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Kew Historical Society Inc
Photograph - Alma Figuerola, c.1965
The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Part of a photographic series which is historically and aesthetically significant. The photographs record the interiors and exteriors of D'Estaville, an historic Kew mansion in the 1960s, and also its owner, Alma Figuerola, a pupil of Max Meldrum, and a notable Melbourne artist who lived in Kew.Alma Figuerola. A posed portrait of the artist Alma Figuerola. Figuerola lived in D'Estaville, Barry Street, Kew. This is a magazine photograph and may still be covered by copyright. Alma Figuerola was a foundation member of the Kew Historical Society. She died in December 1970, so the photograph predates this. A stamp on the back identifies the publisher as Woman's Day No. 570.australian artists, d'estaville -- 7 barry street -- kew (vic), alma figuerola -
Kew Historical Society Inc
Photograph - Interior, D'Estaville, c.1965
The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Part of a photographic series which is historically and aesthetically significant. The photographs record the interiors and exteriors of D'Estaville, an historic Kew mansion in the 1960s, and also its owner, Alma Figuerola, a pupil of Max Meldrum, and a notable Melbourne artist who lived in Kew.Interior, D'Estaville, Barry Street, Kew, the home of the artist Alma Figuerola. This is a newspaper photograph, part of a series by The Age on the artist Alma Figuerola, and is still under copyright. Alma Figuerola was a foundation member of the Kew Historical Society. She died in 1970, so the photograph predates this.australian artists, d'estaville -- 7 barry street -- kew (vic), alma figuerola -
Melbourne Tram Museum
Photograph - Black & White Photograph/s, Public Transport Corporation (PTC), mid 1940's
Black and white print of MMTB Bus No. 365 - Leyland OPS1, Leyland chassis, body by Preston Workshops. Showing route 65, bus is unregistered, indicating that it may have just been built. Photo from the PTC Historic Photo collection with copyright stamp on rear.trams, tramways, mmtb, preston workshops, buses, route 65, tram 365 -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, The Courier Ballarat, 5/12/1983 12:00:00 AM
Yields information about the arrival back in Ballarat of No. 13 from Lake Goldsmith, prior to unloading.Black and White copy photograph of a newspaper photograph taken by The Courier of No. 13 unloaded at BTM depot (left-right) Peter Winspur, Garry Wood, Peter Allen, Warren Doubleday. Photo taken 5/12/1983, published 6/12/1983. See Reg Item 825 for the newspaper clipping the photograph was used in and further details.. Collected by Alan Bradley from the Ballarat Courier early 1980's. See Excel file "Record of Ballarat Courier Photos BTM era" (Archive Documents) for source of details. .1 - Duplicate print of the same photograph.On rear stamped "Copyright, The Ballarat Courier Proprietary Limited." and a label with "Front cover, 6 5/8" x 4 1/2". .1 - stamped "Copyright, The Ballarat Courier Proprietary Limited." on rear.tramways, trams, tram recovery, 13, btps, tram 13 -
Flagstaff Hill Maritime Museum and Village
Document - Sheet Music, Enoch & Sons Ld., music publisher, The Parade of the Tin Soldiers, ca 1911
This sheet music is "The Parade of the Tin Soldiers', the original German title, composed by Leon Jessel as a solo piece for the piano in 1905. The work is also known as "The Parade of the Wooden Soldiers". In 1907 the orchestra version was published, Opus 123. (Op. 123, as written on the cover). The sheet music was published by Sole Publishers for the British Empire, Enoch & Sons Ld (1890-1927) of 58 Great Marlborough Street, London, W. Versions for all other countries were published by Neinrichshofen's, Verlag, Magdeburg. Orchestral and Military arrangements of the music were published by Hawkes & Son, Denman St, Piccadilly Circus, London, Leon Jessel (Jan. 22, 1821 to Jan. 4, 1942) was a German composer who was born a Jew and converted to Christianity in 1894. His works included a wide variety of music including 