Yields information about ESCo tram No. 2, uniforms, passengers and the tramcar equipment.Black and white photograph, digital print, of ESCo 2 with Motorman, Conductor and passengers sitting on the tram including a church minister. Tram has the destination of Gardens via Ripon St. Photo taken with a Gardens background., track brakes, rolled up canvas blinds. On the pillar nearest to the camera is hanging a Section Staff. Photo shows the painting scheme on the side and front dash panel lining and numbers. Also shows the hand brake type (geared), lifeguard, and strap hangers. Photo c1010trams, tramways, esco, lydiard st, motormen, conductors, safeworking, crews, tram 2

Colour photograph printed onto white card as a BTM Membership card for 2009 - 2010. Photo of tram 22 as received back in the BTM depot during 2009, with a smaller black and white image of the same tram in its running days. Has the words "Ballarat Tramway Museum" in white block printing on the lower edge of the card. On rear along bottom edge, has words "Tram 22." Two copies held. No label on rear. .trams, tramways, btm, membership cards, sebastopol type

Black and White print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Photo of 13 outside the Bendigo tram depot. Photo by Wal Jack - 10-4-1950. i1 - scan of print in the album i2 - rear of image i3 - scan of negative at 3200dpi added 6/6/2020. On the rear in blue ink "SEC Bendigo No. 13 fitted with "Ballarat" type end doors. Bendigo Depot 10-4-50" "W. Jack copyright stamp in top right hand corner with the number "T212" written in.trams, tramways, bendigo, depot, tram 13

Black and White print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Photo of the Charing Cross with three bogie trams at the intersection, SEC publicity photo c1950. Two of the bogies crossing on the Eaglehawk - Quarry Hill line have white or cream strips on the lower edge of the body. No 26 has the destination of North Bendigo, though it is on Golden Square line with the driver standing just inside the doorway. In the background is the fountain, the Gardens and Pall Mall. SEC Publicity Photo, see Inscriptions for notes re photo. On the rear is the SEC Publicity Photo stamp, with negative number 21.1 written in, "Yallourn" in pencil and a typed piece of paper taped to the rear of the photo noting the Provincial tramways owned by the SEC, but that it is loss making.trams, tramways, bendigo, charing cross, secv, pall mall, tram 26

Bendigo Operatic Society White Programme Booklet, Black Type & Lilac Illustration on cover. Production: 'Lilac Time' Capital Theatre, View Street Bendigo. Five night season. Commencing Friday, 20th November, 1970. Permission by Chappell & Co. Ltd. Producer Cyril Holden. Music Franz Schubert. Arranged Heinrich Berte & G.H. Clutsam. Adaptation & Lyrics Adrian Ross. Choreographer Madge Welch. Cast: Ann Ball, Dorothy Field, Cheryl Marshall, Graeme Daws, John Tonkin, Harry Brewer, Shane Brennan, Ruth Iredale, Peggy Green, Patricia McCracken, Brian Thomas, Douglas Sayle, John McCormack, John Boquest, Neil Roxburgh, Fred Trewarne, Ferd. Lorenz, Michael Filippini, Patrica Lyon, Christine Cavanaugh, Bartina Daws.Printed offset by Cambridge Press, Bendigoclubs and associations, theatre, bendigo operatic society

Black & white 35mm negative strip containing three pictures of the Bendigo Deutschen Verein 1871. Small Sepia photo of 114 small oval bust photos of men. The name, first word unknown, Bendigo Deutschen Verein 1871. Printed on the back of the photo - Photographed by Chevalier, Pall Mall, Sandhurst. Contained in a buff envelope with - 'Negs & Original Photo of Deutschen Verein'. Written on the back of the envelope is 'German Heritage Society, Bendigo'. Also a small yellow card with 'Negs - (22/9/95) Photo - original of Deutschen Verein. Small card with typed note - The Deutscher Verein met at the European Hotel (now demolished) in High St. There, in later years it had a library of over 5000 volumes.Chevalier, Pall Mall, Sandhurstnegative, bendigo, german heritage society, german heritage society collection - photograph deutschen verein & negative, chevalier

