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Bendigo Historical Society Inc.
Map - CAMPBELL COLLECTION: BENDIGO AND DISTRICT MAPS
Map. Parishes and suburbs : North of Bendigo, Parish of Huntly, Parish of Nerring, Parish of Sandhurst, Sydney Flat, Myers Flat, Borough of Eaglehawk, Sailors Gully, Jobs Gully, Harvey Town, California Gully, Maiden Gully, Long Gully, St.Just's Point, Iron Bark.map, bendigo, parishes -
Bendigo Historical Society Inc.
Document - LYDIA CHANCELLOR COLLECTION: BUSINESS DOCUMENTS HENRY JONES
(i)'Rules and Agreement.' Typed and handwritten documents relating to loans by Mr. Henry Jones - a gold broker. (ii) Paperwork relating to business between Mr. Jones and Bendigo Tin Shop and Jackson's Buildings. (iii) Copy of a ' Bill of Sale from Henry Jones business which was at View Point, Sandhurst. (iv) Mortgage. Dated C1873.document, certificate, loans and sales, lydia chancellor, collection, business, sales, property, land sales, documents -
Ballaarat Mechanics' Institute (BMI Ballarat)
Post Office Hill Golden Point & Peake's Battery
This photograph is from the Max Harris Collection held by the Ballaraat Mechanics' Institute. Please contact BMI for all print and usage inquiries.ballarat, golden point, post office, peake's battery -
Ballaarat Mechanics' Institute (BMI Ballarat)
Lake Wendouree View Point
This photograph is from the Max Harris Collection held by the Ballaraat Mechanics' Institute. Please contact BMI for all print and usage inquiries.ballarat, lake wendouree, view point -
Ballaarat Mechanics' Institute (BMI Ballarat)
Lithograph Lake View Point
This photograph is from the Max Harris Collection held by the Ballaraat Mechanics' Institute. Please contact BMI for all print and usage inquiries.ballarat, lake wendouree, lithographic -
Ballaarat Mechanics' Institute (BMI Ballarat)
Opening View Point Lake Wendouree circa 1945
This photograph is from the Max Harris Collection held by the Ballaraat Mechanics' Institute. Please contact BMI for all print and usage inquiries.ballarat, lake wendouree -
Ballaarat Mechanics' Institute (BMI Ballarat)
View point esplanade 1920's
This photograph is from the Max Harris Collection held by the Ballaraat Mechanics' Institute. Please contact BMI for all print and usage inquiries.ballarat, lake wendouree, view point, esplanade, 1920s -
Ballaarat Mechanics' Institute (BMI Ballarat)
Yachting Lake Wendouree View Point 1945
This photograph is from the Max Harris Collection held by the Ballaraat Mechanics' Institute. Please contact BMI for all print and usage inquiries.ballarat, yachting, lake wendouree, view point, 1945 -
Ballaarat Mechanics' Institute (BMI Ballarat)
Panorama View Point Lake Wendouree
This photograph is from the Max Harris Collection held by the Ballaraat Mechanics' Institute. Please contact BMI for all print and usage inquiries.ballarat, lake wendouree, view point -
Ballaarat Mechanics' Institute (BMI Ballarat)
Golden Point and Mt Warrenheip
This photograph is from the Max Harris Collection held by the Ballaraat Mechanics' Institute. Please contact BMI for all print and usage inquiries.ballarat, golden point, mt warrenheip, early diggings -
Ballaarat Mechanics' Institute (BMI Ballarat)
Golden Point Store
This photograph is from the Max Harris Collection held by the Ballaraat Mechanics' Institute. Please contact BMI for all print and usage inquiries.ballarat, golden point, store -
Women's Art Register
Book - Anthology, Thomas B Hess and Elizabeth Baker, Art and Sexual Politics Why have there been no great women artists?, 1971
Professor of Art Linda Nochlin, and critic and art historian Thomas B. Hess respond to the question "Why have there been no great women artists?'. Nochlin writes of 'the women question' in art and beyond, addressing barriers in education and art schools negating full participation or studying the nude, the limiting definitions of 'greatness', domestic demands and class, and maintains it is the institutional structures that are the key to equality, and it is these which should be challenged and reformed. Hess addresses wrong attribution, the studio system, the relative freedoms in the Middle Ages before the Renaissance emphasised the male genius ideal and self confidence. Ten replies from artists follow, mainly responding to Nochlin's treatise. Elizabeth Baker, writes the final essay, charting the changes in regards to representation including issues surrounding quotas, recognition, the debates surrounding the contested definitions of female and feminist artists.and the frequent lack of support by female dealers, critics and curators.non-fictionProfessor of Art Linda Nochlin, and critic and art historian Thomas B. Hess respond to the question "Why have there been no great women artists?'. Nochlin writes of 'the women question' in art and beyond, addressing barriers in education and art schools negating full participation or studying the nude, the limiting definitions of 'greatness', domestic demands and class, and maintains it is the institutional structures that are the key to equality, and it is these which should be challenged and reformed. Hess addresses wrong attribution, the studio system, the relative freedoms in the Middle Ages before the Renaissance emphasised the male genius ideal and self confidence. Ten replies from artists follow, mainly responding to Nochlin's treatise. Elizabeth Baker, writes the final essay, charting the changes in regards to representation including issues surrounding quotas, recognition, the debates surrounding the contested definitions of female and feminist artists.and the frequent lack of support by female dealers, critics and curators.essays, feminism, studio practce, art history, gender, politics, discrimination, museolgy, curatorship, identity -
