The original tennis court at Lake Bolac in 1895 was located at the Recreation Reserve behind the linear development along the main road. This was a grass court, lines were clearly painted and the tennis-net was a chicken-wire fence. In the photograph are from left; Eva Veale, Alice Veale, Thomas Ward, Annie Veale and William Veale jr.lake bolac, tennis, veale, ward

Taken on August 27, 2004, depicted are eighteen people who attended a Direct Seeding event held at Wooragee Hall in Wooragee, Victoria. The event was sponsored by Greening Australia, an independent environmental enterprise. The main speaker (pictured centre) is James Scholfield, a farmer from Hamilton Victoria demonstrating his 'Bandicoot Native Grass Harvester'. The photograph is an example of the type of event hosted by Wooragee Landcare and sponsored by Greening Australia to offer the public a science-led, collaborative approach to nature-based solutions addressing the twin crises of climate change and biodiversity loss.Colour rectangular photograph printed on matte photographic paper.wooragee, wooragee hall, wooragee landcare, wooragee landcare group, direct seeding, greening australia, wooragee landcare's collection

The Battalion C.O. was Lt.Col. F.G. Woods.Black and white portrait of a group of AIF Officers 37 Btn AIF, They are arranged in three rows with a corrugated iron hut behind them. There is long grass in front of them. The officers are in service dress with Sam Brown belts, canes and riding crops. Captain W J Symons V.C. is in the front row. The photo is mounted on a piece of thick cardboard.Names of the officers are printed on the cardboard under the photo. The makers name and address is there as well.ww1, 37 btn, aif, symons v.c.

Framed photo of 114th Howitzer Battery, Australian Field Artillery, on the way to the front 1918. The photo shows teams of horses towing 4 wheeled devices. Sic horse teams. Each pair has a driver mounted. The soldiers have overcoats on, and a mixture of helmets and slouch hats. The teams are on a gravel road with grass verges. Frame is a simple wooden design.Label on front "114 Howitzer etc" as abovephotography-photographs, arms-ordnance, frame accessories, artillery, howitzer

Frank Wright was a renoun resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia. He died on 16 November 1970.1). A black and white photograph of a man dressed in a suit, overcoat and hat, standing on a wooden pier over a stretch of water which is Loch Lomond. There are mountains to be seen in the distance. The man is Frank Wright. 2). Black and white photograph of a lake. In the foreground is a grassed area with four trees. a small boat is at anchor just offshore. The place is Loch Lomond.Written in pencil on the reverse side of the photograph is 1). "Frank Wright at Loch Lomond 1933" 2). Loch Lomond 1933frank wright, loch lomond, musician, composer

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of a group of men relaxing with a cup of tea. Some are dressed in a band uniform whilst others have removed their jackets. They are sitting and standing on a grassed area, perhaps a village green. Behind them are a group of houses. The men are the St. Hilda's Band with Frank Wright, the conductor standing, dressed in a suit with his hands in his pockets.Written in pencil on the back - St. Hilda's band having tea at Neath, Wales, 4-6-34frank wright, st hilda's band, neath, brass band, conductor

black and white photo: seated male and female with three girls ( daughters ? ) in foreground. Seated outside, in background paling fence, longish grass surrounds group. Male dressed in black coat, white shirt, bow tie. Female - long dark dress, hat, holding fern frond in hand. Three girls, dark dresses, large hats.Mac Korumburraperson, family

black and white photograph mounted on cream board. Church with square tower, gothic windows, in middle distance. Trees, shrubs and grass surrounding. Male figure standing centre left. On front at RH vertical edge ' with best wishes for a Happy Christmas and a bright New Year. On back, hand written in ink 'Christ church and ground, Longford, Tasmania.buildings, church

Charlton Railway Station was established in 1882 and closed down in the late 1970s.Colour photograph of the disused Charlton Railway Station. On the right, there is a small cream and green weatherboard building with a large verandah. There is a train engine and trucks in the middle of the photo and some other trucks to the left. There is a large corrugated iron shed and a small dark grey crane behind it. There is a large area of high grass in the foreground and six electricity wires through the top of the photo.charlton railway station

