Three copies of Bendigo Sub-branch R.S.S.A.I.L.A. Annual Victory Ball held at the Town Hall, Bendigo on August 17th, 1948. Guests of Honour were Lt.-Gen. S. G. Savige, C.B., C.B.E., D.S.O., M.C., E.D. AND Mrs Savige. Card is cream with gold print on the front and a blue RLS badge. Other printing is brown. The inside of the tri-fold has a Dance Program of 28 dances and a space for Autographs. The other side has the Debutantes: Clarice Johnston, Beth Brown, Hazel Somerville, Pat Fairless, Dorothy Wilson, Enid Sutherland, Enid Hilson, Pat Johnson, June Richards, Pat Griffiths, Ann Mangan, Valerie Hunt, Pat Burton, Nancy Osgood, Emily Johnson, Janette Sutherland, Edith Johnson, Elaine Stemmer, Shirley Hinton, Marjorie Peterson, Elva Munro, Helen Balsillie, Nan Fairless and Shirley March. Chaperone:Mrs L J Warner. Flower Girls: Margaret Thomas and Beverley Heeps. Partners: Jack Wright, Douglas Dickinson, Graeme Hoy, Dave Beattie, Jim McNamara, Arthur Sutherland, Ken Burgess, Norm Fath, Robert Jackson, Alec Pianto, Kenneth Maes, Neil Holden, Brian Ackland, John Clarke, Les Johnstone, Ken Johnson, Frank Holden, Keith Rollinson, Dave McDougall, Don Peterson, Les Morey, George Hunt, Geoff Meggs and Ray Fitzgerald. President Bendigo Branch R.S.L. Col G V Lansell. Chairman Ball Committee: Mr F E Jackson. Hon. Secretary Ball Committee: Mr J W Swatton. Printed by James, Print, Eaglehawk.James, Print Eaglehawkevent, social, victory ball, r.s.l. bendigo collection - annual victory ball 1948, lt-gen s g savige, mrs savige, clarice johnston, beth brown, hazel somerville, pat fairless, dorothy wilson, enid sutherland, enid hilson, pat johnson, june richards, pat griffiths, ann mangan, valerie hunt, pat burton, nancy osgood, emily johnson, janette sutherland, edith johnson, elaine stemmer, shirley hinton, marjorie peterson, elva munro, helen balsillie, nan fairless, shirley march, mrs l j warner, margaret thomas, beverley heeps, james, jack wright, douglas dickinson, graeme hoy, dave beattie, jim mcnamara, arthur sutherland, ken burgess, norm fath, robert jackson, alec pianto, kenneth maes, neil holden, brian ackland, john clarke, les johnstone, ken johnson, frank holden, keith rollinson, dave mcdougall, don peterson, les morey, george hunt, geoff meggs, ray fitzgerald, col g v lansell, mr f e jackson, mr j w swatton

