Showing 569 items
matching cartoon
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Monbulk RSL Sub Branch
Book, Wayward Pres, Be nice, 1967
More cartoons and capers of GI VietnamIll, p.98.non-fictionMore cartoons and capers of GI Vietnamvietnamese war 1961-1975 - anecdotes -
Monbulk RSL Sub Branch
Book, Ross McMullin, Will Dyson : Australia's radical genius, 2006
Will Dyson (1880-1938) was a brilliant and versatile artist, and much more besides. His prodigious talents struggled to find a niche in Australia, but he burst into prominence with cartoons of extraordinary vigour and resource on the London Daily Herald. These whole-page cartoons with wordy, witty captions were revered by workers and intellectuals alike. Dyson was also a talented writer, a scintillating humourist and an arresting speaker. A stunning overnight success, he was described as the most famous Australian in the world. In 1916 Dyson became Australia's first official war artist. His drawings of profound empathy and sympathy remain a unique record of the Western Front experience. Once again he complemented his art with exquisite writing. Returning to Australia in 1925, he took up etching to international acclaim, confirming that whatever he did he did well. Absorbing, illuminating, and lavishly illustrated, this is a fascinating story of the life and times of a remarkable and under-recognised Australian.Index, bib, ill, p.348.non-fictionWill Dyson (1880-1938) was a brilliant and versatile artist, and much more besides. His prodigious talents struggled to find a niche in Australia, but he burst into prominence with cartoons of extraordinary vigour and resource on the London Daily Herald. These whole-page cartoons with wordy, witty captions were revered by workers and intellectuals alike. Dyson was also a talented writer, a scintillating humourist and an arresting speaker. A stunning overnight success, he was described as the most famous Australian in the world. In 1916 Dyson became Australia's first official war artist. His drawings of profound empathy and sympathy remain a unique record of the Western Front experience. Once again he complemented his art with exquisite writing. Returning to Australia in 1925, he took up etching to international acclaim, confirming that whatever he did he did well. Absorbing, illuminating, and lavishly illustrated, this is a fascinating story of the life and times of a remarkable and under-recognised Australian.will dyson 1880-1938, cartoonists - australia -
Monbulk RSL Sub Branch
Book, UNSW Press, The Anzac book / written and illustrated in Gallipoli by the men of Anzac, 2010
Created by soldiers under enemy fire and in extreme hardship, the illustrations, stories, cartoons, and poems were intended as a Christmas and New Year diversion for soldiers facing a harsh winter in the trenches on Gallipoli. This long-awaited third edition is a reproduction of the original book, with a new foreword by acclaimed author Les Carlyon, an introduction from Australian War Memorial historian Ashley Ekins, and added material originally rejected by the editor, official war correspondent C.E.W. Bean.Bibliography, ill, p.203.non-fictionCreated by soldiers under enemy fire and in extreme hardship, the illustrations, stories, cartoons, and poems were intended as a Christmas and New Year diversion for soldiers facing a harsh winter in the trenches on Gallipoli. This long-awaited third edition is a reproduction of the original book, with a new foreword by acclaimed author Les Carlyon, an introduction from Australian War Memorial historian Ashley Ekins, and added material originally rejected by the editor, official war correspondent C.E.W. Bean.world war 1914-1918 - campaigns - gallipoli, world war 1914-1918 - personal correspondence -
Moorabbin Air Museum
Newspaper - CAC cartoons of flying, CAC newspaper flying cartoons
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Moorabbin Air Museum
Drawing (item) - Cartoons drawn by "Rog" depicting clowns working at CAC, Cartoons drawn by "Rog" depicting clowns working at CAC 1984<>1987
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Darebin Art Collection
Painting - Adam Nudelman, Adam Nudelman, Towards Reconciliation, 2003
cartoon puppets, giant shoes -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Untitled [Cartoon] 1945, William Edwin Pidgeon ["WEP"]
