Local women, inscription on back of photo says "May".tatura, locals, costume, female

Left to Right, Elenor Musumeci, Jill Riddler, Myriam Scott, Unknown Four women outside standing in front of an entrance sign.Entrance in white raised letters on a grey stone block.biarri

Booklet from Australian Women's Weekly entitled 'Needlework'.books, reference

Doris Carter was the daughter of Mary Fitzgerald of Kirkstall, and the granddaughter of Maurice Fitzgerald and Anne Carmody.Black and white photograph of two women sitting in a garden.doris carter, doris fitzgerald, joyce murphy

Mounted poster 'Women in Tennis' Materials: Paper, Woodtennis

Women's Royal Australian Navy Headwear complete with badge.Made in Australia 2007

Daughters of Robert (Buller) Beames and Susannah Quin. Mabel and Walter Andrew Murphy owned Railway View Hotel, Timboon. Photograph of two women mounted on green cardboard and laminatedMabel Murphy on Right 1974 -1955 (Mother of Ray) and her sister Lou Beames (Mrs. Cleeve)timboon, murphy, beames, cleeve, railway view hotel

An item from an and diverse collection, assembled by members of the Christian and Washfold families of Kew.Colour print of the Pioneer Women's Memorial in the Domain, Melbournepioneer women's memorial (melbourne), christian-washfold collection

Mrs Walker and Mrs Mealing using their white canes as they walk along a sloping footpath.B/W photograph of two women with white canesMobility - historicalroyal blind society of nsw, white cane day, mrs mealing, mrs walker

PHOTOGRAPH, SEPIA, GROUP OF MEN AND WOMEN AT MOUNT BECKWORTH.CLARK ON MT. BECKWORTHevents and celebrations, mount beckworth

A yellow folder containing magazine cuttings of the pioneer homes of the early Australians. Sources include 'The Sun,' 'Argus,' 'Women's Day,' 'The Australian Women's Weekly' and 'The Age.' 1950 - 1969.OLD HOMES of PIONEERS in parts of Australia and Tasmania also Victoriahouse, heritage, pioneer, lydia chancellor, collection, housing, house, homes, pioneers, australian history, history, colonial home, arthur's seat, south australia, victoria, new south wales, england, tasmania, antiques

Black and white photograph of the interior of the Hanro Knitting Mills withing the centre of the photo is a group of 5 women working on sewing machine more women can be seen in the backgroundorganization, business, hanro, hanro, hanro knitting mills, knitting mills

Black and white photograph. Showing men and women standing in pairs for theatrical performance. Men in white powdered wigs and knee high stockings women in ringlets holding fans.photo, group, theatre performers

The YWCA was established in Melbourne in 1882 and shortly thereafter a group began in Bendigo.Bendigo Advertiser ''The way we were'' from 2003. In white: do you recognise any of these women from the Young Women's Christian Association in Bendigo? The clip is in a folder.newspaper, bendigo advertiser, the way we were

Colour print of Joyce Barry and Cath Stone at a function. Joyce was the first women tram driver and Cath was the other conductress in the abortive 1973 attempt to train women drivers.trams, tramways, conductresses, drivers, women

Pocket book size with thick, buff, paper cover imprinted with red lettering and the Australian Commonwealth Military Forces badge. Example of the Readings and Prayers book that is issued to Australian Army Women's Services personnel during World War 2 by the Australian Army Chaplains' Department. The book has 176 pages of suggested readings and prayers for a variety of different occasions. The book was produced ca 1944.The book front cover is printed with the following text in deep red: "Readings and Prayers for Members of ARMY WOMEN'S SERVICES", "Issued by the Australian Army Chaplains' Department". There is an Australian Commonwealth Military Forces badge at the top of the page and an Australian Army Chaplains' badge at the bottom. The book has the reference number "A.A.B. 35".

