Widows beside trading tables of books and magazines at Legacy House. It was the annual fete run by the Widows Club as a fundraising event. Beryl Billings on left in black, Irene Noll serving at the table in grey jacket. It is believed the date is 17 November 1988 due to the reference number 881117.A record of the type of activities Legacy provided as a social outlet for widows. Colour photo of a trading table of books at Legacy house.Stamped on back Picture credit and copyright to "Keesing Photographic, 18 Winton St Burwood." Photo reference number: 881117-8 written in blue pen.widows, fundraising, fete

Oblong, grey 3-fold card with black printing for Mannibadar Ninth Annual Gymkhana and Fleece competition, held 1.12.1956.mannibadar annual gymkhana and fleece competition, programmes

A light grey cloth covered book titled Velveteens. A Norfolk Story by Edward Gilliat, M.A., Assistant Master in Harrow School. Illustrated by F. Barnard. The title is printed in yellow decorative lettering at the top of the front cover with a brown illustration of a man hunting with a rifle and dogs. The author's name is at the bottom in brown lettering. Inside is a Bookplate. Opposite the title page is a frontispiece black and white illustration for P.33, titled "Dead? Who's dead?" asked the squire. Publishing details are noted on the title page which has a faded tissue paper page. There is a Contents page, listing XXX chapters. Each chapter has at the top of the page a decorative nature illustration inside a rectangular box. P.125 has another black and white full page illustration. 250 Pp. At the back are lists of Publications of the Society for Promoting Christian Knowledge. fictionA family story set in the countryside in County Norfolk in England in the late 1800's.It has strong religious themes. The father, a gamekeeper to a Squire, was shot dead by poachers and the family has to survive and continue to manage the land they live on.religious books, religious fiction, family life fiction, english fiction, children's fiction

Print of an original oil painting created in 1874 (these numbers are in the top left corner) by artist Gabriel Max ("Gab Max" is in top right corner) and reproduced by Kodak. The reproduction was likely made for the Mission to Seamen from the early 1906 to the 1960s to hang in its chapel. The publisher Reinthal & Newman, New York, was in business between 1906 and 1928. The company originally published postcards, but from 1920 they published prints of art from original works of famous and not so well-known artists. The published items were distributed by the House of Art, NY, which continued on into the 1950s. The print was part of the original furnishings of St Nicholas Seamen's Church, Williamstown, Victoria. The church was operated by the Missions to Seamen organisation. THE MISSIONS TO SEAMEN (Brief History: for more, see our Reg. No. 611, Set of Pews) The Missions to Seamen, an Anglican charity, has served seafarers of the world since 1856 in Great Britain. It symbol is a Flying Angel, inspired by a Bible verse. Today there are centr4es in over 200 ports world-wide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria the organisation began in Williamstown in 1857. It was as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’. Its location was an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000 the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943 a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981 and closely resembles the Williamstown chapel. The print is significant because of its association with the Mission to Seamen in Williamstown, Victoria. This organisation had strong connections to the colonisation of Victoria by people travelling and arriving by sea. The picture is also significant as a representation of 19th century religious art by Gabriel Cornelius von Max.Print of an oil painting representing Jesus Christ, closed eyes, tear on cheek, with a crown of thorns, titled “Jesus Christus”, produced in 1874 by 19th century artist Gabriel Cornelius von Max (GAB MAX). Print on paper; black and grey drawing on beige canvas-look background with image of fixing pins in each corner, edges look like torn fabric. Published by Reinthal & Newman, New York. Print is behind glass, mounted in heavy wooden frame that is painted dark brown. Reverse has numbers on small white label. Base of reverse has two small holes, each with indentations from something round. Backing board has indentations from nails no longer there. There are remnants of original hanging wire, but this has been replaced. Part of the St Nicholas Seamen's Church Collection.FRONT: Top left :1874” Top right “GAB MAX” [Gabriel Cornelius von Max] Handwritten script under picture “Jesus Christus”. Printed bottom left on front “A33 © REINTHAL & NEWMAN PUBS. N.Y.” REVERSE: “162” written in black felt pen on white label. Pencilled on reverse "11 3/8 x 9 1/4" and "Kodak" and other indecipherable markings.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, christian art, picture of jesus christ, jesus christus, photographic print of jesus christ, missions to seamen victoria, mission to seafarers, flying angel’s club, religious worship, reinthal & newman new york, jesus christ with crown of thorns, religion, religious service, sailors rest, bethel sailors’ church, bethel floating church, ladies harbour light guild, harbor lights guild, joy club for fighters, ladies lightkeepers’ auxiliary, st nicholas mission to seamen church williamstown, mission to seamen williamstown, st nicholas seamen’s church flagstaff hill, 139 nelson place williamstown, print, religious print, jesus christ, 1874, 19th century artist, gabriel cornelius von max, gab max, gabriel max, reinthal & newman, oil painting, st nicholas seamen's church, a33 © reinthal & newman pubs. n.y., kodak, house of art

