Penleigh Boyd, Robin and Patricia Boyd's son, writes “Prior to 1950 Robin, like most other amateur or hobby photographers, took black and white printed photographs. The oldest slides date from 1950 when Robin and Patricia travelled to Europe on Robin’s Robert Haddon Travelling Scholarship.” In 1948 Robin Boyd was awarded ‘joint first place’ in the Robert Haddon competition for his design of Mildura art gallery. The scholarship helped fund their first overseas trip. Robin and Patricia were passengers on the Greek ship “Cyrenia” departing in May 1950, passing through the Suez Canal and landing in Genoa five weeks later. For six months, they travelled extensively throughout Europe (predominantly driving themselves) - France, Italy, United Kingdom, Sweden, Denmark, Germany, Austria, Switzerland and Spain.Colour slide in a mount. House (1950), Copenhagen, Denmark. (Architect: Arne Jacobsen.)Copenhagen / House / One-Family Terrace / Arch. Arne Jacobsen / 1950 (All Handwritten)haddon travelling scholarship, haddon, robin boyd, slide

Identified in the back row are Charles Kelly, Kathleen Evans, Robert Evans and Vera Kelly. In the front row are Nancy Carlson, Jack Kelly, Irene Carlson and Irene Evans. Sepia coloured wedding photo believed to be of the Evans family. The party is comprised of the bride and groom, 2 female attendants, 2 male attendants & 2 flower girls. The bridesmaids are wearing large hats. The general style of dress is indicative of the mid-1920s. There is considerable superficial loss due to silverfish damage. The photo is mounted on a brown cardboard matt which is badly foxed.Printed on front: The Marlborough Studios 125 Swanston St Melbourneevans family, weddings, portraits, evans wedding portrait, kelly, charlie, evans, kathleen, robert, vera, carlson, nancy, jack, irene, george evans collection

Deep Lead – Portrait Robert and Ethel Maud Freeland & Family. Standing L to R Alexander Norman (Charlie). Robert Henry. Marie (nee Cook) Roberts wife. Eric Stanley. C1942. Two of the sons are in uniformstawell ww2

Negatives from Stawell Photographer. Discarded from Penna Print Ararat. Son contacted and gave approval for Stawell Historical Society to keep them. Only those of a non personal nature scanned. Currie & Pigeon O’Sullivan & Flowers Beryl Voight Cake John Monaghan Ordination photos taken in Stawell Town Hall upstairs. 6128-6 c.1975 Back Row Danny Rathgeber, Andrew Van Diesen, Bernard Rowe, - - - - - Fr Row Phil Monaghan, Shaun Allen, Aaron Dalziel, Liam Pickering, Simon Comitti, Simon Krause - Shaun Ashton. Susan Pyke & Garry Palmer Victree P/L Lynette McMullin Stawell Arts Council Glenorchy Golf Club Team 1981 West Twins Robson & Moller Snow 23/6/81 Maureen Carroll & Ross Nacy Elaine Aisbett & Neil Lamb Jenny Schunann & Greg Randall Robyn Whelan & Robert Hemley Kerryn Taylor & Ian Mitchell Mrs Wlliamsons Cooper Reunion Debbie Morton & James Evans Colour negatives of families, weddings and other. Nineteen Lever Arch Folders Mick Walsh 52 Patrick Street Stawellphotography

Honour board recording the winners of the Summer medal and Winter medal events played over a number of weeks each year. Names listed: 1973 G. Brown, M. Brown 1974 M. Hickey, M, Hickey 1975 J. Moore 1976 E. Stafford, E. Moore 1977 D. Irvine, D. Irvine 1978 M. Brown, N. Scott 1979 J. Neville, J. Neville 1980 J. Moore, L. Cumming 1981 D. Taylor, E. Wright 1982 J. Neville, D. Irvine 1983 M. Kirby, L. Cumming 1984 E. Cumming, J. Neville 1985 R. Reid, P. Punch 1986 S. Phillip, D. Wallace 1987 E. Maloney, H. McCulloch 1988 M. O’Donohue, D Taylor 1989 D. Delaney, D. Hansen 1990 S. Philip, J. Bognor 1991 D. Costin, E. Willox 1992 A. Deppeler, J. Clingan 1993 D. Costin, M. Scouller 1994 B. Day, D. Ryan 1995 J. McKenzie, L. Bourke 1996 I. Younis, K. Adams 1997 I. Younis, D. Roberts 1998 E. Willox, J. Clingan 1999 J. Howe, E. Rundle 2000 J. Howe, M. Bacon 2001 S. Graansma, M. Bacon 2002 A. Corsie, A. Corsie 2003 H. Finlayson, J. Clingan 2004 L. Saunders, V. Convey 2005 K. Burl, L. Bourke 2006 A. Van Dooren, M. Hesketh 2007 J. Stevens, M. Hesketh 2008 E. Willox, J. Cunnington 2009 M. Bacon. M. Hesketh 2010 M. Gordon, M. Smith 2011 H. Finlayson, A. Gilson 2012 M. Gordon, K. McKenzie 2013 L. Roberts, K. McKenzie 2014 K. Burl, M. Gordon 2015 M. Clements, K. Burl 2016 K. Matheson, M. Hammond 2017 K. Robertson, K. Burl 2018 A. Thompson, P. Payne 2019 J. Mounsey, K. Matheson 2020 H. Finlayson, K. Burl 2021 V. Convey, Rectangular shaped timber board with individual nameplatesWomen's Golf Peterborough Medal Board. In Honour of Mary Hughes (Hon Secretary 1982-1993) Donated in Memory by her Family.sporting honour boards, peterborough golf club, mary hughes

