Simple day dress constructed from feedsack cotton fabric: Short, puffed sleeves, small opening with slight V neck and pointed collar. Centre front fold with red plastic buttons - the originals were missing but these are period correct replacements that match the red plastic buckle. Two front pockets on the bodice shaped like flower pots. No openings, pops over your head. Self-covered belt has a different material underneath: a smaller blue and white floral print. None

This photograph was taken on the day that Gus Gervasoni left for army service during World War Two.Black and white photograph of members of the Gervasoni family at George and Anne Gervasoni's house in Albert Street, Daylesford. Standing left to right: George Gervasoni, Anne Gervasoni (Pedretti) Front left to right: Gus Gervasoni (in uniform), Kevin George Lock, John Hogan Gervasoni, Una Gervasoni, Jack Gervasoni. Gus, Vera and Jack were sibling, the children of George and Anne, John was the son of Gus, who is in army uniform. Kevin Lock stands in front of his grandfather, George.george gervasoni, anne gervasoni, anne pedretti, gus gervasoni, john hogan gervasoni, daylesford, albert street, daylesford

Rectangular medical chart showing the human body, muscles and organs.The chart is made from coated and printed paper on a fabric (?cotton) backing and is attached with metal tacks to timber batons at each end . A strip of red cotton tape is attached to the mid-part of the upper baton and has been used to secure the chart when it is rolled up. Metal ring eyelets are screwed into either end of the upper baton and were probably used to assist when hanging the chart.The artists name 'J.Teck' is included on the lower edge on the front of the chart. The logo of the St John's Ambulance Association and the words 'ST JOHN'S GATE, LONDON E.C. 1' are printed on the lower edge of the chart (left hand side on the front of the chart). The words 'FULL BODY INC LIMBS' is written in black texter pen on the upper baton. The words 'ORGANS, MUSCLES' have been written on the top margin of the chart on the reverse side.medical chart, human body, j.teck

Original postcard showing a group of about 20 people surveying the scene of the Waggonette Disaster that occurred on the Coach Road at Devils Elbow on 27/12/1911. The accident occurred at Devil's Elbow where now the Old Coach Road and Jasper Road meet at a cliff face. John Lundy-Clarke made a ballad about the mishap. The waggonnette was returning from an excursion to the Brooklyn Guest House in Montrose. The horses were killed and passengers presumably injured (a doctor attended). See 'The Brooklyn Dray"On front of postcard: DEVILS ELBOW MT DANDENONG SCENE OF WAGGONETTE ACCIDENT 27.12.1911wagonette, wagon, accident, disaster, devil's elbow, devils elbow, john lundy-clarke, ballad, coach road, old coach road

Photograph of Olinda Debutantes from Mendelssohn Studio c1948 labelled 'Proof Only'. 10 girls featured in posed photograph. The debutantes were presented to Sir George Knox. Back Row - Left to Right Joan Ebbels, Meilma Green (Biddy), Natalie Marks. Centre Row - Left to Right Norma Babidge, Joan Ryan, Alison Earney, Jessie Thompson, Margery Brann, Mavis Trevena, Merion Ebbels. Flower Girls - Left to Right Helen Ryan, Roberta Ebbels (Pidge). olinda, debutante, joan ebbels, natalie marks, norma babidge, joan ryan, alison earney, jessie thompson, mavis trevena, helen ryan, roberta ebbels, meilma green, margery brann, merion ebbels

Colour photograph of a fundraising wine bottle label promoting the centenary of the Menzies Creek State School. Label is off-white with red printing. 'GORDO RIESLING/An unusual blend/ of Gordo and Riesling grapes specially/ prepared, giving a Moselle style taste/with a pleasant Dry Riesling finish, and ready/to be enjoyed now./The grapes were grown and vintaged at/ Angove's Renmark vineyards.' The label features the (then) school logo, designed to mark the school's centenary, with artwork by Tanya Mayer and Konrad Matta.

Yields information and has a strong association about the view the City Loop in Sturt St possibly at the time of the closure of the SEC operated system from an elevated position.Glass negative mounted in a three side metal holder - three bogie trams parked at the city loop, led by tram 39 with the Grenville St intersection behind them. Also has the tram shelter. Photo taken from an elevated position. Photo by Harvey Studios, possibly on the last day or one of the closures given the information that bogie trams were parked in the loop on the last day of operations 19 September 1971 Photo from the collection of Lilian Butler.trams, tramways, sturt st, city loop, closure, grenville st, shelters

