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Glenelg Shire Council Cultural Collection
Photograph - Photograph - Early Shipping: Ocean/Railway Pier, n.d
Port of Portland Authority Archivesport of portland archives, portland harbour, ship berthed, railway pier, ocean pier -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Main Breakwater construction, Portland, n.d
Port of Portland Authority Archivesport of portland archives, main breakwater, construction, portland, harbour, harbour development -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Early Shipping: Ocean/Railway Pier, n.d
Port of Portland Authority ArchivesFront: Back- Shipping at Ocean Pier- Pencilport of portland -
Port Melbourne Historical & Preservation Society
Photograph - Aerial view of HMS Hood (outer east), HMS Repulse (outer west) with escorts Delhi and Danae, Princes Pier, Port Melbourne, Mar 1924
(1) Aerial photographic view of Princes Pier with units of the British Navy alongside 17-25 March 1924. principal vessels are the HMS Hood (OE) and HMS Repulse (OW) with escorts Delhi and Danaepiers and wharves - princes pier, armed services - navy, vessels, hms hood, hms repulse, hms delhi, hms danae -
National Vietnam Veterans Museum (NVVM)
Photograph, Gibbon, Denis, Suspicious Activity
Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection. A black and white photograph of two Military Police on security and protection duty on board a Navy Supply vessel tied up at the wharf at Vung Tau Harbour react to some locals on the wharf acting suspiciously.photograph, vung tau, military police, hmas boonaroo, hmas jeparit, gibbons collection catalogue, vung tau harbour, denis gibbons -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph - Boat Harbour, 1950c
This is the before photograph used in the 150 year Lakes Entrance 1858-2008 display held in 2008.Black and white photograph of the western Boat Harbour, showing four fishing boats moored beside the jetties, also another vessel in foreground. There is a roofed shelter on each wing of the harbour. Lakes Entrance VictoriaThe Boat Harbour Lakes Entrancejetties, waterfront, boats and boating, room display -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Postcard - Boat Harbour, The Rose Series, 1900c
Black and white postcard of the front lake, showing seven vessels moored in the lake at dusk, small jetty, shore stewn with seagrass. In the background, southern shore of the lake west of the entrance. Lakes Entrance VictoriaEvening by the River, Lakes Entrance Victoriajetties, boats and boating, waterfront -
Glenelg Shire Council Cultural Collection
Plan - Plans / Line Drawings - Port of Portland Authority Trawling Vessel Sensation, Victoria, n.d
PORT OF PORTLAND AUTHORITYFront: '30' - black texta, top right corner -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph - Loch Ard, 1940 c
Sepia photograph showing MV Loch Ard in North Arm. Photo shows vessel approaching landing below Comers Tearooms, with full load of visitors. Thick vegetation on hill. Lakes Entrance Victoria waterways, boats and boating, tourism -
Queenscliffe Maritime Museum
Functional object - Navigation Lights
The Marine Safety Act, Victoria requires that lights must be displayed from sunset to sunrise and in times of restricted visibility during daylight hours. A vessel's lights should indicate: what type of vessel it is, what the vessel is doing, the direction that the vessel is travelling in. E.G. For vessels under 50 m in length, a second masthead light is optional. For vessels under 12 m in length, sidelights may be a combined lantern on fore and aft centreline. Every vessel at sea must show light to indicate type of vessel, directionof travel and speed.Three metal navigational lights; red port, green starboad and clear head light. S/N Side Light (red) Elect. S/N 432 Side Light (Green) Elect. S/N 433 Head Light Elect.navigation light, marine safety, navigation, safety equipment -
Port of Echuca
Photograph, P.S. Rodney with barges Horace & Nelson, c.1890
P.S Rodney with barges Horace & Nelson laden with wool bales bought into the Port to be unloaded onto rail trucks to go to markets in Melbourne. c.1890 Paddlesteamers travelled the river systems to bring wool from out- lying properties into the Port of Echuca to be transported by rail to Melbourne. This was prior to road & rail transport in the 1800'sOne of thousands of photos taken depicting the transportation of wool from out- lying properties to the rail head at Port of Echuca using paddlesteamers. P.S.Rodney alongside barges Horace & Nelson, tied to historic Echuca Wharf, with Pride of the Murray paddlesteamer & barge in back ground all vessels loaded with wool bales and crew resting on these. Riverbank lined with red gums. Handwritten in pen on lower left back corner "Rodney with barges Horace & Nelson c. 1890"farming, economy, p s rodney, port of echuca, wool bales, wharf, barges, horrace, nelson, paddlesteamer rodney, echuca -
