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Bayside Gallery - Bayside City Council Art & Heritage CollectionWork on paper - ink and watercolour, Annette Meikle, Semco Park, 1977
In 1977, artist Annette Meikle undertook a commission to illustrate a book recording stories of places and people in the Bayside area. It was published in 1978 as Sandringham Sketchbook, with text by Elizabeth Waters. The sketches were intended to record remaining examples of Bayside’s early architecture and environment, as well as reflect newer architectural changes. Meikle went on to donate 22 of these sketches to Bayside City Council in 2003. Semco Park was a model of exemplary modern business in the 1920s. Located on Cheltenham Road, Black Rock, then considered to be an outer suburb, the property was home to Semco, a manufacturing and importing business of paper goods and cotton fabric items. The business’s governing director, Charles Mylius, wanted a firm that treated staff with fairness, created healthy and spacious working sites and offered recreational facilities. The site contained a factory as well as three houses for staff, a park with lawns, trees and flowerbeds, a cricket oval and a canteen serving hot food. Staff enjoyed soft background music played in the factory, and benefited from a superannuation scheme. Semco Park was sold to developers in 1977 but the business continued until the early 1990s with the office moving to Mulgrave, while factory work shifted to New Zealand.Annette Meikle, Semco Park 1977, ink and watercolour, 25.8 x 35.7 cm. Bayside City Council Art and Heritage Collection. Donated by the artist, 2003annette meikle, sandringham sketchbook, elizabeth waters, semco park, semco, cheltenham road, black rock -
Bayside Gallery - Bayside City Council Art & Heritage CollectionWork on paper - ink and watercolour, Annette Meikle, Chinese Elm - Corner Beach Road and Hampton Street, 1977
In 1977, artist Annette Meikle undertook a commission to illustrate a book recording stories of places and people in the Bayside area. It was published in 1978 as Sandringham Sketchbook, with text by Elizabeth Waters. The sketches were intended to record remaining examples of Bayside’s early architecture and environment, as well as reflect newer architectural changes. Meikle went on to donate 22 of these sketches to Bayside City Council in 2003. The Chinese Elm tree illustrated here marks the site of ‘Esmeralda’ which stood at at 312-314 Hampton Street, Hampton. It was a rambling house built in 1872 by Alfred William Harston and demolished in the 1970s. The elm is thought to be over 150 years old and was preserved by Council when flats were built on the site. It is recognised in the Significant Tree Register of Bayside City Council.Annette Meikle, Chinese Elm - Corner Beach Road and Hampton Street 1977, ink and watercolour, 33.8 x 23.7 cm. Bayside City Council Art and Heritage Collection. Donated by the artist, 2003annette meikle, sandringham sketchbook, elizabeth waters, chinese elm, esmeralda, alfred william harston, significant tree, historic house, hampton, hampton street -
Queenscliffe Maritime MuseumClothing - Belt decoration
She was nearing the end of her voyage, close inshore off Cape Otway at Curdies Inlet (now called Schomberg Reef), east of Peterborough and 150 miles westward of Melbourne. When the wind suddenly dropped the ship drifted onto an uncharted reef and became stuck fast. There was no loss of life ans all the passengers, crew and mails were taken off by a passing coastal steamer, the Queen, out of Port Fairy the following morning. The passengers' luggage and some of the cargo was rescued, but the weather worsened and work was abandoned and cargo littered the beach. The wreck was sold for salvage to local merchants: two were drowned in attempts to reach her. It became a popular wreck site for diving and over 100 relics have been handed in. The bell of the ship is in the Warrnambool Museum, southern Victoria. Relics at Flagstaff Hill Maritime Museum include a cannon, a communion set, a brass candlestick, and a diamond ring.A diamond shaped brass belt decorationschomberg, salvage, peterborough -
Bendigo Historical Society Inc.Document - Amy Huxtable Memorial Committee - Correspondence, 1981-90
Amy Huxtable was born at Cheltenham in 1918, to Robert Henry Huxtable and Violet A Dagg. Her father was an installer for an oil company and travelled the State. taking his family with him. She completed her education at the Bendigo High School and later attended the Bendigo Business College, becoming an expert shorthand writer. Her first position was as a copy writer with Radio 3BO, in the mid 1930s. She worked with an advertising agency in Melbourne and then with the Age,newspaper. In 1953, Miss Huxtable was appointed temporarily to succeed Miss E B Millane as social editress of the Bendigo Advertiser, during the latter's absence abroad. In 1956, Amy travelled abroad and on her return in 1957 was appointed permanently as Women's editor, a position she held for twenty-three ears. During her early years with The Advertiser she wrote under the name Toora, but in later years her own name became widely known. Miss Huxtable was well known both in her professional capacity and through a interest and involvement in community activites. She was life governor of the Bendigo Hospital, the Bendigo Home for the Aged, and Mirridong Home for the Blind, she was a member of Soroptimist International and the Business and Professional Women's Club. Amy was also a tireless worker for the spastic society and a strong supporter of the YWCA. When Amy Huxtable died at Mt AJvernia