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National Wool Museum
Book, Proceedings of the 7th International Wool Textile Research Conference vol. III, 1985
"Proceedings of the 7th International Wool Textile Research Conference vol. III, 1985" Tokyo, Japan.textile production, society of fiber science and technology, japan, carpet -
National Wool Museum
Book, Proceedings of the 7th International Wool Textile Research Conference vol. IV, 1985
"Proceedings of the 7th International Wool Textile Research Conference vol. IV, 1985" Tokyo, Japan.wool - chemistry textile finishing, society of fiber science and technology, japan, wool - chemistry, textile finishing -
National Wool Museum
Book, Proceedings of the 7th International Wool Textile Research Conference vol. V, 1985
"Proceedings of the 7th International Wool Textile Research Conference vol. V, 1985" Tokyo, Japan.textile industry - pollution, society of fiber science and technology, japan, dyeing, printing -
National Wool Museum
Book, AWTA Limited: presale testing for the wool grower
"AWTA Limited: presale testing for the woolgrower" Australian Wool Testing Authority Ltd, c.1982.wool - chemistry woolclassing, australian wool testing authority ltd, wool - chemistry, woolclassing -
National Wool Museum
Book, Wool
"Wool from the raw material to the finished product" 6th ed. reprinted - S. Kershaw, 1947wool growing wool processing wool - characteristics, fellmongery, carbonising, wool growing, wool processing, wool - characteristics -
National Wool Museum
Book, The Things We Need and Where They Come From: Wool
"The Things We Need and Where They Come From: Wool" ed. Colin Clair, c.1950wool processing wool growing textile production, wool processing, wool growing, textile production -
National Wool Museum
Book, The wool year book 1962
"Textile Mercury Limited: the wool year book (incorporating the Rayon and Synthetic Fibres Annual) 1962"textile industry - history textile machinery, textile mercury ltd, textile industry - history, textile machinery -
National Wool Museum
Book, Australian wool industry conference,sixth meeting, Canberra, 1965
Minutes of the "Australian wool industry conference,sixth meeting, Canberra, Thursday, 22nd April 1965.L.M.RIDDwool marketing wool sales wool sales - reserve price plan, wool marketing, wool sales, wool sales - reserve price plan -
Linton and District Historical Society Inc
Photograph, O'Beirne Residence, office and buildings, wool and skin business
Original O'Beirne family home on Skipton Road, Linton, adjacent to office of their wool and skin business.Black and white copy of original photograph showing a weatherboard house with verandah and lattice work, next to a smaller building (office) which has two windows, a door and no verandah. One pine tree behind the buildings and one to the right of photograph. A light coloured picket fence in front of the buildings with a gate half way along. Six men, two children, a dog and two horses (one with cart) in front of the buildings.o'beirne residence, house, home, building, office, shed, business, children, horse cart, dog (buller), francis o'beirne, francis john (frank), harry o'beirne, rod o'connor (bookkeeper), charlie todd, jack cox, roger o'beirne, frank hall butcher from piggoreet, wool and skin business -
National Wool Museum
Photograph - 01 Bendigo, Nicole Marie, Women In Wool - Photographic Collection, 2018
National Wool Museum exhibition in form of a series of portraits and a slideshow showcasing the women of Australia’s wool industry. Exhibition was launched on International Women’s Day 2019, featuring images by photographer Nicole Marie. Women In Wool The Australian wool industry would not be what it is today without the significant contribution of women. Often their role has been forgotten or underrepresented. Since colonial times, women have left their mark on the industry, such names as Eliza Forlonge, Elizabeth Macarthur and Anne Drysdale are examples of pioneering Australian women of wool. Traditionally woolsheds were claimed as the domain of men. In the past men would utter the phrase “ducks on the pond” as a cryptic warning to other male shearers that there were women in the sheds and they should watch their language and clean themselves up. But this segregation has changed. In recent years the role of women has increased dramatically across all aspects of the wool industry, but most significantly in woolsheds. Over the last decade the number of women in shearing sheds has almost doubled and it is set to increase further in the coming years. Today, in many sheds across Australia, sometimes women outnumber men when it comes around to shearing time. Women are active and important contributors to the prosperity of the industry. The portraits on show here are a celebration of the significant role of women in the industry. They are a diverse selection, including both young female shearers and experienced workers, ranging in age from 19 to 96. Many of the up-and-coming shearers started as rouseabouts and have stepped up to becoming shearers - one sitter for the project had just returned to the sheds after having a child only three-months before. Also on show are women who devoted decades of their lives to the industry and are only now becoming recognised for their vital role in Australian wool. Foreward by National Wool Museum Senior Curator - Dr. Luke Keoghvirtual imageswool, women in wool, nicole marie -