Program for the Kalianna School Debutante Ball held on Friday 3rd August 2007 at the Weerona Secondary College. Program is light grey with a purple sticker on an angle with the name on it. On white paper on the inside is the names of the debutantes and their partners and who they were presented to, Master of Ceremonies & Deb Set Co-ordinator, Chaperones, Compares, Music by Emu Creek Band, Flower Girl and Page Boy. Pasted on the back is a matching grey card thanking businesses and people who helped. Names are: Cr Kevin Gibbons, Debbie Gibbons, Lindy & William Lupo, Alison & Geoff Byron, Leon Scott, Debbie Price, Peter Burch, Cherryl Fyffe, Leon Scott, Emu Creek Band, Rebecca Nelson, Caleb Richardson, Charmaine Scown, Alicia Owen, Jessica Brereton, Nikita Riordan, Laura Semmens, Rebecca Apps, Chloe Gruber, Lauren Hawken, Amanda Anderson, Victoria Jelbart, Rachell Sutherland, Amy Roberts, Sally McMurtrie, Chevonne Strauch, Ben Holmes, Dean Snelson, Zac Flint, Tamati Poindestre, Brandon Kelly, Paul Drinkell, Adrian Brown, Chris Oojges, David Boyce, Josh Rosewall, Michael Semmens, John Wiktorek, Kane Wojcicki, Matthew Mitchell, Hairem Scarem, Grant Rule Menswear, Sean Walsh Photography, Mary Smith (Plant Exhibits), Anne Hastings (Deb Ball Seamstress), Debbie Price, Tracey Wojcicki, Glenys Jelbart, Pam Holmes, Rae Hall, Samantha Wearne, Kylie Salter, Cathy Brew, Judy Richards, Aileen Gilbee, Marie Loch, Noel & Lorna Thomas, Ron & Janette Moss, Tracey & Peter Wojcicki, Val & Neil Cartledge, Warwick Strauch, Kevin Salter, Grant King, Kay Tamblyn and Christine Smith.Weerona Secondary Collegeentertainment, dance, ball, peter ellis collection, kalianna school, weerona secondary college, cr kevin gibbons, debbie gibbons, lindy & william lupo, alison & geoff byron, leon scott, debbie price, peter burch, cherryl fyffe, leon scott, emu creek band, rebecca nelson, caleb richardson, charmaine scown, alicia owen, jessica brereton, nikita riordan, laura semmens, rebecca apps, chloe gruber, lauren hawken, amanda anderson, victoria jelbart, rachell sutherland, amy roberts, sally mcmurtrie, chevonne strauch, ben holmes, dean snelson, zac flint, tamati poindestre, brandon kelly, paul drinkell, adrian brown, chris oojges, david boyce, josh rosewall, michael semmens, john wiktorek, kane wojcicki, matthew mitchell, hairem scarem, grant rule menswear, sean walsh photography, mary smith (plant exhibits), anne hastings (deb ball seamstress), debbie price, tracey wojcicki, glenys jelbart, pam holmes, rae hall, samantha wearne, kylie salter, cathy brew, judy richards, aileen gilbee, marie loch, noel & lorna thomas, ron & janette moss, tracey & peter wojcicki, val & neil cartledge, warwick strauch, kevin salter, grant king, kay tamblyn, christine smith

Bendigo Town Hall, Heritage Victoria ''A Goldfields Palace Blue Leaflet'' with coloured photographs and white text. Photographs courtesy of Westox Pty Ltd and the City of Greater Bendigo. 2002. Front page features the extensive work that would be undertaken for the restoration. A time line beginning 1851, gold discovered in Bendigo. 1854 German-born W. C. Vahland arrived in the colony. 1855 Town of Sandhurst (Bendigo) became a municipality. 1856 First Town Hall was a small timber building on View point. 1857 Vahland sets up his architectural practice with Robert Getzschmann. 1859 A new, two-storey Italianate Town hall designed by George Fletcher, Town Surveyor, was built. 1866-77 Two-storey extension added to the north of the building to house the council chamber. 1871-72 Addition of the Corn Exchange comprising two storeys and a basement to the north of the building. 1878-87 Major remodelling of the exterior and interior carried out to the designs of architect W. C. Vahland. The work comprised major extensions and the addition of three towers and mansard roof, reconstruction of the main stair, decorative plasterwork by Otto Waschatz (decorated Royal palace, Copenhagen), and council chamber painted by W. J. Straugher. 1902 Painting of the main hall by Coulter and Smith of Bendigo. 1913-15 Remodelling of offices. 1926 Replacement of main Hargreaves Street hall entrance, foyer and balcony with stage. 2000 Restoration works to the Town hall commence. The middle pages and the back show some of the conservation works that were required.bendigo, tourism, town hall restoration, 4-2000 www.heritage.vic.gov.au

