Copy negative of a photograph of Y1 611 at the Wattle Park terminus in Riversdale Road, prior to the construction of the shops that were built behind the tram. The driver is standing in the open doorway. The tram line to the Wattle Park terminus opened in 1928. The tram entered service in 1930. Photo early 1930s.Yields information about W5 808 soon after construction.Copy negative of a black and white photographtramcars, tramways, wattle park, y1 class, riversdale road, tram 611

Sepia-toned postcard of Belgrave showing cars and horse and carts sharing street. Car parked up on Mt. Dickie. Moran and Cato grocery store. Sign for V.A. Duncan, auctioneer, and a chemist. Garage on left hand side around bend. c. early 1930s

Dress belonged to the donor's mother or grandmotherFull length black crepe afternoon dress flared skirt. Basque. Front cut under the bust. Cream bib front,pointed collar,frilled edge,fastening with eight pearl buttons and loops and short puff sleeves. Complete with black rayon slip. 1930s.costume accessories, female

The Underdown family were early settlers on the Island, possibly in the 1890s. They lived in Reid Street, Rhyll. Name of donor is Ossie or Oswald Underdown.HistoricalLarge pale green sketch book with blank pages covered in native wildflower specimens and each page covered with transparent paper. a few pages of sketches at back of book. Completed in 1912Australian Sketch Bookdrawing book, wildflower collection, native flowers, oswald underdown

The Underdown family were early settlers on the Island, possibly in the 1890s. They lived in Reid Street, Rhyll. Name of donor is Ossie or Oswald Underdown.HistoricalLarge, pale green sketch book with scale and freehand drawings of plants, flowers. Completed in 1912Australian Sketch Book. Oswald Underdown.drawing, oswald underdown, drawing book

Twenty-five grand allotments were offered for sale in the subdivision known as the Kia Ora Estate in Balwyn in the early 1930s. The streets identified in the subdivision include Whitehorse Road, Barnsbury Road, Campbell Road, Mont Albert Road and Burke Road. The lots were advertised for £10 deposit, with the balance to be paid over 5 years at 5 per cent per annum. The lots bordering Whitehorse Road were nominated as potential valuable shop sites, while the Mont Albert Road lots were advertised as having ‘wonderful views’. The Outer Circle Railway Line is shown traversing the subdivision. The route of the Railway in this area is now a walking/bike track bordered by strips of parkland.subdivision plans - balwyn, kia ora estate

1860: Kew's first library was the Kew Literary and Scientific Society, which opened on 6 August 1860. 1884: Kew Town Hall was extended and the library transferred to a room on the upper floor. This was not an ideal arrangement as the room was required for Council purposes. 1904: A cottage adjoining Kew Town Hall was purchased for use as a library. 1937: The library was closed for a major overhaul of stock and renovation of the building. It reopened in December 1937 and remained there for more than 35 years. 1973: When the Civic Centre opened in Charles Street, Kew, the library moved in. 1987: Kew Library moved to its current location in the converted city hall, overlooking the beautiful Alexandra Gardens. The library was officially opened at this site on Friday 23 October 1987 by the Mayor of Kew, Cr James Tutt. (Source: Boroondara Library Service)Early original photograph of a children's library service taken by a notable Melbourne photographerOriginal photograph, in original frame, of the Junior Section of the Kew Public Library in Walpole Street, Kew. The photograph was taken by Stuart Tompkins who was the photographer of choice by the City of Kew from the 1930s to the 1960s. The details of the photograph are inscribed on the water-damaged mount, with the photographers signature at lower right. . "Junior Section, Kew Public Library, May 15th 1945"kew public library, photographers - c. stuart tompkins - camberwell (vic), children's libraries

