From 30 Sep and 27 Nov 1916, Bob and Harold Snape worked together in 2nd Division HQ, in the basement of Fricourt Château, snape collection

non-fictionThis book brings to life for many Australians, the close connection between Australia and East Timor. In 1941-42, Archie Campbell was a lieutenant in the 'Sparrow Force' the 300 men of the 2/2nd Independent Company in a 14-month campaign of ambushes and hit-and-run tactics which effectively pinned down more than 15,000 Japanese troops in East Timor. This book recounts the bloodless Australian landing in Portuguese East Timor, military actions against the Japanese, and eventual evacuation to Darwin. Central to Campbell's experience is the ambush and execution of a section from his platoon, shortly after the Japanese landing in Dili. In 1973, Archie returned to East Timor to meet Barana, the East Timorese man who, as a 12-year-old boy, helped and protected him during the campaign. Each Timorese boy who helped a commando and guarded him while he slept, was called that commando's Criado. Ken White accompanied Archie in the 1973 journey to East Timor to find Barana. He has used excerpts from Archie's own diary to tell the heart-warming story of their first meeting after 30 years. Historical background on the centuries of Portuguese rule, the Japanese occupation and the more recent Indonworld war ii, independent companies, australian commando, timor

As Australia commemorates the 100th Anniversary of the ANZAC landing at Gallipoli, it is both saddening and heart warming to pause and reflect on those who died serving their communities and their country as surf lifesavers.soldiers -- australia, surf lifesaving (aquatic sports)

Jane Annois had a long involvement with Potters Cottage in Warrandyte, where she taught for many years. Potters Cottage was established in the late 1950s in Warrandyte as an artist co-operative. Founding members included Reg Preston, Phyl Dunn, Gus McLaren, Artur Halpern, Sylvia Halpern and Elsa Ardern. These talented artists had the ingenuity and foresight to create a teaching studio, gallery shop and restaurant to experiment, make, promote and sell predominantly domestic wares of the time. These activities helped financially sustain each member’s individual creative practice. Potters Cottage was influential in the development of contemporary ceramics, building and developing practices that experimented with traditional ceramic processes, raw materials and locally sourced clay. The group mentored and nurtured many interested in the art of ceramics, producing alumni and teachers such as Peter Laycock, John Dermer, Greg Daly and Jane Annois. Jane Annois is a ceramic artist who has lived and worked locally in Warrandyte for many years. She focuses primarily on exploring the art of Japanese raku, adapting the technique to develop the typical characteristics of crackle glazes and lustres, with contrasting areas of black. Jane also applies a fine slip called terrasigillata which gives soft, warm ochre colours. This technique was once used by the Greeks over 2000 years ago to seal and decorate their pots. She is also strongly onfluenced by the French potters, particularly in the style of terre vernissee, a decorative form of terracotta tableware. Three piece stoneware and raku fired ceramic sculpture. The first piece is a hollow, dome shaped object. It is orange (terracotta slip) in colour with a copper metallic band and a black edge on one side with a small yellow glazed rounded triangle and metallic strip of colour on the otherside. The second piece is shaped like a traditional vase. It is orange (terracotta slip) in colour with white crackle on the inside. It has a yellow slip edge with a dark glazed square on one side and on the other side a black thick edge that mirrors the contour of this shape. The third piece is shaped loosley in the form of the letter 'z'. It compliments the second piece with a yellow slip edge and black glazed square to its lower left side and top right as well as on its' other side a black thick edge that mirrors the contour of this shape. This piece has a very small skewed square opening at its' top. All three pieces have elements of crazing and variations of colour and lustre, caused by the raku process. 2006.52.1VA has the artist name/signature 'J. Annois' inscriped small (with fine point ceramic tool?) on the front of the piece, bottom right; 2006.52.2VA has the artist name 'Jane'? inscribed (unlegible - with fine point ceramic tool?) underneath; 2006.52.3VA has the artist name/signature 'Jane Annois' inscriped (with fine point ceramic tool?) inside its hollow form. evolution, raku, stoneware, terrasigillata, terracotta, glazes, slip, terre vernissee

Article retells the story of the rescue of the Scammell deckhouse which was incorporated into a Torquay home.A warm story of the survival of a significant part of the Scammell wrecked off Torquay in 1891.Black and white photograph

