Yields information about the Sturt St and Lydiard St intersection.Digital image, black and white, two images of No. 32 in Lydiard St North. .1 - adjacent to the post office, about to turn into Sturt St, enroute for Sebastopol. .2 - further up Lydiard St North, taken from outside Craigs Royal Hotel (see also Reg Item 4594 for a similar photo) Photo taken by Peter Bruce 1970's and 1971, prior to the closure of the Ballarat tramway system. Peter's Title of image: "No. 32 Lydiard St Nth".trams, tramways, lydiard st, craig s hotel, post office, tram 32

Yields information about the Lydiard St North Route, and the landscape.Digital image, black and white, set of three images of No. 32 in Lydiard St North, taken with a telephoto lens at various locations. Photo taken by Peter Bruce 1970's and 1971, prior to the closure of the Ballarat tramway system. Peter's Title of image: "No. 32 Lydiard St North"trams, tramways, lydiard st north, tram 32

Yields information about Lydiard St between Mair and Sturt Streets.Digital image, black and white, of No. 38 travelling north in Lydiard St North between Sturt and Mair Sts, with many parked cars. Has the George Hotel, the CBC Bank, Hoyts Regent, and other buildings in the view. See also Reg Item 4580 for a later photograph, probably 38 too. Photo taken by Peter Bruce 1970's and 1971, prior to the closure of the Ballarat tramway system. Peter's Title of image: "No. 38 Lydiard St near Mair St."trams, tramways, lydiard st, tram 38

Yields information about Sturt St City terminus and passengers and crews getting on and off the tram, after changing crews.Digital image, black and white, of No. 38 at the city terminus in Sturt St, with passengers getting off the tram and crews starting to walk across the road, probably after a change over of crews. There is another tram in front of No. 38. No. 38 has the destination of Lydiard St North. Photo taken by Peter Bruce 1970's and 1971, prior to the closure of the Ballarat tramway system. Peter's Title of image: "No. 38 taken at 1015"trams, tramways, crews, sturt st, tram 38

Yields information about the Sebastopol route and area near the terminus.Digital image, black and white, of No. 39 in Albert St Sebastopol, north of the Sebastopol terminus. Shows the condition of the track and the number of poles in the section. Taken with a telephoto lens. Photo taken by Peter Bruce 1970's and 1971, prior to the closure of the Ballarat tramway system. Peter's Title of image: "No. 39 approaching Sebas"trams, tramways, sebastopol, tram 38

Yields information about the highway crossing Albert St Sebastopol from both sides.Digital image, black and white, set of three images of No. 41 crossing Albert St Sebastopol. .1 - No. 41 southbound, before crossing Albert St. .2 - ditto, after crossing Albert St .3 - No. 41 on return, north bound. Note the pole with directions for Mt Clean, Sebastopol Gun Club. Photo taken by Peter Bruce 1970's and 1971, prior to the closure of the Ballarat tramway system. Peter's Title of image: "No. 41 at the Highway"trams, tramways, albert st, sebastopol, tram 41

Yields information about the railway level crossing.Digital image, black and white, of No. 41 north bound in Lydiard St North, crossing the railway lines with Victoria House in the background, at the level crossing. A wet day. Photo taken by Peter Bruce 1970's and 1971, prior to the closure of the Ballarat tramway system. Peter's Title of image: "No. 41 at the Railway"trams, tramways, level crossings, railway station, lydiard st nth, tram 41

Yields information about the operation of the horse tram by the BTM during the Ballarat Heritage Weekend 2010.Set of 12 digital images taken on Saturday 8 or Sunday 9 May 2010 of the horse tram operating between Gardens Loop and St Aidans Drive by Peter Winspur, for the City of Ballarat 2010 Heritage Weekend. .1 - tram heading north from the loop area. .2 - view at the stop where the tram was turned around with people swapping around. .3 - admiring the horses. .4 - ditto .5 - ditto .6 - queuing for the tram - Len Millar by the sign. .7 - tram ride sign .8 - travelling towards St Aidans Drive. .9 - ditto .10 - ditto - returning from St Aidans Drive, Len Millar and Lyle Drayton .11 - scene at the loop with people swapping trams. .12 - ditto and No. 28trams, tramways, horse tram, btm, wendouree parade, tram 1, tram 28

