Chandeliers and billy tea - a catalogue of Australian life 1880 - 1940. 224 pages with photos and illustrations. Published by Five Mile Press, Hawthorn, Vic.Peter Cuffleyaustralia, culture, culture, fashion, history of technology, butterick fashions

Metal Broad Axe. Sharpened To Bevel On One Side. 300 cm Wide x 230 cm High. Previous Catalogue Number 116.tools, multipurpose, broad axe

Catalogue of hand tools - screwdrivers, planes, hammers, knives, spirit levels, hacksaws, measuring tapes, gardening tools, lawn mowers, with price list.Printed Catalogue of hand tools.turner industries, lawnmowers, tools

The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.The Roaring 20s - Vol III. LP 33RPM vinyl, Catalogue Number: GA-33-353, 1 vinyl disk, plastic sleeve, no cover.John Gray' and 'GRAY' handwritten on side 1lp, sound recording

Catalogue. Exhibition of watercolors by Thomas H. Bone. ''Advertiser'' lounge, View Point, Bendigo. Sept. 10th to 13th, 1941, 10am to 5 pm.

A page (10) from "The Leader" dated April 5, 1941 with 8 photographs of students undertaking various activities. See paper catalogue for captions.the leader, students, herd testing, cows, milk butterfat, burnley horticultural college, certificates, jersey cows

Provides information on the General Electric B series controllers, including BA, BA-2, B3, B4, B8, B13, B16, B19, B23, B24 controllers. Lists the various parts, with some illustrations. Has sheets giving the drum development or connections as the controller is moved through the various notices. The B23 type controller was used on Melbourne Maximum Traction bogie trams.Yields information about early General Electric controllersDocument 32 pages printed on quarto paper within a cardboard folder, with pages 3 & 4 missing - parts catalogue No. 4724A of Oct. 1910.tramways, technical information, tramcars, electrical equipment, tram controllers, general electric

A guide to accessing correspondence in Public Record Office Victoria's custody, with advice on accessing other records.document reproductionspublic record office victoria, public records, research, land records, catalogues

Used by the employees of National Parks. The maps show the topography and contours in 3D when used with the stereoscope KVHS 0743. This enables the photographed area to be compared to previous photos and enables the planning of construction of eg. new roads etc. Digital information is now available.These photographs give the topography and contours of vast local areas eg. Mt Feathertop and Tawonga township.when used with a stereoscope. Black and white large aerial photos of the Bogong High Plains area. 14 to 20 of them all on thick paper and the same size as the brown wooden box which holds them. The box hasn't got a lid at the top.Identified and catalogued by National Parksmaps showing topography, national parks, stereoscope

Black and white photograph of Coach and Horses Hotel in Maroondah Highway, west of New Street, now adjacent to Eastlink Freeway, on northern side. There are two duplicate photos. Certainly the photo was taken post-1940 as the previous Coach & Horses Hotel, on the south side, burnt down in 1940. The telephone pole indicates that era, with limited lines. The style of the building was Art Deco that generally existed in the 1920s-1930s but did continued in Australia in the 1940s. The building has the appearance of being newly-built. Was H4, in the old cataloguing system.

Assume it is miners cottage. Unknown boy sitting on porch. Sign on hut not legibleNo inscription on photograph or catalogue card.

The stones are a momento from Anzac Cove, the site of the Australian Infantry Force's landing in 1915.Landing at ANZAC Cove , 25 April 1915 Description As part of the attempt to seize the Gallipoli Peninsula in order to suppress the Turkish defences guarding the Dardanelles, military landings were made at Cape Helles at the southern tip of the peninsula (the main landing) and on the west coast near Ari Burnu. At this secondary objective two Divisions of the Australian and New Zealand Army Corps (ANZAC) landed in the darkness and faced rugged and difficult country. Units mixed up on their arrival rushed inland and became separated from the main force, which came under growing fire from the Turkish defenders. While Turkish reinforcements arrived, the ANZAC position became increasingly precarious as the assaulting force failed to secure their initial objectives. Falling back on improvised and shallow entrenchments the ANZACs held on for a crucial first night. By that first evening 16,000 men had been landed; of those over 2,000 Australians had been killed or wounded. www.awm.gov.au ANZAC Cove landingTwo smooth stones. Both would fit into the palm of a medium sized hand. One is dark, almost black, the other lighter, with a pinkish tinge.Catalogued as 108A and 108 Banzac cove, gallipoli

Date made May 1991|House demolished 1990's|Also three other colour photographs showing various features such as three-ply timber interior walls, outside washhouse with bricked in copper and timber shed.Colour photograph of the original Capes family home, Capes Road, Lakes Entrance , Victoria,On back, Old Catalogue No 172houses, local history

Students listed: Claire Barnett, Brendan Cooper, Jaye Cranny, Aaron Haywood, Annie Kallinikos, Brinjen Russell, Elaine Tracey, Stuart Walsh, Yasmin Williams. Pages feature student works, contacts and artist statements.Catalogue to accompany the Federation University, Bachelor of Visual Arts graduate exhibition, 2016. 40pp + 4pp cover saddle-stitched book, full colour throughout.federation university, visual arts, arts academy, camp street campus, claire barnett, brendan cooper, jaye cranny, aaron haywood, annie kallinikos, brinjen russell, elaine tracey, stuart walsh, yasmin williams.

