The point of view of the artist is looking towards Kew from the vicinity of Xavier College. The paddocks in the foreground are bordered by Wellington Street. In the distance the towers of the asylum can be see, further narrowing the date to after 1870s. The work exists in a number of original versions including a colour print.Kew, ca. 1870 - ca. 1880. Reproduction of a book plate from an original wood engraving, of an elevated view of trees and paddocks with a town in the background. The illustration is signed R. JENNY Sc. [Rudolph Jenny 1827-1905, lithographer.] A version from which this reproduction may have been made was donated to the State Library of Victoria by the National Trust, Victoria in 1985. kew (victoria), wellington street -- kew (vic.)

These are reproductions of four Maruni60 chairs (item F032) The originals are Japanese kit form self-assemble furniture (1961) and were quite fragile and broke several times and needed repair. The originals were purchased from Anderson's furniture store in Chapel St Prahran, the store's back room was considered the coolest furniture showroom in Melbourne. Patricia Boyd had the cushions reupholstered to this purple fabric. These reproductions cannot be dismantled.Set of four timber frame with two purple upholstered cushions for back and seatwalsh st furnishings, robin boyd, maruni

George Rose was well known Australian photographer and postcard maker in the first half of the 20th century. This sterograph shows recruits training at Geelong during the First World War. Soldiers were trained to attack in short rushes rather than advancing in line due to the lethal power of the machine gun. The stereograph was an early technology that used double images to achieve a three dimensional image. Rectangular piece of cardboard with a stereograph image attached to the front. The image is a double reproduction of a black and white photograph. the photograph depicts a line of soldiers lying on the ground. AUSTRALIAN EXPERDITIONARY FORCE, GEELONG. Training Recruits in the Art of Attacking in Short Rushes. Copyright by Geo. Rose.wwi, rose series, postcard, lara, geelong, rsl, training, stereograph

Thomas Alan Broadbent. Refer 2322.2 for service history also 2568.2Certificate, copy of original from the Marong Shire Council. B & W reproduction re Thomas Alan Broadbent KIA 20.9.1918. Photo of Broadbent centre.documents, certificates, remembrance

49 page booklet 'Bendigo Easter Fair: its nature and its history' a reproduction of David Horsfall's account of the early history of the Bendigo Easter Fair.bendigo, bendigo easter fair, david horsfall's history

Engraving reproduction ('Attack on Gold Escort between McIvor and Melbourne') by W Hathirell, 1887. Apparently taken from a series of illustrations (book??) with this being #6.topic, mining, mcivor

Reproduction Photograph of the Bendigo Goldfields Hospital taken originally by Batchelder, a three storied stone building with four chimneys. There are six people standing in front of the buildingBatchelderbuildings, government, bendigo gaol, bendigo gaol, batchelder, stone buildings

Rev Keith B. Leigh was a Methodist minister. He was stationed: 1946 Wentworth 1947 training 1950 Kilmore & Broadford 1960 South Preston 1964 Ivanhoe 1970 Alphington Died in 1970 Poor quality reproduction and enlargement of B & W original (pixillated). Waist length photo Rev Keith B. Leigh in preaching gown and clerical collar.

A4 34 pp matt paper, glossy covers, color reproduction of photographs from events and members artwork. Artwork displayed over 22 ppnon-fictionA commemorative booklet celebrating the 2020 End of Year Art Show and other events over 21 years at the WAA's Silver Grove premises including recollections by past WAA presidents and 22 pages of members artwork.whitehorse arts association, mitcham arts association, art exhibitions, silver grove nunawading, rogalski barbara

Black and white, post card size reproduction of the West End of Rutherglen's Main Street, approx. 1920/1925. Taken from the High Street intersection.james tye fruiterer, smiths star hotel, main street

Reproduction of c1890 watercolour 'The Lawn Tennis Party (also known as Ladies' Volley'), byTito Agujari. Materials: Ink, Paper, Metal, Wood, Glass, Cardboardtennis

With the establishment of the large heavy industrial zone at Hastings in the late 1960s, which included the BP oil refinery using the Port of Hastings at the north-western arm of Western Port, a number of environmental problems predicted by both scientists and conservationists arose. The main shipping channel on the western arm of Western Port was dredged, causing suspended particles affecting seagrass beds. With inadequate regulation around discharge of bilge water within the bay, and oil spillage, oil pollution affecting both seabirds and coastal areas was not uncommon. This report of 40 penguins actually known to have been killed by an oil spill event was typical of reports at the time. The 2 men quoted – Vernon Johnson and Ken Pound – were well known conservationists. Vernon and his wife Nora owned the Kingston Gardens picnic and zoo business where they cared for many injured wildlife. Ken was a Phillip Island counsellor for a few years, and instrumental in the establishment of the Phillip Island conservation Society. He also contributed various documents and newspaper cuttings to this archive.This article is significant for being a record of an exact number of penguins found dead from oil spill pollution in Western Port. Also as a record of conservationists in the early years of community and environment movements both locally and in Australia. The article further gives evidence of linking tourism with wildlife.Photocopy of newspaper cutting. Black print with very dark black and white photo of Fairy (Little) Penguin. Poor reproduction due to older photocopy machine.(indecipherable) - late/1960s.little penguins, fairy penguins, eudyptula minor, penguin behaviour, phillip island tourist attractions, phillip island conservation society, oil spills, bp refinery hastings, port of hastings, western port, marine pollution, oil tankers, vernon johnson, ken pound, phillip island promotion association