Hospital on 16 January 1980 Mayor Campbell ordered the city flag to be flown at half-mast. "Lowering the flag is the least we can do for such a lady" Cr Campbell said. Douglas Lockwood, editor of the Bendigo Advertiser said, "She was a devot d colleague who gave her craft and her newspaper the kind of service which identified a rare and generous spirit." She was a true professional who decided to make Bendigo her home. More than 300 people packed St Paul's Church for her funeral ervice the bell tolled as the casket was carried from the church. At a ceremony in the Conservatory Gardens on No ember 22 1981 The Amy Huxtable Memorial Committee presented to the City of Bendigo, a garden seat in memory of the late Miss Huxtable. This Bendigo manufactured seat was a fitting tribute to one ofBendigo's most loved and esteemed citizens. All Miss Huxtable's Advertiser articles were microfilmed and presented to the Library by the above committee. Amy Huxtable Memorial Committee - Correspondence - 18 Pages Page 1 Letter to Andrew Taylor, Superintendent, Bendigo City Parks and Gardens 2/6/1981 re siting of the Memorial Seat. Page 2 Reply to the above letter 2/7/1981 Page 3-4 Letter to the Council suggesting the seat be placed in the Conservatory gardens 7/7/1981 Page 5 Letter from the committee to Denis O'Hoy thanking them for supplying clay and plaster for the prep work 7/7/1981 Page 6 Letter from Andrew Taylor, Bendigo City Council 22/7/1981 advising the committee that the council has approved two seats and a vandal proof sign be placed up against the Conservatory facing the Bendigo Advertiser offices. Page 7 Letter 14/8/1981 from the committee to the council re the plaque design Page 8 To the Bendigo council 8/9/1981 suggesting a date and time for the handover of the seat. Page 9 From the council 12/10/1981 thankyou letter from the Mayor agreeing to the time of the memorial seat handover. Page 10 Letter back to the Mayor on 10/7/1981 from the committee with a suggested program for the afternoon. Page 11-13 Letter from the committee to BCV TV Channel 8 10/11/1981, asking them to advertise the event on their community noticeboard, the wording enclosed; and also an article for the news. Page 14-15 The wording on the plaque Page 16 Letter to the Bendigo Council 16/8/1984 asking for some repairs to be done to the seat due to weathering. Page 16 Letter back from the council 23/8/1984 advising the committee that it is on the list of maintenance for later in the year. Page 17 Letter from the Bendigo Regional Arts Centre to the committee 28/6/1990 adising receipt of $1000 for seats ion the re-vamperd Capital Theatre; seat inscription to be "Donated by:- Amy Huxtable Memorial Committee In Memory of :- Amy Huxtablehistory, amy huxtable, bendigo, amy huxtable memorial committee, bendigo conservatory gardens, capital theatre, bendigo regional arts centre -
Bendigo Historical Society Inc.Photograph - Forest Street
Colour photograph showing the demolition work near the corner of Forest and High Street. Red bricks building around the excavation site. An excavator can be seen in the foreground and a man is crouching looking at something on the ground. On the back in pencil Forest street demolition ? 2011forest street, demolition -
Bendigo Historical Society Inc.Souvenir - Photographs: Central Deborah Mine
The Central Deborah Mine closed it's mining operations in 1954. The complete nature of the site encouraged the Bendigo City Council to purchase the site in 1970 in order that it be preserved. In 1971 the Bendigo Trust was formed and under its auspices the surface was opened to tourists in 1971' Extensive work enabled Level 2, underground to be opened to the public. This was followed in 1998 by Underground Level 3 Adventure tours. In 2011 visitors were able to tour as far down as Level 9, 228 meters below ground making it the deepest underground mine tour.Concertina souvenir six photographs of mining at Central Deborah Gold Mine Bendigo Victoria. Could be broken up to send as six separate postcardspostcards, central deborah mine -
Bendigo Historical Society Inc.Photograph - Monument Hill Gold Mine Engine Room, 1930's, exact date unknown
The Monument Hill Gold Mine was at the corner of Old Violet Street and Olive Street. It operated until 1947. The shaft was capped, the poppet legs and mullock removed. A house now occupies the site. The Monument Hill Gold mine depth was over 1200 ft. The donor of the photograph is the grandson of Albert Dunstan, and he recalls that 'the mine was fully operational in the 1940's and I was often able to see my Grandfather at work and watched as men stepped into cages to be lowered to their awful occupation'. Donor's great, great grandfather was John Perry Dunstan, a well respected mine manager on the Bendigo goldfield.Two black and white copies of original photograph. Image shows Albert Ernest Dunstan working in the engine room of the Monument Hill Gold Mine, Bendigo. Albert is at the controls of the engine, lowering and raising the mining cage; he is leaning on the support railing around the elevated platform he is standing on. Letter accompanying images describes the donor's family connection to John Perry Dunstan and Albert Ernest Dunstan, he writes that ' the mine was fully operational in the 1940's and I was often able to see my Grandfather at work and watched as men stepped into cages to be lowered to their awful occupation. I was very surprised that today there is a home sitting above what was once a very deep mine'.monument hill gold mine, albert dunstan, old violet street, olive street, engine room, mining cage -
Bendigo Historical Society Inc.