Has a strong association with those who travelled on the BTPS organised tour to Mirboo North in 1973.Colour Print of the tour group and loco crew on the BTPS arranged special train to Mirboo North on 27/9/1973 at Yinnar station. Printed on Kodak paper. See Reg items 1817, 1819 and 3274 for other related items. Names: Fireman, Driver, Terry Oakley, Geoff Cargeeg, Alan Harnwell, Clyde Croft, Richard Gilbert, Rolf Jinks, ?., Peter Winspur, John Withers, Warren Doubleday, Peter Rees, Graham Jordan, Tom Murray, John Wayman, Rob McUtcheon, Bill Kingsley and Jeff Bounds kneeling down."BTPS Mirboo North Tour / Thurs 27-9-73 at Yinnar" in ink on rear.trams, tramways, btps, tours, special trains, morwell mirboo north

4 page A4 printed document. Achievements of Peter Ellis (for consideration for the Order of Australia) Peter is regarded as one of the leading collectors and presenters of traditional dance tunes, dances and musical instruments in Australia. At the 2005 National Folk Festival it was announced by Robyn Holmes that he has the largest selection of dance related material collected in the National Library Archives in Canberra. Peter has been collecting for many years and has collected with the late John Meredith (AM), Shirley Andrews (AM), Rob Willis and Dave Di Santi amongst others. Peter has literally travelled Australia collecting over the past thirty years. He has extensive field recordings from Western Australia and Tasmania in addition to his Victorian collection, for example. Most of his recording has been in North Western and Central Victoria. Peter collected a lot of his material from Harry McQueen ( Castlemaine), which led to a double CD of Harry's music. Harry had played in dance bands for over sixty years in Central Victoria. Harry had a number of tunes from Bill McGlashan who had taken Harry under his wing as a young man. Through Peter's efforts much valuable material and knowledge from almost a century ago was saved for posterity. Founder, Charter member and life member of the Bush Dance and Music Club of Bendigo. Life Member of the Victorian Folk Music Club. Recipient of the Graham Squance award (for the person who has done the most to promote folk dance and music in Victoria)) from the Folk Song and Dance Society of Victoria. Member of the famous Wedderburn Old Timers Band for over twenty-eight years (two platinum and several gold recordings in that time). Founder and leader of the Emu Creek Bush Band (twenty-nine years old in 2010) Emu Creek has made many CDs of dance music as listed. Friday Night at the Spring Gully Hop, Three double CDs called 'Quadrille Mania' which contain many rare dances and tunes which have been learnt and recorded, under Peter's guidance, so they would not be lost to posterity. A triple CD called 'Take Me Back To Bendigo' with heritage songs and music from the Gold Rush to Federation (solely organised and financed by Peter) These CDs show the multicultural heritage in Bendigo and include music and groups from the Koorie, Chinese, Cornish, German, Irish, Italian, Scots, English and Welsh communities of Bendigo and district. Upon his recovery of costs Peter has handed over copyright to the Bendigo Community so future profits go back into the community. Three double CDs called 'The Merry Country Dance' with dances and tunes going back to the time of Governor Lachlan Macquarie's Ball in 1804. Most of the tracks are performed by Emu Creek Following much practice under Peter's tutelage. For further authenticity Peter liaised with other musicians to record some tracks which were revived from almost two hundred years ago and have now been recorded using the instruments of the time. A three volume set of Bush Concert recordings (Vol 1 Goornong (launched Australia Day 2006 with any profits going to the Soldier's Memorial Hall Committee), Vol 2 Heywood and Vol 3 Maldon/Sutton Grange, already recorded and to be released as money from other projects becomes available. NOTE: None of these CDs have led to any profit. All money raised is put back into the community and further heritage recordings, books and videos through the Bush Dance and Music Club of Bendigo Inc. In 2009 a full collection of all Peter's book and CDs was donated to the John Gorton Library as part of the recognition of the fifty year career of the Gay Charmers Dance Band from Lake Charm. 'Music of the Diggings' (4 tracks by Peter or Emu Creek). In addition the Emu Creek Band, under Peter's leadership, has appeared on a CD backing Bruce Watson on his song, 'The Old Bush Dance'. Emu Creek has performed at National Folk Festivals in four states and several times at the National Folk Festival in Canberra. They have also been mainstays of the Maldon Folk Festival for over twenty years as well as doing dance programs for the Port Fairy Folk Festival on two occasions. Peter has written and published many books related to traditional music and dance. These include Three volumes of 'Collectors Choice' which is musical notation for bush dances coupled with much dance history which would have been lost without Peter's efforts. 