An e.21st century digital print on canvas, of an original e.20th century black and white photographic print. Lawn tennis scene Materials: Canvas/Cotton, Ink, Wood, Metal, Paper, Paint, Linentennis

Bag used by military to carry gas mask and other pieces of equipment. Worn over shoulderMade by General Motors Holden in 1940Canvas bag with compartments front and back. Front divided into three sections, back has two compartments. Both compartments have canvas flap lids. Shoulder strap attached to brass rings on side of bag V1 GMH 1941military, bag

Gaiters WWII issue, canvas khaki secured with 2 straps & brass buckles.Inside each gaiter: “H & S Ltd 1940 A 4”uniforms - army, costume - male uniform, passchendaele barracks trust

Hans Schiebold, lives in Seaford and is a former ship’s captain who migrated to Australia more than three decades ago, Schiebold is fully immersed in his life as an artist. In 2012, he was a finalist of the ANL Maritime Art Prize. This artwork was an entry for the Maritime Art Prize 2014.RealistPainting on Unframed stretched canvas depicting courtyard and Bell tower of MTSV chapelInscribed on stretcher: HANS SCHIEBOLD HOME FROM HOME mission to seafarers victoria, spanish-courtyard, bell tower, artwork, hans schiebold, mission to seafarers, seamen's mission, flinders street, courtyard, bell, tables, arches, artwork-paintings, 2014, maritime art prize

Stretcher dates from the first World War period and is thought to be a British army stretcher carrier. Brown canvas stretcher with timber handles and metal fittings painted khaki green. world war, stretcher, casualty, ambulance stretcher, world war one, ambulance classes, medical, first aid

Khaki canvas 5 Litre water bladder shaped to fit in front of shirtwater bladder, sas

One pair of grey canvas gaitors with 3 Grey leather straps and buckles.CGCF A^F 1968 Size 5 Lgaitors

Colour photograph of architecture at Soverreign Hill featuring a bark roof, and canvas roof,sovereign hill, architeture, tent

Colour photograph of architecture at Soverreign Hill featuring a bark roof, and canvas roof,sovereign hill, tent, architecture, diggings

Canvas cloth housewife / sewing repair kit. Contains buttons and pins etc.Named to F. Bartos. Millburn and Co D of D

Minnie PWERLE (c1910-2006) Atnwengerrp/Utopia Minnie Pwerle's Dreamings consist of elements of 'Bush Melon' and 'Awelye'. Awelys-Atnwengerrp' is depicted by a series of lines painted in varying widths and colours. These patters represent the lines painted on the top had of women's bodies during ceremonies in Minnie's country of Atnwengerrp. 'Bush Melon' is depicted using linear design of curves and circles in different colours creating a very loose and bold design. This dreaming tells the story of this lovely sweet food that comes from a very small bush and is only found in Atnwengerrp. Once very abundant and fruiting in the summer season, the Bush Melon is now hard to find. Minnie and other women used to collect this fruit (that was green in colour and then ripened to a brown colour) and scrape out the small black seeds. They would then eat the fruit straight away or cut it in pieces and skewer them onto a piece of wood to dry then to be eaten in the coming months when bush tucker was scarce. These artistic symbols carry potent spiritual meanings.. The physical creation of these Dreamings in an important part of the continuation of an ancient and rich cultural heritage. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Awelye & Bush Melon Dreaming, 2004 Acrylic on canvas, over three panels art, artwork, minnie pwerle, aboriginal, anmatyerre language, atnwengerrp country

This work pays homage to Solomon J. Solomon’s Ajax and Cassandra. Andrew Potter’s painting tells of the subsequent event. Cassandra is undoubtedly a Trojan War casualty, symbolizing the personal pain of widows and rape victims. The flow of the fabric is the allegory of bloodshed, while the empty jar suggests displacement of refugees. Cassandra’s body, as mother earth, is a metaphor for the peaceful landscape that is desecrated by acts of war. The artist uses these iconic figures to exemplify and demonstrate why peace is always better than war. This work was awarded second prize in the 2009 Lucato Peace Prize. During that year Andrew Potter was undertaking the first year of a Bachelor of Visual Arts (Fine Arts) at the University of Ballarat’s Arts Academy. This item was runner up in the Lucato Peace Prize, and is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Painted canvas depicting a naked woman lying on the round beside a glass jar.art, artwork, andrew potter, potter, lucato peace prize, mythology, available

Whale East Beach 1934black and white photograph of a whale carcass surrounded by canvas with several males inspecting itwhale, seal, east beach

To be fashionable, and possibly improve vision at the same time, the pince nez style of glasses became popular. The 'Fits-u' design has a mounting that allowed the bridge to stay solid, whilst the springs in the nose pads allowed for removal (unlike pince nez which had a springs in the bridge). Although complete, this box includes models with different distance dimensions and the height of the bridge, with these figures are etched onto the lenses. An order table is included in the box with the pupillary distance and height so the catalogue number and quality and quantity of each size can be ordered by the dispenser. The pupillary distance is used to design spectacle frames.Canvas box which includes display models of different dimensions of pince nez Handwritten on the back: James Korp Backhouse (?) 1904 Ophthalmic Optician & Optometristassistive devices, american optical company

used to hold round water flask ca1910canvas canteen flask holder used during ca 1900round canvas water flask holder with leather strap and metal buckle and studsmilitary, civilian, flask bag

