Black and white photograph of a landscape with Turkish Mounted Troops During World War One.Verso: A Turkish photo. Turkish Mounted Troops. Palestine 1918world war, world war one, palestine, turks, turkish, mmm

Kamilaroi artist Reko Rennie’s vision is an inclusive environment where people can sit and peacefully reflect on, mourn and acknowledge the deep trauma of the past, as well as connect with the ongoing strength and resilience of the Aboriginal community and support the process of healing. 'Remember Me' symbolises community resilience, identity and family. Positioned in a ceremonial ring, the seating and spears create a circle of gathering and remembrance within the park. In a contemporary and historical sense, the spear is an emblematic statement about struggle and adversity, and it is also an expression of identity and connection to land and culture.The 'Stolen Generations Marker, Remember Me', reflects the community’s wish to create a permanent tribute to the Stolen Generations and their families; a place of reflection and respectful commemoration. Integral to this is the surrounding garden with plants local to the area that have been re-introduced into the setting. Sited at the historically important Meeting Place in the heart of Aboriginal Fitzroy, the artwork honours not only the story of this place, but of all Aboriginal people who were taken away. This project was guided by the Stolen Generations Marker Steering Group and realised by Yarra City Council in partnership with the Victorian Government. Most importantly, it has received widespread grassroots community support. It was officially launched on the 20th anniversary of National Sorry Day (26 May 2018), which acknowledges the impact of the policies spanning more than 150 years of forcible removal of Aboriginal and Torres Strait Islander children from their families. On 26 May 1997 the landmark 'Bringing Them Home' report was tabled in Federal Parliament. The report was the result of a national inquiry that investigated the forced removal of Indigenous children from their families. This was a pivotal moment for many Stolen Generations. It was the first time the stories of forced removal were formally acknowledged by the Government and a recognition that these actions were inhumane. The impacts have been lifelong and intergenerational. A collection of bronze spears and a coolamon with accompanying seating, lighting and landscaping positioned in a ceremonial ring.stolen generations, fitzroy

Born: Birmingham, England 1854; Arrived Australia 1882; Died: 1914Heidelberg SchoolLedger Gift, 1980Rural landscape with grazing sheep and trees. Gold brushed grey painted timber frame. Recto: Signed "Walter Withers" in brown paint l.r.c of composition; Dated: "~ 10 ~" in brown paint; Not titledlandscape, animals, trees, sheep, australian art

Born Morges, Vaud, Switzerland 1814; Arrived Australia: 1865; Died: Victoria 1888ColonialLedger Gift, 1986Sailing boat on river in middle of landscape and sheep are grazing. Gold painted timber frame.Recto: Signed " L Buvelot/ 1870" in brown paint l.r.c of composition; Not titledwaterscape, boat, river, animals, house, colonial, landscape, australian art

Born: Casterton, Victoria, Australia 1887; Died: 1935TonalismLedger Gift, 1988Urban landscape with view of partial house, trees and figures. Gold brushed wooden frame.Recto: Signed "C.Beckett" in red paint l.l.c of composition; Not dated; Not titledlandscape, house, figures, trees, australian art

Born: Fitzroy, Victoria, Australia 1865; Died: 1915ImpressionismLedger Gift, 1993Rural landscape with fence and buildings in the distance. Gold gesso on decorative wood moulding frame.Recto: Signed "E. Phillips Fox" in black paint l.l.c of composition; Not dated; Not titledlandscape, buildings, rural, hills, fence, australian art

Born: London, Middlesex, England 1801; Arrived: Sydney, New South Wales, Australia 1835; Died: Sydney, New South Wales, Australia 1878ColonialGift of the family of the late Betty Olive Davies 1979Rural landscape with grass, dam, buildings, trees and clouds.Gold and grey brushed timber frame.Recto: Signed and dated "CM 1858" in grey pencil in l.l.c of composition; Not titleddrawing, landscape, water, building, colonial, trees, clouds