Black & white photo of 46 members of Long Gully Choir. 21 Women - 21 Men. Women in long dresses. Men in Suits. Markings: 30 Bridge street. Ballarat.V.R.Fraser.performing arts, music, long gully choir

Louis Kahan (1905-2002) is best known in Australia for his skill as an artist. As Independent Fashion Curator, Laura Jocic has observed, ‘It is less known though that Kahan had a career in theatre and fashion in Vienna and Paris during the 1920s and 1930s that continued when he came to Australia in 1947. He signed his fashion illustration with the initials 'nac', a phonetic interpretation of his surname spelled backwards. In this illustration on newspaper we can see Kahan playing with the graphic effects of line and text, while communicating the cut and drape of late-1950s fashions.’ Kahn was born in Vienna in 1905 and first travelled to Australia in 1947. He moved to Melbourne in 1950 where he became friends with artist George Bell, writer Alan McCulloch who introduced him to Clem Christensen, editor of the literary journal Meanjin, where many of his portraits of Australian writers were published. His 1962 portrait of the author Patrick White won the Archibald Prize, bringing him national recognition. He also designed sets and costumes for the Elizabeth Theatre Trust (Opera Australia) and the Melbourne Theatre Company. In 1993 his contribution to Australian cultural life was recognised when he was made an Officer in the Order of Australia (AO). He died in Melbourne, at the age of 97 in 2002. Ann Carew 2018Fashion illustration on newsprint. Drawing depicts two women. Women in foreground is wearing a long green coat and hat.Woman at rear is wearing a green and white evening dress with white gloves.Signed lower right in ink, 'nac 1958'.fashion illustration, fashion design

A thousand years of Warrnambool history has been documented in this creative tapestry, woven in 1988. The Tapestry hangs in the Great Circle Gallery at Flagstaff Hill and complements the theme of the display. Three local women with the help of Museum staff researched and designed the tapestry, which was woven in 1988 from wool and cotton. It is 10 meters long and 70 cm deep and took 7 months to create. The tapestry introduces the seafaring theme of the Center and illustrates a timeline of events dating back to the arrival of Europeans in the Warrnambool area. It begins with the settlement of the area by Europeans and travels back in time as you walk further into the gallery, depicting shipwrecks along the coast, whaling of the area, early exploration by Europeans James Grant and Nicholas Baudin, back to the indigenous settlement of the area, represented by middens and indigenous symbols. (Interestingly prior to being hung in the gallery, the tapestry was originally hung with the intention of being framed from right to left). All materials in the cotton and wool tapestry, includinghand-dyed dyed wool, were prepared for a cost of $33,000. (This information is from Flagstaff Hill Maritime Village's Exhibit fact sheet)Tapestry of the early history of Warrnambool area, rectangular in shape. Materials include cotton and wool, some of the wool being hand dyed. Made in 1988 by local women.A plaque accompanies the Tapestry "Flagstaff Hill Maritime Tapestry / 1989 / Tapestry: Woven Cotton and Wool / Mary O'Brien Gerda Shanley / Judith Stewart Beryl Conlan"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, tapestry, warrnambool history, warrnambool textiles, south west victoria history, south west victoria timeline, indigenous people

This small, ruby glass, hand-painted lady's perfume bottle would have been one of a few small items, (such as small scissors, a pencil and note-pad, keys to the pantry) that Victorian women wore hanging from a Chatelaine attached to a belt around their waist..c1800s a small, ruby glass, hand-painted ladies perfume bottle with a brass hinged lid, small glass stopper and a brass chain attached to a Chatelaine ring. This would have been one of a few small items, (such as small scissors, a pencil and note-pad, keys to the pantry) that Victorian women wore hanging from a Chatelaine attached to a belt around their waist..Hand-painted decoration of a bird and flowers.glassware, toiletries, early settlers, chatelaine, pioneers, moorabbin, brighton, bentleigh, perfume, manufactured glass

This exhibition was held in October 1907 and ran for 5 weeks. There were over 15000 contributors in the fields of needlework, cookery, Horticulture, fine and applied arts. There was a wide variety of activities, lectures and social events. There were approximately 250,000 people who attended.An important source of work and information relating to a major event in the State of Victoria and in the work of women.Eight sheets of microfilm enclosed in plastic sheet with title page, white with black text.State Library of Victoria Exhibition os Australian Women’s work 1907 6 microfiche. warrnambool, exhibition australian women’s work, 1907 women’s work exhibition