Chair wooden with circular seat, moulded back support and round support below seat. Back is braced at side. Seat has soft material padding.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

This painting was created by Robert Dowling (1827-1886) in 1885. At this time Dowling was considered Australia's best portraitist. Dowling had been born in England, but migrated to Van Diemen's Land in the early 1830s with his parents. Dowling worked in both Tasmania and Victoria as an artist, before returning to England in 1857. He did not return to Australia until 1884 and received eighteen commissions for portraits. The Barry portrait was commissioned after Barry's death which explains some of the mistakes in the depiction of Barry's robes; the fur cuffs and collar are too large, and the cummerbund is sitting in the wrong place. Sir Redmond Barry is an important figure in Colonial Victorian History, responsible for the establishment and support of some of our finest cultural institutions (the University of Melbourne, the State Library of Victoria, the Supreme Court Library, and aspects of the Museum of Victoria's collection). This is in addition to his role as barrister defending aborigines in the 1840s and his position as a foundation judge of the Supreme Court of Victoria, a position he held for nearly 30 years, presiding over two of the most well known of colonial trials: the Eureka Trials in 1854 and the Kelly trial in 1880.The portrait of Sir Redmond Barry is significant because of the historical importance of Redmond Barry in colonial Victorian history. The painting is also of aesthetic significance as the work of the distinguished portraitist Robert Dowling. Portrait in oils of Sir Redmond Barry. Barry is depicted standing, dressed in red Judicial robes, his hand resting on a chair; behind is a table with books.Signed and dated 1886 (lower left) by Robert Dowling.redmond barry, portraits, judges, robert dowling

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of Miss Euphemia Ethel Elizabeth Spencer Middleton Henderson standing with right hand resting on chair back. Sister to Mrs J. D. McHaffie.local history, photography, photographs, miss euphemia henderson, black & white photograph, mchaffies, early settlers, john jenner, bryant west

Used by Mr Ossie Wehner and siblings. Used 1897. Father was Herman Wehner (1862-1937) blacksmith married Agnes Scouller. Children were Ossie, Ida, Hilda, Elsa, Carl, EricThe Wehner family is/ was a prominent family in Orbost from the late 19th century. Herman Wehner founded Wehner's Blacksmith's at Orbost in 1889. Oswald Wehner began working in 1910 with his father. In 1947 Ossie's son Tom started blacksmithing, retiring in 1991 and closing the business, The building remains in Nicholson street.High chair with curved wooden backing and wood turned spokes. Painted pastel green and used in 1897 by Mr Ossie Wehner and his brothers and sisters.wehner high-chair furniture

Black & White studio photograph baby in christening dress seated in cane chair. Printed Front. Kalma Studios The Mall Bendigo opposite P OKalma Studio. The Mall Bendigophotograph, person, baby

B&W family studio photograph of three chilfdren (two girls and one boy) seated on an ornate cane chair Photo taken by A Verey, Castlemainephotograph, portrait

Small portrait photograph of a female child standing on a chair with flowers in hand, photographer E.C.Waddington & Co Elizabeth Street Melbourne. Initials in ink on back MB.E.C.Waddington & Cophotograph, portrait, child

Son of Abraham Rooks, (17/8/1824-1/9/1889) who emigrated from England, 1857 on board the 'Grand Trianon' with wife Sarah, and three children (John, Edward and Edmund). Charles, son of Abraham was elected to Council, 1940. Representing West Central Ward when he died, 1959. Mayor, City of Nunawading 1946-47 and 1955-56.Sepia photograph taken in mayoral robes with hand resting on ornamental chair. Birth registration as Charles Frederick Rooks afterwards known as Charles Francis Rooks.rooks, charles francis

James Hansen was adopted by Francesca and Louis Schwerkolt. When Francesca died she left him two blocks of land and a house in Deep Creek Road Mitcham.Black & white photograph of James Hansen, fostered son of Francesca Schwerkolt. He is standing on a chair, is dressed in a coat and short pants and is wearing a white collar.Jimmy Hansen c1916hansen james, schwerkolt francesca

