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National Vietnam Veterans Museum (NVVM)
Photograph, Gibbons, Denis, Lac Thien
Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection. A colour photograph of Capt Len Opie and WO1 Bill Birkett, of the Australian Army Training Team Vietnam (AATTV), at the special forces camp at Lake Lac Thien where they are working with Rhade, M'nong, Muong and Sedang Montagnards.photograph, aattv, capt len opie, wo1 bill birkett, lake lac thien, sedang montagnards, gibbons collection catalogue, denis gibbons, photographer, vietnam war, australian army training team vietnam (aattv), rhade montagnards, m'nong montagnards, muong montagnards -
Kiewa Valley Historical Society
Photograph - Gorden Muller and Ken Alexander, Myrtleford, Circa 1950's-1960's (estimate only)
Historical record of early residents of Myrtleford area circa 1950's/1960'sHistorical record of early residents of Myrtleford area circa 1950's/1960'sBlack and white photograph of Gorden Miller and Ken Alexander working on a vehicleHandwritten in black ink on the back of photograph: Gorden Muller Myrtleford (curly hair with drum) Ken Alexander with hat. Stamped on back in black ink - 6 250gordon muller, myrtleford, ken alexander -
Flagstaff Hill Maritime Museum and Village
Functional object - Lock Frame, prior to 1878
This small brass lock frame was recovered from the wreck of the sailing ship LOCH ARD. HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only nine in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register. [References: Flagstaff Hill Maritime Village information sheets and documents] This small brass lock is representative of lock fittings in the late 19th century. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Lock frame, small, no working parts. Artefact Reg No LA/24.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, lock frame, frame, lock, 19th century brass lock -
Lorne Historical Society
Photograph, Tripping Dray at Mt Defiance Great Ocean Road
Photograph showing working horse and tipping dray near Mt. Defianceg.o.r.; .horse-tipping-dray; mt. defiance; -
Phillip Island and District Historical Society Inc.
Photograph, 1930
One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of volunteers on a Working Bee gathering firewood for the Hospital - about 1930local history, photography, firewood working bee, black & white photograph, warley hospital, working bee, firewood, john jenner, bryant west -
Halls Gap & Grampians Historical Society
Photograph - Sepia, C 1900
Horton's Reward Claim. This group of miners also worked another area called 'The Heather Bell" approx. 200 yards further up the gully. About half a pennyweight to the dish is obtained from the wash near the creek. They are panning off 3 dwts per day off one man's ground. This claim is about the best fitted up on the field. It is worked with a sluice box with iron ripples and feeder to match. The latter is a great advantage as there is a great fall below the claim for the tailings.Photo shows seven men working a goldfield using shovels and picks.mining, mount william, people -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Main Breakwater construction, Portland, n.d
Port of Portland Authority ArchivesFront: '5 Wide 120 Screen'-Red Pencil 8486-Blue biro Back: '5 wide 120 screen' - Red pencil 8486- Blue biroport of portland archives, harbour construction, portland -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Main Breakwater construction, Portland, n.d
Port of Portland Authority Archivesport of portland archives, harbour construction, portland -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Main Breakwater construction, Portland, n.d
Port of Portland Authorityport of portland archives, harbour, construction, workmen -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Lee Breakwater, Portland, n.d
Port of Portland Authority Archivesport of portland archives, lee breakwater, crane, construction, portland, harbour -
Port Melbourne Historical & Preservation Society
Plan - Landscaping Westport Reserve, Port Melbourne, Graeme Bentley, Apr 1990
Plans for landscaping to complement Sandridge Life Saving ClubWorking drawings for landscaping Westport Reserve, Port Melbourne, 5pp, 1990'received 07 Jun 1991'natural environment - beaches and foreshore, westport reserve, bentley, graeme -
The Ed Muirhead Physics Museum
Photograph, Optical Munitions: ? Kahanine
Black and white photograph of male scientist (Kahanine) working on graphic design.On front of image in ink: “31” On back of image in pencil: “No. 31 Kahanine’ On back of image in ink: “31” -
The Ed Muirhead Physics Museum
Photograph, Optical Munitions: ? Kahanine
Black and white photograph of male scientist (Kahanine) working on graphic design. On front of image in ink: “31” On back of image in pencil: “No. 31 Kahanine’ On back of image in ink: “31” -
Churchill Island Heritage Farm
Photograph - Photograph of Guide and child
Churchill Island Heritage Farm has a large collection of photographs. Photograph of a Guide and child working on crafts and standing behind Rogers Cottages[catalogue number written on reverse in pencil]churchill island, photograph -
Bendigo Historical Society Inc.