National Wool Museum
Photograph - 02 Wilkin, Nicole Marie, Women In Wool - Photographic Collection, 2018
National Wool Museum exhibition in form of a series of portraits and a slideshow showcasing the women of Australia’s wool industry. Exhibition was launched on International Women’s Day 2019, featuring images by photographer Nicole Marie. Women In Wool The Australian wool industry would not be what it is today without the significant contribution of women. Often their role has been forgotten or underrepresented. Since colonial times, women have left their mark on the industry, such names as Eliza Forlonge, Elizabeth Macarthur and Anne Drysdale are examples of pioneering Australian women of wool. Traditionally woolsheds were claimed as the domain of men. In the past men would utter the phrase “ducks on the pond” as a cryptic warning to other male shearers that there were women in the sheds and they should watch their language and clean themselves up. But this segregation has changed. In recent years the role of women has increased dramatically across all aspects of the wool industry, but most significantly in woolsheds. Over the last decade the number of women in shearing sheds has almost doubled and it is set to increase further in the coming years. Today, in many sheds across Australia, sometimes women outnumber men when it comes around to shearing time. Women are active and important contributors to the prosperity of the industry. The portraits on show here are a celebration of the significant role of women in the industry. They are a diverse selection, including both young female shearers and experienced workers, ranging in age from 19 to 96. Many of the up-and-coming shearers started as rouseabouts and have stepped up to becoming shearers - one sitter for the project had just returned to the sheds after having a child only three-months before. Also on show are women who devoted decades of their lives to the industry and are only now becoming recognised for their vital role in Australian wool. Foreward by National Wool Museum Senior Curator - Dr. Luke Keoghvirtual imageswool, women in wool, nicole marie -
National Wool Museum
Photograph - 03 Wendy, Nicole Marie, Women In Wool - Photographic Collection
National Wool Museum exhibition in form of a series of portraits and a slideshow showcasing the women of Australia’s wool industry. Exhibition was launched on International Women’s Day 2019, featuring images by photographer Nicole Marie. Women In Wool The Australian wool industry would not be what it is today without the significant contribution of women. Often their role has been forgotten or underrepresented. Since colonial times, women have left their mark on the industry, such names as Eliza Forlonge, Elizabeth Macarthur and Anne Drysdale are examples of pioneering Australian women of wool. Traditionally woolsheds were claimed as the domain of men. In the past men would utter the phrase “ducks on the pond” as a cryptic warning to other male shearers that there were women in the sheds and they should watch their language and clean themselves up. But this segregation has changed. In recent years the role of women has increased dramatically across all aspects of the wool industry, but most significantly in woolsheds. Over the last decade the number of women in shearing sheds has almost doubled and it is set to increase further in the coming years. Today, in many sheds across Australia, sometimes women outnumber men when it comes around to shearing time. Women are active and important contributors to the prosperity of the industry. The portraits on show here are a celebration of the significant role of women in the industry. They are a diverse selection, including both young female shearers and experienced workers, ranging in age from 19 to 96. Many of the up-and-coming shearers started as rouseabouts and have stepped up to becoming shearers - one sitter for the project had just returned to the sheds after having a child only three-months before. Also on show are women who devoted decades of their lives to the industry and are only now becoming recognised for their vital role in Australian wool. Foreward by National Wool Museum Senior Curator - Dr. Luke Keoghvirtual imageswool, women in wool, nicole marie -
National Wool Museum
Photograph - 04 Katelynn, Nicole Marie, Women In Wool - Photographic Collection, 2018
National Wool Museum exhibition in form of a series of portraits and a slideshow showcasing the women of Australia’s wool industry. Exhibition was launched on International Women’s Day 2019, featuring images by photographer Nicole Marie. Women In Wool The Australian wool industry would not be what it is today without the significant contribution of women. Often their role has been forgotten or underrepresented. Since colonial times, women have left their mark on the industry, such names as Eliza Forlonge, Elizabeth Macarthur and Anne Drysdale are examples of pioneering Australian women of wool. Traditionally woolsheds were claimed as the domain of men. In the past men would utter the phrase “ducks on the pond” as a cryptic warning to other male shearers that there were women in the sheds and they should watch their language and clean themselves up. But this segregation has changed. In recent years the role of women has increased dramatically across all aspects of the wool