Letter - MERLE HALL COLLECTION: ROSALIND PARK CREATIVE VILLAGE BENDIGO PROJECT LETTERS, 1995
MERLE HALL COLLECTION: ROSALIND PARK CREATIVE VILLAGE BENDIGO PROJECT LETTERS Merle Hall Collection: Rosalind Park Creative Village Bendigo Project Letters from Maery Hall (Gabriel). 6 December 1995 To: Merle Hall Arts Bendigo From Maery Hall Content: Outline of what is involved in the design and working of the project. Enclosed are three page of the design outline, one page of tool drawings, three sheets of sketches, photograph of small mosaic sketch using rocks I brought back from my last visit. The letter also contains: Materials, Tools, labour, Other needs, Time, Costs and the Council’s role. 6 November 1995 To: Merle Hall Secretary Arts Bendigo From Maery Hall Content: Contains a rough sketch of the project. Note that the sketch is missing. 29 January 1997 To: Merle Hall Arts Bendigo From Maery Gabriel Content: Contains a drawing for the remaining pavement areas that I submitte before and measurements for the actual slabs for 22 square m. for the two. The result will be 2 (saddle reefs) in style. Also mentioned are two options for payment. Receipts also included for the last two payments and the saw. Thank you for sending the form of transfer for the saw. (Note the drawing is missing) 10 April 1997 To: Merle Hall Arts Bendigo From Maery Gabriel (artist in Mosaic) Content: Thank you for your letter of 9 March and further discussions on costs and layouts. 25 Feb 1997 To: Maery Gabrel, ‘Morningswood’ Pterson’s Road Ellinbank 3821 From Merle Hall Secretary Arts Bendigo Content: Apologies for the delay in not answering last letters and drawings. Mentions the need to meet with the Council to discuss the completion of the project and the need to enquire about funding from the Premier’s ‘community support fund’ 9 March 1997 To: Maery Gabrel From Merle Hall Secretary Arts Bendigo Content: Followup letter from 25 Feb 1997 concerning the last sections of the mosaic project. Outcome of meeting with Bernard Smith of the City of Greater Bendigo One local business sponsor prepared to donate a small amount towards completion of the project P.S. Sharon Hackett; the painter would love to receive her questionare from you. 22 Dec 1996 To: Maery Gabrel From Merle Hall Secretary Arts Bendigo Content: Enclosed is a form to cover transfer of ownership of the diamond saw as reccomended by an adviser. P.S. the transfer is made out to ‘Hall’ - your name under our contracts. I’ve used your name for the address. 20 Dec 1996 To: Maery Gabrel From Merle Hall Secretary Arts Bendigo Content: Arts Bendigo Inc. of P.O. Box 563, Bendigo, 3552, agrees to the transfer of ownership to Maery Hall of ‘Morningswood’, Peterson’s Rd., Ellinbank, 3821 of one ‘Stubbie electric Bricksaw. Purchased from DEMBICON on May 25th 1996 Diamond Blade for $1650, now valued at $1200 Part payment for the contractr of a mosaic pavement around the poppet lookout in Rosalind Park Bendigo. 30 Nov 1995 To: Maery Gabrel From Merle Hall Secretary Arts Bendigo Content: The enclosed survey sketches just arrived. Formal approval from the commissioners. Early next year the poppet head will be re-painted and have scaffolding there for a time, but shouldn’t be a problem. 9 January 1996 To: Maery Gabrel From Merle Hall Secretary Arts Bendigo Content: Summary of discussions with the John Little V.A.C. and Roni Schell from ‘Future Connections’ re her DEET submission and Bernard King from the City and one of the Commisioners. A non-specific plan for being ‘contracted and not employed’ An expectation the ‘Future Connections’ would then offer youseparate contract to conduct workshops for their clients and develop tutorials. 9 November 1995 To: Maery Hall From Merle Hall Secretary Arts Bendigo Content: Sketches enclosed for the poppet head site and comments on them from the City Council. 20 January 1997 From: MaeryGabiel Artist in Mosaic (formerly Maery Hall) To: Merle Hall Secretary Arts Bendigo Content: Receipt of $5000 plus one ‘Stubbie Electric Bricksaw, with stand, serial number 0002056 being payment under contract no. 2 for work on mosaic payments in Bendigo. 20 May 1996 Lisf of Materials and euipmemnt required for Mosaic and tools to be made -
Moorabbin Air Museum
Machine - BAE Kingfisher 2 UAV
Historical Details: . Description: BAE Systems is also carving a growing niche as a developer of unmanned systems. While the bulk of this work is conducted by 600 staff at its Warton manufacturing site in Lancashire, the UK company also has expertise in two of its other self-styled "hom. Level of Importance: -
Kew Historical Society IncAlbum, Louisa G Thomas, Victorian Era Sketchbook, 1862
Louisa Thomas married Henry Gipps (1837-91)in 1863. They had six sons and two daughters. While Louisa and Henry Gipps were to die in Sussex, two of their sons, Frederick George De Visme Gipps (1867-1953) and Richard Brook Woodthorpe Gipps (c.1872-1946) migrated to Queensland, possibly bringing with them their mother’s sketchbook.The collection of artworks that are included in the sketchbook are often of outstanding aesthetic and artistic significance. In the variety of subject matter and the geographical places represented, it is historically significant as a document recording the postings of Colonel Henry Gipps, 9th Norfolk Regiment, and his wife Louisa to locations in the Mediterranean and West Asia. The large bound sketchbook has a marbled cover with blue binding. The name Louisa Goulburn Thomas and the date 1862 are faintly inscribed in pencil on the front page. However the book contains pen and ink and pencil drawings, watercolours, and photographs, which both predate and postdate 1862. The approximately 75 works are loose-leafed items and [currently] do not form a chronological, geographical or thematic sequence. Creators identified on some drawings and watercolours include Mary Julia Wilder Thomas, JFV Wright, ELG (Edward Louis de Bondell