Booklet (2 copies) with brownish photo of Amy Castles and Sir John Quick on the front cover, titled Footprints on the Sands of Time: Bendigo's Citizens, the 1909 Bendigonian Annual and Community History by Professor Jeff Brownrigg. La Trobe University, Bendigo. The Ninth Sir John Quick Bendigo Lecture 2 October 2002. Photos in the book include: Sir John Quick, Amy Castles, Amy and Eileen Castles, Anthony Palamountain, John Quick's birthplace in Cornwall and Professor Jeff Brownrigg. Sir John Quick, Robert Garran, The Bendigonian, Bendigo Evening News, Bendigo Advertiser, Nellie Melba, Bendigo Independent, Amy Castles, Alice Crawford, Edward Allan Bindley, Joseph Castles, Lili Sharp, Eileen Castles,Frank Cusack, David Horsfall, Louis August Samuels, Kate Samuels, Madame Benda, Bertha Rossow, Anthony Palamountain, Dorothy Penfold, Penfold Gallery, Pauline Bindley, Convent of Mercy, Masonic Hall, Ashman's Dry-Cleaners, The Ninth Sir John Quick Bendigo Lecture are mentioned in the book.footprints on the sands of time: bendigo's citizens, the 1909 bendigonian annual and community history, professor jeff brownrigg, research and outreach screensound australia, la trobe university, sir john quick, robert garran, the bendigonian, bendigo evening news, bendigo advertiser, nellie melba, bendigo independent, amy castles, alice crawdord, edward allan bindley, joseph castles, lili sharp, eileen castles, frank cusack, david horsfall, louis august samuels, kate samuels, madame benda, bertha rossow, anthony palamountain, dorothy penfold, penfold galery, pauline bindley, convent of mercy, masonic hall, ashman's dry-cleaners, the ninth sir john quick bendigo lecture

Various combined documents related to a regional Centre for the Performing Arts - comprises Draft letter from ''Bendigo Branch of A.C.A.'' sent to all councillors of Bendigo, Huntly, Marong, Strathfieldsaye, Bendigo Trust and Members of Parliament (with handwritten annotations/unsigned); Notes on the Arts Council Theatre Project (''this office has been engaged on this project since June 1972 and working on the proposal to use the present site since September 1973'' (with handwritten annotations); ''Thoughts of Robert Herriot and Jack Cannon about the possibility of engaging a Community Arts Promotion Officer for Bendigo'' (with handwritten annotation from Bob H referring to''tape made in the car in Canberra 2/8/74''; City of Bendigo - Consultants Brief in connection with the preparation of a report of own Planning problems and solutions in the central business area of the City of Bendigo (''submissions in accordance with this brief by 30th April 1974'').

Pale Green Cover & Buff Interior With Black Text Booklet Theatre Programme Cid Ellwood Operatic Productions Present 'No Rhyme or Reason' Spring Season 1959. Town Hall, Moonee Ponds October 8th, 9th, 13, 15th & 16th; M.L.C. Theatre Kew October 29th & 30th. Libretto Robert Clarke, Music & Lyrics Cid Ellwood, Musical Director Cid Ellwood Choreographer Eileen Hattam. Main cast: Joyce Hexter, Joy Chandler, Phyllis Fowler, Charles O'Neill, Tommy Worland, Cid Ellwood, Carl Heiner, Frank Dale, Lorraine Quinn, Terry Donovan, Kevin Ashman, Fay Smith, Fay Brennan, Eileen Hattam, Lindsay Bunting, Alan Wakling, Judy Thompson. Songs Include: 'No Rhyme or Reason,' 'Daughters of Egypt,' 'I'm in Love,' 'Cleo, The Minx of the Sphinx,' 'Three Ruddy Soldiers,' 'Why Was Man Born for Woman?' 'Hail, Thou Mighty Caesar!' 'Quintette (a la Gran Opera)' 'Á Soldier Never Knows,' and many others.clubs and associations, theatre, cid ellwood operatic productions

Event, Young Men's Christian Association of Bendigo presents Mr. Robert Harkness, Great Song Services, Town Hall Eaglehawk Sunday next 31st inst at 3pm. Princess Theatre Bendigo Sunday Evening next 31st, inst at 8.30pm. Chairman: His Lordship the Bishop of Bendigo.Bolton's Print, Bendigoevent, music, great song services