industry, but most significantly in woolsheds. Over the last decade the number of women in shearing sheds has almost doubled and it is set to increase further in the coming years. Today, in many sheds across Australia, sometimes women outnumber men when it comes around to shearing time. Women are active and important contributors to the prosperity of the industry. The portraits on show here are a celebration of the significant role of women in the industry. They are a diverse selection, including both young female shearers and experienced workers, ranging in age from 19 to 96. Many of the up-and-coming shearers started as rouseabouts and have stepped up to becoming shearers - one sitter for the project had just returned to the sheds after having a child only three-months before. Also on show are women who devoted decades of their lives to the industry and are only now becoming recognised for their vital role in Australian wool. Foreward by National Wool Museum Senior Curator - Dr. Luke KeoghVirtual Imageswool, women in wool, nicole marie -
National Wool Museum
Photograph - 05 Chloe, Women In Wool - Photographic Collection, 2018
National Wool Museum exhibition in form of a series of portraits and a slideshow showcasing the women of Australia’s wool industry. Exhibition was launched on International Women’s Day 2019, featuring images by photographer Nicole Marie. Women In Wool The Australian wool industry would not be what it is today without the significant contribution of women. Often their role has been forgotten or underrepresented. Since colonial times, women have left their mark on the industry, such names as Eliza Forlonge, Elizabeth Macarthur and Anne Drysdale are examples of pioneering Australian women of wool. Traditionally woolsheds were claimed as the domain of men. In the past men would utter the phrase “ducks on the pond” as a cryptic warning to other male shearers that there were women in the sheds and they should watch their language and clean themselves up. But this segregation has changed. In recent years the role of women has increased dramatically across all aspects of the wool industry, but most significantly in woolsheds. Over the last decade the number of women in shearing sheds has almost doubled and it is set to increase further in the coming years. Today, in many sheds across Australia, sometimes women outnumber men when it comes around to shearing time. Women are active and important contributors to the prosperity of the industry. The portraits on show here are a celebration of the significant role of women in the industry. They are a diverse selection, including both young female shearers and experienced workers, ranging in age from 19 to 96. Many of the up-and-coming shearers started as rouseabouts and have stepped up to becoming shearers - one sitter for the project had just returned to the sheds after having a child only three-months before. Also on show are women who devoted decades of their lives to the industry and are only now becoming recognised for their vital role in Australian wool. Foreward by National Wool Museum Senior Curator - Dr. Luke Keoghvirtual imageswool, women in wool, nicole marie -
National Wool Museum
Photograph - 06 Tilly, Nicole Marie, Women In Wool - Photographic Collection, 2018
National Wool Museum exhibition in form of a series of portraits and a slideshow showcasing the women of Australia’s wool industry. Exhibition was launched on International Women’s Day 2019, featuring images by photographer Nicole Marie. Women In Wool The Australian wool industry would not be what it is today without the significant contribution of women. Often their role has been forgotten or underrepresented. Since colonial times, women have left their mark on the industry, such names as Eliza Forlonge, Elizabeth Macarthur and Anne Drysdale are examples of pioneering Australian women of wool. Traditionally woolsheds were claimed as the domain of men. In the past men would utter the phrase “ducks on the pond” as a cryptic warning to other male shearers that there were women in the sheds and they should watch their language and clean themselves up. But this segregation has changed. In recent years the role of women has increased dramatically across all aspects of the wool industry, but most significantly in woolsheds. Over the last decade the number of women in shearing sheds has almost doubled and it is set to increase further in the coming years. Today, in many sheds across Australia, sometimes women outnumber men when it comes around to shearing time. Women are active and important contributors to the prosperity of the industry. The portraits on show here are a celebration of the significant role of women in the industry. They are a diverse selection, including both young female shearers and experienced workers, ranging in age from 19 to 96. Many of the up-and-coming shearers started as rouseabouts and have stepped up to becoming shearers - one sitter for the project had just returned to the sheds after having a child only three-months before. Also on show are women who devoted decades of their lives to the industry and are only now becoming recognised for their vital role in Australian wool. Foreward by National Wool Museum Senior Curator - Dr. Luke Keoghvirtual imageswool, women in wool, nicole marie -
National Wool Museum
Photograph - 07 Panels, Nicole Marie, Women In Wool - Photographic Collection, 2018