Gipps?), L Nicholson, Bertha Isadore Thomas, and HG (Henry Gipps?). Many of the works are signed and dated, and include rural landscapes and seascapes, archaeological sites, animal studies, and portraits. While most of the works were created in the British Isles, others are scenes of Venice, the Ionian Islands, Cape Town, Hong Kong and Japan. [A number of the ‘oriental’ paintings on silk were probably purchased from local artists.] The art works in the book are at various stages of completion and represent a diverse range of artistic skills. What may be the earliest work in the sketchbook is a drawing of three uniformed soldiers. An annotation on the reverse records that the drawing is of a Group of Soldiers after [Philipp Jakob] de Southerbourg 1830. The birth of Louisa Thomas' oldest son, William Henry Houston Meyrick Gipps (1864-1903) in Corfu perhaps explains why a number of scenes and items in the album are of the Ionian Islands. Louisa is probably the creator of a number of still life and botanical studies in the album. These range from floral studies to a bird’s nest. The painting of objects was to remain a socially ‘approved’ specialty of amateur and professional women artists into the 20th century. The complete contents of the album will be uploaded to accompany this record. Some items may be published separately on Victorian Collections, but will acknowledge their origins in the sketchbook."Louisa Goulburn Thomas / 1862"victorian sketchbooks, manuscripts - kew historical society, 9th norfolk regiment, rosemary (gipps) vaughan smith, vaughan-smith collection -
Kew Historical Society IncPlaque - Commemorative Plaque, Free Kindergarten Union of Victoria, Commemoration of the Free Kindergarten Union of Victoria, circa 1965, c.1965
The Free Kindergarten Union of Victoria commenced teacher training in 1909. A two year course was run in cooperation with the Education Department in 1910-14, but from 1917 the Union trained its students independently. In 1922 the Kindergarten Training College was established in Mooroolbeek, Kew. In 1965, the institution, as the Melbourne Kindergarten Teachers' College, became an entity separate from the Union, and in 1973 joined the State College of Victoria as the Institute of Early Childhood Development. It subsequently amalgamated with the University of Melbourne to become the Department of Early Childhood Studies and moved from Madden Grove, Kew, to 234 Queensberry St, Carlton, early in July 1997.Plaque recognising the site of an important educational institution for teacher training.Bronze plaque with raised lettering commemorating the role of the Free Kindergarten Union of Victoria which had opened in 1916"This plaque commemorates the pioneer work of the Free Kindergarten Union of Victoria in the field of teacher education, the Union established training for kindergarten teachers in Victoria in 1916, opened the college on this site in 1922, and granted it autonomy on 1965."institute of early childhood development - kew (vic), free kindergarten union of victoria, early childhood education - kew - victoria -
Kew Historical Society IncCeremonial object - Presentation Trowel, Kew Baptist Church School Hall, Phillip Ashberry & Sons, 1905
"Infant Department The interest in this branch of the school work (under the able guidance of Misses F. Chapman and A.E. Ratten) is well maintained. It is largely through the generosity of Nr. and Mrs. Griffiths that the officers were enabled to have a new brick school hall built. The foundation stone was laid on 21st October, 1905, by Mrs. John M. Griffiths, the new building being erected on the site of the old church. It is both attractive and comfortable and is well lighted. It is also used for the week-night services. The old building which for so long had served as a schoolroom for the little ones was not considered suitable and was in 1905 disposed of for removal. When removed it was renovated, and is now used as a mission church in a neighbouring district." Source: Kew Baptist Church History 1856-1906The trowel is historically significant for its association with the Kew Baptist Church and its ownership by and association with the Griffiths family of Kew who were important tea merchants in Australia.Silver-plated commemorative trowel with bone handle, in black leather case lined with blue velvet. The trowel is engraved with information about the occasion.It was presented to Mrs J.M. Griffiths, who lived at Goldthorns, Normanby Road, Kew. [The trowel in its case was presented to the Kew Historical Society on 24 April 2018 by the Manager of Bupa Aged Care, Edithvale.]Engraved front: "Presented to Mrs. J.M. Griffiths on the occasion of her laying the foundation stone of the Baptist School Hall, Kew, Oct 21st 1905". Maker mark on reverse: "PA & S E P"griffiths family - kew (vic), mrs. j.m. griffiths, commemorative objects, baptist church (kew), presentation trowels -
Kew Historical Society IncWork on paper, Madford: the property of A.S. King Esq, c.1875
The Victorian-era mansion Madford in Wellington Street had several incarnations before it was finally demolished. While the precise details of its original construction have not been discovered, we know that it was originally named Elm Lodge, and that the property was offered for sale in 1863 by Thomas Mitchell, of the firm Mitchell & Bonneau, wholesale ironmongers and merchants. The house was sold in about 1873 to William Siddeley (1827-1905), who was described on the occasion of his death as ‘the father of Australian shipping’. The next owner was Arthur Septimus King (1827- 99), who renamed the house Madford after his purchase of the property in 1875. It was A.S. King for whom this artwork was completed. Following King’s death in 1899, portions of the property were sold, including to the Borough of Kew in 1905, to form the Alexandra Gardens. Then, in 1920, the house and its remaining lands were sold to the Catholic Church who opened