Merle Hall Collection- 'Arts Summit' Saturday 13th July 1985, St Andrews Hall Documentation: a. Invitation to participate in seminar to address the issues currently influencing the development of creative activities within the Bendigo community; proposed agenda for the day; speaker outlines and Response/Acceptance sheet.; b. 5 page Report of the Arts Officer on the Art Summit (of 63 arts-realted organizations) with brief summaries of the key addresses of the Summit: Addresses by; Ian Roberts, Regional Development Officer; Ross Mellor, Tourism Consultant; John Little, Development Officer Victorian Arts Council; Ross McCracken, Footscray Community Arts Centre; Bill Cook, Ararat Performing Art Centre; Community Arts Centre Working Party David Breadeb, Architect. Listing of major needs identified by participants.

Eaglehawk Sub-branch R.S.S.A.I.L.A. Annual Ball, July 14th, 1948 held at the Town Hall, Eaglehawk. Card is cream with gold printing on the front and a blue RSL badge. On the inside the trifold card has a Dance Program of 21 named dances and a space for Autographs. On the back left are the names of the Debutantes and Flowers. They are: Shirley Evely, Alison Brown, Nancy Moore, Dorothy Reed, Beryl Reed, Joyce McCallum, Bette Fitzpatrick, Molly Surplice, Merna Douglas, Marjorie Yates, Edna Johannesen, Pat Johannesen, Patricia Brown, Patricia Boland and Faye Hanson. On the next fold are the Partners: Robert Tibbett, Milton Brown, Ronald Bull, George Hunt, Les. Johnson, Jim Groves, Maurice Koch, Ken. Johnson, Kevin Smith, Ken. Bull, Frank Holden and Neil Holden. Chaperon: Mrs G F Hudson. Hostess: Mrs R Fairless and President: Mr R Fairless.event, social, annual ball, r.s.l. bendigo collection - souvenir programme eaglehawk rsl annual ball 1948, shirley evely, alison brown, nancy moore, dorothy reed, beryl reed, joyce mccallum, bette fitzpatrick, molly surplice, merna douglas, marjorie yates, edna johannesen, pat. johannesen, patrica brown, patrica boland, faye hanson, robert tibbett, milton brown, ronald bull, george hunt, les. johnson, jim groves, maurice koch, ken. johnson, kevin smith, ken. bull, frank holden, neil holden, mrs g f hudson, mrs r fairless, mr r fairless

'Report on the Capital Theatre Building at View Street Bendigo, for Consideration as Arts Complex'' (prepared by - Robert Herriot & Martin Sheean), February 1977. Covers physical condition and practical appraisal and cost of renovations and summary ''Architect's Comment'' (''not to pursue the purchase of this building'') and City Valuer's (Sheean) comment including a ''reasonable offer to the lodges'' of $80,000 to $90,000.

Built in 1861 on land made available by Mr. Robert Allen. Grant received through municipal council and State Government. Building functioned as a library until 1926. Taken over by Buninyong Cemetery Trust and eventually fell into serious disrepair. Restored in the 1980s after great community effort, dedication and financial contributions.An important early building in the township noted for its unusual and individual classical facade of Oregon pine. Placed on Historical Buildings Register.Black and white photograph of Former Free Library built in1861. Warrenheip streetscape of former free library, currently Buninyong Information Centre, Eastern facade fully visible and Southern weatherboard side. Mature pine trees visible to the side and rear of building. Reading room on left of entrance door and former shop and residence on right.free library, information centre, mr. robert allen, buninyong cemetery trust, mechanics institutes

Original Building dates from around 1855, strong connection with Robert Allen, prominent citizen in early goldrush, links through him to Allen Store and Old Library.Built by prominent citizen and benefactor, early gold-rush dwellingEyre Cottage, former home of Robert Allen, c 1855, on S/W cnr. of Eyre and Winter Streets, side view from N/W.buninyong, eyre st, winter st, robert allen, streetscape, building

Part of series to record changes in BuninyongB/W photo Headstone of Robert Scott, Buninyong Cemetery"Sacred to the Memory of Robert Scott"buninyong, cemetery, robert scott, headstone