Printed theatre programme for the Linton Amateur Dramatic Club. Red border, white background. Dated September 10th. (Year not given - probably 1930s). Performance of "Gussie's Little Game" (one-act play) and "Pearly Pearls" (two act play) presented at Skipton Mechanics Hall.Text: " THE / LINTON AMATEUR DRAMATIC CLUB / IN THE / Skipton Mechanics' Hall / Saturday, September 10 / PRESENTING / "Gussie's Little Game". "linton amateur dramatic club, rev. w.c. duffy, mrs d. mcgregor, mr h.p. bennett, mr s. morgan, reeves collins, jim collins, jack collins, mrs d. mcgregor, mrs a. shepherd, rose hayward, beryl megee, kath cunningham, clem o'beirne, mr h. kennedy

Framed studio sepia photograph of the wedding party of Jess Anderson and Victor Diggins in 1935. The wedding took place at the Presbyterian Church, Kew. The signature of the photographers - Dickinson Monteath - is at bottom right. [The Dickinson Monteath Studio operated at 296 Collins Street Melbourne during the 1930s and into the 1940s.]Inscribed below: "Jess (Anderson) & Victor Diggins Wedding / 1935 / L to R standing Joseph Diggins, Victor Diggins, Jess Diggins, Lawrence Jesse Diggins / Sitting Marie Whitbourne, Phil Anderson (Jess's sister) & later Mrs Joseph Diggins (Right). Bridesmaid on left.photographers - dickinson-monteath, jess anderson, victor diggins, cecil street -- kew (vic.), kew presbyterian church – kew (vic.)

The land sales in the area stopped due to the 1890s depression. For the next 20 years real estate sales virtually stopped until after WWI.Example of the progress of the Municipality of MoorabbinAdvertising flyer for auction of real estate sales - plan of building blocks for saleThe Hill Estate, Highett - 110 allotments - Auction Saturday September 22, 1917 T.R.B. Morton & Sonpoint nepean road (nepean highway), turner street, sanford street, alfred street, peace street, highett, real estate, moorabbin

A view of Lake Wendouree taken from further back on the western foreshore. The lady's costume suggests these images were taken circa early 1890s.Previously unknown image of Ballarat. The set and its subjects indicate these images were produced to promote Ballarat and were perhaps aimed at tourists.Lake Wendouree from the western or Gardens side, looking east.

Blocks of land in this area of Bacchus Marsh were sold in lots between 1888 and the late 1890s. This map shows sales made in 1888 and 1895.Single page map showing allotments of land bounded by Pilmer Street, Graham Street, Sydney Street and Maddingley Road (Grant Street) in Bacchus Marsh.The area is dissected by Como Street down the central area. 43 blocks of land are shown with the names of buyers or sellers in 1888 written in black in. Buyers or sellers for December 1895 are written in red ink. Part of a set of maps which are pasted into a bound volume containing 76 maps or plans in total. High resolution digital image stored on BMDHS computer network. bacchus marsh victoria maps, land sales bacchus marsh, pilmer street bacchus marsh, graham street bacchus marsh, sydney street bacchus marsh, como street bacchus marsh, maddingley road bacchus marsh, grant street bacchus marsh

Collector says: I'm intrigued to know why this 1930s & 1940s fashion of blanket - with panels of stripes on each end - only came in the colours of pink, baby blue and mint. Over the years I gathered many 'panel' blankets with labels from over a dozen different mills and yet they are all in these 3 colours only.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Double sized blanket with mint stripes Made Expressly for Mark Foy's Ltd/Sydney/The Laconia Blanket/Guaranteed Odorless and Free From Filling/Made in Australiablanket, blanket fever, wool, laconia mills

Collector says: I'm intrigued to know why this 1930s & 1940s fashion of blanket - with panels of stripes on each end - only came in the colours of pink, baby blue and mint. Over the years I gathered many 'panel' blankets with labels from over a dozen different mills and yet they are all in these 3 colours only.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Double sized blanket, cream with mint stripesThe Walmer Blanket/Guaranteed All Pure Wool and Odorless/Made in Australiawool, blanket, blanket fever