National Wool Museum exhibition in form of a series of portraits and a slideshow showcasing the women of Australia’s wool industry. Exhibition was launched on International Women’s Day 2019, featuring images by photographer Nicole Marie. Women In Wool The Australian wool industry would not be what it is today without the significant contribution of women. Often their role has been forgotten or underrepresented. Since colonial times, women have left their mark on the industry, such names as Eliza Forlonge, Elizabeth Macarthur and Anne Drysdale are examples of pioneering Australian women of wool. Traditionally woolsheds were claimed as the domain of men. In the past men would utter the phrase “ducks on the pond” as a cryptic warning to other male shearers that there were women in the sheds and they should watch their language and clean themselves up. But this segregation has changed. In recent years the role of women has increased dramatically across all aspects of the wool industry, but most significantly in woolsheds. Over the last decade the number of women in shearing sheds has almost doubled and it is set to increase further in the coming years. Today, in many sheds across Australia, sometimes women outnumber men when it comes around to shearing time. Women are active and important contributors to the prosperity of the industry. The portraits on show here are a celebration of the significant role of women in the industry. They are a diverse selection, including both young female shearers and experienced workers, ranging in age from 19 to 96. Many of the up-and-coming shearers started as rouseabouts and have stepped up to becoming shearers - one sitter for the project had just returned to the sheds after having a child only three-months before. Also on show are women who devoted decades of their lives to the industry and are only now becoming recognised for their vital role in Australian wool. Foreward by National Wool Museum Senior Curator - Dr. Luke Keoghvirtual imageswool, women in wool, nicole marie -
National Wool Museum
Photograph - 08 Pinhole, Women In Wool - Photographic Collection, 2018
National Wool Museum exhibition in form of a series of portraits and a slideshow showcasing the women of Australia’s wool industry. Exhibition was launched on International Women’s Day 2019, featuring images by photographer Nicole Marie. Women In Wool The Australian wool industry would not be what it is today without the significant contribution of women. Often their role has been forgotten or underrepresented. Since colonial times, women have left their mark on the industry, such names as Eliza Forlonge, Elizabeth Macarthur and Anne Drysdale are examples of pioneering Australian women of wool. Traditionally woolsheds were claimed as the domain of men. In the past men would utter the phrase “ducks on the pond” as a cryptic warning to other male shearers that there were women in the sheds and they should watch their language and clean themselves up. But this segregation has changed. In recent years the role of women has increased dramatically across all aspects of the wool industry, but most significantly in woolsheds. Over the last decade the number of women in shearing sheds has almost doubled and it is set to increase further in the coming years. Today, in many sheds across Australia, sometimes women outnumber men when it comes around to shearing time. Women are active and important contributors to the prosperity of the industry. The portraits on show here are a celebration of the significant role of women in the industry. They are a diverse selection, including both young female shearers and experienced workers, ranging in age from 19 to 96. Many of the up-and-coming shearers started as rouseabouts and have stepped up to becoming shearers - one sitter for the project had just returned to the sheds after having a child only three-months before. Also on show are women who devoted decades of their lives to the industry and are only now becoming recognised for their vital role in Australian wool. Foreward by National Wool Museum Senior Curator - Dr. Luke Keoghvirtual imageswool, women in wool, nicole marie -
Frankston RSL Sub Branch
Print, "GOOD-BYE, OLD MAN."
WW1 artist printSepia parchment sketch by F. Matania dated 1916. A young soldier is bidding farewell to his fatally wounded horse, as the rest of his unit move on.The artist's name and date is located in the bottom left hand corner F. Matania, 1916. Underneath the print is the inscription "GOOD-BYE, OLD MAN." An incident on the road to Southern Flanders. -
Ballarat Tramway Museum
Newspaper, The Courier Ballarat, "Man Injured", 10/02/1972 12:00:00 AM
Newspaper clipping from The Courier, Ballarat, dated Tuesday 10/2/1972, titled "Man injured". Item features a story with a photo of a man injured when a piece of tram rail being removed at the intersection of Sturt and Lydiard Sts fell from the truck. Suffered multiple fractures. Has a photo of the man being lifted onto an ambulance stretcher with the ambulance alongside. One of large group of newspaper cuttings from John Bainbridge, 7/4/02.accidents, track removal, ambulances -
National Wool Museum
Book, Skinner's Wool Trade Directory of the World 1969-70
"Skinner's Wool Trade Directory of the World 1969-70" - Thomas Skinner & Co. (Publishers) Ltd, England.wool processing textile industry textile production, wool processing, textile industry, textile production -