Black and white photograph of Bendigo No. 10 standing in front of the Bendigo depot building, late 1950's. Tram has the destination of Eaglehawk. Tram has been possibly run out of the depot for the photograph, as possibly seldom used. Tram scrapped by 1960. Taken by John Alfred. Photo printed on half weight paper. Page 96 of "Talking Trams" (Bendigo Trust 4/73), notes that Nos. 2, 10 and 13 were scrapped between 1951 and 1960.On rear written in black ink "Bendigo / No. 10" and on bottom edge, stamp "Photo by John Alfred / No." in red ink.tramways, trams, bendigo, depot, tram 10

Yields information about how the BTPS promoted the tramway, with the Design by the printer.Pamphlet advertising the Ballarat Vintage Tramway produced in late 1975, early 1976 on yellow paper with green ink on rear giving details of the operation, address etc. and on the front in green ink, a head on photo of No. 26 (prior to conversion)and the title " Ballarat's Living History / Vintage Trams / Operating in the Botanic Gardens Ballarat". Details fares of 30c Adult, 20c - which were operable from 1/11/1975 to 31/7/1977. 1664i1 - image of front, i2 - image of rear.trams, tramways, btps, pamphlets, ballarat vintage tramway

Possibly has a strong association with the tram track and depot maintenance staff at the time of closure of the SEC operated Ballarat system.Colour print of a group of four SEC workers standing alongside the cloth covered SEC Ballarat Tramway track gang truck, in Lydiard St North, with the railway gates in the background. The man on the right hand side is holding a rolled up green flag. These workers were not included in the staff photo. Refer to track diaries in the collection for possible names. Item was placed in an envelope marked "Mr. Vermeend" - retained with photograph in storage folder. Photo printed on Kodak Paper. Photograph by Lilian Butler?in ink on rear " Lydiard St Nth Ballarat. With my compliments Lilian Butler"trams, tramways, sec, depot, trackwork, track, personnel

Yields information about the type of ticket provided to visitors for the Begonia Festival in 1998 - along with an Adult ticket, child free.Set of five preprinted tickets for use in the 1998 Begonia Festival - "Child's tram ride - for child to travel free on the tram when accompanied by fee paying adult". .1 - printed on yellow paper .2 - ditto on blue .3 - ditto on pink and over stamped "Complimentary" .4 - printed on green and "Vermont Diamonds" written on top. .5 - ditto on green paper. Were incorporated into ticket books for the Begonia Festival - see Reg Item 5466.3 for the 2000 example of the type of ticket book.trams, tramways, visitors, btm, tickets, begonia festival

Diggers & Mining. Diggers and miners. With diggers moving from one field to another, or from the diggings to another on the same field, with 'new claims' taking to the diggings, and 'old hands' - fortunate enough to be able to leave the work, or too disheartened by failure to continue it - leaving them, the diggings population was in constant state of flux. Through the gold rush, the gullies and the rough bush tracks of Victoria were constantly being transverse by the diggers - - - Markings: 38 994:LIF I. Used as a teaching aid.hanimounteducation, tertiary, goldfields

Diggers & Mining: The Digging - The Diggers. Slide; When a Gold field shows signs of permanency, the Government surveyed a site for a township on the field. The story of the rise of these towns is told in Unit II of this series. Smalll businesses - some of them conducted by diggers who had done well on the fields - were established in these towns. The following frames contain pictures of some of these early goldfields towns. Black and white side. Markings: 40 994.LIF:6. Used as a teaching aid.hanimounteducation, tertiary, goldfields

Two red covered auction catalogues with black printing for an auction at the Fryerstown Creek Dredging Syndicate, Fryerstown on 8th February, 1945 comprising 52 H.P. Ruston & Hornsby Diesel Engine, 35 H.P. McDonald Super Diesel Engine, 8 in. Class G Thompson Water Pump, 6 in. Thompson gravel Pump, thousands of feet of Piping, Tanks, corr. Iron Buildings, Tools, Belting and Equipment. Contains descriptions of some of the lots. J. H. Curnow & Son were the auctioneers.business, auctioneers, j h curnow & son pty ltd, ian dyett collection - auction catalogue - fryerstown creek dredging syndicate, j h curnow & son, j l jamieson & co, national security (general) regulations, the cambridge press, w g wedd

Grey covered auction catalogue with dark blue printing for a sale of the Complete Gold Mining Plant, Buildings, &c. of the Midfield Oil Company No Liability (Known as Lane's Reef Gold Mine), situated one mile from the Township of Wedderburn. Sale was held on the 11th March, 1936 under instructions from the Liquidator, Mr. D. R. S. McGregor (McGregor & Court). J. H. Curnow & Son were the auctioneers and the catalogue was printed by Boltons Print, Bendigo.business, auctioneers, j h curnow & son pty ltd, ian dyett collection - auction catalogue - midfield oil company no liability (known as lane's reef gold mine), j h curnow & son, mr d r s mcgregor, mcgregor & court, boltons's print bendigo

