This cast iron "boiler" was produced by one of the largest foundries in England during the late 1700's and onwards. These products were "shipped to the far realms of the "British Empire". This source was one of the only ones available to the early settlers in Australia until the mid 1900's. The catch cry of those "early " times was "the best of British" which was ingrained into the early (Australian) settler's iron and cast iron purchasing mind set. It was not until after World War II did that mindset change, when both American and Asian based manufacturers' products were accepted by the Australian consumer. The city based consumer embraced the swing a lot earlier than the more "traditional" rural consumer. This cast iron 8 gallon "boiler" is very significant to the Kiewa Valley not only that large "boilers" were used to "boil" clothes clean, over an open flame source, but also because it demonstrates one of the most important "rural" mores founded by the "early" settlers in this region. That more was the very "close" tie to "Mother England" and the "establishment". The social and "family" values from the "English" way of life was ingrained until well past the day of the "Australian Federation". It was not until the friendly "American soldier" invasion during World War II that the "Empire" bondage was being eroded away. The transition from the good "rural war cry" of "Australia prospers off the sheep's back" was slipping away and the industrial monolith started its challenge. This change was the slowest in semi remote rural centres such as the Kiewa Valley. The "old English" values lingered on until the mid 1900's.This large (8 gallons) cast iron boiler is oval in shape and has a cast iron (swivel) carrying handle. The handle has a "bend" in the centre position to allow hook and straight type rods to facilitate the positioning of a "hot" boiler. This boiler would have been used over an open fire or placed on top of "coals". On the top rim and evenly spaced between the fixed handle joins is a slightly semi curved balancing/control lip.At the bottom (underneath) "CLARK & Co. PATENT", Below this a six star triangle with the letter "C" in the middle.. On the opposite end "BEST QUALITY" and underneath "8 Gall s"camp fire cooking utensils, hot plate, cast iron cooking and boiling appliance, drovers kitchen

Group photograph (c.1909) captioned "Tea Ladies, Mechanics Institute Bazaar, Ringwood" with four named as Top: Mrs. O.J. Pratt; 2nd row: Miss G. McAlpin, Miss Ethen Pithie; Front left (seated): Florence Brown.Written on back of one of the copies, "Top: Mrs. O.J. Pratt, ??, Miss G. McAlpin, Miss Ethel Pithie, ??, ??, ??, ??. Sitting: Florence Brown, ??".

Faded purple hardcover book, A Handbook of the Destructive Insects of Victoria by C. French, F.L.S., F.R.H.S., with gold lettering for title and author. Delicate brown and white floral endpapers. Describes pest insects of Victoria. Coloured illustrated plates throughout as well as black and white illustrations.. Has an added yellow flap to title page - With the Compliments of the Secretary for Agriculture. non-fictionA non fiction handbook describing pest insects of Victoria published by the Victorian Department of Agriculture.insects, pest control, entomology victoria

Written on back of photograph, "Heathmont Cricket Team "C" Grade 1963-64. Mrs. Cuthill (Pump) Centre".

Written on backing sheet, "C of E 1965 Ringwood St. Site fronting Ringwood St. now shops"

Typed below photograph, "Heatherdale Road railway crossing. Looking south from Maroondah Highway c.1949.

Coloured photo McKellar Building c 1876. The colour photo was taken in 1992. The information in Album 4 page 40 states the building was built after fires of c 1866 & 1874. Mr. George Inskip was the architect of the McKellar building.Two colour copies of the McKellar building taken by Geoff Oates in 1992. The two identical photos just show the upper two stories of the building. Stawell 1876 Building Gold Reef Mall. Nov 1992 stawell business

Colour slide in a mount. Peter and Dione McIntyre House, Kew 1955. (Architects: Peter and Dione McIntyre.)-slide, robin boyd

W. Williams Saddlery corner of High St and Williams Ave (now John Curtin Drive) c. 1910. W. Williams took over saddlery near Cricket Club Hotel c. 1878 and moved to Cnr Williams Drive in 1910.Copy of original Sepia photograph of W. Williams shop. A man and a boy outside shop wearing aprons. Young boy standing outside shop on LH side of photo, possibly another man behind tree on LH side.williams, saddlery