(From Glen STUART). Photos taken from Centenary Bridge c1947. HMS Glory (inner East). HMS Implacable (outer East). HMS Indefatigable (outer West). Unknown freighter at Inner West. Ships still in wartime grey and used to transport personnel and equipment back to Australia after the war, before returning to England. PMHPS assume that these five photos (3354.01 - .05) were taken on the same day. See Glen STUART's comment above. HMS Glory, Implacable and Indefatigable with attendant destroyers Tuscan and Armada arrived in Port Melbourne on 23 January 1946 and returned to England in 1947. [This series of photos 3354.01 - .05 as well as 3361 and 3362 came to PMHPS from the Moe Historical Society via the St Kilda Historical Society. Notations in pencil on the back along the left had edge indicate they came from "C W Ward photo, 355 High St, Prahran, Melbourne". Each photo bears the date 9-12-1947 in the top left corner. It is not known what this date refers to. Possibly it is when the photo was printed. Another notation on each photo says "Port Melbourne, taken in 1920". This is definitely incorrect and "NOT" has been written underneath this comment.]Black and white photo looking down Centenary Bridge towards the London Family Hotel and Swallow and Ariell. Also commercial businesses to left of bridge C W Ward photo, 355 High St, Prahran, Melbournenatural environment - beaches and foreshore, centenary bridge, built environment - commercial, london family hotel, swallow & ariell ltd, built environment - industrial, business and traders - hotels

Invitation to the official opening of an extension to the St Kilda Public Library by the Victorian Minister for the Arts, the Hon Haddon Storey QC MLC, on 19 December 1993. The floor area of the library was enlarged to include a new entry, ramp, and a pedestrian thoroughfare extending between Carlisle and Duke streets. The original entry was was blocked and a bluestone screen wall, evoking the form of an open book, was introduced to the west of new entry. Single sheet of white paper printed in grey, black and red, with St Kilda logoDon Taggart (invitee) st kilda town hall, st kilda town hall fire

Invitation to the unveiling of the foundation stone by Sir Zelman Cowen to mark the rebuilding of the St Kilda Town Hall on 5 April 1992. The Town Hall was damaged by fire on 7 April 1991 and the restored areas reopened on 26 June 1994. The invitee, Don Taggart, was the President of the St Kilda Historical Society.Single sheet of white paper printed in grey, black and red, with St Kilda logoDon Taggart (invitee)st kilda town hall, st kilda town hall fire, sir zelman cowen

Order of service and event program for Albert Jacka memorial service at St Kilda Cemetery on 17 January 1993Pamphlet of blue folded paper, with inserts of single sheets of blue and grey paper, printed in blackalbert jacka, st kilda cemetery

Depiction of a beach with large boulders in the foreground. The boulders are covered in lichen and algae, and beach sweeps up towards centre right of image. The central third of painting shows the sea (continuing behind the boulders), depicted in blue with white highlights and dark blue shadows. It is edged in the background by a cliff face (painted in brown and grey). Sky is darker blue at top and lighter blue where it meets the horizon. Mounted in double matt (pale tan on faun) with decorative cut-out border, framed under glass in wooden frame.Front: Rankin '90 (lower right) (white paint) Back: 333 (upper left) (sticker) 1990- (upper left) (pencil). Low tide Cape Grant area September 1990 $350 Pastel Ian Rankin. 46 Hurd St Portland Vic 3305 Phone Portland 231465. Phone 055/231465.cape grant, seascape, beach

Hardcover book with a grey cover. A colour image of three men and a woman along the bank of a river on cover. 240 pages.fictionA collection of stories.george r. sims, fiction

Hardcover book, 215 pages, 4 illustrations. Book has a grey cover with yellow and black printed text. Small bunch of flowers on cover.fictionRomance novel.sarah doudney, romance, fiction

Hardcover book, 344 pages. Book has a grey cover.fictionRomance novel.robert william mackenna, romance, fiction, scotland - historical fiction

320 p.: decorative grey and black cover with images of a ship on the sea, seaweed or flowers. Title and author's name embossed in gold on spine.fictionfiction, fred j. whishaw

332 p. : decorative grey-green and black cover, with images of a ship on the sea, and seaweed or flowers.Title and author's name embossed in gold on spine. Decorative endpapers - images of sailing ships and swans. Plate pasted to front cover, indicating book was previously in another collection: 'Mullen's Library, Collins Street, Melbourne'.fictionfiction, fred j. whishaw

331 p. : col. ill. Black cover, title and original creator's name embossed in grey/silver.fictionwilliam gillette, cyrus townsend brady, fiction, american civil war

Program for a civic ANZAC commemoration, presented by the City of St Kilda, at St Kilda Town Hall on 20 April 1952.Grey coloured card and single sheet of white paper folded, stapled together and printed in blue.anzac, anzac day, city of st kilda

Program for TheatreWorks production of 'Living Rooms' by Paul Davies at Linden, 26 Acland Street St Kilda.White coloured card printed on both sides in black and folded in half, with a grey paper insert printed on one side in blacktheatreworks, linden, paul davies

Original sheet music - thick paper, single sheet folded in half to create 4 pages. Front page - white print on orange/brown background. Illustrated orange, red, blue and white colour centre - Britannia, helmeted female warrior with trident and Union Jack flag surrounded by 6 groups of marching military men. Three pages of music for voice and piano - black ink print. Top of page 3 - handwritten owner's inscription.Handwritten inscription - black ink pen "Mae Morrison/ 14 Sydney St/ Murrumbeena. SE".document, printed music, ww2

Postcard featuring B2 class tram 2038, in Yarra Trams grey livery, inbound in Swan St Richmond with the Dimmey's store and clock behind. Postcard by Margie McKenzie Photography. See reference for the Dimmey's story.Yields information about B2 2038 and Swan St Richmond c2005Postcard - full colour with divided back.tramways, swan st, tram 2038, richmond, b2 class