Born: Morges, Vaud, Switzerland 1814; Lived and worked: Brazil 1835-1852; Arrived: Melbourne, Victoria, Australia 1865; Died: Melbourne, Victoria, Australia, 1888VictorianLedger Gift, 1979Rural landscape with rustic hut, pile of wood, figures, trees, hill and sky. Unframed.Recto: Signed and dated "L. Buvelot 1868" in brown watercolour in l.r.c of composition; Not titledwatercolour, landscape, house, figures, hills, trees, rural

Born: Creswick, Victoria, Australia 1870; Died: North Sydney, New South Wales, Australia 1952ImpressionismGift of Wooleen Pty. Ltd., 1980Bush and urban landscape with figures, trees and water. Gold brushed and painted timber frame.Recto: Signed "Percy Lindsay" in red oil in l.l.c of composition; Not dated; Not titledpainting, seascape, landscape, figures, trees, buildings, women, child

Born: Darlinghurst, New South Wales, Australia 1858; Lived and worked: England, Spain, France, Italy, New Zealand 1881-1923; Died: Randwick, New South Wales, Australia 1930ImpressionismGift of Wooleen Pty. Ltd., 1980Snow covered mountain landscape with buildings and trees. Thin gold brushed timber frame.Recto: Signed and dated "Russell / 12" in grey pencil in l.l.c of composition; Not titledwatercolour, landscape, buildings, mountains, snow

Born: Annandale, New South Wales, Australia 1911; Lived and worked: England and France 1937-1940; Died: Sydney, New South Wales, Australia 1946InterwarGift of Wooleen Pty. Ltd., 1980Rural landscape with trees, grass, road and hills. Antique cream painted timber frame.Recto: Signed "Eric Wilson" in red oil in l.r.c of composition; Not dated; Not titled painting, landscape, tree, hills, road, sheep, animals

Unit colour patches on uniforms indicate soldiers are members of the 2/24th Battalion.The 2/24th Battalion was an infantry battalion of the Australian Army, which served during World War II .A unit of all-volunteers, it was formed in July 1940 from primarily Victorian volunteers and was known as "Wangaratta's Own" because of the time the battalion spent in the town during its formative period prior to deployment overseas. It served in North Africa in 1941–1942 as part of the 26th Brigade, which was assigned to the 7th Division, before being reassigned to the 9th Division. In early 1943, the battalion returned to Australia and later took part in campaigns against the Japanese in New Guinea in 1943–1944 and Borneo in 1945, before being disbanded in 1946. The 2/24th suffered the highest number of casualties of any 2nd AIF infantry battalion. The Unit was granted the Freedom of the City by the Rural City of Wangaratta in 1996 and one of the first, if not the first, to receive this type of honour. Reproduced black and white photograph of group of armed soldiers at rest in open barren landscape Stamped on rear - resting en route2/24th battalion, wangaratta, middle east

Black and white image of large sign in the desert/barren location. Sign reads DO NOT LEAVE YOUR VEHICLE UNATTENDED IN ALEXANDRIA, OR IT MAY BE STOLEN.The 2/24th Battalion was an infantry battalion of the Australian Army, which served during World War II .A unit of all-volunteers, it was formed in July 1940 from primarily Victorian volunteers and was known as "Wangaratta's Own" because of the time the battalion spent in the town during its formative period prior to deployment overseas. It served in North Africa in 1941–1942 as part of the 26th Brigade, which was assigned to the 7th Division, before being reassigned to the 9th Division. In early 1943, the battalion returned to Australia and later took part in campaigns against the Japanese in New Guinea in 1943–1944 and Borneo in 1945, before being disbanded in 1946. The 2/24th suffered the highest number of casualties of any 2nd AIF infantry battalion. The Unit was granted the Freedom of the City by the Rural City of Wangaratta in 1996 and one of the first, if not the first, to receive this type of honour. Reproduced black and white photograph of large warning sign in English in open barren landscape.2/24th battalion, ww2, middle east, alexandria

Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘67 in Montreal. In 1966 Boyd travelled to Far North Queensland and the Northern Territory for research – the Expo exhibits included a coral display and native plant garden.Colour slide in a mount. Landscape, unknown location, probably far north Queensland, AustraliaMade in Australia / 8 / DEC 66M8northern territory, slide

A b/w photograph of a landscape view showing Jackson's Creek with the Sunbury township in the background.Handwritten on back: McMahonmcmahon, landscapes, jackson's creek, sunbury, george evans collection