Pen and ink -
The Mrs Aeneas Gunn Memorial Library
Book, Cassell and Company, Mr. Punch's history of the great war, 1919
Cartoons by Punch magazine of the Great WarIndex, ill, p.303.non-fictionCartoons by Punch magazine of the Great Warworld war 1914-1918 - cartoons, world war 1914-1918 - satire -
The Mrs Aeneas Gunn Memorial Library
Book, Cassell and Company, The Anzac book: written and illustrated in Gallipoli by the Men of Anzac, 1916
Created by soldiers under enemy fire and in extreme hardship, the illustrations, stories, cartoons, and poems were intended as a Christmas and New Year diversion for soldiers facing a harsh winter in the trenches on Gallipoli.Ill, p.164.non-fictionCreated by soldiers under enemy fire and in extreme hardship, the illustrations, stories, cartoons, and poems were intended as a Christmas and New Year diversion for soldiers facing a harsh winter in the trenches on Gallipoli. world war 1914-1918 - personal recollections, world war 1914-1918 - campaigns - gallipoli -
The Mrs Aeneas Gunn Memorial Library
Book, Bruce Bairnsfather, Fragments from France v.1, 1917
Humorous cartoons illustrating the war in France 1914-1918Ill.non-fictionHumorous cartoons illustrating the war in France 1914-1918world war 1914-1918 - humour, world war 1914-1918 - cartoons and caricatures -
The Mrs Aeneas Gunn Memorial Library
Book, Bruce Bairnsfather, Fragments from France v.2, 1917
Humorous cartoons illustrating the war in France 1914-1918Ill.non-fictionHumorous cartoons illustrating the war in France 1914-1918world war 1914-1918 - humour, world war 1914-1918 - cartoons and caricatures -
The Mrs Aeneas Gunn Memorial Library
Book, Bruce Bairnsfather, Fragments from France v.3, 1917
Humorous cartoons illustrating the war in France 1914-1918Ill.non-fictionHumorous cartoons illustrating the war in France 1914-1918world war 1914-1918 - humour, world war 1914-1918 - cartoons and caricatures -
The Mrs Aeneas Gunn Memorial Library
Book, Bruce Bairnsfather, Fragments from France v.4, 1917
Humorous cartoons illustrating the war in France 1914-1918Ill.non-fictionHumorous cartoons illustrating the war in France 1914-1918world war 1914-1918 - humour, world war 1914-1918 - cartoons and caricatures -
The Mrs Aeneas Gunn Memorial Library
Book, Bruce Bairnsfather, Fragments No 5, 1917
Humorous cartoons illustrating the war in France 1914-1918Ill.non-fictionHumorous cartoons illustrating the war in France 1914-1918world war 1914-1918 - humour, world war 1914-1918 - cartoons and caricatures -
The Mrs Aeneas Gunn Memorial Library
Book, Bruce Bairnsfather, Fragments from all the fronts, 1917
Humorous cartoons illustrating the war in France 1914-1918Ill.non-fictionHumorous cartoons illustrating the war in France 1914-1918world war 1914-1918 - humour, world war 1914-1918 - cartoons and caricatures -
The Mrs Aeneas Gunn Memorial Library
Book, "The Bystander", Bairnsfather : a few fragments from his life / collected by a friend ; with some critical chapters by Vivian Carter, 1918?
A biography of cartoonist Bruce BairnsfatherIll, p.96.non-fictionA biography of cartoonist Bruce Bairnsfathercartoonists - great britain, world war 1914-1918 - cartoons and caricatures -
Unions Ballarat
Great Frasers of our time, Green, Beckett, 1977
Malcolm Fraser was a Liberal Party Prime Minister of Australia from 1975 to 1983. He was appointed as caretaker Prime Minister following the dismissal of the Whitlam government in 1975 and subsequently won the double dissolution election. He was defeated by Bob Hawke in 1983. After exiting the parliament, Fraser became an advocate for human rights and international aid. This book is a humourous pictorial record.Entertainment value. Relevant to the history of the Liberal Party Australia.Paper; book. Front cover: red background; sepia photograph of Malcolm Fraser at a podium marked with the Liberal brand; black and white lettering.Front cover: Speech bubble, "Amazing scenes in living black and white."; title.btlc, ballarat trades hall, ballarat trades and labour council, fraser, malcolm, liberal party australia, prime minister, prime minister - caretaker, whitlam, gough, dismissal - government, hawke, bob, elections, parliament, government, leadership, cartoons, caricatures, humour -
Whitehorse Historical Society Inc.