3 copies of photograph- 2 sepia, 1 black and white. (See also newspaper cutting with image- re0107, catalogued also under VC 3005))Typed below black and white photograph, "Building old Ringwood baths in Ringwood Street, 1934".

Ponsonby Carew Smyth, A.R.C.A. London, was Victorian Art Inspector of Technical Schools. "Ponsonby May Carew-Smyth (1860-1939), educationist, was born on 7 August 1860 at Cork, Ireland, son of Emmanuel Uniacke Smyth, gentleman, and his wife Catherine Giles, née Carew. Carew-Smyth's initial art training and teaching was at the Belfast Government School of Art and Design. In 1885 he entered the National Art Training School at South Kensington, London, where he remained as student and teacher for five years. He also taught at Rugby School, studied at the Royal School of Wood Carving and the Guild School of Handicrafts, London, and was sent by the Department of Science and Art to study art, art education and museum procedures in Paris. Testimonials to his career in England affirm his ability and dedication as an educationist and his integrity as a man. On 23 December 1890 Carew-Smyth married Marie Reynolds of Brixton; they migrated to Australia next January. In September Carew-Smyth applied from Melbourne for the position of master of the school of art and design, established under the auspices of the Ballarat Fine Art Gallery. Opening in November, the school offered day classes and a broad curriculum, and under Carew-Smyth's guidance, established a sound reputation. In November 1899 he was appointed inspector of drawing in the Department of Education. Carew-Smyth saw drawing as a crucial link between primary and technical education, insisting on it as a 'mental process quite as much as a manual'; he believed strongly in the utilitarian value of drawing to the artisan class and of art as 'craftmanship'. By his emphasis on teacher-training, by his role in the Teachers' Training College, and by his constant travels, writing and lecturing, he upgraded both the standard and importance of drawing early in the century. His meticulous mind formulated the Austral Drawing Books which provided the basis of instruction in the subject in Victoria until 1927. Although he gave his occupation as 'artist', Carew-Smyth was primarily an educationist. He was actively involved in the early years of Prahran and Swinburne Technical colleges, and especially the Working Men's College which held his interest even after his retirement. In 1906 he was appointed chairman of the Victorian State Schools' Equipment and Decoration Society, and he was important in the organization of the state schools' exhibition that year. He designed the commemorative wall plaques installed in state schools after World War I, and the art teachers' certificate. He was prominent in bringing about the 1922 Jubilee Exhibition, and the 1926 showing of work of overseas schools, and especially the 1934 Melbourne centenary 'Early Victorian Art' exhibition. In the 1930s he wrote wide-ranging, informative and sometimes humorous articles for the Argus on various aspects of the decorative arts. In mid-1936 he was acting director of the National Gallery of Victoria. To students his single-mindedness sometimes suggested sternness, but Carew-Smyth was always held in the highest regard both professionally and personally. His colleagues recalled a man of kindness, unstinting devotion to work, and humour; he was considered quite a raconteur. Survived by his wife, a son and a daughter, he died in his home at South Yarra on 9 October 1939, and was cremated." (Margot Lethlean, 'Carew-Smyth, Ponsonby May (1860–1939)', Australian Dictionary of Biography, National Centre of Biography, Australian National University, http://adb.anu.edu.au/biography/carew-smyth-ponsonby-may-5501/text9359, accessed 4 June 2013.)Image of the face and shoulders of a bearded man - Ponsonby Carew Smyth. The image was originally published from the State Schools Exhibition Catalogue, 1906. (Cat. No. 401)carew smyth, inspector, technical schools, art.

White envelope, on the back ''Castlemaine people, Kevin Shuttleworth and Brian Baker with a question mark. The envelope contained 8 photos, catalogue number 11518.343 to 11518.350business, retail, gas and fuel

Postal tube in which certificate catalogue number 6194 was sent from the Freemasons Homes of Victoria to S. A. Bush Esq.251 View Street Bendigo.

Document. The Owen Williams Collection. Catalogue for firm of Sharrat & Newth, makers of Window-lead machingery and glaziers' diamonds. 43/45 Percival St. London.bendigo, industry, owen williams & co. w. d. mason pty ltd.

A box decorated in wrapping paper containing newspaper cuttings of historical significance for Bendigo. Sources are 'The Bendigo Advertiser,' 'Walkabout' and auction catalogues. Dated 1947-1972.Bendigo Historical 1bendigo, history, bendigo & district, lydia chancellor, collection, bendigo, history, kelly reunion, bendigo and district, inglewood, bendigo historical society, lyric theatre, ravenswood district, bendigo pottery, bendigo art gallery, art, art work, the mayor speaks, railways historical museum, eaglehawk lock up