'Two Hundred Dancing Years - How to run a Colonial Ball: (co-authored with Shirley Andrews (A.M.), 'Music Makes Me Smile - The Music of the Nariel Valley' (co-authored with Harry Gardner). The Merry Country Dance' (292 pages) a companion to the three double CDs. He has also been a contributor to Verandah Music' authors Rob Willis and Graham Seal and 'The Oxford Companion to Australia Folklore' Ed Graham Seal. Peter is also a regular contributor to 'Trad and Now' Magazine. His latest completed book is titled 'The Merry Country Dance' and is over three hundred pages of social history, recipes and dance instructions. It was completed with the assistance of a Victorian Government Heritage Grant. The first edition sold out in only a few weeks. Peter has taught many children about old time musicianship through the junior bands which have functioned over the years with many children joining Emu Creek and then going on to follow their own musical inclinations. He has trained several young concertina and button accordion players over the years. Peter has been a regular tutor with Continuing Education in tin whistle, harmonica and old time dancing for many years. Peter has conducted workshops in music dance at National Folk Festivals in Perth, Alice Springs, Maleny, Melbourne, Adelaide, Kuranda and more recently at several Canberra National folk Festivals. He has also done this at Maldon for many years, Port Fairy, Glen Innes, Jamberoo and Kiama Festivals. For over thirty years Peter has been a guest player and MC for the dances at the Nariel Folk Festival (Australia's oldest continuing Folk Festival) Peter is very well known in the Corryong area as a collector and the co-author of the book, Music Makes Me Smile, about the Klippel/Simpson dynasty in the Nariel Creek Band. This book is currently being revised for re-issue as more material has come to light since the original publication. For many years Peter trained Debutante Sets in the Bendigo District. Peter was an instigator of the annual Dinki Di Ball held each September in Eaglehawk for the past thirteen years. At this ball three bands play for a quarter of the night and then join together for the final part of the evening. The bands are Emu Creek, The Wedderburn Old Timers and the Gay Charmers. Up to four hundred dancers, many in heritage costumes have attended this dance. The ball also pays tribute to, and involves, the old MC's. Through this example their skills have been passed down to a younger generation of MC's. All profits are returned to the Dance Club to foster our musical heritage. Each Ball includes presentations designed to promote social dancing in Australia. Over the years several young musicians have been presented with musical instruments at the Ball, libraries have been given copies of Peter's books and CDs and one year a keen young dancer was presented a pair of dancing shoes. Peter is a trained ballroom dancer and has gained gold medal status in this field. Peter is an accomplished musician and is one of Australia's foremost button accordion players. He is also highly accomplished on the tin whistle, bones and harmonica. He is the only exponent of the Swanee whistle that I have seen. Peter also plays the piano and ukulele. Thirty six years membership of the Bendigo Field Naturalists Club, Secretary in the 1970s and actively involved in campaigns to save Lake Pedder and establish the Whipstick and Kamarooka State Parks (now part of the Bendigo National Park). Peter was also extremely active in the establishment of the Salomon's Gully and Jackass Flat Flora Reserves in Bendigo which have now been saved for posterity. Peter has also been involved in efforts to save One Tree Hill and this area has now been included in the Greater Bendigo National Park. He has discovered and named new plant species in the Whipstick Forest and propagates Australian plants. Peter takes regular guided tours of interested people through the Whipstick each Spring on wild flower educational tours. He is a keen and gifted photographer of local plant species. Life member of the Bendigo Field Naturalists. Peter contributed text and photographs to their publication 'Wildflowers of Bendigo'. When the Victorian State Parliament had its first historical sitting outside Melbourne Emu Creek played during lunch for the guests and public. They have also played at functions such as the Centenaries of Federation, the Bendigo Post Office, the Shamrock Hotel and the opening of the new Melbourne Museum and the Federation Museum in Bendigo. The band regularly plays for Seniors week and at homes for the aged such as Bethlehem, Mirridong, Bignold Park, Bendigo Village and others. Peter has been instrumental in getting the band to play for fundraisers such as schools, scouts and environmental groups. The band plays many charitable 'gigs'. The band supports the Bendigo Easter Fair and the Eaglehawk Fair when able and has appeared in several parades over the years. The above list shows the invaluable contribution that Peter Ellis has made towards the collecting and distributing of Australia's musical and dance heritage. No one has done more than Peter in this area. He has also been active locally and nationally in his endeavours towads saving the natural environment. He has put many years of time and energy into both area's and has many on going projects in mind for the years ahead. The awarding of an honour from Australia would be just reward for a man who has preserved so much of our musical and dance heritage for future generations. Knowing Peter I have no doubt he would treasure such an honour as he has given so much to preserve Australia's music and dance heritage over most of his sixty plus years. Compiled by John Williams. Handwritten notes at bottom of last page reads: Referees Jacinta Allan MLA Steve Gibbons MHR Willie Carney ex Mayor of Bendigo Supporting letter Mary Smith Sec. Bush Dance + Music Club.person, individual, peter ellis oam