Hat belonged to Catherine (Kitty) Ann Windsor (born 23 Nov 1919 died 17 Nov 2002) in the 1930s. She was the grandmother of Rachael Cottle (Whitehorse Historical Society Secretary Aug 2011-2016). She was gate keeper at the Tunstall (Nunawading) railway gates crossing at Springvale Road during 1934 - 1952.A house was supplied for the keeper. The gates were closed to traffic from midnight till 5 a.m.Dusky pink felt skull cap shaped cap. Pearly white, gelatin sequins in the shape of a feather on one side.costume, female headwear

Photograph shows cable trailer 566 at the Bourke St terminus, with the Hudson's stores and Carlyon's Garage buildings in the background. Three crew members can be seen, one conductor with ticket bag and ticket wallet. The tram has the destination of Spencer St and a side destination of Smith St. Photographer and date unknown - late 1930s.Yields information about cable trailer 566 and the Bourke St terminus.Black and white photograph with number on rear,On rear in pencil number "148" in pencil in top right hand corner.tramways, cable trams, bourke st, tram 566

This is a book of 78 pages with a stiffened cardboard cover. The cover is greyish-white with a colour photograph of the hospital and background blurred images of St John of God nuns on the front cover. The book contains printed material, maps, tables, black and white and colour photographs and illustrations.non-fictionHistory of St John of God Hospital, Warrnambool 1939-2014st john of god warrnambool hospital, glenrye, healthcare, warrnambool

This trophy is one of several from the 1930s that were awarded as part of inter-church sporting activities organized in Warrnambool. One of the sponsors of this inter-church association was Fletcher Jones, the well-known clothing manufacturer. He had his head office and main factory in Warrnambool. This trophy was awarded to the Congregational Men’s Institute (C.M.I.) for the bowls competition. A Congregational Church was opened in Liebig Street in Warrnambool in 1864 and transferred to Henna Street in 1940. In 1979 this Henna Street church was sold to the Salvation Army when the Congregational Church merged with the Methodist Church to form the Uniting Church. The game of bowls has been popular in Warrnambool since its establishment in the town in the 1890s. This cup is of interest as it is a trophy from sporting competitions held in Warrnambool in the 1930s. This is an electro plated nickel silver cup with two side handles and a thin stem tapering down to a silver base. The cup is mounted on to a brown Bakelite stand. ‘President’s Cup I. C. I. S A. Won By C.M.I. Bowls Team 1934’ warrnambool inter-church indoor sports association, congregational church warrnambool

Knife, Clasp, with Marline Spike and Tin Opener, manufactured in England to the Standard Pattern 6353/1905, as modified in 1913 with specific dimensions to the tin opener. This pattern was used by British forces, and was one of the patterns issued to members of the Australian Infantry Force during WW1. This pattern was used up until the late 1930s, where it was superseded by other patterns.Knife, Clasp, with Marlin Spike and Tin Opener, manufactured to the standard British pattern 6353/1905, as modified in 1913 with changed dimensions for the tin opener. The hilt of the knife has two chequered pattern sides secured by five metal rivets. The underside of the hilt has two recesses to allow storage of the blade and the tin opener. A tapered steel Marline spike is mounted on the other side of the hilt, pivoting at the opposite end to the blade and tin opener. A copper wire shackle is also secured at this end of the hilt that was used to attach the knife to a lanyard or belt clip. A fingernail indentation is located near the top of one side of the blade. The tin opener has bevelled edges tapered to a point on one side, with a steel post mounted in the middle of the other side.J. CLARKE & SON SHEFFIELDknife, clasp, ww1, steel, marline spike, australian infantry force, milirary