From the collection of a family who had three generations that worked for Dennys Lascelles. This is a catalogue describing the Mossgiel estate for an upcoming auction which was going to be held through the Dennys Lascelles Company. Mossgiel was built for or owned by Brigadier-General Robert Smith, who (I believe) was the founder of the Returned Soldiers & Sailors Mill in Newtown.Cream/pale yellow coloured paper booklet with maroon/brown text and border on front page, "Mossgiel" text in centre. 6 pages, bound with two metal staples on spine. Text and images throughout, describing and showing the Mossgiel estate. Back cover has small drawing of a shield or symbol with flowers below and text reading "LIST. HICKIE. PTY. LTD"dennys lascelles ltd, hendy leary and co, mossgiel

From a family who had three generations that worked for Dennys Lascelles. This notice is advertising the upcoming auction of Mossgiel estate through the Dennys Lascelles Company. The auction would take place at The Wool Exchange. Mossgiel was built for and owned by Brigadier-General Robert Smith who (I believe) foundered the Returned Soldiers & Sailors Mill in Newtown.Single paper page, off-white colour with black text and black and white photograph. Upper part of text describes the auction details, there is a photo in the centre of the page. Text below the photo describes the estate details and auction terms.

Associated letter from Mr R Lloyd provides information about cover photograph. "the stockman featured (on the lid).. is Kerry Shanley, a fifth generation squatter fron San Michele Station, Adaminaby, NSW. The station was originally settled by the family in the 1830's (ref base of game) Murfett editionNWM 99.109 SQUATTER/ 25TH ANNIVERSERYsheep stations - management wool growing squatters, murfett, lloyd, mr robert, australia, sheep stations - management, wool growing, squatters, squatter board game

Group photograph of Martin Cook and Hyatt Family. From left standing, Honora (McGuan) Martin, Gwenneth (Willmett) Cook, holding Jannette Cook, Clem Cook, Lucy Martin, Bob Hyatt, Ida (Martin) Hyatt, Emma May (Martin) Willmett. Seated Emily (nee Bate) Martin, Joseph Emanuel Martin. Small boy Robert Cook.Group photograph of Martin Cook and Hyatt Family. stawell portrait

502 Class 3a Photo (1942). Back row - Jack (Wossie) Hall, Ron Maddock, ? Smart, Gilbert Smith, Knowles Roberts , Ken Hull, Ron Richards. 2nd Back row - Hilary Waring, Lois Truscott, Margaret Taylor, Joan Hayward, Alison West, Patricia Hall, Glenda Hurst, Lorraine Woodhart, ? Krause. 1st Row Seated - ? Allender, Noreen Byron, Margo Williams, Pam Knipe, Dorothy Christian, ?, ?, Judith Sweeney. Front Row - ? Johnston, E. Prydderch, ? Smart, Jim Martin, Hartley Newton, ? Oliver, (Whistle) Cooper, Selwyn (Keith) Darker, The Smart boys were twins. Judith Sweeney stayed with the Maddocks family 6-8 months - war evacuee, her father made runner shoes. Stawell Primary School, 502 Grade 3a Class photo. The class black and white photo taken in 1942 consists of 32 students. Two middle rows of female students (17) and two rows of males students (15). The background of the photo is a brick school wall with 3 windows. stawell education

Doll (Dorothy) Bearup. Not much is known of the family. Records shows the Bearup Family came to Stawell around 1908 -1913 from Hamelton (502 School index). RM2 (1908 - 1913). Mr. Robert Bearup was employed by the Gas Company, as manager (Municipal Directory 1923 Mag Box 6 RM2.Black & white portrait photograph of young woman. The photo is oval with a plain background. O'Shannessy & Falk (or Fall) Elizabeth St. (Cardboard frame of photograph has been cut, only these letters shown). In pencil on back Doll Bearup.stawell

Photograph shows members of the Bubb family cutting ironbark logs in the Anglesea forest for their sawmill. The sawmill was established after WW2 to provide work for his sons. The sons who worked at the mill were Arthur, Harold (aka Jimmy), and Robert all of whom are buried at Bellbrae cemetery. As well as providing timber for their own use, Bubbs' timber was used in many homes around the Anglesea and Bellbrae areas.The Bubb family was a prominent pioneer family in the Bellbrae district.Black and white photographbellbrae victoria pioneer families