'The Parade of Tin Soldiers' (Die Parade der Zinnsoldaten). Jessel was also a music conductor and bandmaster. The instrumental piece 'Die Marokkanische Patrouille' (The Moroccan Patrol) was published in 1911, Opus 227. He was also known for his operettas 'Schwarzwaldmädel'(Black Forest Girl), presented in 1917, and 'Die Postmeisterin' (The Postmistress), presented in 1921. In December 1941 he was arrested and then tortured by the German Gestapo; he died in January 1942. In the early 1920s, The Parade of the Tin Soldiers became very popular; it was presented as part of a show and was re-titled The Parade of the Wooden Soldiers. It was also made into a film and its recording was a hit single record. The music continues to be played and presented and is a Christmas-time favourite.This music is significant for its connection with the German composer Leon Jessel, a victim of the Germans for being born a Jew, even though he converted to Christianity in his youth. It is also significant as a popular work of music composed in the early 1900s and later used for a variety show and a film. The music an example of entertainment in the early 20th century that has endured to current times and often played at Christmas celebrations.Book of sheet music for four tunes. The thin softcovered book has eight pages, with the front cover featuring colourful graphics of soldiers marching and others on horseback. The four tunes are: - The Parade of the Tin Soldiers, (piano solo), Composer: Leon Jessel. Ballade de la Lune, Enjolement, Lentement, document, tendrament, Publisher: for the British Empire, Hawkes & Son, Denman St, Piccadilly Circus, London, Sole Publishers for the British Empire, Printer: Enoch & Sons Ld. 58 Great Marlborough Street, London, W. Printer: Lowe & Brydone Printers Ltd. London N.W. 10 Publisher, for all other countries: Heinrichshofen's, Verlag, Magdeburg. Printed: in England by Heinrichshofen's Verlag Copyright: 1911 by Heinrichshofen's VerlagOther print on the cover includes: ALSO KNOWN AS "THE PARADE OF THE WOODEN SOLDIERS" "Op. 123" "Characteristic Piede" "SOLE PROPRIETORS FOR THE BRITISH EMPIRE" "NEW SUCCESS BY THE SAME COMPOSER 'MOROCCAN PAT(ROL) (CH)ARASTIC PIECE" "PIANO SOLO" "SIMPLIFIED" "DUET" "VIOLIN & PIANO" "Orchestral & Military Arrangements" On the bottom of pages: "E & S 4370" "Copyright 1911 by Heinrichshofen's Verlag" flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, leon jessel, composer, operetta composer, the parade of the tin soldiers, the parade of the wooden soldiers, musical march, music conductor, music director, bandmaster, 19th-century classical composers, 19th-century german composers, 20th-century classical composers, 20th-century german composers, sheet music, music book, piano music, jewish composer, world war ii victim, composer: leon jessel., ballade de la lune, enjolement, lentement, hawkes & son, for all other countries: heinrichshofen's, verlag, magdeburg., book of sheet music, enoch & sons ltd london, lowe & brydone london, heinrichschofens verlag, marching music, 1911, early 20th century -
Truganina Explosives Reserve Preservation Society Inc (TERPS)
Digitised Oral History – Truganina Explosives Reserve - Tape 6 Alan Dyall, 2018
The interviews were recorded in 2000 by Bronwen Gray and Alan Young for the production of Unreserved, Stories from Truganina Explosives Reserve, animated stories from past residents, workers and interested people of the Reserve (subject to copyright 2004). Alan Dyall reminisces on his childhood during the 1930s/40s in Williamstown and Altona in the 1960s. His father, Bill, worked as a lighterman at the Truganina Explosives Reserve. A primary source of information on memories of the Truganina Explosives Reserve and Altona,VictoriaDigital copy of original cassette recorded in 2000 and digitised in 2018albert street williamstown, rabbits, point cook homestead, truganina explosive reserve, lighterman, ports and harbours, charlie curry, lighter, ici, deer park, the strand williamstown, stevedores, hob nails, rope soled shoes, rifle range, snowy jorgensen, sailmaker -
Bendigo Historical Society Inc.