Yellow card, folded. Bendigo North Primary School Children's Ball held at the White Hills Technical School on Thursday 16th August, 1984. Front page has a large spider web with a big spider and printed over the web is 'Come to our ball'. Written in the bottom right corner is Ellis reserved. On the inside is the list of Ballroom, Colonial and Folk Dances and the grades performing them. Also included was a playet (sic) titled The Spirit of the Tree and a Special Item titled Charlotte's Web. The back page has the Acknowledgements to: Neil Ross, Merilyn Tatt, Heather & Noel Ridge, Greg Kaska, Brian Hillman, Lloyd George, Graham Balam, Maree Murrell, Mark Walters, Ken McKindlay, Lexie Ottrey, Peter Ellis, Faye McCaig, Viv MacDonald, Val Lee, Lesley Campbell, Margaret Gilbee, Ruth Sloan, Kaye Trimble,Jennette Price, Joy Miles, Janet Holland, Liz Rowell, Anne Gibson, Joan McColl, Joy Daniel, Elaine Carmichael, Evelyn Bruhn, Sandra Kaska, Olga Chafer, Lyn Craig, Gail Kingdom, Maureen Warren, Jenny Mollison, Coral McClure, Robyn Murphy, Helen Penna, Dale Little, John Shiel, Sandra Kaska, Glynis Goulter, Margaret Walker, Maree Walker, Bill Garvin, Stan Doye, Robyn Wetzig, Jim Lawson, Rodger O'Hara, Sue Treloar, Margaret Gregson and Di Milich.Bendigo North Primaryentertainment, dance, ball, peter ellis collection, bendigo north primary schol, white hills technical school, brenda coulter, neil ross, merilyn tatt, heather & noel ridge, greg kaska, brian hillman, lloyd george, graham balam, maree murrell, mark walters, ken mckindlay, lexie ottrey, peter ellis, faye mccaig, viv macdonald, val lee, lesley campbell, margaret gilbee, ruth sloan, kaye trimble, jennette price, joy miles, janet holland, liz rowell, anne gibson, joan mccoll, joy daniel, elaine carmichael, evelyn bruhn, sandra kaska, olga chafer, lyn craig, gail kingdom, maureen warren, jenny mollison, coral mcclure, robyn murphy, helen penna, dale little, john shiel, sandra kaska, glynis goulter, margaret walker, maree walker, bill garvin, stan doye, robyn wetzig, jim lawson, rodger o'hara, sue treloar, margaret gregson, di milich

