One of a series of four boards of mounted replica medals of the Australian Defence Forces. This board shows medals pertaining to World War 1. Replicas include the 1914 Star, 1914-1915 Star, British War Medal, Victory Medal, Mercantile Marine War Medal, 80th Anniversary of Armistice Remembrance Medal. Also a WW1 Memorial Plaque and Anzac Commemorative Medal. There is a cloth patch embroidered 'H.M.A.S.' and one with embroidered Air Force wings from the Australian Flying Corps. The text reproduced at the base accompanied the WW1 memorial plaques. The boards were on display in the Melbourne Legacy Foyer cabinets until June 2017.A record that Legacy holds some war memorabilia as Legatees were once solely returned servicemen.Replica medals from World War 1 mounted on silk inserts into green boards plus additional badges and medallions.Title inscribed in brass plaques say World War 1, 1914 Star, 1914-1915 Star, British War Medal, Victory Medal, Mercantile Marine War Medal, 80th Anniversary of Armistice Remembrance Medal, WW1 Memorial Plaque and Anzac Commemorative Medal. Cloth badge embroidered 'H.M.A.S.' and one 'AFC'.world war one, medals

From the home of Mrs. Nell Sebire, 2nd wife of Thomas.Fine china floral cup, saucer and plate with gold trim with daffodils and green leaf design. Three piece set."Royal Albert bone china England friendship series of 12 daffodil'.cups and saucers, tableware, drinking cups

Gift to Florence E. Feore by her grandfather on her 13th birthday, 14th February 1893.Small orange enamel purse, with silver decoration on outer case. Small inner compartment lined with blue/green satin.Initials "F.E.F." on outer casepurses

front cover green with stylised Kangaroo and Emu on ribbon featuring the words 'The Royal Visit' with southern cross on rear cover.non-fictionqueen elizabeth ii, duke of edinburgh, australia, royal visit

A small round cut glass decorative bowl with a green circular pattern and gold trim around the top scalloped edge.bowls, containers, objects, decorative objects

Military rifle carrier with ammunition pocket on side as issued to troops in 1947Made by GMH 1946 for Military useArmy green canvas rifle carrier with ammunition pocket on side. Canvas cover over opening with brass buckle to close.GMH&Co 1946military, rifle carrier, canvas

Used during WW2 canvas water proof carry bag for rifle. t As made and sold by General Motors HoldenArmy green canvas rifle bag with shoulder strap and three ammunition pouches. Pouches fastened by tan leather straps.rifle bag, military

Purchased by Mr. & Mrs. H. N. Lord in Japan in 1960. The Japanese word for cloisonne ware is SHIPPO or seven treasured ware. It is an ancient technique for decorating metalwork objects. The resulting objects can also be called cloisonné. The decoration is formed by first adding compartments or cells to the metal object. This is done by soldering or sticking silver or gold wires or thin strips placed on edge. These are visible in the finished piece, separating the different compartments. Coloured enamel is the usual filling for the cells. Cloisonné enamel objects are worked on with enamel powder made into a paste, which then is fired in a kiln. In older times inlays of cut gemstones were often used. They were decorated with geometric or schematic designs, with thick cloison walls. Pale blue Japanese Cloisonne vase with peony flower design in pink and white with green leaves on black wooden stand. vases

Sarah Coventry Pty. Ltd. was a North American jewellery company that was established in 1949 by the Stuart family as part of Emmons Jewelry, Inc. It began operations in England and Australia in 1968, and in Australia it moved from Carlton in Melbourne to Wodonga in 1969. The premises were originally on High St. in Wodonga, but a new warehouse was built in Melbourne Rd. later in 1969. It was a direct selling jewellery business using a party-plan model similar to Tupperware and Avon. The sales reps or 'Hostesses' were provided with jewellery samples in demonstration kits, which they displayed at jewellery parties in their homes. The designs for jewellery such as brooches, necklaces, earrings, chokers and bracelets were purchased from freelance designers and jewellery manufacturers rather than in-house designers. In 1979 Sarah Coventry Pty. Ltd. in Wodonga was bought by three Australian businessmen, including Wodonga local Jim Sawyer, and continued to sell jewellery under the name "Sargem Pty. Ltd”, for several more years in the 1980s. As part of the Sarah Coventry collection, the hair clip has local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery.Gold toned metal hair clip with a circular enamel inlay with a flower petal motif surrounded by five green dots."SARAH" - thought to be first used in 1951 on the back of the circular decorative element.sarah coventry, jewellery, wodonga, costume jewellery, vintage fashion jewellery, hair clip, hair slide

Handbook for PTC road vehicle drivers. The booklet contains important information for drivers concerning multiple aspects of operating a motor vehicle (e.g., buses).Instructional publication belonging to a now-superceded transit agency (since the 1990s). Likely well-used by staff of said agency.A small off-white booklet printed with green text. The front cover reads "P.T.C./ROAD VEHICLE/DRIVERS/HANDBOOK."public transport corporation, public transport, buses, drivers, driver training