St Anthony’s Home for Children on the site in 1922. That building was promptly demolished, and the site redeveloped circa 1976.Gift of James Pearson, 2022This fine perspective drawing of the architectural elements of Madford [formerly Elm Lodge, later St Anthony's Home for Babies] is contrasted with the freer addition in watercolour of the layout and plants of the garden facing Wellington Street. The view selected is the south-facing main facade and the west facing side. After A.S. King purchased the house in 1875, it was extended with new wings at the rear to accommodate his large family. There is no indication of these extensions in the painting so its creation must predate the renovations, and probably depicts the original building on the site."MADFORD / The Property of A. S. KING Esq"elm lodge, madford, st anthony's home for babies, houses -- wellington street -- kew (vic.), thomas mitchell, william siddeley, arthur septimus king -
Kew Historical Society IncBook, Rosalie Triolo, Our Schools and the War, 2012
"The Great War profoundly touched the lives of Australian teachers, school children and local communities, and with lasting consequences. Every teacher had the task of explaining the war to their students. Many teachers, a disproportionately large number, fought and died, and were joined by their older students. For years after, the names of those who fell were respectfully displayed on school honor boards, in honor books and remembered by other commemorative means, including through the introduction of Anzac Day. How teachers and school communities were affected by patriotic appeals and activities, and how they responded to the long years of grim news from Gallipoli, the Western Front and other sites of training, fighting and convalescence, is revealed in an account that historians, general readers and today's students will find illuminating and deeply moving." --Back cover.North Melbourne, Vic. : Australian Scholarly Publishing, 2012 : xvii, 364 pages : illustrations, facsimiles, portraits ; 25 cm non-fiction"The Great War profoundly touched the lives of Australian teachers, school children and local communities, and with lasting consequences. Every teacher had the task of explaining the war to their students. Many teachers, a disproportionately large number, fought and died, and were joined by their older students. For years after, the names of those who fell were respectfully displayed on school honor boards, in honor books and remembered by other commemorative means, including through the introduction of Anzac Day. How teachers and school communities were affected by patriotic appeals and activities, and how they responded to the long years of grim news from Gallipoli, the Western Front and other sites of training, fighting and convalescence, is revealed in an account that historians, general readers and today's students will find illuminating and deeply moving." --Back cover.ww1, first world war, schools, education, wwi -
![Victorian era cottage, Derby Street [Kew]](/media/collectors/550653872162f11fb04854aa/items/658f5772101c4283c6ae47ff/item-media/658f57e4101c4283c6ae493a/item-fit-380x285.jpg)
Kew Historical Society IncPhotograph - Victorian era cottage, Derby Street [Kew], c. 1965
The current site of the Kew Recreation Centre in High Street Kew previously housed the Kew Depot on the corner of Disraeli Street. In nearby Derby Street, a number of original Victorian era buildings were gradually replaced due to development of the Baths precinct and commercial development.This work forms part of the collection assembled by the historian Dorothy Rogers (1905-1973), donated to the Kew Historical Society by her son in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian from the 1960s to the 1970s. Small single fronted cottage in Derby Street, Kew. The weatherboard cottage has a block fronted facade, and a Victorian verandah with cast iron lace.Annotation verso: "House in Derby St., next to Kew Baths (Demolished?)"dorothy rogers, derby street (kew), victorian houses -- kew (vic.) -
![Victorian era cottage, Derby Street [Kew]](/media/collectors/550653872162f11fb04854aa/items/658f7ef19239cf6fd436d1fd/item-media/658f7f019239cf6fd436d25f/item-fit-380x285.jpg)
Kew Historical Society IncPhotograph - Victorian era cottage, Derby Street [Kew], c. 1965
The current site of the Kew Recreation Centre in High Street Kew previously housed the Kew Depot on the corner of Disraeli Street. In nearby Derby Street, a number of original Victorian era buildings were gradually replaced due to development of the Baths precinct and commercial development.This work forms part of the collection assembled by the historian Dorothy Rogers (1905-1973), donated to the Kew Historical Society by her son in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian from the 1960s to the 1970s. Small single fronted cottage in Derby Street, Kew. The weatherboard cottage has a block fronted facade, and a Victorian verandah with cast iron lace.dorothy rogers, derby street (kew), victorian houses -- kew (vic.) -
Kew Historical Society IncPostcard, Housen's Richmond Hotel | Portland