Kaweka Reserve is a a small reserve of approximately 8ha. The land was donated to the Castlemaine City to be a wildflower Reserve. A management committee was formed in 1966. The committee is still managing the park. Vicroads Edition 6: Map 59E2, 628 H4 Location. Turner St, Castlemaine. From the Castlemaine Post Office, drive north (towards Bendigo) and turn right along Turner Street to the park entrance. What to do: walk along some of the tracks through the park follow the nature trail bird watch have a picnic at the picnic tables. RUSH Dam is a basic free camping area sits alongside Rush Dam in the Greater Bendigo National Park, featuring a single picnic table and wood fire barbecue.Peter Ellis Collection: Seventeen slides of Kaweka Wildflower Reserve, Castlemaine, Lightning Hill Lookout Bendigo, One Tree Hill Lookout Tower Bendigo. Also the Rush Dam free camping area at Kamarooka. Also a slide of an unknown group having a meal or day out; perhaps also a working bee. In addition there are two slides of a house - location not specified; and a working bee clearing along a pipeline at Big Hill. Peter was a chemistry lecturer at the Bendigo Institute of technology.history, bendigo, peter ellis collection, whipstick bendigo, bendigo state forests, kaweka wildflower reserve castlemaine, one tree hill lookout bendigo, lightning hill lookout bendigo, kamarooka, rush dam kamarooka, greater bendigo national park

BHS CollectionCut out of the front page of the Bendigo Advertiser from Thursday, October 13, 1988. Article titled "the great walk is on again" by Wayne Gregson, pictures by Peter Hyett. The article describes the walk undertaken by writer underground from the Central Deborah mine remerging at the North Deborah mine. bendigo advertiser, 1988, central deborah, north deborah

Set of four photographs of Bendigo trams and infrastructure photographed by Peter Duckett, early 1950 1 - Bendigo 19 at North Bendigo terminus - tram has destination of Golden Square 2 - Birney No. 30 leaving the depot for North Bendigo 3 - Depot entrance from Arnold St (now Tramway Ave) across Hargraves St 4- North Bendigo terminus overhead wiringYields information about Bendigo trams early 1950sSet of four black and white photographs by Peter Duckett.Details the image on the rear of the print in ink.bendigo, tramcars, bendigo tramways, overhead, double trolley wire, terminals, quarry hill, charing cross, tram 19, tram 30

Photograph shows Ballarat 21 descending the Lydiard St Hill at the Seymour St intersection, about the enter the loop. On the left can be seen a Forest City signal, and on the right part of the North Star Hotel, The tram has the destination of Sebastopol. In the background is a milk bar advertising The Sun, Herald and Peter's Ice-cream. Photographer unknown. Late 1960's or early 1970s.Yields information about tram 21 and tram services in Lydiard St North.Black and white print on paper.tramways, ballarat, lydiard st nth, seymour st, tram 21, north star hotel

The Grip of Time is a public sculpture attached to the wall of the current Kew LibraryA photographic record of a significant art-cultural event in KewFour photos of the presentation of 'The Grip of Time' to the City of Kew by Mrs Laurel Abercrombie. Sculpture by Peter Schipperheyn. Sculpture mounted on the north wall of the Kew Town Hall.sculpture - kew (vic), peter schipperheyn (1955-), kew library

Two colour polaroid photographs of the sculpture 'The Grip of Time' on the north exterior wall of the Kew Library. At left is the coat of arms of the City of Kew. The sculpture was purchased and donated to the City of Kew by Mrs Laurel Abercrombie. The artwork was created by Peter Schipperheyn.public sculpture - kew (vic), kew civic hall, kew library, the grip of time, public art