Louisa Amelia Schwerkolt was the oldest child of Louis and Franceska(Cissie) Schwerkolt. Louis was the fifth child of August and PaulineSchwerkolt.Sepia photograph of a small girl wearing a large hat and lacy apron and sitting on a strange looking chair made of branches. Decorative surround around photographLouisa Amelia Schwerkolt 1890schwerkolt louisa amelia, schwerkolt family

Colour photograph. Over exposure type lines down it (?) two young men sitting playing, one on accordion one on piano accordion. Camp chair.entertainment, music, musicians

Bendigo Regional Arts Centre - Information re Donating Chair to Capital Theatre Donation Forms (x2) (Cost of each seat in main Theatre is $200).

Colour photograph. Musicians on stage. Other people sitting on chairs in front of stage facing audience. Piano accordion. Lute. Violin. Harmonica. Mouth organ.entertainment, music, bush band

Colour photograph. People sitting in camp chairs. Photo framed by tree branches foliage. Back of Photo reads: 'Buda' Castlemaine 23rd March 2002.photo, group, mixed group

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Alma Figuerola and fellow artist John Farmer, admiring what may be Max Meldrum's painting 'Chair'. The photograph is from the Alma Figuerola photograph album. alma figuerola album, arists - kew (vic), artists - meldrum school, occupants - 7 barry street - kew (vic)

Colour photograph. Shilling Fund launch. Janet England, Chair of Trust, addressing the audience. Level four Victoria room QVWC building. Candles in foreground.fundraising events, official events, historic buildings, charitable organisations

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. This digital image was produced from one of the glass negatives that form part of the collection, probably taken by Louis Haeusler (b.1887) with the photographic equipment in the Wodonga Historical Society Haeusler Collection.This item is unique and has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history.Digital image created from the Haeusler Glass negative collection. An unidentified woman seated on a chair outside. There is a house partially hidden in the trees on the right of the scene.wodonga pioneers, haeusler family, glass negatives, dry plate photography, wodonga families

Black and white group photograph of Diploma II Students 1973, 2 very slightly different poses. Seated on chairs and standing in front of the Administration BuildingOn reverse, "Photograph by Information Branch Victorian Department Of Agriculture Ref. No.(3,8)."diploma ii, students, 1973, diploma ii 1973 group

Black and white group photograph of Diploma I students in 1973 seated on chairs and standing in front of the Administration Building. 2 very slightly different poses.On reverse, "Photograph by Information Branch Victorian Department of Agriculture Ref. No.(9, 10)."diploma i, students, 1973, diploma i 1973 group

Mr and Mrs John Wearne. Photograph is part of Old Lintonian collection ; No. 16Photograph of a seated bearded gentleman wearing suit, with a woman in two piece costume wearing spectacles standing beside him with right hand on the back of the chairon back: "Mr and Mrs Wearne No. 16"mr and mrs john wearne, old lintonian collection

Ornate timber ceremonial chair featuring carving of the Geelong coat of arms c1860. Until recently the chair was in the foyer of City Hall, it is now held in safe keeping at the Geelong Heritage Centre. geelong, mayor

Small, full length portrait of a lady standing beside a chair with her right hand resting on the back of the chair. She is wearing a dress with a voluminous skirt, frills at the top of the sleeves and a large buckle at her waist. Photographer's name and address printed on the back with a Coat of Arms, floral decorative work and two birds. Some dates on the back are 1862 and 1867 for medallions won in London and Melbourne.C. Nettleton, 1 Madeline Street, North Melbournephotograph, portrait, female, portrait of a lady, c nettleton

Cream coloured folded card. On the front : Royal Historical Society of Victoria Bendigo Branch - Dean Backhaus Centenery Celebrations German Masked Costume Ball. At the centre a drawing of a wooden chair and underneath the words ''Chair used by Dean Backhaus hwen from a tree stump'' Programme, City Hall, Bendigo Saturday, 4th September, 1982. On the inside the programme with listing 16 songs.entertainment, dance, rhsv bendigo victorian ball

Wooden chair with four turned legs & turned cross pieces. The sloping back has six upright pieces, the two outer ones having turned knobs.None.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village