Photograph - RAAF RADAR REUNION COLLECTION: PHOTOGRAPH OF PEOPLE
Coloured photo of two rows of men and women sitting on chairs in front of a building (possibly a council building) several soldiers in uniform are standing behind them. On the back a sticker: Royal Australian Air Force, Crown Copyright, not to be reproduced without authority, CPE1231K. 22-03-92.military, airforce, raaf radar -
Port Melbourne Historical & Preservation Society
Plan - CD-ROM, State Savings Bank, Montague Housing Development
COPYRIGHT PUBLIC RECORDS OFFICE Set of plans and documents relating to the State Savings bank, Montague Housing Development, in Gladstone St, Montague. This was an initiative of South Melbourne City Council to replace slum housing in Montague, 1935-40 .01 - The DVD which contains all the information.built environment - domestic, state savings bank of victoria -
Tennis Australia
Acrylic painting, 1977
Painting: 'A Volley with Time' depicting a boy in overalls near a house surrounded by garden, hitting a ball with a racquet. Artist's signature at lower left: KEITH '77 and copyright symbol. Inscr: '93' written on back of panel in black marker. Materials: Acrylic paint/Pigment, Wood, Metaltennis -
Ringwood and District Historical Society
Book, City of Knox Heritage Study 1993, 1993
Soft covered plastic-bound book with City of Knox falcon logo - City of Knox Heritage Study 1993 - A component of the Conservation Strategy.A report prepared by Margaret McInnes - Copyright City of Knox 1993 - Funded by the City of Knox. -
Eltham District Historical Society Inc
Photograph, Herald, L-R: Kevin Arrowsmith, Bobby Arrowsmith and Unknown enjoy their first taste of ice cream since being freed from POW camp, c.1946
Returned Anzacs and Prisoners of War including Arrowsmith brothers Kevin and Bobby from Eltham, Vic. holding newspapers tucked under their left arm and unknown man with a cigarette in his left hand. They are enjoying a tub of Peter's ice cream with small wooden scoops. Press photograph taken by The Herald. Stamped on reverse in blue ink: “Copyright Not for Reproduction Herald Feature Service Melbourne, Australia.”bobby arrowsmith, joan castledine collection, kevin arrowsmith, peter's ice cream, prisoner of war, anzacs, ww2 -
Bendigo Military Museum
Award - MEDAL
These medals are not official Govt approvedMedal, brass with ribbon on a bar attached, medal has crossed Rifles over a rectangular section with the words, “INFANTRY FRONT LINE SERVICE”On the rear engraved, “C.F.KOCH VX71365”, stamped on, “Copyright assigned to 2/12th Battalion Association”medals, front line service -
Marysville & District Historical Society
Postcard (Item) - Black and white postcard, Rose Stereograph Company, 1913-1967
A black and white postcard of Buxton Farm Guest House near Marysville. This postcard was produced by Rose Stereograph Company as a souvenir of Marysville.A black and white postcard of Buxton Farm Guest House near Marysville.THE ROSE SERIES P. 1847/ COPYRIGHT BUXTON FARM GUEST HOUSE, MARYSVILLE, VIC.marysville, victoria, australia, buxton farm, buxton farm guest house, rose series, p. 1847, postcard, souvenir, rose stereograph company -
Phillip Island and District Historical Society Inc.
