. (2) Small piece detached from part 1. Materials: Wood, Natural fibre, Metal, Paint, Rubbertennis

CEMA Art Collection Previously located in History HouseThe print depicts a natural landscape with a large classical style building (Menin Gate, Belgium) to the left. In the foreground are hundreds of ghostly figures of soldiers. The background appears to be a distant view of a town with several lights visible. The work is completed in various shades of blue and green. Mounted with brown card the work is framed in a black and gold frame, and has an exposed canvas.Front: Lower Right: Will LONGSTAFF 1927 Brass embossed plate:MENIN GATE AT MIDNIGHT BY WILL LONGSTAFF, PRESENTED TO THE COMMONWEALTH GOVERNMENT OF AUSTRALIA, BY LORD WOOLAVINGTON. COPYRIGHT RESERVED Back: (No inscriptions)

This item commemorates the war in Vietnam.A front page of a magazine called "Weekend Off". The coloured photo is of soldiers seated in rows or sitting on the ground. In the background soldiers are sitting on vehicles. Cover picture - "The place Nui Dat"; The occasion - "A respite from the grim business of war. The soldiers many of them West Australians gathered in a natural amphitheater to hear a concert given by West Australian performers. It was the first WA concert party to visit Vietnam.concert, soldiers - australia, west australia, weekend magazine, vietnam, edgley

A record of reserves and their features in the City of Banyule 1999. Full title: Beautiful Banyule: a register of out city's natural assets.A register of Banyule's natural assets104 pages, colour illustrations.Soft cover with treed skyline on front cover. 2 copies.Library labels.city of banyule, parks banyule, gardens banyule, historical sites banyule.

West Of Eden is the result of an artistic residency at the Western Treatment Plant that took place over three months in 2015. The residency set out to open the minds of the broader community and challenge some of its perceptions to the Plant. This work highlights the natural beauty of the Plant while embracing the fact that, in many ways, this land is not natural at all. Bindi Cole Chocka is a Wadawurrung woman and the Western Treatment Plant is on Wadawurrung land.western treatment plant, residency, photography, wadawurrung

This is size one of three sizes (Mrs Potts) irons available in the late 1800s and early 1900s which were used for (press) ironing clothes etc. using wood or coal based heaters. The majority of these irons would have been placed on top of wood or coal fuelled stoves. They survived longer in isolated outback regions where electricity had not been connected. The weight of these irons was intentionally heavy so as to press the clothes etc. neatly. These irons were used in an era where stiff collars and creases in particular types of clothing was essentially a social requirementHistorically these irons fulfilled a particular function that was the norm in isolated or semi isolated country locations i.e., ironed clothes and linen.The iron was heated by using locally acquired wood in a cast iron stove or "pot Belly". It would be placed on top of the stove but not directly in the flames. Cities and larger towns had professional laundry and pressing shops. In smaller towns and homesteads, wives and relatives would use these heavy irons which required strong arms. In middle and higher levels of society these irons would be used by maids or nannies. Their use was a necessity, to conform to the social requirements of acceptable appearances in that all clothing worn had been "pressed" clean. In the Kiewa Valley the majority of these irons would have been used by mothers or relatives. Men would hardly have used these irons as society labelled this type of activity as "women's work"This double pointed, heavy and solid cast iron, is a Mrs Potts No.3 type. It does not have a handle. It was used to iron clothes. Open cavity on top for handle (not included) Note: one end is pointed up to allow the natural weight of the iron to increase the pressure at any of the "hard to press" spots or emphasizing required creases. see KVHS 0368 for No. 1 ironMrs Potts No. 3house hold, ironing, domestic, pressing, clothes appliance