Memorabilia - Box - Cigarette silks, 1911 - 1917
These type of cigarette silks were included in WD & HO Wills cigarette packets to induce women in particular to take up smoking.|The Word 'Cartophilic?|It is believed that this unusual word was coined in the 1920s by Col. Bagnall, an Englishman, who was the father of the hobby of cigarette card and trade card collecting. It is thought to be a combination of a Latin word, 'carto' meaning 'card and the Greek word 'philic', meaning 'love'.- lover of cards. The term originally related to the collection of the two types mentioned, however, our Society has included postcards in the range of items collected by our members.|The Cigarette Card|The cigarette card began its evolution in the United States of America, in the early 1880s as a plain piece of cardboard used by tobacconists to protect the cigarettes which were sold in that era, not in packets, but loosely. A purchaser would buy his cigarettes then wrap them in paper around the small piece of cardboard, which acted as a stiffener. In fact, for many decades, cigarette cards were known as 'stiffeners' in the USA.|The card depicting 'The Marquis of Lome' is reputed to be the first known cigarette card issued. This is thought to have been in 1879. It did not take long for an enterprising entrepreneur to recognise the advertising potential of the cigarette card, and, very soon, the cards began displaying popular images, often in sets. This had the effect of youngsters, wishing to complete their sets, harassing their fathers to buy a specific brand of cigarettes. The kids who collected cards in the days when they were being issued in the cigarette packets, would hang around outside the local tobacconist's shop, pestering the men who had just bought a packet of cigarette, with the cry: 'can I have the cig can mister?'|It is a proven fact that, here in Australia during the 1930s, at least one set had one card deliberately withheld and issued very sparingly. This card is No. 86 (Mrs Jack Crawford) in the Carreras 'Turf Personality Series'. Thus, in a set of reasonably easy cards to get, this one card is a constant source of frustration for the collector, and as such, commands a premium when it comes to price. It is not hard to imagine the young collector nagging his to Dad to keep buying 'Turf' cigarettes to enable him to finish the set.|From small beginnings the cigarette card soon gave rise to a booming industry in itself. Artists and writers were|employed to produce the cards, which were miniature works of art and served as little encyclopaedia's for the children of the day. By the 1930s cards were being issued in the countless millions. It has been stated, in one book on the history of cards; that 450 million sets of a series produced and issued by the prolific issuer of cards in the United Kingdom, WD & HO Wills. As each set contained 50 cards you would need a calculator with a very long result window to see the answer to how many cards of that series were in circulation.|Australia's involvement would appear to have its beginnings with the English and American firms who shipped their tobacco products here and the cards of American Tobacco Company (ATC) are found in great numbers in early Australian collections; many featuring Australian subjects, e.g. 'Australian Parliament a 1901 issue. Earlier U.S. sets depicting Australians included Goodwin & Co's, so called. 'Australian Series' with cricketers and Australian Rules footballers who were on the sporting scene during the 1880s. The caption of one of theses cards reads:|'W.Hannysee. Captain Port Melbourne Football Club' which enables us to pinpoint the year of issue to either 1889 or 1890.|On the Australian scene the first local manufacturer who issued cards seems to have been The National Cigarette Company of Australia Proprietary Limited, whose 'Tally Ho' packets contained cards from a series of thirteen featuring the touring 'English Cricket Team 1897-8' Of the few Australian manufacturers who issued cards, only two companies issued more the two sets.