Digital Photo taken from glass slide by Geoff McMillan, Cooper Street Stawell and reproduced as a photo - printed at Stawell Historical Society 2019Black & White Photo taken at the Fountain Brewery, Armstrong - unknown lady. Similar to photo 6609.

Digital Photo taken from glass slide by Geoff McMillan, Cooper Street Stawell and reproduced as a photo - printed at Stawell Historical Society 2019Black & White Photo - place unknown. Three children, Two ladies and one man. names unknown

Digital Photo taken from glass slide by Geoff McMillan, Cooper Street Stawell and reproduced as a photo - printed at Stawell Historical Society 2019Black & White Photo Group of men and boys standing on and beside a horse and cart at Henry Best'sConcongella Vineyard cellar - Smokowinemaking, vineyards

Digital Photo taken from glass slide by Geoff McMillan, Cooper Street Stawell and reproduced as a photo - printed at Stawell Historical Society 2019Black & White Photo Group of men and boys at Henry Best's Concongella vineyard, Great Western with two horse drawn carts.winemaking, vineyards

Digital Photo taken from glass slide by Geoff McMillan, Cooper Street Stawell and reproduced as a photo - printed at Stawell Historical Society 2019Black & White Photo Men and boys at Henry Best's Concongella vineyard, Great Western with horse drawn carts, at smoko timewinemaking, vineyards

Digital Photo taken from glass slide by Geoff McMillan, Cooper Street Stawell and reproduced as a photo - printed at Stawell Historical Society 2019Black & White Photo 3 Men on a horse drawn cart loaded with barrels of grapes and a man in the left winching the barrels up - at Henry Best's Concongella vineyard, Great Western winery, wine making

Digital Photo taken from glass slide by Geoff McMillan, Cooper Street Stawell and reproduced as a photo - printed at Stawell Historical Society 2019Black & White Photo Group o Men women and children at Henry Best's Concongella vineyard, Great Western with horse and cart loaded with barrels of grapes. Two lads have musical instruments.winery, wine making

Digital Photo taken from glass slide by Geoff McMillan, Cooper Street Stawell and reproduced as a photo - printed at Stawell Historical Society 2019Black & White Photo Horse and dray with barrels of grapes and two men. Another man in the left. - at Henry Best's Concongella vineyard, Great Western winery, wine making

Digital Photo taken from glass slide by Geoff McMillan, Cooper Street Stawell and reproduced as a photo - printed at Stawell Historical Society 2019Black & White Photo taken at Henry Best's Concongella vineyard, Great Western. Group of men and boys with horses and cart outside the Cellar. Two men and dog at left. winery, wine making

Digital Photo taken from glass slide by Geoff McMillan, Cooper Street Stawell and reproduced as a photo - printed at Stawell Historical Society 2019Black & White Photo taken at Henry Best's Concongella vineyard, Great Western. Group of men and boys outside the Cellars with horse and cart at smoko time. winery, wine making

Digital Photo taken from glass slide by Geoff McMillan, Cooper Street Stawell and reproduced as a photo - printed at Stawell Historical Society 2019Black & White Photo taken at Henry Best's Concongella vineyard, Great Western. Three men with grape presses. Bob Fisher is in the foreground with grape press.winery, wine making

Digital Photo taken from glass slide by Geoff McMillan, Cooper Street Stawell and reproduced as a photo - printed at Stawell Historical Society 2019Black & White Photo taken at Best's Cellars, Great Western. Man looking at barrels of fermenting grape must.winery, wine making

Annual report of the Heidelberg Golf Club. Includes annual report, balance sheet and accounts to 30/06/2019. This report distributed electronically to members.Annual reports found in this collection begin in 1933-34. Numbering of annual reports commenced in 1973 with number 44.57 page booklet, colour cover with logo and colour photos of golf club members. Distributed electronically; copy printed for archive.annual reports, financial reports