Many of the Henty's of the Western District of Victoria also owned houses in Kew, Victoria. Stephen Henty, referred to on the reverse of the postcard, lived while a member of the Vitoria Parliament at 'Findon' in Kew. Kew Historical Society also holds a nationally significant collection of costumes belonging to three generations of Henty women.Monochrome, blue tinted 'real photo' postcard of Housen's Richmond Hotel, Portland. Two women stand on the steps of the hotel at left, with the rose garden in front of them. Behind them is a church spire. The hotel and its significance is outlined in two columns of blue coloured text on the reverse.Printed reverse: "THE RICHMOND is the most historical building in the State. On the site of today's building Edward Henty, the founder of permanent settlement in Victoria, commenced his first house February 19, 1835, finishing the work in two months. He had landed in Portland on Nov. 19th, 1834, and turned the first plough furrows in Victoria where the Hotel now stands on the 26th of the following month. It was also here that Major Mitchell ended his explorations from Sydney, meeting the Hentys on August 29th, 1836. In December of the same year Mrs S. G. Henty joined her husband, their son Richmond, the first male white child in Portland, being born in the Henty cottage. The present Richmond Hotel was built in 1840, and became the home of Stephen Henty until his departure from Portland in 1869. Though Edward Henty's first house was demolished in 1840, to make room for the new surveyed town streets, part of his wool store remains in the Hotel grounds, and is used as a wood shed. This is about the oldest building in the State : in it was held the first christening service in Portland on September 26th, 1841. On the site of the Richmond Hotel all the early visiting celebrities were entertained - Mitchell, Wedge, La Trobe, Fyans, Sir John Franklin, Capt. Stokes, etc. No other hostelry in Victoria can give you the historical atmosphere of the RICHMOND. / THE ORIGINAL HOME OF THE HENTYS."henty family, richmond hotel -- portland (vic.), stephen henty, edward henty, richmond henty, henty houses -- victoria, portland, postcards -
Kew Historical Society IncPhotograph, Walsh grave, Boroondara General Cemetery, circa 1965, c. 1965
Dr William Butler Walsh was born in 1854. He bought from James Venn Morgan on the corner of Charles Street and Cotham Road and in 1886 built Wilton on this site. He was at one stage the only doctor between Melbourne and Lilydale.This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Grave of the Walsh family in the Boroondara General Cemeterywilliam butler walsh, boroondara general cemetery, dorothy rogers, kew cemetery -
Kew Historical Society IncPhotograph, Kilby Farm, Kew East, Before 1920
Kilby Lodge (c.1845-c.1922). William Oswin purchased Crown Land Lots 52 & 53 in 1845. These lots ran north from an old bullock track [later Kilby Road] to the Yarra, and east to Burke Road. Oswin purchased a neighbouring Lot in 1851, separated by the bullock track from the rest of the farm. Oswin built ‘Kilby Lodge’ and, with his brother, farmed dairy cattle on the site. Oswin’s descendants owned the farm into the 1890s. New subdivisions of Kilby and neighbouring farms in the 1920s changed the rural nature of north Kew. Housing and large recreation reserves replaced dairy farms and market gardens. This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.A panoramic photograph of Kilby (or Oswin's) Farm in East Kew."Kilby Farm when Oswins owned it. Commenced 1845."kilby farm, kilby lodge, william oswin, dorothy rogers, kew east -
Kew Historical Society IncPrint, Kew Railway Station in the early 1900s, c.1900
... Board) now stands on the former Station site. This work forms ...Kew Railway Station (1887-1959). ‘Kew Railway Station’ in Denmark Street was the terminus of the Kew Line, which extended from Hawthorn Station to just south of Wellington Street. The Station opened on 19 December 1887 after a prolonged campaign for a railway by the people of Kew. Due to a decline in patronage, the passenger service ceased operations in August 1952. While a freight service continued for another five years, the line and station were officially closed on 13 May 1957. Subsequently demolished in 1959, the headquarters of VicRoads (formerly Country Roads Board) now stands on the former Station site.This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.A photographic copy of a book plate from 'Kew's Civic Century' (1960) by W.D. Vaughan. The book plate was itself a copy of an early 20th century postcard depicting the Kew Railway Station."Railway opened 1887 - Then as photo states"kew railway station, dorothy rogers, country roads board, vicroads -
Kew Historical Society IncPhotograph, Kew Fire Brigade, Walton Street, c.1912
The Walton Street Fire Brigade building was constructed in 1893 (Rogers, 1973) replacing an earlier building on the site constructed for the Kew Volunteer Fire brigade. The building was demolished in 1941. In the background of the photo is a nouse on the corner of Peel and Walton Street which was also constructed in 1893 and which was to house a fireman from the brigade.This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.A photographic print of the Kew Fire Brigade, presumably copied from W.D. Vaughan's 'Kew's Civic Century' (1960)."2nd Fire Brigade, Walton St., taken shortly before Belford Rd., built. (Demolished). 2nd fire brigade, Walton St., Kew. No photo of 1st except on membership certificate."kew fire brigade, walton street - kew -
Kew Historical Society IncPlan - Subdivision Plan, 10 Fine Villa Sites: Ermington Estate, Kew Heights, ca. 1917
Pru Sanderson, in her groundbreaking ‘City of Kew Urban Conservation Study : Volume 2 - Development History’ (1988), summarised the periods of urban development and subdivisions of land in Kew. The periods that she identified included 1845-1880, 1880-1893, 1893-1921, 1921-1933, 1933-1943, and Post-War Development. These periods were selected as they represented periods of rapid growth or decline in urban development. An obvious starting point for Sanderson’s groupings involved population growth and the associated economic cycles. These cycles also highlighted urban expansion onto land that was predominantly rural, although in other cases it represented the decline and breakup of large estates. A number of the plans in the Kew Historical Society’s collection can also be found in other collections, such as those of the State Library of Victoria and the Boroondara Library Service. A number are however unique to the collection.The Kew Historical Society collection includes almost 100 subdivision plans pertaining to suburbs of the City of Melbourne. Most of these