Rural City of Wangaratta Collection, purchased with funds from the Wangaratta Art CouncilA rectangular landscape painting of trees and rocks at night painted in oil in shades of blue and brown.wangaratta art gallery, howard sparks, landscape, painting

Rural City of Wangaratta CollectionA landscape of a river crossing painted in oil using shades of green, brown, blue, and white.J. Colin Angus/ (bottom right corner)wangaratta art gallery, j colin angus, john colin angus, landscape painting

Rural City of Wangaratta Collection. Purchased with funds from the Wangaratta Arts Council.A rectangular landscape of forest ferns painted in oil using shades of green, brown, and blue.Obverse: Elaine Burge/ (bottom right corner)wangaratta art gallery, elaine burge, landscape, forest, healesville, painting

naïve art, outsider artRural City of Wangaratta Collection, Wangaratta Art Prize 1980.A landscape of a valley scene featuring animals and humans painted in oil using vibrant colours.wangaratta art gallery, tony convey, naïve art, landscape, painting, outsider art

Rural City of Wangaratta Collection: Grand Winner 1996 Wangaratta Art Show.An oil landscape of rolling hills and a mountain painted in shades of yellow, blue, brown, and grey.Obverse: RAMON HORSFIELD/ (bottom right corner) 1996 Grand Winner - TOWARDS CATHEDRAL MOUNT/ By - RAMON HORSFIELD/ Judge - PAUL McDONALD SMITH/ (plaque on mounting board)wangaratta art gallery, ramon horsfield, landscape, painting

Rural City of Wangaratta Collection, Wangaratta Art Prize - Grand Winner 1988.A landscape oil painting of a cliff face painted in browns, greys, blues, green, and yellows.Obverse: W MAGILTON/ (bottom left corner) WANGARATTA ART SHOW - 1988/ 150th CELEBRATION SPECIAL AWARD/ GRAND WINNER - OIL/ (plaque mounted on frame)wangaratta art gallery, walter magilton, landscape, painting, mount buffalo

Rural City of Wangaratta Collection, Wangaratta Art Prize 1983.A pastoral landscape painted in oils using shades of blue, green, white, yellow, and brown.Obverse: L. Pawluk./ (bottom left) WANGARATTA ART SHOW/ GRAND PRIZE WINNER/ 1983/ (plaque mounted on frame)wangaratta art gallery, len pawluk, landscape, painting, pastoral

Falls of Halladale wrecked to the West of Peterborough and the rocky point of land is now named Halladale Point. the book includes information about the history of the ship and photos of her in action, as well as information and photos of the wreck.Jack Loney researched and wrote a number of books about many shipwrecks along the Victorian coast. This limited edition book summarises the history of the barque Falls of Halladale, which wrecked just to the west of Peterborough and includes interesting photos of the ship at sail and as a wreck on the reef.A3 landscape style spiral bound book with stiff, cardboard pages. Limited editionInside it is noted that this is copy number 452 of 1000 copies, and is signed by the author. Also inscribed in pencil is " Donated by Barry Jenkins"shipwrecks, peterborough, falls of halladale, jack loney

2 rows of 9 men in uniform posing for studio portrait. Landscape B/W.Victorian Rangers Stawell 1890'smilitary, boer war

Circa WW1 Front Rows: boys on Blanket. 1st Row: Seated on Stool/chairs. Girl on right holding Blackboard with Stawell S.S. Grade 1B. 2nd Row: Standing Girls. 3rd Row: Standing Girls. 4th Row: Boys StandingB/W Landscape. School Building in Background. 5 Rows of mixed Boys and Girls.

Circa WW 1. Card FoxedB/W Landscape. Group Portrait. 4 Rows of pupis in front of Brick BuildingStawell S.S. Grade VIA Reverse Stawell State School

Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo: Shelving with wire containers of yarn, plastic over open topsAUnde Australia Ltd. logoindustry, aunde

Photographs were most likely used for promotional purposes. Room filled with wool scouring machines in an unknown textile mill.Sepia photo of a room filled with Scouring Machines in landscape format, located a textile mill.textile machinery, wool manufacture, wool, scouring