MonoprintNot signed. not datedold woman warming her feet

Whittingslowe Engineers Ltd of Adelaide was an Australian manufacturer. A patent for the 'Hot-Glow' water bottles was issued to the company in 1945. An advertisement in 1946 (Morning Bulletin, 19/06) describes the bottles as all metal and advertised their price as 11/6 each.These two hot water bottles are fine and rare examples of products produced by a major Australian engineering and manufacturing company.Two brass cylindrical hot water bottles, manufactured by Whittingslowe. The label of the manufacturer and distributor is on the from of each bottle on a red and gold label."HOT-GLOW' WATER BOTTLES / WHITTINGSLOWE MANUFACTURER / ? WOOD PTY LTD MELBOURNE AND SYDNEY / AUSTRALIAN DISTRIBUTORShot water bottles, domestic objects, whittingslowe - manufacturers

Trophy was for a pool table and darts competition; though it ran for only 2011, 2012, the naming of the trophy illustrated the esteem in which Dave Lewis was held at his untimely passing.The trophy despite being Retired, maintains a warm memory of one of the earliest Diamond Valley Vietnam Veterans - Dave Lewis.Metal trophy on plastic standFront: Diamond Valley Vietnam Veterans. Dave Lewis Memorial Trophy. Rear: Competition winners 2011 and 2012.diamond valley vietnam veterans sub branch, trophy

Two Pictures of 1972 Premiership Player John O'ConnellCareer : 1970 - 1976 Debut : Round 3, 1970 vs Richmond, aged 18 years, 361 days Carlton Player No. 818 Games : 111 Goals : 0 Guernsey Nos. 50 (1970-71) and No. 19 (1972-76) Last Game : Preliminary Final, 1976 vs North Melbourne, aged 25 years, 149 days Height : 183 cm (6 ft. 0 in.) Weight : 82 kg (12 stone, 13 lbs.) DOB : April 22, 1951 Premiership Player 1972 After starting his career at Carlton as a centreman or ruck-rover at Under-19 and Reserves level, John Michael “Jack” O’Connell found his niche in defence for the Blues and was a creative back pocket in Carlton’s record-breaking 1972 Grand Final victory over Richmond. A dasher who loved to take off on bouncing runs, Jack spent much of his career alongside champion full-back Geoff Southby, with either Vin Waite or David McKay in the opposite pocket. Together, they created a full-back line regarded as among the best in club history. O’Connell’s journey to Premiership glory began during his school days at St Mark’s in Melbourne’s outer north, then at Glenroy YCW and Fawkner. In 1967, aged 17, he joined Carlton’s Under-19s, and by midway through 1969 he was playing Reserves football in guernsey number 50. Early in the following year, a couple of strong showings saw him banging on the door of senior selection, and he was duly rewarded by being named on the bench for his senior debut against Richmond at the MCG in round 3, 1970. For the Blues and their supporters, the game was a forgettable one, because Carlton surrendered a big half-time lead to be beaten by 13 points, and O’Connell wasn’t called on until the dying minutes. Sent back to the Reserves after that one brief taste if the big time, Jack honed his skills and bided his time - for more than a year – while Carlton went on to win the 1970 Premiership. Eventually, he earned a recall midway through 1971, but with a bevy of stars standing in his way, he was a regular reserve until late in the year, when coach John Nicholls – aware that incumbent Ian Collins intended to retire – offered O’Connell a chance in the back pocket. Jack grasped his opportunity with both hands. At 183 cm and 82 kg he was bigger than the average specialist back-pocket of that era, but he gave nothing away in agility. An excellent mark and an accurate kick off either foot, he had settled in beside Southby by the end of that season, playing the last ten games straight. As season 1972 dawned and Collins retired, O'Connell inherited the Blues’ number 19 guernsey and began marking his mark in the Carlton defence. Inspired by Southby’s creativity and Waite’s aggression, Jack was soon a headache for every opposition club. An ankle injury sustained in round 5, 1972 against Collingwood cost him five matches, but he was back to top form by finals time, when Carlton finished the regular season on top of the ladder. In their first final together – the Second Semi Final - O’Connell, Southby and Waite were resolute in a thrilling draw. Richmond won the replay, then Carlton conquered St Kilda in the Preliminary Final to earn another crack at the Tigers in the Grand Final. Opting for a strategy of all-out attack in the flag decider, the Blues blasted off the blocks to kick 8 goals in the first quarter, 10 in the second and 7 in the third to put the game right out of Richmond’s grasp with a full quarter remaining. After coasting to the final siren, the Blues collected their eleventh VFL Premiership by 27 points. Waite was missing from the match, having been injured in the Preliminary Final, but David McKay was a more than adequate replacement, and all three defenders on the last line completed an excellent final series. On the way to another consistent season in 1973, O’Connell strained a thigh in Carlton’s surprise loss to Fitzroy at the Junction Oval in round 16, and wasn’t recalled to the senior side until the Grand Final, when Carlton and Richmond met once more in the 48th match of Jack’s career. A few days beforehand, Barry Armstrong had been ruled out when he was hit by appendicitis, so O’Connell took over Armstrong’s assigned role of negating the Tigers’ star centreman Ian Stewart. Jack stuck to his task all match, but neither he nor his team could hold back a ferocious Richmond side that crashed and bashed its way to victory. O’Connell went on to play in two more finals campaigns in 1975 and ’76 but was denied the joy of another September victory. He brought up game number 100 at Princes Park in June 1976, when Carlton ended a five-game losing sequence to beat Essendon, before calling time on his VFL career after the Blues suffered a heart-breaking 1-point loss to North Melbourne in that season’s Preliminary Final. In 1977 O'Connell was cleared to WAFL club Subiaco. Later he came back to Victoria and coached Diamond Creek to a Premiership in the Diamond Valley League. Then in 1987, the football world was rocked by the news that Jack had been diagnosed with a virulent form of cancer. He fought hard for 18 months, but tragically passed away on the 5th November, 1989 aged just 38. Career Highlights 1971 - 3rd Reserves Best & Fairest 1971 - Reserves Most Improved Player 1972 - Premiership Player Milestones 50 Games : Round 2, 1974 vs Geelong 100 Games :Round 13, 1976 vs Essendon Footnotes Off the field, O’Connell was a quiet, reserved character who, by 1973 had struck a warm friendship with another man of few words in his champion team-mate Bruce Doull. The pair could often be seen together sharing a beer after Sunday morning recovery sessions, and club folklore has it that the only regular conversation to be heard between them was, “it’s your shout.” In 1997, John's son Luke O'Connell joined Carlton, playing eight Reserves games and kicking three goals.2 x Black & White PhotosThe Sun Articles pasted on back of each photo