This medallion was struck to celebrate the 100th anniversary of fellmongering in Mazamet in 1951. Fellmongering - In French, ‘delainage” means, literally, ‘de-wooling'. It is the industrial process of separating wool from sheepskins. In the 19th century, the southern French town of Mazamet became the world centre of délainage and played an important part in the Australian wool industry. At one time Mazamet was reputed to be the 15th richest town in Europe, and it was said that the town’s branch of the Banque Nationale de Paris (French banking firm) was the second largest in France. At its height, Mazamet had 48 fellmongeries and imported more than 100,000 tonnes of sheepskins a year from the southern hemisphere, mostly from Australia and Argentina. It also supported numerous associated industries such as tanneries, spinning mills and clothing manufacturers. In the 1980s Mazamet’s fellmongering industry fell into decline under pressure from environmental concerns and cheap imports. The town’s last two fellmongeries closed in 2004. The town continues to have a strong relation to Australia, with street names such as, Rue de Australie, Adelaide, Brisbane, Melbourne and Sydney in recognition of a connection to the two distant lands. Today, half a century since wool importation largely ended, there remains a link to the past. Elite quality leather and woollen clothing companies such as Hermes and Chanel still source much of their stock in Mazamet. This medallion was presented to William Haughton and Co. who were one of Australia’s largest wool-buying companies of the first half of the 20th century. Wm Haughton had a major presence in Geelong and its “SKINS WOOL HIDES TALLOW etc.” signs were prominent on railways stations throughout the Western District and beyond. Haughtons had branches in all Australian capital cities, New Zealand, London and Bradford. Its agents in Mazamet were Maison Louis Maffre, an enterprise founded by M. Louis Maffre, mayor of Mazamet from 1912 to 1919. This medallion was donated to the National Wool Museum by the family of Sir Robert Southey AO CMG, former managing director of Wm Haughton & Co.Bronze medallion contained within purple case. On one side of the medallion, a mill worker is seen scraping the wool off the treated sheepskin. On the reverse the inception can be read.Wording: CRESCAM ET LUCEBO // CENTENAIRE / DU DELAINAGE / MAZAMET // 1851-1951. Smooth edge stamped with a cornucopia and the inscription BRONZEmazamet, fellmongering, délainage

Originating from Scotland pre-1950, this wool winder is ornately decorated featuring a male figure at its peak and a cherub at its base. Wool Winders are practical objects typically with minimal decoration; however, Wool Winders with ornate design features do exist. Scrimshaw (whale ivory) was a popular choice of material in the 18th and 19th century. It is smooth, preventing yarn from getting caught when unwinding, as well as having artistic beauty. Wool winders require a heavy base, as to not topple over when in use. It is popular to decorate these bases on more elaborate winders, such as shown in this example. The bows featured to tie the wood segments together is another feature of more elaborate models of wool winders, also highlighted in this example. This winder began life in the possession of Annie Crawford. The Crawford name has a strong connection with the town of Paisley, Scotland, and its Woollen Mills. The Crawford name can be seen working at the Woollen Mills in the 1851 Scotland Census, with Robert and his brother’s James and John working as Wool dyers. Their father Alexander also worked as a Loom Weaver. The winder immigrated with Annie when she, her husband and 3 children travelled to Australia, ready to start a new life. Most of their possessions were left behind in Scotland. This winder accompanied the family on their journey; so it stands to reason that the winder was special to them. Annie Crawford passed the winder onto her eldest daughter Joan Crawford. Joan did not have any children and so she passed the winder onto the eldest female grandchild, Fiona Crawford. Fiona Crawford continued the connection of the Crawford name with textiles, with an exhibition titled "When you go looking for me, I am not there". Utilising medieval embroidery tradition of ‘Punto Assisi, the exhibition was a reflection on the lack of women recorded in history, particularly their contribution to the domestic arts. Her work investigates both the absence of women while also honouring the unknown female makers of this now highly desired art. The Wool Winder was donated to the National Wool Museum in 2021 by Dianne Crawford, the sister of Fiona Crawford. Umbrella swift style wool winder made of metal, wood, and ribbon. Decorated at its highest point with a sculpted man standing on one leg, holding what is perhaps a rolled newspaper as though he may be bidding at an auction. Or perhaps he is holding a hank of wool. The man stands upon a three-tier platform of decreasing size and design which leads to the central metal shaft. At the base, the winder is decorated with an engraved cherub. Both figures have a small hole in one of their hands, indicating that they originally held something. Unfortunately, it is not known what this is. From the central metal shaft, this winder has 2 rows of 6 arms radiating out. These arms cross in the middle to form an X. These arms are also connected horizontally with additional arms which cross. This all forms an intricate web design, tied together with ribbon. The size of the web these arms create is adjustable, to accommodate yarns of different length. Beneath the second row of arms is a locking screw which holds this row at the desired height and width. This entire top section, beginning at the central metal shaft, can be unscrewed from its base for easier storage. The base begins in a wooden circular shape growing into a smaller ornately designed raise on which the cherub sits. From the head of the cherub the central metal shaft begins.paisley, scotland, wool winder, immigration