Photograph, circa 1900
Reserve with trees left and right. Road beyond fence. Across the toad, weatherboard Pier Hotel. Residence to left side of 2 storey turret. Building with flag pole. Colonial double-chimneyed homestead style house tucked amongst trees and bushes to right.Pier Hotel and adjacent house. A picturesque scene.The Rose Series P700 copyright. Pier Hotel from The Reserve, San Remo, Victorialocal history, photography, photographs, slides, film, pier hotel, san remo, hotels, black & white photograph, miss elms san remo -
Glenelg Shire Council Cultural Collection
Print - Print (reproduction), Will Longstaff, The Immortal Shrine, n.d
CEMA Art collection Previously located in History HouseThe print depicts a night view of a city street. In the foreground are ghosly figures completing a military march along a wide street. On the left side is a large white Remembrance Shrine with three flags hanging on individual flagpoles. In the background are numerous multi-storey buildings with a row of light streetlights in front. The work is completed in various shades of blue and mounted with brown card. Framed with a gold and black frame, the work has an exposed canvas.Front: Brass embossed plate: THE IMMORTAL SHRINE BY WILL LONGSTAFF COPYRIGHT REGISTERED Back: (No inscriptions) -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Syd Cuffe, Portland Town Crier, n.d
Syd Cuffe in Town Crier regalia on a wharf, watching ship under sail coming into a harbour, place unknownBlack and white photo. Syd Cuffe Town Crier's Regalia, in Percy St Portland deliveing a cry. Background blurredBack: white sticker 'Copyright Portland Observer', ' 2239/2' handwritten in blue biro -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Group of Town Criers including Syd Cuffe, n.d
Syd Cuffe was the Portland Town Crier from 1983 to 2013. The role of Town Crier was created for Syd Cuffe in 1983 in the lead up to Portland’s 150th anniversary celebrations held in 1984-85. 200 items from Mr. Cuffe’s estate were donated to the Glenelg Shire Cultural Collection. The items relate to his town crying activities and community work across the Shire and further afield.Black and white photo. Group of Town Criers in regalia, standing on a verandah in front of historic building iron lacework on verandah. Syd Cuffe, Portland Town Crier, part of group.Back: white sticker ' copyright Portland Observer' '2239/3' handwritten in blue birosyd cuffe, portland town crier, town crier -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Portland Library, Victoria, Portland Observer, May-97
Photographs of Portland Library - late 1990s to early 2000s, showing activities at the library and construction of additions to the building.Black and white photo. Woman sitting on chair, open suitcase beside her various items visible. Children sitting, facing her. This woman also in photos 9462, 9463, 9464.Back: white sticker, black print 'COPYRIGHT PORTLAND OBSERVER' '2655' Black biro -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Queen of the Murray Beauty Contest 1950, c. 1950
Black and white photo. group of men and women. 'Queen of the Murray Beauty Contest 1950. Women in formal wear. 8 wearing sashes, including Miss Murray Bridge, Miss Yarrawonga, Miss Renmark, Miss Swan Hill, Miss ? Queen of the Murray 1950. Other men and women ? judges.Back: 'J Moore' - red biro. Stamp - very faint 'COPYRIGHT SUNRAYSIA DAILY' -
Ringwood and District Historical Society
Photograph, 3 street view photographs of unidentified houses in Ringwood circa1960
One sepia and two black and white photographs of houses with prices in pounds, indicating prior to currency decimalisation in 1966.Photograph by The Ringwood Studio, Shop 14, Ringwood Shopping Centre. Phone WU7609 Copyright. -
Flagstaff Hill Maritime Museum and Village
Furniture - Screen, Thomas Hope, 1905-1913
The fire screen was part of the original furnishings of the Lighthouse Keeper's Quarters in Merri Street, Warrnambool. It was made by Lighthouse Keeper, Thomas Hope. Thomas served two terms as an assistant lighthouse keeper in Warrnambool. His first term was from 1905 to 1907. He later returned from 1910 to 1913, when he was appointed as Keeper five months after the untimely death of his predecessor Peter Quinn. Woodworking was one of Thomas Hope’s hobbies, and the three-panel fire screen he made as a lighthouse keeper is now in the Flagstaff collection and is displayed in the Lighthouse Keeper’s Cottage. Thomas Hope 1857 - 1928 Thomas James Hope was born in Camden, Surrey, England in 1857. His father, also called Thomas, was reputed to be a member of the Royal Family, and Thomas Hope Junior his