|Undoubtedly the cards issued by the Melbourne firm Sniders & Abrahams (later Sniders & Abrahams Pty Ltd) are the 'jewels in the crown' of Australian card issues. They issued some thirty-three series, with numerous sub-series and allied issues such as metal badges, metal football shields, celluloid flags etc., which ensured that the hobbyist had a vast range from which to collect. Sporting themes – football, cricket, horse racing – dominate, indicating the Australians' love of sport and the outdoors was as strong in those earlier times as it is today. Military, animals and birds themes were also to the fore, with a touch of culture being provided by 'Shakespeare', 'Dickens', actresses and even classical 'Statuary'. Humour was not forgotten with 'Cartoons and Caricatures', 'Naval and Cricket (double meaning) Terms' and the 'Jokes' series. Art and history were covered by the artist, S.T. Gill's 'Views of Victoria in 1857' while the stereoscopic 'Views of the World' expanded the collectors' knowledge of the world as a whole.|The Sniders & Abrahams series began in 1904 and by 1919 the company was in decline and was eventually taken over by G.G. Goode & Co. Ltd. This company produced one set only, the highly collectable 'Prominent Cricketer Series' issued in 1924. During the early to mid-1920s, J.J. Schuh Tobacco Pty Ltd issued eight series, again containing the popular subjects of sport and war. At least two provincial tobacconists, Lentens of Bendigo and Baillies of Warrnambool, issued private football series. The last series of cards issued by a truly Australian firm was Dudgeon & Arnell's '1934 Australian Cricket Team'.|The Australian market was not neglected by the English companies with WD & HO Wills, Godfrey Phillips and Ogdens all making their contributions. By far the most active issuer was the long-established company Wills, whose 'Cricketers' of 1901 heralded the flood of Australian series, which continued into the mid-thirties.|The onset of the 1939-45 World War sounded the death knell of the cigarette card and very few post-war issues were made, certainly not here in Australia.|The Trade Card|The Trade Card is a non-tobacco item used by manufacturers to promote and advertise their products, in the same way that cigarette cards were. It is uncertain exactly when they were first produced, but in the USA, non-collectable cards were issued by firms in the early 1800s. These were more akin to a latter day 'business card'. It was not until the 1850s, when coloured and pictorial cards were issued to advertise and promote products that the Trade Card|became a collectable item. Many beautiful lithographic cards were produced in this early era and they are very mu sought after by collectors. By the 1870s the issues of Trade Cards became more prolific and it is from this era that more cards are seen.|Again, it is difficult to pinpoint the exact date of the first Australian Trade Card and it may be that the highly collectable and extremely rare 'American Candy Co's' - 'Pure Caramels' Australian Rules football card, issued i 1891, is the earliest series. This confectionery firm was located in Fitzroy, a Melbourne suburb. To date only two subjects have been seen.|Another early set was 'Flags', issued by F.H.Fauldings & Co. It featured testimonials of seven English cricketers who toured Australia with the 1894/5 Test team. Fauldings was an Adelaide based firm which manufactured medicinal toiletries, soaps and oils, using the distinctly Australian eucalyptus oil. During the 20th century a multitude of Australian businesses issued trade cards, with confectionery manufacturers such as Hoadleys, Allens, Sweetacres and Australian Licorice producing the majority of them. Again sporting themes dominated with the ever popular Aussie Rules football cards being the most numerous. Cricket issues ran a close second.|Apart from sporting cards, almost every subject imaginable was covered by the Trade Card, making it the most diverse and interesting branch of cartophilly. In contrast to the Cigarette Card, which had its demise prior to the Second World War, the Trade Card is still alive and well.|We all are aware of the long running 'Birds of Australasia' series put out by Tuck-fields Tea and 1 doubt if there is a kitchen drawer in Australia that has not got one or two of these informative and attractive cards floating about in it. These cards were first produced in the early 1960s and are still being inserted in that company's packets of tea. Such is also the case with Sanitarium Health Foods, manufacturers of the well known Weetbix, who began issuing cards, with a wide range of subjects, in the early 1940s and continue to do so.|The 1940s and 1950s saw the two breakfast food giants, Kornies and Weeties dominating the card scene. Kornies footballers were in production fora decade from 1948 to 1959. Four years later in 1963, we saw the start of four decades of Scanlens bubble-gum card issues, both football and cricket. In the mid 1990s, with the end of the Scanlens/Stimorol cards, the Trading Card came on the scene. These cards do not fit under the umbrella of the Trade Card, having been produced and marketed purely as a 'collectable' with no connection whatsoever to any product, which of course is necessary for an item to be classified as a Trade Card.