Set of three different styles of letterhead or headed paper used by the Public Transport Corporation (PTC) 1 - printed with the name of K (Keith) M Fitzmaurice, Chief Executive - address 60 Market St Melbourne with the logos of V/Liine and The Met underneath. Used during 1989 2 - printed with PTC logo and address (only a PO Box) on the left hand side - used during the 1990s 3 - printed with the PTC logo on the top, notes printed on recycled paper - possibly used for forms or noticesA stationery that is associated with a now-evolved department which existed in the 1990s. Three x White paper pre-printed letterhead, printed in green and black ink. Two copies of each held.public transport, letters, stationery, transport, ptc

Badge produced for the Glen Huntly tram depot celebrations of 100 years of operation - 26-8-2023Demonstrates an item made to celebrate 100 years of Glen Huntly tram depot.Badge - stamped metal - fitted with pin on rear, painted green and yellow colours. Contained within a clear plastic bag.badges, tramways, depots, glen huntly, 100 years

Hardcover book, 356 pages. Book has an olive green cover with white text.Illustrations by Harrison Fisher and Mayo Bunker.fictionRomance novel.mary roberts rinehart, romance, fiction

BHS CollectionGreen cover, maroon binding on spine, 93 pages of which 11 are used. Dates of invoices from 1911 to 1913. 'Bendigo Tailings Company, No Liability, Invoice Book" bendigo, gold mining, tailings, bendigo tailings company, invoice

Wide dark green bottle with long, slightly bulging neck and a steep inverted conical base. Mid-nineteenth century.Paper label attached to bottle reads: 'Goldfield's beer bottle dug up near Buninyong in 1991. Circa 1850s.'bottles, brewing

Annual report of the Heidelberg Golf Club. Includes annual report, balance sheet and accounts to 31/01/1966. Annual General Meeting held April 1966.Annual reports found in this collection begin in 1933-34.28 page document. Typed text and black and white photographs. Bound in dark green card cover. 3 copies. annual reports, financial reports

The co-operative was registered in 1919 as the Graziers Co-op Shearing Company Limited. It changed its name in September 1948 to Grazcos Co-operative Ltd. In 1981 the co-operative merged with Farmers & Graziers Co-op Ltd to form Farmers Grazcos Co-op Ltd. This item is part of a collection of Annual Reports from Grazcos dated from 1949 - 1980.Booklet featuring a black and white image showing a man shearing a sheep, with printed black, white, green and red text. front: 1956 / THIRTY-SEVENTH ANNUAL REPORT / GRAZCOS / CO-OPERATIVE LIMITEDagricultural co-operative, agricultural wholesaling, annual reports, rural life, rural industry, business, corporate body

The co-operative was registered in 1919 as the Graziers Co-op Shearing Company Limited. It changed its name in September 1948 to Grazcos Co-operative Ltd. In 1981 the co-operative merged with Farmers & Graziers Co-op Ltd to form Farmers Grazcos Co-op Ltd. This item is part of a collection of Annual Reports from Grazcos dated from 1949 - 1980.Booklet featuring a black and white image of a man packing wool bales, with printed white and red text on a green background. front: 1960 / 41st ANNUAL REPORT / GRAZCOS / CO-OPERATIVE LIMITEDagricultural co-operative, agricultural wholesaling, annual reports, rural life, rural industry, business, corporate body

Document - The Met design or style manual details the Corporate Identity to be used on all publications, and documents including logos, logotypes, symbols, standard lettering, and colour. Has a table of contents. The design manual is dated Nov 1984, just over one year after the creation of The Met - see reference. Parts 2, and 4 to 9 are missing insert pages.Demonstrates a Style Guide or Design Manual used by The Met in Melbourne.Document - multi ring binder green plastic covers, with approx 40 sheets, full colour, including table of contents.the met, design, style guide, logos, colour schemes

Best hat, which the lady wore to Church every Sunday. The hat was white, so that it would match with every outfit.Round white flowered hat - white artificial flowers with green lacquered leaves, and white bow at the back. Hat Pin.Harbig - Melbourne New York Pariscostume, female, female headwear

Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024. A handmade vase, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.Handmade globular ceramic vase, fully covered in red with a green overglaze that has been wiped to reveal the floral pattern.Signature to bases: "V. Ayling"ceramics, pakington street -- kew (vic.), vase, viola ayling

Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024. A handmade vase, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.Handmade, narrow-necked ceramic vase, with a pink glaze overlaid with painted and dripped cream and green glazes within the ridges.Signature to bases: "V. Ayling"ceramics, pakington street -- kew (vic.), vase, viola ayling

Viola Annie Ayling (1911-1990), was born in Korumburra. After her marriage to William John Ayling in 1932 she moved with her husband to Tennyson Street [Kew]. A professional tailoress, Viola Ayling was also a talented amateur potter. She created her ceramics at her home at 128 Pakington Street [Kew], where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. This pot is part of a collection of 15 glazed ceramic functional and decorative items donated by her granddaughter to the collection in 2024. A handmade vase, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Peyte.Handmade ceramic vase, fully covered in red with a green overglaze which has been allowed to run down to the foot. Signature to bases: "V. Ayling"ceramics, pakington street -- kew (vic.), vase, viola ayling

This small album belonged to E Joy, Eaglehawk, 1913 & 1914Small green church art stamp album consisting of 24 pages with coloured stamps marking events in the church calendar.On cover: "CHURCH ART STAMP ALBUM"

Dark green booklet, records of medical dispensary bottles supplied to Mr. E.J. Jackson, 1946-1952, handwritten entriesmedical dispensary record, bendigo united friendly society