Also copy as postcard 10 x 14, also copy in cameo 18.5 x 25|This is the before paired photograph used in the 150 year, Lakes Entrance 1858-2008 display.|The after paired photograph number is 01190.1|Also one 12 x 16 framed photograph used in room displayBlack and white photograph - in cameo - of Broomes Federal Hotel. Photo features gas light, vintage cars, dead weeds on sandy beach at lake edge. Building appears to consist of three neighbouring houses connected to make a large rambling guesthouse. Guests sitting or leaning on fence, and dozen more seated on grass by the gas light. Lakes Entrance Victoriaguesthouses, architecture, waterfront, transport, room display

Property owned by Trevor Partington. The property was about 1 and three quarter acres on which was a large old and big house which Trevor partitioned into two to have tenant in the back. He used to have horse grazing on the grass. The property was at the lower eastern end of the old 'Church Street' which today is the lowest part of 'The Greensborough Plaza' car park.Digital copy of black and white photograph.trevor partington

This iron chaff cutter was a vital piece of rural machinery especial for cattle in areas subjected to limited grass growing seasons. The Kiewa Valley and Alpine regions were up to the 21st century "snowed" in. The conditions requiring summer crops and fodder to be prolonged for the harsh winter climate are now becoming less and less and may confirm the precursor of "global warming". The Kiewa Valley is still a strong base for dairy cattle and other stock requiring all year access to hay/grass supplies. The use of, now defunct, Tobacco drying sheds for the storage of hay and other fodder is typical of the Australian farmer/grazier's adaptability to utilise anything available. To think outside the square.Black Iron Chaff Cutter. The wheel has a single piece inside with 4 curved spokes with adjustable blades attached by 4 screws & 3 rivets. The wheel has a wooden handle. Operated by cogs. HOCKING GREASE BALLARAT COGS FREELYagriculture, farm machinery, stock feeding, grazier, farm animals

Early childhood educator Sandie Mackevicius holds a small boy as he reaches overhead for some wooden rods that are suspended from the ceiling. Beside them is a large square cube with holes, that children can play in, and outside the window there is a grassed area bordered by trees. The curtains are distinctly patterned and the room stretches out behind them. This image was probably taken at RVIB School.rvib school, royal victorian institute for the blind, sandie mackevicius

Hung in CEO's Office 5/9/2003Scene depicting a beach. On the right are sand dunes with grass covering them. On the left is the ocean. The beach runs from foreground left to the upper centre of image, diminishing in size. In centre left of image three standing adult figures and one child stand to the left of a seated figure wearing a red hat. A fishing pole is braced in the sand beside the figure's chair.Front: J Kent (blue paint, lower right) Back: (unknown)

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of an early 1930's bus parked on the grass in the foreground, with a man standing on the hidden steps of the bus and another man walking in front. In the middle distance rail lines can be seen on an embankment rising behind a post and wire fence and in the background a tower rises on the closest hill. The bus is the St Hilda's Band bus and the place is Llanelly in Wales.Written in pencil on back - Llanelly, Wales, 29/5/34frank wright, 1930's bus, welsh tower, st hilda's band, sthilda's band bus

Foolscap size photocopy of survey map with handwritten notations. References include Maroondah Highway, (opposite) Mines Road, Ti tree, Sandy soil, heath, spear grass, box & stringy bark sapplings, gentle slope to creek, E. Drury. I certify that this is a correct copy of the recorded observations and measurements made by me personally and my assistant (signed) W. Thorn.

Hand tinted photograph of Lake Weeroona. Bamboo, flax, pampas grass, trees, family of ducks in water. Inscriptions: on back - in grey lead pencil 'Lake Weeroona', On mount - printed BLS at front - 'Lake Weeroona'. History: with note 'photographs from Mrs Ella Bourke, 131 Barnard St, Bendigo, ph 438269'. :Photographs Francis (Frank) Thomas Kennedy'.Francil (Frank) Thomas Kennedyplace, public gardens, lake weeroona, see also 2001.152.01, 2001.153.01, 2001.154.01, 2001.157.01, 2001.158.01, 2001.159.01, 2001.161.01, 2001.162.01