Doris Mercy Willmott was born in May 1896 in Stamford Hill, London, the eldest of three daughters of Albert and Minnie Willmott. The family lived in various parts of north London until the beginning of the First World War, when they moved to Redhill in Surrey. It was in Redhill that Doris met her future husband, Frederick John (Jack) Bennett. Jack had met Eric Mercy, a cousin of Minnie’s, in the Australian Imperial Force (AIF) and visited the Wilmotts with him whilst on leave from France. Although Jack Bennett returned to Melbourne in March 1919, he and Doris continued to correspond and they were engaged in March 1923. She came to Melbourne on her own, and was married in the Congregational Church in Canterbury on 23 December 1923. By 1931 Doris and Jack and their three sons - John Willmott, Winfield Robert Curtis and Peter Reginald Dane - moved to 21 Tooronga Road, Hawthorn but moved back to his father’s home, Therapia, 2 (now 6) Hepburn Street, Auburn, shortly before his father’s death. In 1937, the Bennett family moved back to the United Kingdom, spending the war years in Uxbridge and Torquay. The family returned to Melbourne in October 1946, after the deaths of Doris’ parents. The family lived at 12 Stanhope Grove, Camberwell and 51 The Ridge, Canterbury before Jack died in February 1952. After this Doris moved to 12 Stanley Grove, Canterbury, her home until c. 1970 when she moved to 25 Corhampton Road, North Balwyn. She died in May 1980 in Princeton Nursing Home, 3 Bellett Street, Camberwell. (Adapted from notes provided by Sue Barnett, the donor).The collection of evening clothes owned and worn by Doris Mercy Bennett, of which this item is one, date from the 1930s and may have been purchased in Australia or in the United Kingdom. Each of the items, apart from the evening dress, which has a few minor tears in the lace, is of fine quality and evidences Doris Bennett’s love of glamour and style. While the evening dress and the mantilla are of the same fabric, the two capes might have been worn with the dress as alternative fashion accessories. None of the items has a maker’s mark, however each displays evidence of fine dressmaking skills. It is however probable that the two fitted capes were commercially made.Long black lace, floor-length evening dress extending to a short train at the back. The dress has a belt at the waist that is joined by two white metal clasps studded with diamentes. With the dress there is also a matching lace square (2017.00921) that might have been used as a mantilla or as a shawl. The dress was owned and worn by Doris Mercy Bennett (nee Willmott) [1896-1980], and donated to the Society by her grandaughter. women's clothing, evening wear, evening dresses, doris bennett (nee wilmott)

Doris Mercy Willmott was born in May 1896 in Stamford Hill, London, the eldest of three daughters of Albert and Minnie Willmott. The family lived in various parts of north London until the beginning of the First World War, when they moved to Redhill in Surrey. It was in Redhill that Doris met her future husband, Frederick John (Jack) Bennett. Jack had met Eric Mercy, a cousin of Minnie’s, in the Australian Imperial Force (AIF) and visited the Wilmotts with him whilst on leave from France. Although Jack Bennett returned to Melbourne in March 1919, he and Doris continued to correspond and they were engaged in March 1923. She came to Melbourne on her own, and was married in the Congregational Church in Canterbury on 23 December 1923. By 1931 Doris and Jack and their three sons - John Willmott, Winfield Robert Curtis and Peter Reginald Dane - moved to 21 Tooronga Road, Hawthorn but moved back to his father’s home, Therapia, 2 (now 6) Hepburn Street, Auburn, shortly before his father’s death. In 1937, the Bennett family moved back to the United Kingdom, spending the war years in Uxbridge and Torquay. The family returned to Melbourne in October 1946, after the deaths of Doris’ parents. The family lived at 12 Stanhope Grove, Camberwell and 51 The Ridge, Canterbury before Jack died in February 1952. After this Doris moved to 12 Stanley Grove, Canterbury, her home until c. 1970 when she moved to 25 Corhampton Road, North Balwyn. She died in May 1980 in Princeton Nursing Home, 3 Bellett Street, Camberwell. (Adapted from notes provided by Sue Barnett, the donor).The collection of evening clothes owned and worn by Doris Mercy Bennett, of which this item is one, date from the 1930s and may have been purchased in Australia or in the United Kingdom. Each of the items, apart from the evening dress, which has a few minor tears in the lace, is of fine quality and evidences Doris Bennett’s love of glamour and style. While the evening dress and the mantilla are of the same fabric, the two capes might have been worn with the dress as alternative fashion accessories. None of the items has a maker’s mark, however each displays evidence of fine dressmaking skills. It is however probable that the two fitted capes were commercially made.With the black lace evening dress (2917.0093.1) there is also a matching lace square with long lace ties (2017.0093.2) that might have been used as a mantilla or as a shawl. The outfit was owned and worn by Doris Mercy Bennett (nee Willmott) [1896-1980], and donated to the Society by her grandaughter. women's clothing, evening wear, shawls, lace, doris bennet (nee willmott)