Glenelg Shire Council Cultural Collection
Souvenir - Folding Beaker - Portland, Victoria, n.d
Folding beaker (or cup) consisting of cover and extendable vessel. The top of the cover has a colour paper-based image attached, of the Portland Harbour looking from the Henty Memorial on the ploughed field towards Cliff Street. -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Portland Harbour, 1956
Black and white photo. View from vessel on harbour, looking toward All Saints Catholic Church, Railway Pier, Ocean Pier, Baths. Bottom left of photo, head of man wearing uniform hat.Back: '56' in pencilview from vessel, portland seafront, portland baths -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1920 c
Also a black and white photograph showing S S Gippsland across the lake 05253.1 11.5 x 7 cmBlack and white photograph of two Lakes passenger vessels Rubeena 2 and Rubeena 1 taken in Cunninghame Arm with The Beacons just visible across the lake, boatshed on shoreline across lake Lakes Entrance Victoriaships and shipping -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1/06/1990 12:00:00 AM
Also one colour photograph taken before unveiling and two taken afterwards 04818.1, .2 and .3 10 x 15 cmColour photograph of the Esso oil rig supply vessel Kurnai Tide at Eastern Wharf prior to the official launch and unveiling of commemorative plaque by dignitaries from government, Esso and Koorie Elders at Lakes Entrance Victorialocal government, politics -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph - SS Gippsland, 1926c
Reg Schulz son of W Schulz, Harbour Engineer at Lakes Entrance, 1917 - 1930 cBlack and white photograph copy of the waterfront. It shows the SS Gippsland at the Post Office Jetty, other vessels on lake or moored, part of retaining wall at lake edge, southern shore in background. Lakes Entrance VictoriaOn back, 1926 'Nyama', 'SS Gippsland', Pilot Launch, 'Tambo', 'TNS' Barge, Reg Shilz starting Evinrude engine on dinghy 'Bunga'jetties, boats and boating, waterfront -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Martin Brian, The SS Lady Harriet Barge and other relics Conservation Plan, 1998
A conservation plan directed towards the SS Lady Harriet barge also known as the Stone Barge, positioned on the sand hummocks near the Flagstaff Jetty. The history and use of the vessel is discussed, and recommendations for the short term stabilisation aconservation, ships and shipping -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph - S. S. Lady Harriet, 1908
1 x Black and white photograph copied from a book 9.5 x 14.5.Black and white photograph showing S S Lady Harriet at the cliffs on the Tambo river. The Lady Harriet barge on left of S S Harriet, well vegetated cliff behind the vessels. Swan Reach Victoria1908 S S Lady Harriet at cliffs in Tambo River and her barge (on back)jetties, ships and shipping, waterways, topography -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph - Moya Ann, 1980c
'Moya Anne' from Port Phillip Bay 1980'sColour photograph of scallop fishing boat Moya Ann, beginning its entry into port. Sandy beach of coastline in distance. Photograph appears to have been taken from another vessel. Lakes Entrance Victoriafishing industry, ships and shipping -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph - Moya Ann, 1980c
'Moya Anne' from Port Phillip Bay 1980'sColour photograph of scallop fishing boat Moya Ann, beginning its entry into port. Sandy beach of coastline in distance. Photograph appears to have been taken from another vessel. Lakes Entrance Victoriafishing industry, ships and shipping -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph - Moya Ann, 1980c
'Moya Anne' from Port Phillip Bay 1980'sColour photograph of scallop fishing boat Moya Ann, beginning its entry into port. Sandy beach of coastline in distance. Photograph appears to have been taken from another vessel. Lakes Entrance Victoriafishing industry, ships and shipping -
Glenelg Shire Council Cultural Collection
Plan - Plans / Line Drawings - Port of Portland Slipway bilge blocks, fishing vessel Kosmo, Portland, Victoria, 13/01/1988
PORT OF PORTLAND AUTHORITYFront: '1' black texta, top right corner -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph - Posidon, 1985
Colour photograph showing bulldozer and rescuers on beach west of Western pier, attempting to re float the Posidon. Two fishing vessels standing by at sea, line of people holding long rope. Lakes Entrance Victoriafishing industry, ships and shipping, shipwrecks, ocean rescue -