Symbas provides the specification (rules) for the collection and compilation of topographic data; the basic instructions for colour preparation and reproduction of topographical detail on maps produced by RASvyPlastic cover, book, beige, 7 chapters, metal clip bindingroyal australian survey corps, rasvy, fortuna, army survey regiment, army svy regt, asr, symbas, specification

Manual used by Lithographic Technicians as a register of Map reproduction equipment. Possible uses include to identify and quantify available equipment as part of the stocktaking process.90 page technical manual/ handbook. Does not have a front cover. Contents page and pages within the document have black and white stock descriptions followed by photos of equipment. The manual is printed on photographic paper and is bounded by a black plastic spiral spline.royal australian survey corps, rasvy, fortuna, army survey regiment, army svy regt, asr

Booklet with reproductions of the art panels depicting aspects of Eltham history, commissioned by the Eltham Cemetery Trust and located at Wisteria Walk South in the Eltham Cemetery42 p. colour illustrationseltham, eltham cemetery

A weekly supplement to the Weekly Times newspaper, these plates each depict a bird or animal. There is a brief written description of each accompanied by a reproduction of a watercolour painting.A complete set of supplements, in original binding. 90 plates. Colour. Cardboard cover.Written inside front cover: 'Lindsay McKellar Black 1932-1934'weekly times, weekly times wild nature series, birds, animals

Large colour reproduction depicting the 8th/13th Victorian Mounted Rifles Parade of Guidons at Annual Camp held in 1959 at Beersheba Barracks in Wangaratta.Colour image of soldiers on parade and flag escort mounted on black edged plyboard.Parading the Guidons 8th/13th Victorian Mounted Rifles Annual Camp 1959 Beersheba Barracks8/13 victorian mounted rifles, 1959, guidons, wangaratta

Cases and labels are reproductions of those used by donor Robert Petty's father, Milton. Made and donated by Robert Petty. Marked F&M PettyTimber flat box divided across centre to make two square sections. One end is stencilled 'Victorian Pears', variety, count, grade, Metropolitan Australia. V.A.C. inside Diamond Logo.Diamond Logo, V.A.C. in logo.rural industry, orcharding

Original painting by Vagarini given to Mrs. Beinsenn who also was interned in Camp 3. : Vagarini, an Italian artist interned from Palestine, Camp 3.Copy of water colour painting in simple black frame depicting internment camp huts with dividing compound fencing.nilinternment camp 3, tatura, vagarini, artist, tatura internment camp3, cesare, illustrations, reproductions

This ornate cross sits at the right hand side of View of Trajan's column, Cast Courts, Room 46a, The West Court, Victoria and Albert Museum, London. Cast Courts: "When the Architectural Courts – or Cast Courts as they are now known – opened in 1873, The Builder magazine compared the experience of seeing them to a first glimpse of Mont Blanc, creating one of those 'impressions that can scarcely be effaced'. Since then, these two enormous rooms and the reproductions they contain have continued to impress and inspire visitors to the Museum. For centuries, antiquarian interest in world architecture and sculpture led to reproductions – or copies – being made of outstanding national monuments and notable sculptures. When the Museum was founded, it collected and displayed reproductions of great art and architecture from across the world in order to offer objects for study and tell a complete story of the history of art and design. Casts are made by placing several plaster moulds upon the surface of the original structure. Once hardened and removed, the moulds are then enclosed in an outer casing, the interior coated with a separating agent and the wet plaster poured in. When set, the pieces are then assembled and the joints and surfaces finished off, to make a complete reproduction of the original work. The finished product – as well as being a formidable technical achievement in its own right – enables admirers to study faithful reproductions of important monuments and works of art." Ref: https://www.vam.ac.uk/articles/history-of-the-cast-courtslondon, victoria and albert museum, cast courts

Photograph shows a horse tram leaving the Grenville St terminus to travel on the north side of Sturt St. Photo from the top of the Nicholl and Allan building. In the background are many pedestrians and one horse drawn car. There is a telegraph/telephone pole line on the right hand side of the photo. See items 5103 for a close up reproduction photo of the horse tram, 836 for a black and white reproduction and 2437 for a coloured postcard of the same image.Yields information about Sturt St c1904 and horse trams.Black and white photograph on plain paperhas "3" in a circle and "4" crossed out on the rear.tramcars, trams, horse trams, sturt st, postcards, grenville st.