Photograph - AUSTIN COLLECTION: MINER WORKING ON NEW LIFT
Black and white photograph of Paul Maher working on a section of the lift mast.mining, business, central deborah gold mine -
Tatura Irrigation & Wartime Camps Museum
Book, Tatura Bowling Club, 2004
Produced to commemorate 100 years of men's bowls and 50 years of Associates (Women) bowls. Records of Honour Board and photographs of winning teams. From 1969 Indoor Bowls are part of the material.Spiral backed, white cover, black printing. Features working bee.tatura bowling club, tatura men's bowls, tatura women's bowls, tatura indoor bowls, tatura winning teams, tatura honour board -
Hume City Civic Collection
Photograph
The Sunbury Courthouse was restored in the 1980s and it was used after its restoration as the Sunbury Tourist Information Centre.A black and white photo of a workman who is working on the restoration of the Sunbury Courthouse. Written in pencil on the back, "Court House Restoration"sunbury courthouse, shire of bulla, george evans collection -
Clunes Museum
Photograph
VOLUNTEER WORKMEN WORKING ON COLLINS PLACE. - BRICKLAYERS ECT. 1987/88local history, photography, photographs, collins place -
Clunes Museum
Photograph
VOLUNTEERS WORKING ON COLLINS PLACE. WORG COMMENCED IN 1987 COMPLETED IN 1988.local history, photography, photographs, collins place -
Stawell Historical Society Inc
Photograph, Expanding the Slipway at Bellfield
Digital Print: A digger with drill bit attached, working on the slipway at Bellfield -
Stawell Historical Society Inc
Photograph - Aunde Album 29, Office Work, 2002
Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo: office - Woman working on computer with full desk.industry, aunde -
National Wool Museum
Machine - Loom, George Hattersley and Sons Ltd, 1920 - 1935
Weaving is the interlacing of two yarns, one at right angles to the other. Yarns that run the length of the fabric are called the warp. Yarns that run across the fabric are called the weft. Most woven fabrics are produced on a loom. The warp yarns are raised to form an opening - the shed. The weft carrier, usually the shuttle, shoots through the shed. Then the warp yarns change position up and down. Finally, the weft is pushed tight against the previous yarns, gradually building up the fabric. Hattersley dobby loom. In working order, black painted cast iron.weaving, george hattersley and sons ltd, weaving machinery, loom, wool processing, textile industry -
Whitehorse Historical Society Inc.
Article, Inspired by Box Hill, 8/05/1996 12:00:00 AM
Article on Michelle Gill, artist working in the Box Hill South area.Article on Michelle Gill, artist working in the Box Hill South area.Article on Michelle Gill, artist working in the Box Hill South area.gill, michelle, box hill south -
Whitehorse Historical Society Inc.
Photograph, Preparing for Display, 27/06/2001 12:00:00 AM
Coloured Photo of Barbara Keene working on Display for Arts on Parade 2001.nunawading & district historical society, keene, barbara, arts on parade -
Rutherglen Historical Society
Image, Sydney Morning Herald
P.E. Chandler (brother of Royce Chandler the cooper) and Terry FitzgeraldBlack and white photograph of 2 men and working on a large wine caskWritten on back of photo: "P.E. Chandler - Terry Fitzgerald repairing a 500 gallon store cask at Lindeman's of Corowa. Terry would know about what year."terry fitzgerald, chandler family, cooperage, wine industry -
Ballarat Heritage Services
Image - Black and White, Ballarat Benevolent Asylum, c1900
The Ballarat Benevolent Asylum in Ascot Street Ballarat is now know as the Queen Elizabeth Centre.Black and white image of people working in the garden at the Ballarat Benevolent Asylum. ballarat benevolent asylum, crimean veteran, architecture, garden -
Clunes Museum
Certificate, 1932
Cream certificate in frame, drawings of Guides working. Issued Feb 1932guide house, 1932, 1st clunes troop, girl guides -
Federation University Art Collection
Bookplate, 'Ex Libris John Gartner'
John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) Nude male standing looking away an d working on a printing press.Signature Franklinbookplate, australian bookplate design awards, keith wingrove memorial trust, printmaking, life drawing -
Vision Australia
Photograph - Image, Preparing large print music for visually impaired students
An older female and male sit either side of a desk. The lady holds a pen and a sheet of large print music in front of her, with a small pile of similar sheets to her right. The man holds a pen and looks at sheets of paper (presumably music) whilst sitting next to a box with the title 'Family Fun Box Organ course' to his left. In the background are filing racks, The Australian Hymn book and Braille volumes in various bindings. Over time, the RBS built up a considerable music collection thanks to the work of its dedicated supporters such as Dulcie Magnus.Digital image of two people working together to produce braille music Second century 24royal blind society of new south wales, braille music -
Vision Australia
Photograph (item) - Image, Blind and vision impaired people at work
Employment is a key area that blind or vision impaired people are under-represented. These photographs were taken to demonstrate and provide examples of how blind and visually impaired workers can undertake skilled positions. A woman works at a switchboard, using an assistive device, whilst another woman sits beside her. A young man dressed in a blue coverall and goggles, uses a bandsaw to cut through an object, whilst another uses a circular saw to cut wood. A man in a workshop, with a large toolset on the wall, operates a machine.employment, royal victorian institute for the blind