are of Kew, Kew East or Studley Park, although a smaller number are plans of Camberwell, Deepdene, Balwyn and Hawthorn. It is believed that the majority of the plans were gifted to the Society by persons connected with the real estate firm - J. R. Mathers and McMillan, 136 Cotham Road, Kew. The Plans in the collection are rarely in pristine form, being working plans on which the agent would write notes and record lots sold and the prices of these. The subdivision plans are historically significant examples of the growth of urban Melbourne from the beginning of the 20th Century up until the 1980s. A number of the plans are double-sided and often include a photograph on the reverse. A number of the latter are by noted photographers such as J.E. Barnes.In November 1917, the Ermington Estate was advertised as an ‘Executor’s Sale’. It included the 10-roomed villa residence, ‘Ermington’, home of the late Mrs. Lorimer, and 10 ‘magnificent allotments’. The plan in the Kew Historical Society Collection is a little more specific. Ermington is described as having 9 Rooms &c. and there are 11 lots shown on the west side of Hillcrest Avenue. In the plan, the latter is named as ‘Hill Crest Avenue’. The plan indicates that the subdivision was based on the surveying work of Johnson & Tait. Opposite Ermington, the existing house ‘Parkhill’ is identified. A faded stamp on two parts of the plan indicates that it was in the possession of Jas. [R.] Mathers, Financial Agent, [136] Cotham Road, Kew.subdivision plans - kew, ermington heights estate - kew heights -
Kew Historical Society IncPhotograph - Laying the foundation stone of the Kew Baptist Church, 1922
The Kew Baptist Church was originally located on the corner of Cotham Road and St John’s Parade. In 1922, work commenced on a new, larger church in Highbury Grove. The foundation stone of the new building was laid by Cr Ratten of the City of Kew on Saturday 14 October 1922, with the First Kew Scouts forming a guard of honor. A collection taken up at the laying of the foundation stone raised £454. The site and building cost approximately £6,000. The architects for this new red brick ‘semi-Gothic’ church were Messrs Gawler & Drummond. The interior of the church accommodated 500 parishioners. The seating sloped towards the pulpit with no columns obstructing the view of the worshippers. An item from an outstanding and diverse photographic collection, assembled by members of the Christian and Washfold families of Kew. This remarkable photograph is a silver albumen photograph of what was by then a significant religious group in Kew. Photographic positive on mounting board of laying of the foundation stone of the new Kew Baptist Church in Highbury Grove, Kew, The foundation stone of the church was laid on 14 October 1922 by Councillor F.R. Patten J.P. The church was opened on 9 June 1923."Building Kew Baptist"washfold family, kew baptist church -- highbury grove -- kew (vic.), churches -- kew (vic.), christian-washfold collection -
Kew Historical Society IncPostcard - Interior, Kew Baptist Church, 1920s
The Kew Baptist Church was originally located on the corner of Cotham Road and St John’s Parade. In 1922, work commenced on a new, larger church in Highbury Grove. The foundation stone of the new building was laid by Cr Ratten of the City of Kew on Saturday 14 October 1922, with the First Kew Scouts forming a guard of honor. A collection taken up at the laying of the foundation stone raised £454. The site and building cost approximately £6,000. The architects for this new red brick ‘semi-Gothic’ church were Messrs Gawler & Drummond. The interior of the church accommodated 500 parishioners. The seating sloped towards the pulpit with no columns obstructing the view of the worshippers. Faded sepia 'real photo' Kodak postcard of the interior and altar of Kew Baptist Church "Interior of Kew Baptist Church"kew baptist church -- highbury grove, churches -- kew (vic.), baptist churches, christian-washfold collection -
Kew Historical Society IncPostcard - Kew Baptist Church, 1920s
The Kew Baptist Church was originally located on the corner of Cotham Road and St John’s Parade. In 1922, work commenced on a new, larger church in Highbury Grove. The foundation stone of the new building was laid by Cr Ratten of the City of Kew on Saturday 14 October 1922, with the First Kew Scouts forming a guard of honor. A collection taken up at the laying of the foundation stone raised £454. The site and building cost approximately £6,000. The architects for this new red brick ‘semi-Gothic’ church were Messrs Gawler & Drummond. The interior of the church accommodated 500 parishioners. The seating sloped towards the pulpit with no columns obstructing the view of the worshippers. An item from an outstanding and diverse image collection, assembled by members of the Christian and Washfold families of Kew. This early photo of the Kew Baptist Church shows its original fence, built by Henry Clifford Washfold, the father of the donor.Faded sepia real photo Kodak postcard of the exterior of Kew Baptist Church in Highbury Grove. Image shows original fence and paintwork of windows."Dad built the fence"kew baptist church -- highbury grove, churches -- kew (vic.), baptist churches, christian-washfold collection -
Kew Historical Society IncPostcard - Kew Baptist Church, 1920s
The Kew Baptist Church was originally located on the corner of Cotham Road and St John’s Parade. In 1922, work commenced on a new, larger church in Highbury Grove. The foundation stone of the new building was laid by Cr Ratten of the City of Kew on Saturday 14 October 1922, with the First Kew Scouts forming a guard of honor. A collection taken up at the laying of the foundation stone raised £454. The site and building cost approximately £6,000. The architects for this new red brick ‘semi-Gothic’ church were Messrs Gawler & Drummond. The interior of the church accommodated 500 parishioners. The seating sloped towards the pulpit with no columns obstructing the view of the worshippers. An early real photo Kodak postcard of the Kew Baptist Church showing its original fenceFaded sepia postcard taken at an oblique angle of exterior of Kew Baptist Church in Highbury Grove. Image shows original fence and paintwork of windows. Photo shows parts of adjacent buildings. Two women walking past on footpath. "Kew Baptist Church"kew baptist church -- highbury grove, churches -- kew (vic.), baptist churches, christian-washfold collection -