Pale blue card with white right side corners with gold edge along the blue & some on the white. A brown horseshoe with a pink ribbon at the top and lower down. Below the horseshoe are purple and white flowers in the grass. Darker blue shadow behind the flowers & horseshoe. 'Hearty Greetings' printed in gold on the right of the flowers. Card & insert held together with a cream cord.Philco Publishing Co. London W. C.person, greeting cards, malone collection, malone collection, greeting cards

Colour photo; brick house. Unknown address but possibly Aulsebrook or Martin residence. Brown brick, cedar windows, single storey, tile roof. Man mowing grass on LH side, woman sitting in front of house reading a newspaper. On back of photo 'Aulsebrook & Martin Pty Ltd., Photographers, 6 Ruth Street, Golden Square, 3555. Phone 054 437565bendigo, business, aulsebrook and martin, photographers

The letters of the completed banner were made by different churches within in the presbytery and spelled a sentence, presumably "BUILD YOUR CHURCH LORD!" Orbost was one of the churches that had the finished banner on display. One of 24 small banners with tabs at the top of each for hanging on a rod. 19 have large blue letters appliqued on them. Twenty two of the banners are roughly square and two are smaller and oblong. Three have no letters and are used as spacers in the four word sentence that the letters make. The banners are decorated with rural and coastal images. BN068.20 "!" with fabric brown cow in grass " ! "uniting church adult fellowship

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography, National Centre of Biography, Australian National UniversityAn original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Albumen silver photograph mounted on board‘The subject of this illustration is situated in one of the wildest and most romantic places in the Gipps Land ranges, about midway between Mount Munday and Mount Juliet. The foliage in this locality is very luxuriant, comprising mostly Fern Trees which are interwoven with various descriptions of grasses and stunted Fern leaves. Beneath this mass of vegetation flows a branch of the Contentment Creek.’landscape photography - victoria, nicholas caire, ferngrove - victoria

The world’s most ecologically distinct bird lives in the native grasslands of Victoria - but only just. The plains-wanderer is a small bird that was once widespread across the grasslands of south-eastern Australia. Today there are fewer than 1000 mature birds in the wild. The plains-wanderer is under threat due to habitat loss caused by overgrazing, cropping and suburban sprawl. Unlike most other birds, female wanderers are larger and more colourful and the males take care of the chicks. They are only about 15cm tall and weigh between 40-80g for the male and 55-90g for the female. Their intricate plumage mirrors the colours of their grassland home so they blend in perfectly with their surroundings. The plains-wanderer’s origins date back to when Australia was part of the Gondwana supercontinent over 60 million years ago. They are so biologically distinct that their extinction would result in the loss of a branch of the tree of life. A fussy grass dweller, they like neither too much nor too little grass. That is where sheep grazing can help. After years of low numbers in Victoria, plains-wanderer populations have been increasing in Terrick Terrick National Park in north west Victoria, as sheep grazing maintains the grass in the park at a suitable level. With the right management, this ecologically important bird species is continuing to survive in the native grasslands of Victoria. Managing these habitats for the plains-wanderer can also support the conservation of many other threatened plant and animal species. Object: Nest of plains-wanderers by Mary-Jane Walker, 2020. Outer made from upcycled paper, internal structure steel. Nest of plains-wanderers by Mary-Jane Walker, 2020. Outer made from up cycled paper, internal structure steel. native grasslands, plains-wanderer, terrick terrick national park

CEMA Art Collection Previously located in History HouseThe painting depicts a large stone building with two smaller buildings in the foreground. Within the foreground is a small patch of dirt and grass with a side view of a small building to the right and a front and side view of a small stone building to the left. In the background is the large building which features two chimmneys. To the left of the building is a leafless tree and pale blue sky. The work has a gold and green frame with glass.Front: "GREENMOUNT" (brown, lower left) TRAVIS WEBBER (brown, lower right) 23 (white sticker attached to glass Back: (No inscriptions)

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of Bentinck Street from foreshore with a female face and top of vehicle in the foreground. The female has red hair and lips, yellow face and blue clothing. The vehicle is red and blue. An extensive patch of grass separates the woman and vehicle from Bentinck Street. The buildings have patches of green, yellow, white and red added. Behind the buildings is a clear light blue sky.Front: 10/14 Kingsley, Gordon & Catherine signature '83 Back: 44