Sandhurst and Electric Tramways Company introduced the first trams to Bendigo in June 1890. These were battery operated trams but it soon became obvious that the battery life was unable to copy with Bendigo's hilly terrain. The trams were converted to steam in 1892. In 1899 the tramways were sold to the Electric Supply Company of Victoria and in 1903 the trams were converted to electricity. After WW1 the SEC was formed and took over the running of the trams. With the increased usage of cars, patronage of the trams began to drop off after WW2. In 1972 the tramways closed as a commuter service. The Bendigo trust then restored trams and infrastructure and began the tourist/talking trams.State Electricity Commission of Victoria Provincial Tramways: student passes One box containing various types of tram tickets. Bottom of box is red. Top of box has a mottled pattern with a stripe across the length with the words "SAVON TWEED LENTHERIC". 1 separate bundle of 10c paper tickets with cardboard backing and whitestripe where tickets are stapled together. Tickets are a beige color with black print. Bottom of box has a blue sticker with white typeface - "JW Jones Chemist Hargreaves St. Bendigo" 13/6 is written in the middle of this sticker with pencil.On back of separate ticket bundle is blue pen with OCT 1972 crossed out and 16.4.1972 Trams Finishedprovincial tramways, tramways, tickets, passes, electricity

Shows an accident between a Pengelly tram and an AEC solid tyre truck, possibly carrying sacks of coal. Reg Item 8321 shows an accident damaged tram of the same type - tram 22Provides information on the consequences of an accident between a larger heavy truck and a Pengelly tram on 9-2-1927.Mounted Black and White photograph mounted on a grey cardboard, embossed with lines and a decorative pattern of a Geelong Pengelly type tram in collision with an AEC solid tyre truck carrying bagged materials, possibly coal. Has a photographic studio stamp in the bottom right hand corner "C. V. El??". 2nd copy held - on a black plastic copy format.In pencil written under the print "9-2-27 Wed 4.10pm c/o Yarra & Ryrie Sts car going east".geelong, accidents, tram 22, ryrie st, aec trucks, tramways, trams

Postcard - Bridge Sreet, Ballarat Vic showing tram tracks, a number of horse drawn carts and cabs. On the far right, a tram stop sign can be seen, along with men talking. In the view are shops, businesses or advertisements for: Junction Boot Store, Havelock Tobacco, Halls Corner, A Bregeut Ales & Butter shop, W A Stark Wines and Spirits, Velvet Soap, Thomas Dunstan? Leather Merchant.Yields infomation about the corner of Bridge Street, Main Road and Victoria Streets.Black and white postcard titled Bridge Sreet Ballarat Vic, looking west from the corner of Bridge Street, Main Road and Victoria Streets 1910c. Divided back type, published by VSM Melboune and printed in Prussia.bridge street, ballarat, stones corner, victoria street, main road, tramways, tram track, horse drawn vehicles

Issued to employees such as shed staff and other office staff. See also 3648 for an early example of this type of pass and Reg Item, 8126 for an example of use by Wayne Kell.Demonstrates the method that the SECV used to enable free travel for employees and staff.Set of 3 passes or Tickets - White card (200 gsm) ticket with, printed in black ink - titled "Special Pass". Form number "TYE 2-220" in top left hand corner. Has space for the name of the Bearer (issued to Mr. ...), Branch to be written, space for manager to sign with date .../.../19.... and expiry date of pass." Conditions of use printed on rear. 1 - Has number "200" stamped on. 2 - 172 3 - 165 sec tramways, ballarat, tickets, provincial cities, special pass, employees

Set of two photos of the interiors of two different types of Birney trams in Bendigo. 1 - Bendigo 15, longitudinal seating and the drivers cabin. Also shows the tramway control equipment that was located under the seats. Photo - Keith Kings No. D(i)(4), dated 10/4/1950 2 - Bendigo 29 with tip over seating, the open driver's position and night curtain. Photo - Keith Kings No. D(i)(3), dated 10/4/1950.Yields information about the interior seating arrangments of Birney type tramcars.Set of two black and white photographs of the interior of Bendigo Birney trams.Details the image on the rear of the print in ink.birney tramcars, bendigo, tramcars, interiors, tram 15, tram 29