Doris Mercy Willmott was born in May 1896 in Stamford Hill, London, the eldest of three daughters of Albert and Minnie Willmott. The family lived in various parts of north London until the beginning of the First World War, when they moved to Redhill in Surrey. It was in Redhill that Doris met her future husband, Frederick John (Jack) Bennett. Jack had met Eric Mercy, a cousin of Minnie’s, in the Australian Imperial Force (AIF) and visited the Wilmotts with him whilst on leave from France. Although Jack Bennett returned to Melbourne in March 1919, he and Doris continued to correspond and they were engaged in March 1923. She came to Melbourne on her own, and was married in the Congregational Church in Canterbury on 23 December 1923. By 1931 Doris and Jack and their three sons - John Willmott, Winfield Robert Curtis and Peter Reginald Dane - moved to 21 Tooronga Road, Hawthorn but moved back to his father’s home, Therapia, 2 (now 6) Hepburn Street, Auburn, shortly before his father’s death. In 1937, the Bennett family moved back to the United Kingdom, spending the war years in Uxbridge and Torquay. The family returned to Melbourne in October 1946, after the deaths of Doris’ parents. The family lived at 12 Stanhope Grove, Camberwell and 51 The Ridge, Canterbury before Jack died in February 1952. After this Doris moved to 12 Stanley Grove, Canterbury, her home until c. 1970 when she moved to 25 Corhampton Road, North Balwyn. She died in May 1980 in Princeton Nursing Home, 3 Bellett Street, Camberwell. (Adapted from notes provided by Sue Barnett, the donor).The collection of evening clothes owned and worn by Doris Mercy Bennett, of which this item is one, date from the 1930s and may have been purchased in Australia or in the United Kingdom. Each of the items, apart from the evening dress, which has a few minor tears in the lace, is of fine quality and evidences Doris Bennett’s love of glamour and style. While the evening dress and the mantilla are of the same fabric, the two capes might have been worn with the dress as alternative fashion accessories. None of the items has a maker’s mark, however each displays evidence of fine dressmaking skills. It is however probable that the two fitted capes were commercially made.Black silk chiffon or georgette fitted evening cape,let entirely covered in silver metal rectangles and black sequins. The cape gives the appearance of being joined at the front, however it is made in one piece. The cape has open scalloped sections bordering the lower band of silver metal rectangles. The cape was owned and worn by Doris Mercy Bennett (nee Willmott) [1896-1980], and donated to the Society by her grandaughter. evening wear, capelets, doris bennett (nee wilmott), women's clothing

Doris Mercy Willmott was born in May 1896 in Stamford Hill, London, the eldest of three daughters of Albert and Minnie Willmott. The family lived in various parts of north London until the beginning of the First World War, when they moved to Redhill in Surrey. It was in Redhill that Doris met her future husband, Frederick John (Jack) Bennett. Jack had met Eric Mercy, a cousin of Minnie’s, in the Australian Imperial Force (AIF) and visited the Wilmotts with him whilst on leave from France. Although Jack Bennett returned to Melbourne in March 1919, he and Doris continued to correspond and they were engaged in March 1923. She came to Melbourne on her own, and was married in the Congregational Church in Canterbury on 23 December 1923. By 1931 Doris and Jack and their three sons - John Willmott, Winfield Robert Curtis and Peter Reginald Dane - moved to 21 Tooronga Road, Hawthorn but moved back to his father’s home, Therapia, 2 (now 6) Hepburn Street, Auburn, shortly before his father’s death. In 1937, the Bennett family moved back to the United Kingdom, spending the war years in Uxbridge and Torquay. The family returned to Melbourne in October 1946, after the deaths of Doris’ parents. The family lived at 12 Stanhope Grove, Camberwell and 51 The Ridge, Canterbury before Jack died in February 1952. After this Doris moved to 12 Stanley Grove, Canterbury, her home until c. 1970 when she moved to 25 Corhampton Road, North Balwyn. She died in May 1980 in Princeton Nursing Home, 3 Bellett Street, Camberwell. (Adapted from notes provided by Sue Barnett, the donor).Black silk, with multi-coloured embroiderery Manton de Manila shawl. The shawl was owned and once worn by Doris Mercy Bennett (nee Willmott) [1896-1980], and donated to the Society by her grandaughter. It probably dates from the 1930s.evening wear, piano shawl, manton de manila, doris bennett (nee wilmot), women's clothing