Original has been given to Box Hill Historical Society. Celebration in about 1912 in the Surrey Hall. May have been a Festival of Nations or part of the Empire Day Celebration held each year on or about 24th May. Photograph by W.V.Hill (1854-1940) who was a leader in the 1st Surrey Hills Scout troop and who may be in this photo (compare SHP0991). William Valentine Hill, clerk, lived in (10) Pembroke Street, Surrey Hills in the early years of the 20th century. Post WW1 he moved to 27 Broughton Road, Surrey Hills and later to Spencer Street, Camberwell.William Valentine Hill was a keen photographer There are many copies of his photos in this collection, donated by his nephew, William (Bill) Dempsey. His work is significant in documenting the early history of the scouts in this area and the social life of the congregation of the Wyclif Congregational Church in Norfolk Road.A black and white photograph of a large group of people gathered in a hall decorated with flags and lanterns. Some people are wearing Scout hats and uniforms.scouts, 1st surrey hills scouts, festivals and celebrations, empire day, clothing and dress, 1912, uniforms, (mr) w v hill, (mr) william valentine hill, festival of all nations

This image shows the undertaker's premises/general store run by R. S. Nelson (Snr.) from the early 1860s and is thought to have been taken in the 1880s. This building was modified considerably by successive generations of the Nelson family over the years (see Registration nos. 338, 2019-314, 2019-320, 2019-325, and photos on p.33 & p.34 of the 'Photographic History''). It is currently used as the LDHS Resource Centre. The people standing at the front of the shop are unidentified. This image was copied in 2020 from a facebook post by Marcia Penny, a descendant of Linton's Craine family. Information with the image on facebook said the original photograph had been in a McIntyre family album (the McIntyre family was connected to the Craine family by marriage).Digital copy of an original photograph and its mounting card. The photograph shows a group of eight men and three children standing beneath the verandah of a shop. A sign above the verandah reads "R.S. Nelson & Son / China and Paint / Glass, Oils", and lettering across the verandah reads "Grocers Ironmongers &c". The shop front has a central doorway, and two large windows, each with twelve wood-framed, square panes of glass. Three posts support the verandah. Above the doorway of the shop, lettering reads "Furnishing Undertakers".r. s. nelson (1833-1893), buildings, shops, undertakers

Happy Jack Hotel at Lockwood South. Photograph taken in early 1900s. In front of hotel are six people including one on a horse. The hotel later became the Happy Jack General Store. This information is from the article Small Towns With Big Hearts. On rear of image is written Lockwood Sth 10/8/93.Bill Hawkinsregion, small towns, lockwood south

Newspaper clipping from The Courier, 16/10/72 about Mr. Maurie Calnin who is actively involved at the age of 75. A profile item that commences on the vein that this type of activity is unusual. Describes Mr Calnin's life, his activities, one of which is being the President of the BTPS. Includes a photo of Mr. Calnin.trams, tramways, mr maurie calnin, president, btps

Compact Diskette in clear plastic case containing a recording made by Gwlad McLachlan of a presentation given by Keith Stodden, titled "My Passion for Trams", 25/10/2014, given Brunswick Community History Group meeting, along with a photocopy of the event notice and some hand written notes from a note book.trams, tramways, trams, recollections, melbourne, history

Set of 14 colour photographs by Carolyn Dean during the 2006 Begonia Festival period. Printed on Kodak paper. .1 - 661 and 27 at Gardens loop - 12/3/2006 .2 - Crowd scene at Gardens Loop .3 - Neil Lardner - conductor .4 - Loading passengers - 27 Gardens Loop .5 - Group scene at Mess room - Bruce Worthington, Graeme Cleak, Neil Lardner, John Shaw, Bill Kingsley, Alastair Reither, Greg Rodgers. .6 - Graeme Cleak and Bill Kingsley, 661 at St Aidans Drive .7 - Bruce Worthington sweeping track at depot .8 - Swinging the pole at Depot Junction .9 - 40 out in the open with 26 and 8 behind - 11/3/2006 .10 - ditto .11 - 466 on 6 road .12 - 671 at Depot Jtn - 12/3/2006 .13 - Graeme Cleak issuing check tickets .14 - ditto.On rear of each photo is name and address label of Carolyn Dean and date in black ink.wendouree parade, begonia festival, btm, depot, tram 661, tram 27, tram 671, tram 40, tram 8, tram 26, tram 466

Photograph. J L Faul, Bill Lansell & Rising Sun Hotel - photograph. Cardboard mounted photograph of 3 men in a 4 seater motor car with the Rising Sun Hotel in the Background. Two men in photo - J L Faul and Bill Lansell. Photo dated 18/10/1905. Is not the original photo. Written on the back: 18/10/1905 Taken near Bendigo 18-10-05. J L Faul driving, & Bill Lansell.photograph, j l faul, bill lansell, rising sun hotel, motor car