Photographs are all from the 1930s as below: 1. Nellie Bawden; 2. Federal Mill Basketball Team (pre WWII) from left to right: Eva Fagen (Ball), ? Darling, Glad. Rand, Nellie Bawden, Jean Devlin, Beryl Haddon, Mavis Anderson; 3. Inter-house Sports Team from right to left: Mollie O'Brien (Ball), Beryl Haddon, Jean Devlin, Ann Lagan, N.Bawden. 4. the New Zealand Team who played against Geelong Unity Clubs; 5. Mixed Geelong Federal Basketball team, from right to left: Phylis Bryant (Ball), ?, ?, Eva Fagen, Nellie Bawden, Lorna Farrell, ? Hose. Mrs Alsop was a mill worker from early 1930s till early 1970s. She worked at Federal and Foster Mills in Geelong District and Yarra Falls, Melbourne.Photograph album sheet of heavy brown paper. Contains five black and white photographs and a space where one has been removed. Four of the photos depict teams of female basketball players and one depicts a single basketball player holding a ball.Fed. Team / Fed. Team / N. Zealand Team. / Geelong Team.textile mills sporting teams, textile mills staff, federal woollen mills ltd, sport, textile mills - sporting teams, textile mills - staff

The quilt was made by Ada Maud Allen, the grandmother of the donor. Mrs Allen was from a Queensland wool growing property and was a prolific wool quilter. She was noted for her quilt making and also made items such as dressing gowns. She exhibited at many country shows and with the Queensland Country Women's Association. The wool used in the quilt was from her own property. The quilt was made in the 1930s and subsequently used by Mrs Allen's children, grandchildren and great-grandchildren.Wool quilt made by Ada Maud Allen, c.1930s. Detail of woollen quilt made by Ada Maud Allen, c.1930s. The woollen contents of the quilt and aspects of its construction can be seen. Conservation report and treatment proposals prepared by Abigail Hart, Textile Conservation, 19-1-01, for quilts 430 and 4053. Conservation treatment proposal prepared by Abigail Hart, Textile Conservation, 19-4-2001, for quilt 430. Report on the conservation treatment undertaken on the quilt by Abigail Hart, textile conservator. Country Women's Association pamphlet 'Use More Wool' Letter to Miss Ruth Lane, 30 November 1991 Letter to Mrs Allen from Margaret Travill, 22 March 1934 Letter to Mrs Allen from S.J. Rayment, 23 March 1934 Letter to Mrs Allen from E. Maitham, 21 April 1934, page 1 Letter to Mrs Allen from E. Maitham, 21 April 1934 page 2 Instructions on making woollen quilts page 1 Instructions on making woollen quilts page 2 Allen family photos from Queensland Museum page 1 - stud lambs Allen family photos from Queensland Museum page 5 - 'Nalemba', Sept. 1918 Allen family photos from Queensland Museum page 2 - at 'Stanbroke', early 1942 Allen family photos from Queensland Museum page 3 - 'Stanbroke', 1936 Allen family photos from Queensland Museum page 4 - Mr Marsh, Shearing Contractor Allen family photos from Queensland Museum page 6 - Mrs A. M. Allen c.1937 with grandson Allen Photos taken before conservation treatment March 2002quilting handicrafts, allen, mrs ada maud, quilting, handicrafts

The Melbourne and Metropolitan Board of Works (MMBW) plans were produced from the 1890s to the 1950s. They were crucial to the design and development of Melbourne's sewerage and drainage system. This plan forms part of a large group of MMBW plans and maps that was donated to the Society by the Mr Poulter, City Engineer of the City of Kew in 1989. Within this collection, thirty-five hand-coloured plans, backed with linen, are of statewide significance as they include annotations that provide details of construction materials used in buildings in the first decade of the 20th century as well as additional information about land ownership and usage. The copies in the Public Record Office Victoria and the State Library of Victoria are monochrome versions which do not denote building materials so that the maps in this collection are invaluable and unique tools for researchers and heritage consultants. A number of the plans are not held in the collection of the State Library of Victoria so they have the additional attribute of rarity.Digital copy of an original MMBW plan. This contour plan shows the area identified by the MMBW for purposes of drainage and sewerage in 1894. The suburbs represented extend from Williamstown in the west to Bulleen in the east, and from Preston in the north, south to Sandringham. Suburbs are outlined in coloured ink. Red lines indicate main and branch sewers in existence at the beginning of 1894 in central and inner Melbourne. These extended as far as Williamstown and Brighton, but not yet as far as Kew, where sewering did not commence until 1901. Contour lines show the topography, which was important for indicating the fall of the land for the laying of sewers and drainage channels. Kew appears to be fairly undeveloped at this date except for railway lines and stations (the Kew and Outer Circle lines), main roads, the Kew Lunatic Asylum Reserve and Studley Park. However, the contour plan does not accurately represent the density of settlement, nor the large number of houses, which were being built in Kew and other suburbs from the 1850s to the land boom of the late 1880’s and early 1890’s. This plan is part of a large and historically significant group of MMBW plans and maps that was donated to the Society by the Mr Poulter, City Engineer of the City of Kew in 1989.mmbw contour plan of melbourne and suburbs, melbourne and metropolitan board of works, melbourne sewage, cartography