National Wool Museum
Book, Wool Textile Research in Australia - Ends and Means
"Wool Textile Research in Australia - Ends and Means: Report to C.S.I.R." by F.T. Peirce, Melbourne, February 1946.textile research, council for scientific and industrial research -
National Wool Museum
Book, Wool textile manufacturers of Australia export project -USA, 13-31 March 1980: report of findings
"Wool textile manufacturers of Australia export project -USA, 13-31 March 1980: report of findings".textile industry wool marketing export trade - international, wool textile manufacturers association, textile industry, wool marketing, export, trade - international -
National Wool Museum
Book, World wool guide1970-71
"World wool guide1970-71, 32nd ed" - Curtis Guild & Co. Includes statistical and technical informationtextile industry textile production wool marketing wool sales, textile industry, textile production, wool marketing, wool sales -
National Wool Museum
Book, Wool shrinkage and its prevention
"Wool shrinkage and its prevention" -R W Moncrieff, New York, Chemical Publishing Co, 1954.wool - chemistry wool - research textile production yarn production wool - characteristics, laundering, wool - chemistry, wool - research, textile production, yarn production, wool - characteristics -
National Wool Museum
Book, An appraisal of a floor-price scheme for wool
"An appraisal of a floor-price scheme for wool" -Dr J H Duley and Dr R M Parish.wool sales wool marketing wool sales - floor price scheme, wool sales, wool marketing, wool sales - floor price scheme -
National Wool Museum
Book, Sheep Management and Wool Technology
"Sheep Management and Wool Technology" - J.B. D'Arcy, 1986. Originally published in 1972; this is a reprinted and revised edition.wool growing wool processing woolclassing wool marketing shearing sheep breeding sheep - diseases, wool growing, wool processing, woolclassing, wool marketing, shearing, sheep breeding, sheep - diseases -
National Wool Museum
Book, Mr T. B.Harmsworth et al, Wool and mohair - producing better natural fibres 2nd ed, 1990
Thomas Harmsworth and Graham Day: "Wool and mohair - producing better natural fibres 2nd ed." 1990.Book, 222pp. Softcover printed with colour illustrations of sheep and goats.K Gallowaysheep - australian goats wool - characteristics wool - measurement wool growing shearing, australian poll dorset association, mohair, angora, galloway, mr ken, sheep - australian, goats, wool - characteristics, wool - measurement, wool growing, shearing -
Glenelg Shire Council Cultural Collection
Photograph, Bearded Man and Fish, n.d
Black and white photo of bearded man dressed in period costume 'wearing' a large, crafted fish, holding it in place with both hands, and a plaque reading 'THIS BIG FISH CAUGHT BY BOB BURNETT ON THE LONG PIER'. The man is standing near the door of small wooden building which is possibly an outdoor toilet.betty vivian collection, bob burnett, maritime, fishing -
Glenelg Shire Council Cultural Collection
Photograph, Man with Fish, n.d
Black and white photo of bearded man dressed in period costume 'wearing' a large, crafted fish, holding it in place with both hands, and a plaque reading 'THIS BIG FISH CAUGHT BY BOB BURNETT ON THE LONG PIER'. The man is standing near the door of small wooden building which is possibly an outdoor toilet. -
Bendigo Military Museum
Photograph - Ultra-MAN-III Printing Presses operating at the Army Survey Regiment, c1970s to c1980s
These ten photographs of the Ultra-MAN-III Printing Presses were probably taken circa 1970s to 1980s in Lithographic Squadron at the Army Survey Regiment, Fortuna, Bendigo. Although most photos are not annotated except for photos .1, .3P, .6P; most personnel are positively identified. The two Ultra-MAN-III Printing Presses were made in Germany at a standard map size format and introduced in June 1962 as a two-colour offset press with improved safety features. With an upgrade to a third colour deck in 1968, productivity greatly improved as the two presses could print a five colour standard topographic map in two passes, rather than the three passes before their upgrade. They were replaced with a single Heidelberg Speedmaster 102 five colour Printing Press in 1990. c1970s to c1980s.This is a set of photographs of the Ultra-MAN-III Printing Press operational at the Army Survey Regiment, Bendigo c1970s to c1980s. The photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 300 dpi. .1) - Photo, colour, c1970s, L to R: Morgan, Mulqueen, Cook, Lithographic Squadron .2) - Photo, black & white, c1980s, unidentified, Lithographic Squadron .3) - Photo, black & white, c1980s, Ken Slater, Lithographic Squadron .4) - Photo, black & white, c1980s, L to R: Kim Reynolds, Terry Winzar, Lithographic Squadron .5) - Photo, black & white, c1980s, Lithographic Squadron .6) - Photo, black & white, c1980s, L to R: Steve Egan, unidentified, Jim Cook, Lithographic Squadron .7) - Photo, black & white, c1980s, Kim Reynolds, Lithographic Squadron .8) - Photo, black & white, c1980s, Roy Hicks, Lithographic Squadron .9) - Photo, black & white, c1980s, Lithographic Squadron .10) - Photo, black & white, c1980s, Colin Yeats, Lithographic Squadron.1, .3P, .6P – personnel annotated 2P, .4P to .5P, .76P to .10P – no annotation royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, printing, litho