Part of series to record changes in BuninyongA B/W and a colour photo, polished granite headstone, engraved, with Triangular decorative pelmet, for Robert and Celia Scott and two of their children. in Buninyong Cemetery."Sacred to the Memory of Robert Scott, of Mount Boninyong (sic) Born 13th. May 1822, Died 5th Sept. 1896, and of his wife Sarah Cowie, Born 13th October, 1828, Died 7th. August 1899 "Blessed are the dead which die in the Lord," also of their second daughter Celia King, Born 27thJan 1859, Died 4th march 1892, and of their infant son Thomas Mitchell, born 13th march, 1862, Died 1st March 1863, "Suffer little children to come unto me.""buninyong, cemetery, headstone, scott, graves

historic building, rebuildingColour photograph, Robert Allen's house (1856-57) Eyre St. Buninyong, outhouse, rebuilt 1988, incorporating part of original stable.buninyong, outhouse, robert allen

historic building, Colour photograph, Robert Allen's house (1856-57) Eyre St. Buninyong, front verandah.buninyong, robert allen

historic building, Colour photograph, Robert Allen's house (1856-57) Eyre St. Buninyong, front verandah.buninyong, robert allen

The Melbourne and Metropolitan Board of Works (MMBW) plans were produced from the 1890s to the 1950s. They were crucial to the design and development of Melbourne's sewerage and drainage system. The plans, at a scale of 40 feet to 1 inch (1:480), provide a detailed historical record of Melbourne streetscapes and environmental features. Each plan covers one or two street blocks (roughly six streets), showing details of buildings, including garden layouts and ownership boundaries, and features such as laneways, drains, bridges, parks, municipal boundaries and other prominent landmarks as they existed at the time each plan was produced. (Source: State Library of Victoria). This plan forms part of a large group of MMBW plans and maps that was donated to the Society by the Mr Poulter, City Engineer of the City of Kew in 1989. Within this collection, thirty-five hand-coloured plans, backed with linen, are of statewide significance as they include annotations that provide details of construction materials used in buildings in the first decade of the 20th century as well as additional information about land ownership and usage. The copies in the Public Record Office Victoria and the State Library of Victoria are monochrome versions which do not denote building materials so that the maps in this collection are invaluable and unique tools for researchers and heritage consultants. A number of the plans are not held in the collection of the State Library of Victoria so they have the additional attribute of rarity.Original survey plan, issued by the MMBW to a contractor with responsibility for constructing sewers in the area identified on the plan within the Borough of Kew. The plan was at some stage hand-coloured, possibly by the contractor, but more likely by officers working in the Engineering Department of the Borough and later Town, then City of Kew. The hand-coloured sections of buildings on the plan were used to denote masonry or brick constructions (pink), weatherboard constructions (yellow), and public buildings (grey). MMBW Plan No.1578 is significant in that it defines the extent of two private schools: Xavier College and Kew High School (now part of Trinity Grammar) by 1904. In relation to the latter, the plan clarifies which buildings the High School operated from behind the mansion ‘Molina’. Established in 1902, Trinity Grammar was to later lease and subsequently buy Molina (now ‘Merritt House’) and ‘Elsinore’ (now ‘Roberts House’). Xavier College had been established in 1872. This 1904 plan delineates the West Wing and the Great Hall (built in 1890).melbourne and metropolitan board of works, detail plans, maps - borough of kew, mmbw 1578, cartography

From its beginnings in 1958, the Society has mounted exhibitions and/or displays, in early days in shop window and in community spaces located in the Kew City Hall (later Kew Library), and since 2010 at the Kew Court House. Exhibitions typically coincided with the annual Kew Community Festival in March, but after 2013 evolved into three new exhibitions yearly at the Kew Court House. Smaller displays continue to be mounted in the Kew Library. A series of photographs of objects and pictures of the second exhibition at the Kew Court House for 2018, mounted by the Kew Historical Society.kew historical society - exhibitions, water -- kew (vic.)