In 1980, Mr Laurie Bennett presented the Kew Historical Society with a number of photographs and postcards from the estate of his mother Eileen Mary Bennett (nee Clark). His mother was the daughter of Lawrence FH Clark(?-1946) and Mary Clark (?-1925) of 22 Harp Road, East Kew, in whose yard the photograph was taken. A year before the donation occurred a notice appeared in the Canberra Times stating that: "BENNETT, Eileen Mary. — May 8th at Tuross Heads, N.S.W. Late of 22 Harp Rd, East Kew, (Vic). Dearly loved wife of the late Harold Bennett, loved mother and mother in law of Laurie and Shirley (Melbourne), Kevin and Doreen (Canberra), grandmother of Linda, Stephen, Paul, Gabrielle, Peter, Mark and Jon."Part of a large collection of photographs and postcards in the collectionPanoramic photographic positive of North Kew where the Belford and Kilby Farms were located on the south side of the Yarra River. This photo, donated in 1980 by Laurie Bennett is the original of the two identical photos in the collection.laurie bennett, eileen mary bennett, eileen mary clark, floods -- yarra -- 1903

Past YCW member Peter Cox created this scrapbook to document the reach the YCW Road Safety Campaign had in State wide newspapers from 1970-1973. The campaigned advocated for youth education and public enforcement on wearing of seatbelts, drink driving limits, Australia's drinking culture and decreasing the Victorian road toll.The road safety campaign undertaken by the YCW in the 1960-1970s was headed by Peter Cox.Rectangle bound book, with brown felt edging and blue leather middle. 200 pages, with 114 pages used for pasting various newspaper clippingsJournal Collins 4394the herald, scrapbook, ycw, bendigo, drinking, road safety, sandhurst, the sun, youth movements, the advocate, road toll

Purchased, 2016Oil on boardgippsland, artwork, permanent collection

Australian domestic architecture of the period between the two world wars is a fascinating and complex subject. Our preconceived notions are based on the more obvious styles and impressions, so that visions of bungalows set row upon row spring to mind quickly. Influences in the designs of Australian houses of the 1920s and 1930s were extraordinarily diverse. Apart from their obvious origins, they can be traced to India, Japan, Switzerland, Holland, Germany, Italy, Spain, Mexico and even the American backwoods. Australian architects travelled to England, Europe and North America bringing back ideas and influences.Includes: index, bibliography. Australian domestic architecture of the period between the two world wars is a fascinating and complex subject. Our preconceived notions are based on the more obvious styles and impressions, so that visions of bungalows set row upon row spring to mind quickly. Influences in the designs of Australian houses of the 1920s and 1930s were extraordinarily diverse. Apart from their obvious origins, they can be traced to India, Japan, Switzerland, Holland, Germany, Italy, Spain, Mexico and even the American backwoods. Australian architects travelled to England, Europe and North America bringing back ideas and influences.Front page: Sue Barnettarchitecture, (mr) peter cuffley, dwellings, interior decoration, 1919 - 1929, 1930 - 1939

VA 2825 Attorney-General's Department (previously known as the Law Department)Eureka Stockade:Petition from Ballarat residents re Scobie murdertrial, charles hotham, james bentley, james scobie, james r. thomson, peter lalor, john weightman gray, william cork, peter martin, george bassar, everett gad, henry green