Paperback printed book. 128 pages. with illustrations and photographs, some coloured. Includes facsimiles, maps, and index. Includes a separate folded sheet inside a pocket which has a reproduction of a map of the Parwan Parish in the County of Grant. On the reverse of this sheet are two reproductions. One is a land auction plan for February 1910 advertising the sale of portions of land from the Nerowie Estate. The other reproduction is a section of a map showing some of the blocks of land in the Nerowie Estate which has the heading, 'Nerowie Titles 1898'. A pocket inside the back cover contains a separate booklet which is an index, and two pages of 'Additional Information'.non-fictionExplores the history of the small farming community on the outskirts of Bacchus Marsh. It contains a plethora of fascinating details about the early years of this farming community from the 1830s until the early 2000s. There is a brief section at the beginning which looks at the history of the area prior to the colonial era. The book contains numerous sections about families and individual people who have lived in the Parwan area and includes many images of places and people. Citation: Parwan: A History by Dianne Van Leuvan. Published by Parwan History Group, Bacchus Marsh, Vic., 2010.parwan vic. history

Taken in c. 1918, this photograph depicts the ruins of the French village Villers-Bretonneux. In the foreground of the image are rows of shell damaged houses and buildings. In the background of the image stands a tower of the ruined church.On 24 April, Villers-Bretonneux was captured by the Germans as they advanced towards the regional city of Amiens. If they achieved their goal and drove onto the French coast, splitting the British and French armies, the Allied cause might have been lost. The fate of Amiens hung in the balance as two Australian brigades were given the task of retaking Villers-Bretonneux through a swift night-time counter attack. One brigade would assault from the south, while another would attack from the north. The assault began at 10pm on 24 April. The 13th Brigade in the south were held up by German machine guns, before the Australians linked up east of the village. After dawn on 25 April Australian and British troops were involved in fierce fighting to clear the Germans from the village. Some Germans escaped Villers-Bretonneux through nearby woods. Later on the morning of 25 April, three years to the day after the Anzacs landings at Gallipoli, French and Australian flags were raised over Villers-Bretonneux.Black and white rectangular reproduced photograph printed on matte photographic paperReverse: (A copyright and reproduction notice from the Australian War Museum, printed upside-down in blue ink) Church x Ruins/ Villers Bretonneux/ (in pencil) burke museum, world war 1, ww1, wwi, france, australia, villers-bretonneux, ruins, military album

Displayed at History House.Black and white photo. Images shows bare Battery Point, buildings under cliff, pier with building at end , another building (Baths?) and uprights in ocean.Front: View of Portland Harbour Back: State Library of South Australia, Photographic Section. Reproduction prohibited except with the permission of the copywirte holders. Order No. A/6493

.1 - Rule book - 16 pages + card cover, centre stapled, titled "Hawthorn Electric Tramways Club - Constitution and Rules" undated. Club founded 23/10/1916. Notes that the book must be returned if the employee leaves the MMTB. Sets out Membership, Contributions, office bearers, voting, committee, general meetings, duties of offices, auditors, funds, sick and accident benefits, funeral benefits, conduct of members - fines, alterations of the rules and standing orders. .2 - two sheet update to be pasted in the book, has an adhesive area on the rear advising that Camberwell Depot would be included, that the MMTB would collect the levy now 1/- per week and the additional levy of 2/6 per member when a member retired at the age of 65 or was retired by the Board due to ill health or death. Dated 1936 and signed by the Secretary - A Y PorteousOn the inside front cover of .1 and on the rear of .2 has a stamp "Bob Prentice Collection No. B175167A (or B). Reproduction only with consent of B. J. Brooks".trams, tramways, hawthorn depot, camberwell depot, retirements, gratuity scheme, medical

Yields information about the opening of the Geelong tram system and the events of the day, including the respective mayoresses driving decorated trams.Black and white reproduction photograph of a page from the Now Magazine, 18.1.1912 issue featuring photographs of Geelong and in particular a photograph of Geelong No. 4 on a trail run, 10.1.1912, at 5am. Photo credited to W.H. Watts. Image 1 - Copy 1 - has the reproduction of part of the page. Image 2 - Copy 2 - part print of the page, featuring the tramcar - printed on Hewlett Packard paper.Copy 1 - "10)2" in the top left hand corner, a William Scott address label on the rear in ink "10) middle pic car 4". Copy 2 - a William Scott address label on the rear and "10)" trams, tramways, geelong, first tram, testing, commissioning, tram 4