Swiss origin. Used and donated by the Burgi family.Cream Calico bag with cherry pips inside. Violet writing in German script printed on outside.Chriefi Steine

Teapot awarded to Mrs Thomas Quayle at the Melbourne Exhibition of 1866 for an exhibit. From the home of the late Mrs. W.J. Sebire.Ornate silver teapot551 on basefood warmers, teapots

stoneware hot water bottle, generally a cylindrical shape with an opening at the top and a round knob on one end which presumably functions as a holder. The main part of the body is cream, with the knob end brown.Stoneware hot water bottle with a screw in lid. Generally a cylindrical shape with an opening at the top and a round knob on one end which presumably functions as a holder. The main part of the body is cream, with the knob end and lid, brown.hot water bottles., bed warmers

Jenna Lee dissects and reconstructs colonial 'Indigenous dictionaries' and embeds the works with new cultural meaning. Long obsessed with the duality of the destructive and healing properties that fire can yield, this element has been applied to the paper in the forms of burning and mark-making. In Without Us, Lee uses charcoal to conceal the text on the page, viewing this process as a ritualistic act of reclaiming and honouring Indigenous heritage while challenging the oppressive legacies of colonialism. Lee explains in Art Guide (2022), ‘These books in particular [used to create the proposed works] are Aboriginal language dictionaries—but there’s no such thing as “Aboriginal language”. There are hundreds of languages. The dictionary just presents words, with no reference to where they came from. It was specifically published by collating compendiums from the 1920s, 30s and 40s, with the purpose to give [non-Indigenous] people pleasant sounding Aboriginal words to name children, houses and boats. And yet the first things that were taken from us was our language, children, land and water. And the reason our words were so widely written down was because [white Australians] were trying to eradicate us. They thought we were going extinct. The deeper you get into it, the darker it gets. But the purpose of my work is to take those horrible things and cast them as something beautiful.’Framed artwork

Twenty four page knitting pattern book featuring eight colour images of teenagers wearing knitwear, and sixteen pages of black and white printed text and graphics.front: [printed] 662 / PRICE / CODE / D / Patons Teenagers / in Totem or Bluebell / EASY / TO FOLLOW / PATTERNSknitting, pattern, fashion, knitwear, teenagers, leg warmers, patons and baldwins (australia) ltd

This warm, personal document by an ordinary Australian girl who worked in Vietnam does not pretend to enter areas of speculation and reporting where experts are confoundedlong-xuyen (vietnam). binh-vien, hospitals - vietnam, vietnamese medical services, long xuyen hospital, 1961- 1975 - campaigns - vietnam - long khanh (province)., mekong delta, saigon