|The earliest British postcard was issued in 1870 and was designed to send short messages; the stamp was printed on the card, therefore it did not require an envelope. It was considered by many to be lowering the postal standards because the texts were no longer private. However the cards were a great success as on the first day of issue in 1870, half a million passed through the London postal centre.|The first illustrated postcards are said to be those introduced by a French stationer in 1870. He realized that French troops fighting in the Franco-Prussian War needed to be able to send short messages to their families and designed a 'postcard' to suit the purpose. As many of the soldiers were illiterate they decorated their cards with sketches of their many activities at the front rather than writing; thus creating a picture postcard. Private enterprise soon saw the great financial possibilities of this new easy and attractive way of communication by post; also sending a postcard cost less than postage for letters. It was correctly assumed that postcards were likely to overtake letter writing in many instances.|Between 1875 and 1882 every state in Australia introduced official postcards, N.S.W. first and Tasmania last. Each state produced a simple type of postcard with a pre printed stamp allied to that state. The stamp side stated 'The Address Only To Be Written On This Side'; the reverse side sometimes carried a simple illustration or decoration with space fora short message, each state extolling their own state's virtues. In 1901, with the advent of Federation, the new Government became responsible for all postal services in Australia and produced postcards for sale in every state. With several mail deliveries each day in most towns, postcards were used for many purposes. One 1906 postcard, with an illustration of fruit, was sent from Mrs X in the morning to her greengrocer ordering her fruit and vegetables to be delivered that afternoon. Another lady asks her charlady to 'come this afternoon'.|Australian private enterprise also began selling pictorial postcards, most companies using the very experienced German printing works who were the worlds best in the field of lithography and fine detailed colour-printing. Many of these beautiful German cards still exist today, 100 years later. Australia did have a few fine printers but they were in the minority. Black and white postcards printed in Australia in the early 1900s were often of good quality e.g. postcards printed by 'The Bulletin', illustrating the works of 'The Bulletins' top artists.|Between c1903-09 The Melbourne company Osboldstone and Atkins etc. printed coloured reproductions of 46 J.A. Turner bush/rural life paintings, which were generally of good quality and became hugely popular and still sought after today. Like thousands of homes in Europe, Britain and U.S.A., many Australia homes had albums of cherished postcards, which were given pride of place for visitors to see and enjoy.|Postcard collecting remained popular but was changing with the times. About 1912 the Australian photographer George Rose of Melbourne began to produce topographical B/W real photographic postcards covering most of Australia and other photographers began to do likewise. These cards soon found their way into collections as well.|WWI and the horrors of war suddenly changed the world; postcards were still in great demand but the subject matter was far more serious. Thousands of postcards from the trenches in European war zones arrived in Australia to be included in family albums. Propaganda and recruitment messages were produced to encourage enlistment. Australian postcard producers began to create cards decorated with gum leaves, boomerangs, wattle etc., which were designed for sending to Australian troops serving overseas. Very few 'pretty' cards were available, as access to the Gentian printing works was no longer possible and exporting of postcards from Britain was very limited. By the end of WWI people had other more serious problems to contend with and the avid postcard collecting hobby declined, fold greetings took over and topographical photographic postcards became a small but steady income for the producers and newsagents etc. in every town.