Black and white photograph of C. H. Armstrong B.A. T.P.T.C. - Foundation Principal 1960-1970.education, secondary, golden square

A collection of cuttings from 'The Argus' C 1920s all of which are recipes and /or household management issues.The Argusfood technology, bakery, recipes, lydia chancellor, collection, recipes, household management, family, house, domestic equipment, food technology

Extols the virtues of Waikiki as a holiday destination/escape machine, the less-than-Good Taste of the resort combined with its virtues/religious dogma of American middle-class vacation standards. Boyd describes a day of the typical young American hotel occupant, and Honolulu's uniform air of confidence attracting American tourists. This manuscript was published in 'The Sunday Australian' with the title ‘Why I love Waikiki’ on 23/05/1971.Original manuscript of ‘Why I love Waikiki’ published in 'The Sunday Australian', 23/05/1971.Typewritten (1 c copy and 1 p/copy), pencil edits, quarto, 11 pagesSent 12 May 71 - in pencil on front pagewaikiki, honolulu, american tourism, second rate californian architecture, american middle-class vacation standards, robin boyd, manuscript, ohm2022, ohm2022_16

Photocopy of the original document of c. 1895-1897 listing all places not a Post Town in Victoria.listing of place and street namesvictorian geographical names, street names

In 1964, Robin and Patricia Boyd spent several weeks on a world tour - Boyd took a leading role at the International Design Conference in Aspen and he also visited Chicago, Yale University, and New York’s World Fair. The Boyds then travelled on to England, Finland (especially to see Tapiola), Russia and India to see Le Corbusier's Chandigarh, and also Hong Kong and Thailand.Colour slide in a mount. Agra Fort (c.1565-1573), Agra, Uttar Pradesh, IndiaMade in Australia / 22 / AUG 64Mindia, slide

In 1964, Robin and Patricia Boyd spent several weeks on a world tour - Boyd took a leading role at the International Design Conference in Aspen and he also visited Chicago, Yale University, and New York’s World Fair. The Boyds then travelled on to England, Finland (especially to see Tapiola), Russia and India to see Le Corbusier's Chandigarh, and also Hong Kong and Thailand.Colour slide in a mount. Agra Fort (c.1565-1573), Agra, Uttar Pradesh, IndiaMade in Australia / 25 / AUG 64Mindia, slide

In 1964, Robin and Patricia Boyd spent several weeks on a world tour - Boyd took a leading role at the International Design Conference in Aspen and he also visited Chicago, Yale University, and New York’s World Fair. The Boyds then travelled on to England, Finland (especially to see Tapiola), Russia and India to see Le Corbusier's Chandigarh, and also Hong Kong and Thailand.Colour slide in a mount. Taj Mahal (c.1962-1653), Agra, Uttar Pradesh, India.Made in Australia / 26 / AUG 64Mindia, slide

Skein of pure wool black mending thread, produced by Astor in Australia under the 'Empire' brand.Skein of black mending wool, produced by Astor in Australia under the 'Empire' brand, c.1930s.EMPIRE / pure wool mending / MADE IN AUSTRALIA / Astor / PRODUCTyarn production, astor

Railway Yards Stawell with loading ramps and weatherboard shed. Showing Wakeham Street Houses in background c1960Virtually the same view, but shows some more Wakeham Street houses. c 1960's. stawell railways transport

Central Park looking towards scoreboard (left) and athletic club roomsCentral Park oval looking towards the scoreboard on the left and Athletic Club rooms. c 1999

The Story of the National Tennis Centre. Published by Tennis Australia c.1988 Materials: Paper, Inktennis

Programme: Toyota Women's Tennis Classic (Kooyong) December c.1976 Materials: Paper, Inktennis

Postcard. Upper Reserve (now known as QEO). Bendigo C. 1901. (England v Bendigo)

Black and white photograph of 13th Light Horse Machine Gun section training, c.1938military, militia, light horse, machine gun, uniform

"Kombi II Scouring Machine" - L.Ph. Hemmer Maschinefabrik, Aachen.Pamphlet / catalogue for the Kombi II Scouring Machine by L.Ph. Hemmer Maschinefabrik, Aachen, c.1970.textile machinery, l.ph. hemmer maschinenfabrik, scouring

Aluminium bronze with letter 'C' struck into design denoting striking location as Canberra. In presentation packThe design 'Rising Sun' badge and words 'The Australian Army' appear on the coin with '1901-2001' underneath the crest and 'Centenary of the Army' above - in presentation pack.

Clothing belonging to Joyce Knight, Kilmore family.20th C. ladies ensemble. Rear buttoned blouse and turquoise jacket with blouse fabric trim."Styled & made by Young Fashions" "Melbourne" "Double knit jersey/100% acron/ The new fashion synthetic"knight

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. The textiles in the Haeusler collection belonged to Ilma Margaret Ernestine Haeusler (née Tasker), born in 1900 in Tallangatta. These textiles were handmade by Ilma between 1919 and 1928 for use in the family home during her marriage to Louis Alfred Haeusler (b.1878). Ilma died in childbirth in 1928, leaving one surviving son, John Alfred Lyell (b.1922). This textile is one of the many domestic objects in the Haeusler Collection that represent family and home life in early twentieth century Wodonga. In the nineteenth and early twentieth century prior to the mass production of clothing and textiles, needlework, alongside motherhood, was the defining work of women. Hand sewing and embroidery was central in the everyday lives and domestic roles of women. The item is handmade and unique, with well documented provenance. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history, social history, and women’s history.Hand made white cotton doily with hand stitched cotton fringe c.1919-1928textiles, sewing, handiwork, women's history, domestic, craft, family, wodonga, haeusler collection, haeusler

Sarah Coventry Pty. Ltd. was a North American jewellery company that was established in 1949 by the Stuart family as part of Emmons Jewelry, Inc. It began operations in England and Australia in 1968, and in Australia it moved from Carlton in Melbourne to Wodonga in 1969. The premises were originally on High St. in Wodonga, but a new warehouse was built in Melbourne Rd. later in 1969. It was a direct selling jewellery business using a party-plan model similar to Tupperware and Avon. The sales reps or 'Hostesses' were provided with jewellery samples in demonstration kits, which they displayed at jewellery parties in their homes. The designs for jewellery such as brooches, necklaces, earrings, chokers and bracelets were purchased from freelance designers and jewellery manufacturers rather than in-house designers. In 1979 Sarah Coventry Pty. Ltd. in Wodonga was bought by three Australian businessmen, including Wodonga local Jim Sawyer, and continued to sell jewellery under the name "Sargem Pty. Ltd”, for several more years in the 1980s. As part of the Sarah Coventry collection, the necklace has local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery.A silver toned link chain necklace from the Sarah Coventry range, c.1970s-1980s On diamond shaped makers mark tag: "SC"sarah coventry, jewellery, wodonga, costume jewellery, vintage fashion jewellery, necklace, necklaces