T.O. No. 03-1-6

Interviewed by Pat Grainger at Sylvia's home at 98 Princes Street. Interview used in contributions to the book "They Can Carry Me Out" .Sylvia Gleeson discussing her life in Port Melbourne, particularly in relation to the operation of the kiosk on the East Wing Pier of Station PierDuration 01:03:07families, domestic life, piers and wharves - station pier, business and traders - kiosk, sylvia gleeson

Frank Vincent discussing his boyhood in Port Melbourne and his legal Career. Interviewed by Graham BrideDuration 01:03:14built environment, families, law, frank vincent

Glen Stuart discussing the writing of his booklet "My Time at Engine Works"Duration 00:38:03industry - manufacturing, built environment - industrial, glen stuart

Over 200 colour photographs taken while Bialik students and staff visited Israel in 2002. Please contact [email protected] to request access to this record.Israel - '03 (Bialik Trip)2000s, 2003, israel, bialik college, travel, 2002

White and green plastic ballpoint printed with the names and phone numbers of the "Docks Bistro and Bar" and "Station Pier Condominiums". The Station pier condominiums were on the block bounded by Beach St, Post Office Place, Dow St and Rouse St."Station Pier Condominiums (03) 9647 9666" "Docks Bistro and Bar (03) 9647 9606"built environment - commercial, business and traders, hotels, station pier condominiums, docks bistro and bar

Two items about sales of this property: 1/Leader Newspaper advertisement dated 03/05/2004, including two coloured photographs (one exterior and one interior). Article gives brief details of interior for upcoming sale. 2/Advertisement hand-dated 27/08/2015 with one colour exterior photo. Described as having period charm and modern convenience.prentice street, elsternwick, federation style, janssens chris, thomson david, estate agents, timber houses, architectural styles, edwardian style

Human Archetypes, The Uncanny Valley, and Inorganic Human Forms The work interrogates the recurring concept of humankind’s fascination with replicating herself in her own image. Just as the Judeo-Christian God is said to have created humans in his own image, we replicate ourselves in art and then science. We seek to make an artificial intelligence that may well be fraught with our own survival as a species, and we refine these creations until we can no longer tell if they are human or facsimilie. Even when this is impractical; when a non-human robotic form may well be better suited to the task, we persist in making our new companions in human form. So much so that when our creations develop their own ability to create human forms, they inherently seek perfection of human characteristic when no such thing exists, and all humans are flawed. My work takes the human and reverses this process, seeking to see how dehumanising one can make the subject of portraiture before it becomes ‘the other’. In doing so, I look for what makes us human, and how we portray or present various aspects of humanity and human endeavour as stereotypical archetypes. I have used, as a paying subscriber, the artificial intelligence presented in the Adobe Creative Suite, which is ethically sourced from Adobe’s own stock collection which itself has been purchased from artists, as a launchpad for this exploration, thus invoking concepts of meta - where the AI works on a project that attempts to dissect the very reasons and underlying foundations of humankind’s desire to create AI in the first place. Some of the work touches on the idea of a human/AI connection, extending to the concepts of an interspecies symbiosis, and whether a human could experience a genuine love of a non-organic human form, and vice versa. Clayton KEEFE Completed a Bachelor of Visual Art at Federation University Arts Academy in 2023.Colour photograph of metal arm and hand holding a wine glass, in front of a window.clayton keefe, available, photography, ai, alumni

Quinn CollectionA blue self-folding letter (0921.a) headed The Meadows, Epsom and dated 11/08/55 is addressed to Kip Hayes Esq., 14 Fitzroy Street, St. Kilda, Victoria, Australia. The postmark is Epsom, Surrey. Letter commences "Dear Kip.." and is signed "Jim"letters-from-abroad, allan quinn, jim hayes

Flyer inviting people to the inaugural meeting of the Port Melbourne Historical & Preservation Society, 04-08-1993 societies clubs unions and other organisations, port melbourne historical & preservation society, pmhps