Beige coloured auction catalogue for an auction of electrical mining machinery, plant, buildings and extensive equipment of the Glenfine South Consolidated Gold Mines N. L. at Pitfield Plains (Vic.), held on 21st November, 1940. J. H. Curnow & Son were the auctioneer. Front cover has red and black printing. Inside the front cover there is a black and white photo of Lot 89, a Diesel Electric Generating Set. Contains descriptions of some of the lots and details of location of the sale.business, auctioneers, j h curnow & son pty ltd, ian dyett collection - auction catalogue - glenfine south consolidated gold mines n.l., j h curnow & son, the cambridge press, j l jamieson & co

Yellow covered auction catalogue with black printing for a sale on 29th and 30th August 88 under instructions from Department of Administrative Services Purchasing and Sales Group held at C.S.I.R.O. Printing Centre, Collingwood and the Commonwealth Centre, Melbourne. For sale was Modern Printing Plant, Office Furniture & Equipment at the Printing Centre and Commercial Kitchen Equip., Office Furniture & Equipment at the Commonwealth Centre. J. H. Curnow & Son P/L were the auctioneers. Locality map inside front cover.business, auctioneers, j h curnow & son pty ltd, ian dyett collection - auction catalogue - c.s.i.r.o. printing centre & commonwealth centre, department of administrative services purchasing and sales group, j h curnow & son p/l, fred'k c dyett, noel f dyett, ian m dyett, bolton bros pty ltd

Red covered auction catalogue with black printing for a sale on the 15th and 16th February, 1983 under instructions from L. G. & D. M. McKenzie, rainbow, Vic. For sale was the complete Engineering and Structural Steel Machinery, Plant, Equipment, Motor Vehicles, Commercial Refrigeration, Ice Maker, Cool Rooms, 10 New Air Conditioners, 5 new Gas Furnaces, Hardware, General Equipment Steel and Scrap. J. H. Curnow & Son Pty. Ltd. Were the auctioneers.business, auctioneers, j h curnow & son pty ltd, ian dyett collection - auction catalogue - l g & d m mckenzie, j h curnow & son pty ltd, bolton bros pty ltd

Diggers & Mining. The gold licence. The Government Camp. (As a result of the widespread dissatisfaction with the licence system which culminated at Eureka, the licence system and the system of goldfields administration by Goldfields Commissioners were abolished in 1855. For the rest of the gold decade, the digger was required to take out a miner's right - which cost 1 pound per year. The various systems of goldfields administration adopted after 1855 are set out in Unit 8 of this series.) Markings: 41 994.LIF. 4. Used as a teaching aid.hanimounteducation, tertiary, goldfields

Diggers & Mining. The gold licence. The Government Camp. Between 1851 and 1854, there was continual unrest on nearly all of the Victorian diggings, due chiefly to the licence system and the repressive methods of its enforcement (though there were other causes - see Unit 8). The diggers held protest meetings; they formed diggers' associations; they sent petitions to the government. At times, serious rioting threatened - as at Bendigo in 1853. But the Legislative Council continued the system; Markings: 37 994.LIF. 4. Used as a teaching aid.hanimounteducation, tertiary, goldfields

Diggers & Mining. The gold licence. The Government Camp. Many of the goldfields police were men of poor character, who carried out their duties with blustering arrogance, demanding the production of the licence with threatening language, and sometimes open violence; and hauling off as common criminals men who, by some mischance, did not have their licences on their persons, when, given a few minutes, they could have shown they had complied with the law. Markings: 35 994.LIF. 4. Used as a teaching aid.hanimounteducation, tertiary, goldfields

A Slazenger, Panther Cup squash racquet (1), with vinyl racquet head cover, featuring the Dunlop brand logo and trademark (2), since both brands were owned by the same company at this time. Racquet primarily comprises of a frame made from a singular piece of tubular metal, secured by a plastic bridge across the throat, and the hardened plastic handle below. Materials: Metal, Plastic, Synthetic material, Ink, Nylon, Vinyl, Synthetic material, Ink, Plastic, Metaltennis

Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. A fine, early view of Macauley's boat sheds on the Yarra River at Kew.Digital copy of a photograph from page 2 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. The photograph is of Macauley's boat sheds on the Yarra River at Kew. The boat sheds were located at the west end of Molesworth Street. The photograph is taken from the Yarra Bend Park side of the river, or from a boat on the river. The canoes belonging to Macauley's are lined up on the river bank. "Macauley’s Kew"henry beater christian (1886-1962), landscape photography, kew (vic.) — yarra river, christian-washfold collection, photograph albums, macauley's boat sheds