illegitimate son. Thomas was subsequently brought up on the estate of the Earl of Hopetoun in Somerset and it was thought that Thomas was the Earl’s grandson. Against the wishes of those in charge of Thomas, he joined the navy at an early age, seeing much of the world until he settled in New Zealand at the age of twenty-four. After some years in New Zealand, he came to Australia to live. One of the jobs Thomas Hope had prior to becoming an assistant lighthouse keeper in 1896 was as a cook in the Lunatic Asylum at Sunbury, Victoria. He served as an assistant keeper at Shortlands Bluff, Gabo Island, Split Point and Warrnambool, retiring in 1918. He bought a house in Nicholson St, Warrnambool and died in March 1928. He is buried in the Warrnambool cemetery. Thomas Hope is recorded in family history as being of short stature and, not surprisingly given his alleged aristocratic connections, possessed a beautiful speaking voice. He and his wife Elizabeth nee Waters, whom he married in New Zealand, had six children (Thomas, killed in World War One), Ellen (Nell), Nora (who was married at the Warrnambool lighthouse keepers cottage), William (who died in Warrnambool), Marion and Alan. Joseph Hoover (Dec 29, 1830, to Aug 7, 1913) Joseph Hoover, the printer of the pictures on the screen, was born in Baltimore, of Swiss-German heritage. He was trained as an architectural woodturner. In 1856 Hoover moved to Philadelphia and began producing elaborate wooden frames in his wood-turning and framing business. By 1865 Hoover had started to produce popular prints for publishers and artists, which included noted Philadelphia artist James F. Queen. In the 1880s Hoover set up a complete plant specialising in chromatography, the process of producing colour prints from lithographic plates. The coloured prints he produced were affordable to business and private customers. In 1893 his son Henry L., a trained lithographer, joined the company as overseer and it was called J. Hoover & Son. It became one of the largest in America by the turn of the century. Hoover won a medal for Excellence for his Chromolithographs of James Queen’s works. In 1904 Joseph’s other son, Joseph W, joined the business as a partner and the company was called Jos. Hoover & Sons. Hoover died of a heart attack in 1913. He was survived by his wife and six children: two sons who were also his business partners, and four daughters. The firm continued in production until around 1985. Hoover’s prints included scenes, still life and landscapes of America and other locations. They were sold in America and overseas to countries including Canada, Germany, Mexico and England. The three-panelled screen in the Lighthouse Keeper’s Cottage was made by the Assistant Lighthouse Keeper, Thomas Hope during one of his two terms at the Lighthouse Keepers' Quarters. It is the only object in the collection known to be connected to Hope. The Lighthouse Keeper's Cottage is part of the Lady Bay Lighthouse Complex, which is listed on the Victorian Heritage Register for being of historical, scientific (technological) and architectural significance to the State of Victoria.Fire screen comprising three black wood framed panels hinged together. Each panel contains a glass-encased print depicting a rural landscape. Ornate stencil cut wood edging and quilt-inspired parquetry sits above each panel. The central panel is taller than those either side. Screen is lined in black-painted cardboard.Printed at the base of each of the three prints “COPYRIGHT 1896 BY J. HOOVER & SON, PHILAD’’A.”flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, firescreen, thomas hope junior, ellen (nell) hope, nora hope, william hope, marion hope, alan hope, jos. hoover & sons of philadelphia, lighthouse keeper, assistant lighthouse keeper, carved screen, merri street, lighthouse keeper's cottage, lighthouse residence, lighthouse, wood carving, lighthouse complex, lady bay lighthouse, fire screen -
Federation University Historical Collection
Postcard, Joshua Duckworth Ltd, St Higgins (music) by Frank Wright, mid 1900s
Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Postcard - white background printed in black featuring music by Frank Wright and words by Gerard O'ConnorThe Deep Harmony Hynmary, St. Higgins, Copyright, Frank Wright, Words by Gerard O'Connorfrank wright, music, joshua duckworth limited, gerard o'connor, brass bands -
National Vietnam Veterans Museum (NVVM)
Photograph - Photograph, Framed, The Huey - Vietnam Icon, 1971