The Magpie-Lark, also commonly known as a Mudlark, is a carnivorous bird found in many regions of Australia, Indonesia, Timor, and Southern New Guinea. They are a non-migratory species and are extremely adaptable to a variety of environments. These environments include dry forest, savannah, grassland, and even urban areas. Magpie-Larks are typically monogamous and are often found in pairs. They are black and white, with a white underbelly, long legs, and a long, thin beak. The females of this species have a white throat, while the males have a white eyebrow and a black throat. While juveniles have dark eyes, mature adults have light irises. This information helps identify this specimen as an adult male. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Magpie-Lark is a small to medium-sized bird which has distinctive black and white colouring. The bill is long and thin and is a whitish colour which differentiates it to other Magpie species. When mature, like this particular specimen, the Magpie-Lark have distinctive light irises. The glass eyes provided for this specimen are accurate in colour. This male specimen has a white 'eyebrow' marking and a black chest or bib. This Magpie-Lark stands on a wooden mount with a swing tag attached to its leg.Swing-tag: 20a. / Reed Grallina / See catalogue page 10 / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, mudlark, magpie-lark

The Morepork is a small brown and white spotted owl found in New Zealand, Tasmania and Norfolk Island. It is known by around twenty different names which are all onomatopoeic which emulate the birds distinctive two-pitched call. They are mostly nocturnal and carnivorous (eating insects and small vertebrates). They reside in habitats with trees, they sleep in roosts and hunt mainly in the evenings and early morning. Females are slightly bigger than males. This species attains full plumage in its third or fourth year. They can turn their heads 270 degrees." In Māori tradition the morepork was seen as a watchful guardian. It belonged to the spirit world as it is a bird of the night. Although the more-pork or ruru call was thought to be a good sign, the high pitched, piercing, ‘yelp’ call was thought to be an ominous forewarning of bad news or events." (NZ Department of Conservation). This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Morepork (also known as the Masked Owl) is covered in brown and white plumage on its head and body. The white feathers delineate its round yellow eyes. Its belly and back are brown and white with the white feathering appearing spotted. This Morepork specimen sits on a wooden perch with his head turned to the left. A swing tag is attached to its left leg.Swing tag: 10 / Masked Owl / See Catalogue, page 3 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, ruru, spotted owl, tasmanian spotted owl, morepork, mopoke, new zealand owls, new zealand birds, tasmanian owls, tasmanian birds, norfolk island owls, norfolk island birds

Rectangular black and white rectangular photograph, on gloss photographic paper.Obverse: No inscription Reverse: 10/ BMM8717.10/ Cellar- Tanswells Commercial Hotel. hotels album, beechworth, burke museum, tanswells, commercial hotel, cellar

These nylon stockings are a sample of the type of stockings worn by women between the late 1940s and the early 1960s. Before the Second World War women’s stockings were made mostly of silk, cotton and wool. Nylon stockings became popular with the introduction of nylon in the 1940s and continued to be used (in conjunction with suspender belts) until the 1960s when the pantihose, a thin nylon form of tights covering the legs up to the waist, was introduced and became the favored leg covering for women. Stockings can still be purchased and worn in some circumstances. These stockings are of interest as an example of the items of clothing worn by women in the mid 20th century. They will be useful for displayThis is a pair of beige-coloured nylon stockings. They are folded into a piece of white cardboard and partly enclosed in a clear cellophane wrapping with a decorative pattern on the edges. ‘Hilton Cotton Foot 30 Denier Twin Thread 10½ Average’women’s apparel, warrnambool

Part of the HEWSTON collection WW1 & WW2.Collection of foreign bank notes issued by Japan, Malay & Netherlands contained in brown envelope. Various sizes.Envelope addressed to: “H T HEWSTON 10 Kerr Cres Camberwell”numismatics notes, military history, souvenirs, currency, invasion, japanese

Belonged to Keith Purves CLARKE NX34844. Refer Cat No 3607 for his service details..1) Binoculars, large, Japanese, metal with adjustable lens, has black leather thong attached. Original black colour mostly missing. .2) Leather case, brown, with lid, strap broken, 2 metal studs missing..1) “Japanese symbols: No 434 7 x 7[degrees] 10'”equipment, binoculars, japanese