|Fortunately many of these old postcards still exist and are avidly collected by a new generation or postcard collectors. The Australian Cartophilic Society Inc. is one of four postcard/cigarette card organizations in Australia. They are, N.S.W. Post Card Collectors Society; Queensland Card Collectors' Society Inc. and West Australian Card Collectors|Society, and across the Tasman there is a New Zealand Postcard Society.|References:|Picture Postcards of the Golden Age A Collector's Guide by Toni & Valmai Holt. Picture Postcards in Australia 1898 - 1920 by David CookBox of Cigarette Silks ( 10 ) depicting animal motifs, which were placed in cigarette packets as an incentive for women in particular to smoke.|WD & HO Wills|Produced 1911 - 1917personal effects, smoking accessories, recreations, collections -
Clunes Museum
Artwork, other - PAINTING
.1 PENCIL SKETCH OF A CREEK, A PUBLIC BATH HOUSEON THE OTHER SIDE OF THE CREEK AND A RAT ON THE BUILDING. A CAT ON THIS SIDE GREY ON BEIGE, GOLD CRACKED FRAME .2 PHOTOCOPY OF THE DRAWING .3 ORIGINAL BACKING OF THE DRAWING WITH PIECES OF WRITTEN NOTES AND NEWSPAPER CLIPPINGS BUT ILLEGIBLE, BROWN PAPER.1 ON SKETCH: CAT:AH MY SOTT!! DERE IS ZE RAT ON ZE HOUSE OF ZE ISLAND, I WILLHAVE A POKE AT HIM BUT - OH - IF I MISSES HIM HE MAY FLY AT ME, SOTTTAM RAT HApencil sketch, cartoon sketch -
Friends of St Brigids Association
Book - Cartoons of Australian History, Coleman, Peter, and Les Tanner. 1978. Cartoons of Australian History. West Melbourne: T. Nelson Australia
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Bendigo Military Museum
Poster - POSTERS, TRAINING, Possibly 1935 onwards
.1) - .3) RAAF Comedy Training Posters. Brown ink on thin cardboard..1) Chap.V. par 28 Instructors must ensure that they do not permit their pupils to fly in the morning until they have had a satisfactory meal. .2) Chap.V. par 46 (vii) In landing practice the instructor should always give the pupil a mark on which to land. The pupil himself should shut off the engine, judge his approach and land as near to the given mark as possible. .3) Chap.V. par 8 The instructor's relations with his pupils should be as friendly and informal as possible.documents-posters, military history - airforce, cartoons -
Glen Eira Historical Society
Article - Freedman, Harold
An obituary in ‘The Age’ newspaper dated 02/08/1999 for Harold E. Freedman OA born 21/05/1915, died 16/07/1999. Includes a history of his life and work as an artist, his time serving in the RAAF in World War Two and subsequently as a teacher of art and most importantly as a muralist and the state artist of Victoria.freedman harold, freedman heather, caulfield, caulfield technical school, art, artists, portraits, cartoons, printmaking -
Melbourne Tram Museum
Poster, Melbourne & Metropolitan Tramways Board (MMTB), "Selfish Sue", 1950's?
Poster - printed on off white paper of a lady with 5 parcels, a case mark "S. S" and a well dressed man reading a newspaper and with two fingers around the hand rail looking at here - taking up the whole of the seat. In the background is a sign on the tram with the words "Move Up Please" Has a message "Here's another "Selfish Sue" who dawdles all her shopping thru, then late she rushes for Tram, and some tired worker has to stand". Promoting early shopping and passenger behaviour. Has the initials JH on the bottom of the message.trams, tramways, passengers, behaviour, shoppers, cartoons, illustrations -
Greensborough Historical Society
Book, Associated Newspapers, More adventures of Ginger Meggs, Series 19, 1942_
A 1941 edition of Ginger Meggs comic strips. Ginger Meggs was created in the early 1920s by Jimmy Bancks and first published in the 'Sunbeams" section of the Sydney Sun. Several other cartoonists drew Ginger Meggs strips after Bancks death in 1952. This edition is a "Sunbeams Book". An original 1941 copy of this book, in good condition.Comic book, 32 pages, colour illustrations.ginger meggs, jimmy bancks, sunbeams book, cartoons -
Flagstaff Hill Maritime Museum and Village
Postcard - Picture Postcard, Louis Wain (illustrator / artist), 1880s to 1930s