Timber framed, black matt board. Coloured photograph of a Huey flying above the jungle. The photograph is taken from onboard another Huey flying just ahead. Door & Gunner's knee is in the photo on the side.My Vietnam Collection - "The Huey", Vietnam icon, 1971, c. copyright, Leon Pavich.photograph, huey helicopter, my vietnam collection -
National Vietnam Veterans Museum (NVVM)
Photograph, Davo collects the mail - Vietnam 1971
Black timber frame, buff coloured matt board framed colour photograph of Sioux helicopter on the ground with soldier collecting the mailDavo collects the mail - Vietnam 1971 copyright Len Pavich - My Vietnam Collectionphotograph, sioux (helicopter) -
Churchill Island Heritage Farm
Photograph of koala in tree, <1975
Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade. This series of photographs show conservation efforts that were undertaken at Churchill Island.Black and White photograph with white border depicting alert koala on tree branch during the day.Catalogue number in pencil on reverse. Stamp on reverse: "COPYRIGHT/FISHERIES & GAME DEPT./VICTORIA"churchill island, koala, photograph, conservation -
Stawell Historical Society Inc
Photograph, Sister Rocks Stawell, 1920's
B/W Postcard, Rose Series of Sister Rocks StawellB/W Postcard Rose Series of Sister Rocks. Trees in foreground, boy sitting on rockThe Rose Series P.2724 Copyright The Sister Rocks, Stawell, Victoria Looking Easttourism -
Stawell Historical Society Inc
Photograph, Sister Rocks
Sister Rocks Stawell Photo by W Dawson. with man on horse drawn buggy. Photo of Sister Rocks with a man on a horse drawn buggy beside the rocks.Copyrights regd. W, A. Whitehead. Photo W. Dawson date on photocopy C 2009 -
Melbourne Legacy
Photograph, War widow and her grandchildren, 1990
Photo of a Legacy widow with three children in a kitchen. Two children are holding Legacy Appeal tins. It was taken for an article to promote a Legacy appeal in the Herald newspaper. The article explains that Legacy helped Amy Lloyd after her husband passed away a couple of years before. Mr Lloyd had served in the Middle East in World War 2 and had helped raise his grandchildren. The grandchildren, Amy 3, Justin 9, and Brenton 5, were greatly impacted by his loss. Legacy helped Mrs Lloyd with financial matters and in being granted a war widows pension. The article mentions that in 'the past the organisation primarily cared for the children and young widows of fallen comrades - now it is caring for rapidly increasing numbers of elderly widows.' In 1990 it was caring for more than 23,000 widows and the numbers were increasing by 100 a month. The estimate for 2002 was that Legacy would be caring for 45,000 widows.A record of the beneficiaries Legacy was formed to help and an example of the type of aid they can provide recently widowed women.Black and white photo of a Legacy widow and three children in their kitchen and a newspaper article from 7 September 1990.Handwritten '44' in blue pen, Copyright stamp of Herald Sun in pink ink on reverse.widows, legacy appeal, legacy promotion -
Melbourne Legacy
Photograph, Governor of Victoria, 31/08/1970
A photo of Sir Rohan Delacombe, Governor General of Victoria being shown a Legacy Club Melbourne Honour Roll. Perhaps it was used for promotion as the Governor of Victoria is the patron of Legacy. It came from a Legacy envelope marked "P3 Fund Raising" in red pen, with assorted photos of fundraising events, including appeal tins in different years and a charity concert, and a marathon run by WO2 Mike Hoffman (some are items 00433 to 00438, 01413 and 01414).A record of relationship with the Governor of Victoria.Black and white photo of the Governor looking at an Honour Roll.Stamped 31 Aug 1970 in purple ink. Stamped Copyright The Age in blue ink.fundraising, governor of victoria, patron, rohan delacombe -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, The Courier Ballarat, 2/09/1971 12:00:00 AM
Black and white photograph of SEC No. 31 at the intersection of Sturt and Lydiard St after having an accident. Photo is on the front only of the tram, one cab window smashed, dash canopy lighting cover partly torn off. Crew members - one inside tram, one on outside. Another person standing by the doorway wearing a leather apron. Trams has destination of Grey St. Sebastl" Person looking into tram wearing the leather apron is probably the driver of the Fruit truck that collided with the tram. Published in the Courier on 3/9/1971. 2nd copy added 29/5/05 - in good condition. Hi Res version added 16-12-2015. See Reg item 7132 for a poor copy of the original Newspaper which identifies both people as Nicholas Marios and D. Powell.On rear of photo "Copyright Ballarat Courier Proprietary Limited" stamp in ink - very faint.trams, tramways, accidents, ballarat, sturt st, tram 31