Shows the various destinations used on a Ballarat tramway destination roll. This type of roll was replaced with black on white background during the mid 1960s. Possibly made by the AETA during the mid 1960s. See Item 7011 for other examples.Yields information about layout of a Ballarat tram destination roll. Reproduction of tram destination rolls printed on heavy paper - Ballarat.tranways, destination roll, ballarat

Yields information about the seven window horse tram and passengers and streetscape in the gardens at the time. Only known photograph of this type of tramcar.Stereo pair of photos, black and white, of a 7 window horse tram in Wendouree Parade, possibly near Windmill Drive, Nth end, mounted on heavy card. Photographed and published by Geo Rose. Has many lady passengers on the top deck of the tramcar. Tram has the destination of "Boatsheds". Possibly around 1900. Only known photo as at 2/96 of these seven 7 window horse tram in Ballarat. For a print of one of these photos - see Reg. Item 258. Was borrowed and returned 5/18 by Bob Carmichael, Stereograph collector, PO Box 1349, Ballarat Mail Centre, 0418 528 270, George Rose Specialist. Use print - Reg. No. 258 for displayIn ink on rear "Horse Tram at Botanical Gardens Ballarat Vic."trams, tramways, ballaarat tramway company, horse trams, 7 window horse tram, gardens, stereo photograph

Yields information about how the BTPS promoted the tramway, with the Design by the printer and William F Scott.Printed 6 page fold out pamphlet on Ballarat Vintage Tramway, Featuring 4 black and white photos, 2 maps; one of old Ballarat system, and one part of Lake Wendouree with green boarders and some type face in green ink. Prepared by W.Scott for BTPS in 1984/85. 2nd copy added 1/1/2012trams, tramways, btps, ballarat vintage tramway, botanical gardens

Part of a suite of materials used by Air Raid Precautions (ARP) wardens in Kew in the Second World War. Air raid wardens managed groups of people in using air raid facilities that were constructed throughout the district. The ARP scheme was based on that developed in the United Kingdom. The collection of ARP items, originally belonging to Mr Samuel James Gare of Bowen Street, Kew, was donated five years after his death by his son.Primary resources showing the materials and advice developed to protect civilians on the home front. Examples of such support in the Kew Historical Society's collection includes advice for authorised community representatives, insignia and equipment.White rubberised canvas armband with tape ties. Printed in black on the band is 'ARP/WARDEN'. A similar example in the Australian War Memorial's collection notes that this: "Example of the type of Air Raid Precaution (ARP) armband used by the State Emergency Service (SES) of Victoria during the Second World War; this style worn by ARP wardens. The Victorian style of armband differed from those of other states, and is indicative of the variety of ARP organisations found across the states."Inscribed on reverse: "KH-2019"air raid precautions - uniforms, second world war 1939-1945, arp, air raid precautions, state emergency services victoria 1939-1945, second world war — air raid precautions, world war 2 — 1939-1945, home front — kew (vic.)

1_Program contains advertisements from local retailers in Ivanhoe and Eaglemont advertises the forthcoming play, lists the cast and crew, with details of the cast, synopsis of scenes and when each act occurs. 3_1 Refers to detail of staging with ‘average’ acting, with best performance by Lois James. 3_2 Detailed Review, includes performance dates; Thursday 1st and Friday 2nd May, 1952. Increased size of audience and detail of the staging and favourable descriptions of the actors and producer. All items in good condition 1_Photocopy on white A4 paper from scanned original program that is printed on both sides of single sheet. 3_1 photocopy of cutting from unidentified newspaper article. 3_2 Cutting from unidentified newspaper article. Black type face on newsprint paper which has an ecru tone. The Review is glued onto paper. 6_Photocopy of cuttings from unidentified newspaper articles elaine robinson, reg morkham, stella guererro, esme kopman, ken proctor, elaine hill, lois james, joyce carthew, thora berg, reg rudd, claudia, city of heidelberg repertory group, eistdford hall, directed by mel morgan