Kew Historical Society IncSlide - Architectural Drawing, Kew Public Offices, 1887
A civic campaign for new public offices developed in Kew in the 1880s. After much deliberation, the location chosen was the junction of Bulleen and Cotham Roads. The buildings were designed by George Watson and John Henry Harvey, architects within the Department of Public Works (Victoria). Building was commenced in 1887, and after one year, the buildings were opened. The Post Office was transferred to the new Commonwealth Government in 1901. The Police Station and Court House, sold by the Victorian Government to the City of Boroondara in 2007, are now a community cultural centre and performing arts venue.The buildings were listed on the Victorian Heritage Register Register (HO885) in 1991. They are historically and architecturally significant to the State Of Victoria because Watson and Harvey's designs exhibit diversity in integrating civil offices, they accommodate the apex of road junctions, and they demonstrate a departure from the contemporaneously favoured High Victorian Classical to the Queen Anne style in the design of civic buildings. 35mm colour transparency of an original plan by George Watson and John Henry Harvey, architects of the Department of Public Works (Victoria), in 1887 for New Public Offices at Kew. This plan was copied by the donor from an original held at the Commonwealth Archives in Brighton (Vic). The copy was made to illustrate a report that the donor made on ‘The functional planning design, building materials and construction methods of the Kew Post Office’ as part of course work at RMIT.SITE AND DRAINAGE PLAN / SCALE 16' TO 1"kew court house, kew police station, kew post office, architectural drawings, khs - slides, new public offices -- kew (vic.), architecture — queen anne style -
Surrey Hills Historical Society Collection
Document - Plans, Andrew Wood, Building plans associated with Andrew Wood, builder of Surrey Hills, 1920s
These plans were associated with Mr Andrew Wood, a contract builder who worked in the 1920s and built many Californian bungalows in Surrey Hills and surrounding suburbs. Andrew Wood was born in Chiltern in 1861 to Andrew and Ellen Wood (MS: Green). His father had emigrated from Falkirk, Scotland. As a young man Andrew worked as a carpenter in the mines in South Africa (c 1899). He married Eleanor Agnes Stuchbery in Hamilton, Victoria in May 1901. They had 5 children - Doris (M Roberts), Robert Andrew, Donald Allen, Jean (M Cowan), and Gwenyth (M Bray). The first 2 children were born in Hawthorn; the other 3 in Surrey Hills. The family home at 286 Canterbury Road, Surrey Hills (on the corner of Middlesex Road) was built by Andrew. Andrew died in 1940; Eleanor died in 1977, aged 100 years. After Eleanor's death the house was sold and demolished. Surrey Lighting was established on the site. Gwenyth May Wood (3 May 1917, Surrey Hills - 5 Jan 2004) married Leslie David Charles Bray (1921-1983). Gwenyth was the donor's mother. Andrew, Eleanor and one son Robert are buried in Box Hill Cemetery - B-071-0028. .1: Specifications & plans for the kinder hall, Howard Street, Mont Albert for the Mont Albert Methodist Church, May 1925 .2 Plans for a proposed villa, 48 Payne's Paddock, Highfield Road, Canterbury for Mr E H Sillifant, dated 22/4/1920 .3 Plans for a timber villa for Mrs J A Burchell at Riversdale Road, Surrey Hills, stamped 9/5/1922 .4 Plan of a garage at Victoria avenue, Canterbury; stamped 14/2/1922 .5 Building permit & receipt from City of Hawthorn re Lot 16 Homebush Crescent; dated 7/4/1925 .6 Plans for a concrete house at Camberwell for Mr H W Field andrew wood, builders, box hill cemetery, kindergartens, mont albert methodist church, building plans, highfield road, ernest horatio sillifant, victoria avenue canterbury, lot 16 homebush crescent, californian bungalows, h w field -
Sunbury Family History and Heritage Society Inc.Photograph, C1880 - 1910
The building in the photograph was the first Sunbury State School No.1002. Prior to the school being built, lessons were conducted in the Presbyterian Church. After parents organised a petition in 1869 for the school to be housed in a proper building and a committee of management was formed, work on a new school building commenced. The old building had many structural deficiencies and the red brick building was built on the same site in 1911. A black and white photograph of an austere looking rendered building with a flagpole attached to a small portico at the entrance of the building. The roof is corrugated iron and has two air vents and two chimneys on it. There is a picket fence with a gate across the front and a tree is growing in the front.sunbury state school no. 1002., macedon street, stawell street -
Sunbury Family History and Heritage Society Inc.Photograph, c1999
The open are in the foreground was part of railway land on the west side of Sunbury Station along Horne Street. The initial preparations to develop the area into a commercial and entertainment precinct were just commencing. The development that took place on this site was indicative of the growth that was taking place in Sunbury in the early 2000sA coloured photograph of an open area feed off with temporary netting in preparation for construction work. A set of traffic lights are on the RHS of the photograph and a station is in the middle distance.sunbury railway station