Churchill Island Heritage Farm
Tool - Auger bits X 13
Auger bits fit into the jaws of a hand brace (brace and bit), which is used to bore holes into wood. The tapered end, or tapered shank, fits into the brace, while the twisted shank and twisted point draw the bit into the wood. The twisted shank guides the bit into the wood, helping to remove chips produced by the cutters and enabling the user to bore deep straight holes. The collection pictured here includes two common patterns of twist bits: the ‘Jennings’ double twist pattern; and the ‘Irwin’ single twist pattern. Their finely pitched threaded points are typically used to cut hardwood timber.Set of thirteen auger bits, with tapered proximal ends and corkscrew spiraled distal ends. Some with tight and loose spiral patterns. Paint spots and surface rust.[size of each bit stamped on]churchill island, tool, auger bits -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Incubator, neonatal, Australia/ tVictor Watson/Limited/ New Zealand”, late 1950s- early 1960s
This item was purchased at Leski's, Melbourne, Medical collection auction, 8 May 2013. The incubator was part of a rare collection of medical, dental and pharmaceutical objects belonging to a tourism business, Kryal Castle, near Ballarat, Victoria from 1974. At some point,apparently, an officer manager discarded the museum records, so the provenance of the neonatal incubator, and many other items in the Leski auction, has been lost.Neonatal incubator, "Glenleigh", made and used, late 1950s- early 1960s. The four side laminated panels as well as bottom panel are possibly made of asbestos fibreboard,. Each panel is sealed with polished aluminium strips, and has a metal handrail.The incubator is mounted on four castors made by "Shepherd USA'. On the front panel is a bakerlite dial and a bakerlite switch. The item is incomplete: the cover, probably glass, is missing. Inside the unit is an old calico infant's mattress.There are two name plates on the front panel; “Australia/ Victor Watson/Limited/ New Zealand” and "Glenleigh/ Baby Incubator/ Aeronautical & Industrial Lighting Co/ 677-9 North Road Carnegie”. Australia/ Victor Watson/Limited/ New Zealand” "Glenleigh/ Baby Incubator/ Aeronautical & Industrial Lighting Co/ 677-9 North Road Carnegie”. Castors::"Shepherd USA' -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Introducer associated with midwife Mary Howlett, c. 1866 to 1920, c1880s
This item can be used for cleaning rubber tubing or to assist with the introduction of rubber catheters and tubing. Mary Howlett (1840-1922) began practising as a country midwife in 1866 in the western district of Victoria. She qualified as a 'ladies monthly nurse' in 1887 and continued to practise as a nurse and midwife until 1920.She began her six months training at the Melbourne Lying-In Hospital. She was known by many as 'Auntie', and her career spanned more than 50 years. Mrs Howlett's midwifery box and contents were given to Dr Frank Forster, and he donated them to the museum collection in 1993.Device made of metal wire with a rounded point at one end and an eye hook the other end.surgery, midwifery -
Churchill Island Heritage Farm
Photograph - Black and white landscape photograph, c.1953
Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade. This series of photographs show candid pictures taken by previous residents of the Island.Black and white photograph taken from the water showing Churchill IslandCatalogue number written on reverse in pencil Written in pencil on reverse 'Think this is the island taken from boat in Westernpoint Bay - North point is the right??'churchill island -
Churchill Island Heritage Farm
Photograph - Photograph of four people gathered around paper
Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century.Colour photograph of two standing people, one kneeling, and one pointing at a white piece of paper on the ground. The group stands within a copse of trees, and all have their backs to the photographer.catalogue number on reverse in pencilchurchill island, photograph -
Churchill Island Heritage Farm
Photograph - Photograph of five peopple
Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century.Colour photograph of five people, with two holding a white tape measure, and two in the background pointing into the distance. A clapboard building is visible in the background.8 11:47 [red timestamp on image on lower right hand side] catalogue number on reverse in pencilchurchill island, photograph -