The picture postcard is illustrated in a simple, child-like manner. It has a personal message on the back, perhaps sent by an adult called Lily to a young relative or friend. Its rough edges indicate that it may have been torn out of a book or from a sheet of cards. It is one of the hundreds of illustrations by artist Louis Wain, quoted as being "one of the most popular commercial illustrators in the history of England" (IllustrationChronicles.com). English artist Louis Wain (1860-1939) was famous for his illustrations of cats, many of which he gave human characteristics and personalities. Wain married Emily. They owned a cat called Peter who was a great comfort to Emily through her cancer illness and consequent death after only a few years of marriage. At 22 years old Wain gave up his job as a teacher to work full time as an illustrator. He was able to produce hundreds of drawing a year for journals, books, postcards and advertisements. Later he wrote and illustrated children's books. However he didn't benefit much from copyrighting his work as he sold his work to publishers together with the copyright, so reproductions of his works didn't earn him money. Wain said that he owned his career as a cat artist to Peter. Wain spent over a decade in mental asylums before his death in 1939.This picture postcard is an example of the work of Louis Wain, English artist of the 19th and early 20th century. He is famous for his drawings of cats, which he continued producing throughout his life. He is also known for producing the world's first screen cartoon cat, called "Pussyfoot". In 1972 Wain's work was presented at an exhibition in the Victorian and Albert Museum.Rectangular picture postcard printed on think cream card. Picture on postcard is outlined in black and coloured in roughly painted watercolours. The drawing has two cats dressed in armour standing and fighting in front of a turreted castle. The picture is a black framed outline. The artist's printed signature is in the bottom left corner. The artist is Louis Wain. The reverse has a vertical dividing line and a square outline for a postage stamp's location. It also has printed headings. There is a handwritten Pencil inscription. The postcard's left side and lower edge have rough uneven edges.Signature: "Louis Wain." Printed headings: "POST CARD" "THIS SPACE MAY BE USED FOR COMMUNICATION" "THE ADDRESS TO BE WRITTEN HERE" Handwritten on back: "To Dr R - - - - - - / with love / from Lilly"flagstaff hill maritime museum and village, warrnambool, great ocean road, shipwreck coast, postcard, picture postcard, louis wain, fighting cats, child's postcard, cat artist, animal portraits, national cat club, fencing, illustrator, children's books, children's author, children's illustrator, watercolour, cats dressed as humans, cats dressed as knights, popular art, victorian art -
National Vietnam Veterans Museum (NVVM)
Book, Rigby, Paul, Aussie Humour, 1965 to 1969: The Vietnam War, *Nashos *Defence
A collection of copied cartoons by Paul Rigby - award winning cartoonistA collection of copied cartoons by Paul Rigby - award winning cartoonistaustralian wit and humour, vietnam war, 1961 -1975, australian -
Falls Creek Historical Society
Book - Stretching for Skiing ... and more, Nancy Robinson, 1988
This book focuses on stretches suitable for developing flexibility suitable for skiers and other athletes. It includes drawings, cartoons and sketches provided by Ashley and Sue Moorehead.A book of 36 pages including photographic images, sketches and text explaining stretching techniques suitable for skiing and other forms of physical activity. The cover features a black and white image of a pair of gloves on top of ski poles set in the snow.This book focuses on stretches suitable for developing flexibility suitable for skiers and other athletes. It includes drawings, cartoons and sketches provided by Ashley and Sue Moorehead.skiing lessons, flexibility for skiing, falls creek ski and board school -
Monbulk RSL Sub Branch
Book, Cassell and Company, From the Australian front: Xmas 1917, 1917
Illustrations (photographs, cartoons and caricatures) of Australian soldiers on the Western front in World War IIll, p.128.non-fictionIllustrations (photographs, cartoons and caricatures) of Australian soldiers on the Western front in World War Iworld war 1914-1918 - australian involvement, world war 1914-1918 - pictorial works -
National Vietnam Veterans Museum (NVVM)
Book, Melvin, Ken, Sorry 'Bout That! - Cartoons, Limericks, and Other Diversions of GI Vietnam
Sorry 'Bout That is a hilarious book that captures the lighter side of the war in Vietnam, just as its title, a constant refrain of this war, captures the half-joking, half-serious, but always determined mood of its fighters.Sorry 'Bout That is a hilarious book that captures the lighter side of the war in Vietnam, just as its title, a constant refrain of this war, captures the half-joking, half-serious, but always determined mood of its fighters.vietnamese conflict, 1961-1975 - cartoons, caricatures etc., vietnamese conflict, 1961-1975- - aneaudio, cdotes