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Sepia-toned photograph of a group of performers and organisers in the "Q" Theatre Guild's performances of Gay Rosalinda, an arrangement of Johann Strauss' Die Fledermaus. The performance took place in the new Kew City Hall, with scenery created by Robert Jewell and Claud Ward. Costumes were designed and made by Marion Tilley. A characterful photograph that includes Marg Moir - Ida/rehearsal pianist, Phil Wakenshaw - Props, Marion Tilley - costume designer and wardrobe, Den Lynch, Maureen Lynch, and Mary Dupuy.Marion Tilley, the creator of the scrapbook, wrote the following underneath the photograph: "Marg Moir, Phil Wakenshaw, Self, Wendy ****, Maureen Lynch, Mary Dupuy". She was to add at a later date: "My dress was grey satin. Denise Lynch: brother Phil Lynch MP. Mary Dupuy went for holiday with daughter 1962 became ill in car was dead by the time a doctor arrived."performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, musical comedy -- melbourne -- victoria, kew city hall -- cotham road -- kew (vic.)

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.A postwar fundraising button featuring a simple design using white text in a red boarder with and central blue cross. In February when the buttons were sold, The Argus reported that: ‘Each suburban municipality has formed a committee under its mayoress, to assist in the button distribution, and local committees in the country are also working for the success of the appeal. Kiosks are prohibited in the city streets, but many suburban councils have granted permission for their erection. In addition to buttons, many kinds of saleable articles will be obtainable at the kiosks.’"Women’s Hospital Appeal 1923"royal womens hospital, fundraising buttons, badges

The Melbourne and Metropolitan Board of Works (MMBW) was established by an act of the Victorian Parliament in 1890 to prepare for and to implement a sewerage and water reticulation system across what was then inner Melbourne, its surrounding and middle distance suburbs, including Kew. The MMBW was disbanded in 1991.The map collection of the Kew Historical Society has at its core the historic maps assembled and originally stored in the City Engineer's Department of the City of Kew. These include maps in a number of scales. The vast majority of maps were produced by the MMBW in the first two decades of the twentieth century, and are solid working maps, backed by linen for durability. These maps are historically significant to Kew, the City of Boroondara and to the history of the development of state utilities in Victoria. A number of the Kew maps have additional details added by former municipal officers, including the levels reached by various floods. As these were working documents, information was added to them long after the period of their initial production and distribution.Early map of part of the Borough of Kew, created in the first decade of the twentieth century, at a scale 160 ft to 1 inch. The map covers what was then the northern most part of Kew, bordered on its north and west by the Yarra River, in the East by Connor's Creek and by the Asylum in the south. The map shows the extent of urban development by that time, prominent institutions and the outlines of built structures in the municipality. Contour lines and historic flood levels were added in ink to the map at a later stage.MELBOURNE AND METROPOLITAN BOARD OF WORKS / PLAN NO. 64 / KEW & HEIDELBERGmelbourne & metropolitan board of works, mmbw maps, mmbw plans, borough of kew, cartography

The Melbourne and Metropolitan Board of Works (MMBW) was established by an act of the Victorian Parliament in 1890 to prepare for and to implement a sewerage and water reticulation system across what was then inner Melbourne, its surrounding and middle distance suburbs, including Kew. The MMBW was disbanded in 1991.The map collection of the Kew Historical Society has at its core the historic maps assembled and originally stored in the City Engineer's Department of the City of Kew. These include maps in a number of scales. The vast majority of maps were produced by the MMBW in the first two decades of the twentieth century, and are solid working maps, backed by linen for durability. These maps are historically significant to Kew, the City of Boroondara and to the history of the development of state utilities in Victoria. A number of the Kew maps have additional details added by former municipal officers, including the levels reached by various floods. As these were working documents, information was added to them long after the period of their initial production and distribution.Early map of part of the Borough of Kew, created in the first decade of the twentieth century, at a scale 160 ft to 1 inch. The map covers what was then the south central part of Kew, bordered on its north by Malmsbury Street, in the west by Florence Avenue, in the south by Barkers Road, and in the east by Princess Street. The map shows the extent of urban development by that time, prominent institutions and the outlines of built structures in the municipality. Contour lines were added in ink to the map at a later stage.MELBOURNE AND METROPOLITAN BOARD OF WORKS / PLAN NO. 65 / KEW & HEIDELBERGmelbourne & metropolitan board of works, mmbw maps, mmbw plans, borough of kew, cartography