This case belongs to Japanese Officer to house binoculars. See Item 0014.1Small canvas binocular case Khaki with leather strap. Small binoculars included.binoculars, binocular case., wwii

Item issued to Frederick Ernest ADDLEM VX142253. Refer Cat No 432.2 for his service history and 937P.Brown cotton/canvas kit bag. Metal eyelets and rope/cord drawstring.“VX142253 F.E.Addlem”military equipment-army, personal effects-travel goods

Belonged to 3789179 PTE FRANK FRIGERIO, 7 RAR South Vietnam, April 1967 - April 1968 Brown canvas kit bag, Australian pattern. 8 Eyelets around the opening.Written in texta: “ 2. 3789179 PTE FRANK FRIGERIO 7 RAR” Printed on other side in white paint on dark paint background: “3789179 FRIGERIO” Written in white paint on dark blue background on base: “1021”container, kit bag, 7 rar

Worn in a specially designed pouch, this WW1 water bottle with cork stopper held approximately one litre and had a felt cover for insulation. Fresh water was often scarce and it was rationed according to supply. Felt covered metal water bottle with attached cork stopper and canvas straps.water bottle, ww1

Standard issue item as used by Australian national serviceman Pte A D Lette who served in the Royal Australian Army Ordnance Corps in Vietnam 1969-70.Olive green canvas zippered duffel bag with mustard coloured reinforced handles11 Strathearn ave Coburg VICduffel bag, allan doran lette, 3795490, equipment, ordnance corps

USA canvas gaiters metal steel eyelets and buckles. (Mixed match pair).Issue to VX 80784.2-25-42 W431 QM 7005

The suitcase didn't catch on until the end of the 19th century, it was quite literally as a case for suits. A typical suitcase came equipped with an inner sleeve for storing shirts, and sometimes a little hat box on the side. But even in the early 20th century, the "dress-suit case" was only one of countless styles of container travellers could buy, from steamer trunks to club bags. By the late 19th century a significant point was reached in the history of transportation, it was the beginning of mass tourism, rather than travel for travels sake made use of by the wealthy in society. Travel wasn't just for the wealthy any more but everyone. Suitcases began as an afterthought in the luggage and leather goods business, but they soon became the very symbol of travel. An 1897 wholesale price list included the words "suitcase" only twice in a 20-page list of luggage types. In America a 1907 T. Eaton & Co. Catalogue, trunks took up a full page while suitcases share a page with club bags and valises. In a 1911 a United Company catalogue, now displayed around 40 per cent of the advertisements were for suitcases. Early suitcases were lighter and more portable than trunks, but they were still bulky by today's standards. Leather, canvas, wicker or thick rubbery cloth was stretched over a rigid wood or steel frame. Corners were rounded out using brass or leather caps and some had wooden rails running around the case. Until steamship travel declined during the mid-20th century, many of these types of the case were advertised as waterproof with some lightweight models marketed specifically to women. The item gives us a snap-shot as to how people undertook travelling during a time when undertaking a journey for pleasure at the end of the 19th century was mainly only for the wealthy. This time saw the beginnings of change from the wealthy in society being able to travel, to the onset of mass tourism. Along with this change in societal norms saw many innervations to the design of luggage as it became a fashionable item.Suitcase, brown canvas with three wooden reinforcing lateral rails running around the case, leather handle each end (one broken), two locks.. Maker Pettigrew & Stephens Ltd Glasgow. "A.T.Cox 354/3 Riversdale Rd Campberwell, Vic Australia" and "W.ON" painted over on each endflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, suitcase,

This oil sketch by Donald Laycock is for "Terra Australis", a large (20' X 8') outback desert scene commissioned by Robin Boyd for the Australian Pavilion at Expo 1970. Robin Boyd was the Exhibit Architect of the Australian Pavilions at Expo '70 in Osaka and Expo '67 in Montreal. It is not known what happened to "Terra Australis" after Expo '70.Red toned abstract composition."DL 69" in bottom right corner. Sketch for Terra Australis Exhibition '70" written on canvas around the frame on the rear.donald laycock, expo 70, osaka, robin boyd, walsh st artwork, ohm2022, ohm2022_32

Circa WW2 1940 - 1945. Used for RAAF Trainee pilots for Wirraway and Tiger Moth training. This helmet belonged to Francis Robertson, trainee RAAF Pilot who crashed his aircraft into Nurse Carter's residence at Chiltern (May 30th, 1943) whilst on a training flight from Advanced Training Squadron Deniliquin NSW. The Helmet is associated with Francis Robertson WW2 RAAF Pilot, trained at Number 7 Flying School Deniliquin NSW. Khaki Canvas and metal helmet used in WW2 circa 1943 for trainee pilots of Wirrway's and Tiger moths. Made of sturdy heavy duty canvas with some metal underlay, leather and sheepskin straps, brass attachment buckles. Name of the trainee Pilot : "Robertson". nurse carter's chiltern residence plane crash 1943, ww2 raaf pilot francis robertson

This is a standard issue, Australian Army Kit bag (referred to as a "Sausage Bag". It is made out of canvas, colour brown. It has numerous brass eyelets around the opening. Inside is a flap of similar canvas sewn to one side.On the base in white paint VX123648. The surname "Stevens" is blotted out by a 12 cm Square shipping label. It is partially destroyed. Surname Stevens . Inscriptions - on side in ink is name and NR. V59635 CPL Stevens N.C.ww2, army, kit bag