From its beginnings in 1958, the Society has mounted exhibitions and/or displays, in early days in shop window and in community spaces located in the Kew City Hall (later Kew Library), and since 2010 at the Kew Court House. Exhibitions typically coincided with the annual Kew Community Festival in March, but after 2013 evolved into three new exhibitions yearly at the Kew Court House. Smaller displays continue to be mounted in the Kew Library. Display of seven costumes from the Weir collection dating from the 1910s, 1920s and 1930s used as a display at the 11 April 2018 monthly meeting at which the speakers were Jillian Rigby, Robert Baker and Suzanne McWha. The topic was the Weirs of Princess Street (Kew). The dresses form part of the Kew Historical Society Australian fashion collection and are catalogued individually.weir collection, women's clothing, kew historical society - meetings, australian fashion - 19100s - 1910s - 1920s - 1930s

From its beginnings in 1958, the Society has mounted exhibitions and/or displays, in early days in shop window and in community spaces located in the Kew City Hall (later Kew Library), and since 2010 at the Kew Court House. Exhibitions typically coincided with the annual Kew Community Festival in March, but after 2013 evolved into three new exhibitions yearly at the Kew Court House. Smaller displays continue to be mounted in the Kew Library. Photos of the third Kew Historical Society exhibition at the Kew Court House for 2017, focussing on aspects of performing arts in Kew from the 1940s to the 1970sexhibitions -- kew court house -- kew historical society, fashion exhibitions

From its beginnings in 1958, the Society has mounted exhibitions and/or displays, in early days in shop window and in community spaces located in the Kew City Hall (later Kew Library), and since 2010 at the Kew Court House. Exhibitions typically coincided with the annual Kew Community Festival in March, but after 2013 evolved into three new exhibitions yearly at the Kew Court House. Smaller displays continue to be mounted in the Kew Library. Display sourced from the Society's and private collections, curated by Les Littlechild, illustrating historical aspects of children's health in Kew.kew historical society - exhibitions, children's health - kew (vic), kew library

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Kew was declared a separate municipality in 1860. To commemorate this, a number of events were held in Kew, including a Centenary Dinner Dance in 1960 at which the speakers were Sir Robert Menzies and Cr WHS Dickinson. As the Mayoress, Mrs Doris Dickinson accompanied her husband, wearing this dress. Evening dress, made of unlined grey velvet, worn by the Mayoress, Mrs Doris Dickinson, (wife of Cr WHS Dickinson), to the Kew Centenary Dinner Dance in the Kew Civic Hall. The dress has matching cream kid gloves. The dress was donated by Mrs Judith Goodes, a daughter of Cr. and Mrs. Dickinson.cr whs dickinson, mrs doris dickinson, australian fashion - 1960s, women's clothing - 1960s, city of kew centenary - 1960, evening wear, evening dresses

From its beginnings in 1958, the Society has mounted exhibitions and/or displays, in early days in shop window and in community spaces located in the Kew City Hall (later Kew Library), and since 2010 at the Kew Court House. Exhibitions typically coincided with the annual Kew Community Festival in March, but after 2013 evolved into three new exhibitions yearly at the Kew Court House. Smaller displays continue to be mounted in the Kew Library. Photograph of three costumes exhibited at the Kew Library, all donated by Netta Fuller, and dated to the 1860s.netta fuller, australian fashion - 1860s, women's clothing - 1860s, dresses - 1860s, kew historical society - exhibitions, exhibitions - victorian era fashion

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.An undated photograph of the Prime Minister of Australia, and local member for Kew, [Sir] Robert Menzies with his wife and daughter and the artist Alma Figuerola to his left. alma figuerola album, arists - kew (vic), art exhibitions - kew (vic), sir robert menzies

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.An undated photograph of the dancer Robert Helpman with a group including his friend, Alma Figuerola, to his right.Reverse: "Robert Helpman Miss Figuerola" Also photographer's stamp: "Australian Consolidated Press - Feature - Copyright - Sydney Australiaarists - kew (vic), art exhibitions - kew (vic), sir robert menzies, alma figuerola