Schneider’s Boarding House with family group outside building Corner of Victoria Street and St Georges Street. Building was also the Victorian Coffee Palace, then the Doll Factory.Two photos of the Schneider Family outside their boarding house and beside a sign Dinning Rooms, on the corner of Victoria St. & George St. Stawell. c 1901. The small photo is a black & white photo, the other a enlarged print of the same photo in a purply colour.Written on the enlarged print, beside the image is the wording "When Peter died in 1901 Isabella was left to support fer family. Charles was only one year old so Isabella ran a Boarding House at the corner of Victoria St. & George St. Stawell".stawell business

Glenorchy Shops - I. Cook. C. Lea & Bank c1910stawell

The influence of Symbolist art is clear in Slawa's early folios of drawings and paintings where familiar themes of dream-like states, apparitions and mythological creatures are used. Later drawings such as Head of a Woman with closed eyes, c.1921 show a boldness and psychological intensity reminiscent of notable member of the Vienna Secession, painter Egon Schiele whose final exhibition took place in Vienna in 1918. Signed Slawa Horowitzsymbolism

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This outfit is one of a number of items donated to the Fashion collection by Annie McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Dark green coloured taffeta and organza short evening culottes with separate black velvet evening jacket. The outfit, confidently dated to 1985, is from one of the earliest ready-to-wear collections by Martin Grant, who began his career in Melbourne at the age of 16.A note by Dione McIntyre, describing the outfit, of which this item is a part reads: "Martin Grant outfit, including black satin and velvet shoes. Martin Grant was originally from Melbourne, now internationally and renowned and designing and living in Paris. The outfit was worn by Annie McIntyre on her 21st birthday, 1985"martin grant, women's clothing, australian fashion -- 1980s

The official history of Australia in WW1 written by C. E. W. Bean12 volumes. Hard cover, dark red binding. Maps and black and white illustrationsPresented to James Gordon Saunders Longfellow St Norman Park Q July 1950c e w bean, world war i, australia army, gallipoli

Class photograph from Greensborough State School, 1982 Prep CColour photograph of school classgreensborough state school, greensborough primary school

Staff at Kooringorama tuberculosis recuperation facility in York St, c.1920 Laser-printed copy of black and white photographhospitals, nurses, kooringorama

Portrait of Stawell Town Council Mayor C Tilley 1970-1971stawell government

Shire Stawell Memoriam Certificate Hector C Munro – Flying Officerstawell ww2

Barker. T. – Tank Maker and Timber Merchant. A Boag and C Chadwickstawell

Group of people at Gold Memorial site Stawell West c. 1950sstawell

Written on back of photograph, "C. E. Carter & Son, Whitehorse Rd. 1984".. On second copy just "Whitehorse Rd"

The old Castlemaine Schoolboys Associtation Mr C. Rilen Greaves Street Castlemaine Paid at Castlemaine - 20 September 1945

East Charlton Hotel High St Charlton c. 1892. Proprietor C. Klug. Established by John Flug who built Charlton's first commercial building in 1875 - a slab and bark inn 100 metres to the rear of this building. Photo taken by Clark Bros, Windsor, MelbourneBlack & white photo, mounted, postcard size. Signage Klug's on top of the building, East Charlton Hotel below that. Four men standing on footpath, four women and a man holding a dog standing on the road. On the left is a horse and covered buggy with a man standing in front of the buggy. There is a boy sitting in the buggy holding the reins. On the right is an open gig with a man and two women in it.east charlton hotel, c. klug, john flug, clark bros

Photograph of Don Raitt as a baby in a cane & seagrass chair, born 1903. Don is the son of Jim & Mary Jane Raitt Stawell. Don in his working career worked as a blacksmith for Bert and Edgar Heal, Upper Main St. He later worked at North Western Woollen Mills Pty. Ltd. Playford St Stawell.Sepia photograph of Don Raitt seated on a floral cushion in a cane & seagrass chair in studio setting. Dressed in a winter overcoat with large buttons on front. Cape like collar with a lace trimmed bib over the top. c1904Stawell Photographic Co., Main Street. Close Railway. C. Hewitt, Manager. Hand written on back is Don Raitt cousin of B Biggs. Also Stawell Photographic stamp.stawell portrait