Flagstaff Hill Maritime Museum and Village
Photograph - Vessel, Sail and Steam Ship, S.S. Warrnambool
This photograph and a matching earlier photograph are the images of a painting of the British steamship SS Warrnambool at Dover Strait in the English Channel. The photographs were donated by the painting’s owner, who acquired the 30” x 56” (76 x 142.5 cm) oil on canvas painting in 1998. Both photographs were accompanied by a letter, one written in 2001, and the other in 2003. The letters confirm that the artist of the painting was Charles Keith Miller, signed with the initials “CKM” and dated “1893”. The painting shown in the photographs was a gift to the Town Council of Warrnambool, presented to Warrnambool folks in Melbourne on December 1, 1892, by the Captain of William Lund’s ship SS Warrnambool. The painting was given by Lund in appreciation of the Ladies of Warrnambool who had presented the ship with a ‘house’ flag bearing the Blue Anchor Line’s symbol of a diagonal blue anchor on a white background; the ladies had made the decision to present the flag only a month earlier. A few days later, December 6th, the SS Warrnambool was on its homeward journey to Britain, sailing via Adelaide. It anchored for a short time off the Port of Warrnambool. A boat was launched from Lady Bay to take a group of friends to the ship with a delivery of gifts. After cheers were roused for both the ship and the Captain, the ship continued on its way. The photograph shows the gifted white flag with a diagonal blue anchor flying from the masthead. The same symbol is painted on the ship’s black funnel. The signal flags on the foremast display ‘M’ ‘R’ ‘V’ ‘B’. These letters are most likely the ship’s call number ‘MRVB’. Although the painting was given as a gift in December 1892, it is post-dated “1893”. Perhaps the painting was given earlier than anticipated; or the date added later, but whatever the reason, the provenance of the painting was confirmed at auctions of this painting and other works by the same artist. CHARLES KEITH MILLER 1836-1907:- Captain Charles Miller left his home in Scotland at the age of 15 years for a life at sea. He earned his Master’s Certificate ten years later. After being the captain of sailing ships he moved over to the steamships because they were faster. In 1866 he married and settled in Glasgow. Over the following eleven years he and his wife had five children, then sadly his wife passed away. Captain Miller returned to the sea for a while but in 1888 he gave up his sea life to spend his time as a marine artist. His understanding of seafaring life and vessels, combined with his artistic skills, gave him the ability to produce fine art and several galleries and museums have collections of his sought-after works. S.S. WARRNAMBOOL 1892-1925:- The steamship SS Warrnambool was built in 1892 by the Sunderland Ship Building Company for the Lund Line of London, founded by William Lund in 1869. It efficiently carried both passengers and cargo across the world to Australia, under the command of her master Captain Joshua Edward Iibery, who had many years of experience with the Blue Anchor Line. The company, referred to as the Blue Anchor Line or BAL, owned a fleet of both sail and steamships. The funnels of all of the steamships were painted black, with a white band around the top bearing a diagonal blue anchor and chain. The company’s house flag was also white with a diagonal blue anchor. The SS Warrnambool carried passengers and cargo in a ‘no frills’ service to and from Europe around the Cape of Good Hope, stopping at some ports in between. The ship was involved in bringing home returned solders in 1895. At one time it carried a doctor from Victoria, Australia, to assist at the war front in South Africa. The ship had a very good reputation for its cargo arriving ‘almost always in excellent condition.’ Exported goods from Australia included iron safes, flour, wool, apples, frozen rabbits, butter, cheese, pork, cattle, poultry and sheep. One remarkable delivery contained Ostriches for Queen Victoria and they survived the journey well. The SS Warrnambool was sold in 1900 to the British and South American Steam Navigation Co. Ltd of Liverpool and was renamed ‘Harmodius’. The company was managed by R.P. Houston & Company of London and its Houston Line funnels were red with a black top. The Harmodius was sold in 1919 to K.S.S. Co. Ltd, managed by Kaye Son & Co. Ltd. of Liverpool, and was renamed ‘Kut’. The line had black funnels with a white ‘K’ in a diamond or between white stripes. In 1926 it was purchased by T.W. Ward Ltd. and broken up. NOTE- other vessels named “Warrnambool” Two other vessels carried the name “Warrnambool” (1)- HMAS Warrnambool J202 (1941-1947), a Bathurst