Churchill Island Heritage Farm
Photograph - Photograph of people looking over shoreline
Churchill Island Heritage Farm has a large collection of photographs dating from the nineteenth century. Photograph of a group of people looking and pointing across the water at Pinnacle Lookout, Woolamaicatalogue number written on reverse in pencilchurchill island, photograph, woolamai, pinnacle lookout -
Churchill Island Heritage Farm
Photograph - Black and white photograph of Churchill Island, c.1939
Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decadeBlack and white photograph of Churchill Island with a cluster of trees hiding Amess House and Rogers' CottagesCatalogue number written in pencil on reverse. On reverse in pen '1939 Looking back towards house from near north point'churchill island -
Churchill Island Heritage Farm
Photograph - Black and white landscape photograph, c.1939
Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decadeBlack and white landscape photograph taken on north point looking towards the Amess House complex hidden by trees.Catalogue number written in pencil on reverse. On reverse in pen '1939 Taken on north point looking back towards the house'churchill island -
Churchill Island Heritage Farm
Photograph - Black and white landscape photograph of cove, c.1939
Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decadeBlack and white landscape photograph of a cove taken from the shelter of trees.Catalogue number written in pencil on reverse. On reverse in pen '1939 Tide out from below the big dam looking towards north point'churchill island -
Churchill Island Heritage Farm
Photograph - Photograph of a pasture and wooden gate
Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century to the present. Black and White photograph of a pasture beside the shoreline on Churchill Island with a wooden gate and fence in the foregroundCatalogue number written in pencil on reverse. Handwritten in pen on reverse 'NORTH POINT TAKEN FROM ENTRANCE TO DAIRY HOLDING YARD'churchill island -
Churchill Island Heritage Farm
Photograph - Photograph of horse pulling a load of hay, C.1941
Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century to the present.Black and white photograph of horse, 'Ginger', pulling a cart loaded with hay through an open gate. Arthur Evans sits on top of the load driving the horse, and another man stands behind them.Catalogue number written in pencil on the reverse. Handwritten on reverse in pen '1940 "Ginger" the draught horse and the cart. MID TOP myself (ARTHUR EVANS) with the head cut off!! Harry Jenkins bought the horse "delivered to Stony Point". He took him over on the Killara to Cowes and rode him to Churchill Island and came over on the Boys' Home crossingchurchill island -
Bendigo Historical Society Inc.
Newspaper - LYDIA CHANCELLOR COLLECTION: JOSS HOUSE
A Bendigo 'Advertiser' article titled 'Joss House re-born.' The old Chinese Joss House at Emu Point is being re-born by the National Trust of Australia. There are photos of the Joss House and the people involved in it and also historical information. 9/12/69bendigo, chinese, joss house, lydia chancellor collection, collection, bendigo, denis o'hoy, tourism, emu point, national trust of australia, historical buildings, house, houses -
Bendigo Historical Society Inc.
Container - MERLE BUSH COLLECTION: CARDBOARD BOX ALBERT M. BUSH DENTIST
Small brown cardboard box. On the lid the name Albert M. Bush, Dentist A.M.P. Buildings, View Point, Bendigo. Phone: Bendigo 107. On one side in pen; Miss Bush. Inside some cotton that would have held a denture.bendigo, business, dentist albert m bush -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: BRACELET LENGTH BLACK SUEDE GLOVES EMBROIDERED, Late 1800's
Clothing. Black suede bracelet length gloves, embroidered with floral motifs in the Beauvais style of embroidery, and as stated inside the right glove, ''REAL BEAUVAIS POINT HAND MADE 927 6/14. Embroidery made with a hook. Fifteen tiny flowers in shades of blue, pink, red, green, are scattered across the top of the gloves.REAL BEAUVAIS POINT, HAND MADE 927 61/4 RIGHT GLOVE. MADE IN FRANCE 927,Left glove.costume accessories, female, bracelet length black suede gloves, beauvais is a french term for a form of tambour embroidery, which is decorative needlework technique using a hook. -
Bendigo Historical Society Inc.
Newspaper - JENNY FOLEY COLLECTION: ART PRECINCT
Bendigo Advertiser ''The way we were'' from 1999. Art precinct: View Point in 1858.newspaper, bendigo advertiser, the way we were -
Bendigo Historical Society Inc.
Newspaper - JENNY FOLEY COLLECTION: EARLY DAYS
Bendigo Advertiser ''The way we were'' from 1999. Early days: View Point, Bendigo, circa 1860.newspaper, bendigo advertiser, the way we were -
Bendigo Historical Society Inc.
Newspaper - JENNY FOLEY COLLECTION: NO FOUNTAIN
Bendigo Advertiser ''The way we were'' from 1999. No fountain: Mitchell Street from View Point. Circa 1875.newspaper, bendigo advertiser, the way we were