The Post War Planning Report was prepared by Leslie M. Perrott & Partners: (City Planning Consultants) and according to the report, it was submitted to the Council of the Municipality of Caulfield through its Special Committee on Post War Planning. The report has no evident date however the introduction text suggests that it was prepared before the end of World War II. The report is the only known extant copy and therefore considered rare. Bound report with grey cover titled: "Report to the Post War Planning Committee Caulfield City Council". Interior pages include x83 pages typed text printed on blue print paper; x3 pages copies of black and white photographs; 10 blueprint plans. 86 pages consistent in size with book cover, 10 x blueprint plans varying dimensions, folded and bound within the report. Printed on white sticker on spine of book "LH 994. 51" and on first page inside "CAULFIELD LIBRARY SERVICE REFERENCE BOOK" and on the verso of this page, another stamp with CAULFIELD LIBRARY SERVICE and LH REF 12/7 hand written in black ink and a 14 digit reference number below this. On the back of the last plan in the book, there is a blue stamp with "REFERENCE BOOK TO BE USED IN THE LIBRARY ONLY". Below this is a black and white barcode with a black line through it and a round, blue sticker beside it.

This item is part of a group of five green display boards with photographs of sheep. This item is associated with the New South Wales Graziers Association world tour of merino sheep 1928/9.Five black and white photographs and printed paper mounted on green display board. Photographs depict sheep and men. The display board has pin holes in each corner.Front: [handwritten] Reversed Badgerface Pattern. / [printed] This is a remarkable instance of a reversal of pattern. The areas / that are black in the badgerface are white in this type, and vice versa. / This pattern behaves as a simple recessive to white and to badgerface / pattern. As in the badgerface, there are many modifications. Figs. / 1-3 show the typical pattern. Fig. 4 shows the head of another sheep / and Figs. 5-6 a typical lamb. Back: [handwritten] Reversed / Badgerface Pattern / 8 / [printed] PHOTOGRAPH COPYRIGHT / BY / THE ANIMAL BREEDING RESEARCH DEPT., / THE UNIVERSITY, EDINBURGH. / PLEASE RETURN TO :new south wales graziers association, world tour, england, sheep, farm, rural, agriculture, scotland

This item is part of a group of five green display boards with photographs of sheep. This item is associated with the New South Wales Graziers Association world tour of merino sheep 1928/9.Five black and white photographs and printed paper mounted on green display board. Photographs depict sheep and men. The display board has pin holes in each corner.Front: [handwritten] Types of Birth Coat in Welsh Lambs. / [printed] The coats of Welsh lambs at birth fall into three classes. / Fig. 1 shows the type that is thick and hairy all over, Fig. 5 that / which is composed of curly wool. Figs. 2-4 are the intermediate / type with a fine curling coat on the forepart of the body. Fig. 3 / is typical of the intermediate type. Back: [handwritten] Types of Birth Coat / in Welsh Lambs / [printed] PHOTOGRAPH COPYRIGHT / BY / THE ANIMAL BREEDING RESEARCH DEPT., / THE UNIVERSITY, EDINBURGH. / PLEASE RETURN TO :new south wales graziers association, world tour, england, sheep, farm, rural, agriculture

John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html)Black and white print showing a domed gazebo with boat on a lake in the foreground and trees in the backgroundkeith wingrove memorial trust, bookplate, australian bookplate design awards, printmaking

John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) The white text John Gartner is shown on a black background within an oval shaped wreathNonebookplate, keith wingrove memorial trust, australian bookplate design awards, printmaking

John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) Black background with the white letters J G inscribed within a white rectangular border. The word Henry Moore featured in the bottom left corner.Nilkeith wingrove memorial trust, australian bookplate design awards, bookplate, printmaking

John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) Large black and white elephant with tusksNilkeith wingrove memorial trust, australian bookplate design awards, bookplate, printmaking

John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) The name Zelma Gartner in white capital letters on black rectangular background with white and black border stripsNilkeith wingrove memorial trust, australian bookplate design awards, bookplate, printmaking

John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) Black and white etching of a printing pressSignature with the year 86australian bookplate design award, bookplate, keith wingrove memorial trust, printmaking

John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) A black and white printing machine is pictured with large sheets of paper in the background.Signature with the number 494australian bookplate design award, keith wingrove memorial trust, bookplates, printmaking

John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) Framed black and white line drawing of a monkey dressed as a clown riding a crawling man with crown.bookplate, keith wingrove memorial trust, australian bookplate design award, printmaking, available, available framed bookplate, framed bookplate