Class corvette vessel owned by the Royal Australian Navy, destroyed by a mine. The photograph is significant for its association with the painting "SS Warrnambool" by well-known early 20th century marine artist Charles Keith Miller, whose paintings are well valued. The painting and the photograph of it are namesakes of Warrnambool and are connected through the gifts exchanged between the ship company owner, the City of Warrnambool and the Ladies of Warrnambool; the House Flag and the painting by C K Miller. The image is a good likeness to original photographs of the late-19th to early-20th century steam and sale vessel. Coloured photograph of a painting, the steamship S.S. Warrnambool. The three-masted ship has lowered sails. It is in calm water, land on one side, and other vessels in the water. The ship has four raised signal flags, a house flag and a blue ensign. The funnel also bears the house flags symbol. Smoke emits from the funnel. Figures are visible onboard. There is a signature and a title on the lower edge of the photograph. (Artist of the painting in the photograph was Charles Keith Miller)House flag symbol, [diagonal blue anchor on white background] Text "CKM" and "1893" Text "S. S. WARRNAMBOOL."flagstaff hill, warrnambool, photograph, steam ship warrnambool, flagstaff hill maritime village, shipwreck coast, ss warrnambool, captain, charles keith miller, ckm, 1893, william lund, warrnambool town council, blue anchor line, lund line, ladies of warrnambool, house flag, diagonal blue anchor, captain miller, sunderland ship building company, migrant ship, 1892 ship, home flag, bal, australian export, s.s.warrnambool, dover strait, english chanel, port of warrnambool, lady bay, mrvb, captain charles miller, captain joshua edward iibery, ostriches, queen victoria, british and south american steam navigation co., harmodius, r.p. houston & company, houston line, k.s.s. co. ltd, kaye son & co. ltd, kut, t.w. ward ltd -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - S. S. Casino, Portland, n.d
Black and white photo of the S.S. Casino, berthed at Railway Pier, Portland. View of bow, facing seaward.Back: 'S.S. Casino unloading cargo at 'Fishermen's Wharf' Portland. Another view' - handwritten in black ink. Round purple stamp 'PRINTED BY M.E. ANDREWS PORTLAND's s casino, portland harbour, fishermens wharf, vessel, steamship, cargo ship -
Lara RSL Sub Branch
Book, Official History of Australia in the War of 1914-18 - Volume IX - The Royal Australian Navy Author A.W. Jose, 1937 fifth edition
Historically depicts the operations of the Royal Australian Navy duty occasioning navy vessels in addition to the drudgery of patrol work and the search for enemy vessels. Working in isolation because of being a vessel that is under their own control.This volume of the War Histories is concerned with the doings of an infant navy.Official History of Australia in the War of 1914-18 - Volume IX - The Royal Australian Navy Maps and Illustrationsgerman colonies, samoa, nauru, western pacific, africa, dardenelles, north atlantic, european waters, raiders and minefields, ran brigade, hospital ships, transports and dockyards, radio-telegraphy, suvla bay, sinking of the cumberland, german cruiser squadron, cocos, sydney-emden action, north sea -
Glenelg Shire Council Cultural Collection
Negative - Negative - Portland Harbour, Victoria, Zilah Maschmedt, c. 1934
Negative for a black and white photograph. Image shows Portland Harbour, looking east. Ocean Pier, Railway Pier. Vessel playing the part of Henty's 'Thistle' at centenary of landing, anchored off Railway Pier, bunting on rigging. -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Luxford Forklift, n.d
Port of Portland Authority Archievesport of portland archives, forklift, luxford, machinery, k s anderson, jadroplov -
Port Melbourne Historical & Preservation Society
Photograph - Sandridge Lagoon, Latrobe Library, 1920s
Photograph is a copy of one held in the PP Port Melbourne photo collection. It was donated and presented to the PMH&P Society by Joan WINTER of the City of Port Phillip at the August 1996 Annual General Meeting photograph of Sandridge Lagoon, viewed towards Bay: Western Jetty shown with several fishing vessels alongside. People on the Jetty (some with pushbikes); edge of Harper's building at right. (Laser copy also at A.06.04.B1 - 475.02) sandridge lagoon, industry - fishing, sport - yachting -
Lilydale RSL Sub Branch
Poster - Anzac Day Poster 2012 #9, Anzac day 2012 - 70th Anniversary of Bombing of Darwin
Print of bombing of Darwin 19 February 1942 by Japanese aircraft. Shows several vessels loaded with ammunition, having been hit and set on fire in the harbour. Image from AWM collection AWM13495, issued by DVA 2012.