A cream program with the following words on the cover, ' Direction: Australian Broadcasting Commission MELBOURNE SYMPHONY ORCHESTRA Conductor: Joseph Post. Solo violinist: Bertha Jorgensen. Capital Theatre, Bendigo. Wednesday, 30th June, 8 p.m. Programme 6d. On the inside is the program, advertisements and photos. C. 1930sprogram, music, orchestra, lydia chancellor, collection, music, concert, orchestra, entertainment, program

Form used to advise crews that they had been reported for a breach of Rule No. or Special Order No. etc. Has space for the date (1930s), Signature, date, time, and trip. Seeks the person's explanation which had to be in writing. Used post the SEC takeover of the Ballarat system. Headed the Electricity Supply Department of the SECV. See item 9123 for the subsequent form used.Demonstrates a form used to advise crews of a breach of the rules etc and seeking an explananation.Preprinted form - No TYE1-38, on plain off white paper.tramways, forms, sec, secv, rules, behaviour

Geelong Street Directory - "Mac's Key to Geelong", 14 maps, giving a directory of streets, suburb listing and abbreviations, Municipal and Public offices of Government departments and a list of Justices of the Peace. Shows the tram routes and rail lines. Has many advertisements for Geelong businesses or products. Possibly late 1930s as map 1 does not show the line to the Beach.Yields information about Geelong suburbs and businesses, late 1930sPrinted booklet - 40 pages + card cover, centre stapled.On front cover "To be retained in D/S's Office" in ink and on page 1 "Ex B. Weedon with thanks"tramways, geelong, maps

The group of friends and families are enjoying a picnic which was held at Mt Evelyn and organised by the Ithacan Philanthropic Society some time in the late 1930s. Pictured L-R Stathis Troholis, Nicholas Trohoulias, Gerry Rigos (Varvarigos), Peter Drakopoulos, Irakli Regos, Stathis Benias, Angelo Zafiris, Odyssea (Des) Kostopoulos, Spiro Troholis, Helen Regos, unknown. A sepia photograph in a white cardboard folder of nine men and two ladies sitting on the ground around a picnic meal spread out in front of them . The names of the people in the photograph have been written on the back of the folder.

The Underdown family were early settlers on the Island, possibly in the 1890s. They lived in Reid Street, Rhyll. Name of donor was Ossie or Oswald Underdown.[Source Cherry McFee]Faded black & white photo on cardboard mount of a man, believed to be Mr Underdown, standing in front of a house with a dog and horse.Underdown property in Rhyll. Later Strawberry Gardens.underdown family, rhyll, buildings - historical, historic homes, local identities, oswald underdown, photographs

The MMTB printed advertising on the back of tram tickets or these "Schoolboy Howlers" along with promoting the advertising on the back of tickets using the phase "Melbourne trams and buses carry 1,000,000 passengers a day" Ticket values are 1d , 2d, 2d City Section, 3d, 4d and 6d. The collection comprises over 60 different howlers of the times. Produced during the late 1930s and early 1940s.Demonstrates the use of the rear of Melbourne tram tickets for advertising.Set of over 60 Schoolboy howler Melbourne tram tickets sorted primarily by value and type.tramways, mmtb, tickets, schoolboy howlers, advertising