Showing 4956 items
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Clunes Museum
Clothing - COTTON (POLISHED) UNDER BLOUSE
... costumes ...WHITE POLISHED COTTON UNDER BLOUSE. LACE INSERTIONS. FOUR MATERIAL COVERED 1 CM BUTTONS THREE FINE PIN TUCKS ON SLEEVES, SMALL PEPLAM AT WAIST, COTTON TAPE DRAW STRING ABOVE PEPLAM. V NECKLINE BACK AND FRONT FASTENING.local history, costume, ladies underwear, costumes, female underwear -
Australian Lace Guild - Victorian Branch
Textile - Buckinghamshire Point lace, 19th Century
Fine lace used as a costume trimmingBobbin lace edging. Sample -
Australian Lace Guild - Victorian Branch
Textile - Alencon Lace, Mid 18th Century
Fine lace used as a costume trimmingNeedle lace edging. Sample -
Australian Lace Guild - Victorian Branch
Textile - Brussels applique lace, Late 19th Century
Fine lace used as a costume trimmingEdging of Bobbin lace motifs appliqued onto machine made net -
Australian Lace Guild - Victorian Branch
Textile - Brussels applique lace, Late 19th Century
Fine lace used as costume trimmingEdging of Bobbin lace motifs appliqued onto machine made net. -
Australian Lace Guild - Victorian Branch
Textile - Valenciennes lace, Mid 19th Century
Fine lace used as costume trimmingBobbin lace edging. Sample -
Australian Lace Guild - Victorian Branch
Textile - Alencon Lace, Mid 19th century
Fine lace used as costume trimmingFine needle lace edging -
Australian Lace Guild - Victorian Branch
Textile - Alencon Lace, Mid 18th Century
Fine lace used as a costume trimmingNeedle lace edging -
Australian Lace Guild - Victorian Branch
Textile - Brussels mixed lace, Late 19th Century
A fine lace used as costume trimming.Bobbin lace with needle made ground and fillings. Edging. Sample. -
Australian Lace Guild - Victorian Branch
Textile - Eyelet work
Costume trimming. Probably machine madeEdging. Cut edge is irregular -
Kew Historical Society Inc
Document, Kew Historical Society Significance Assessment : Henty Costume Collection, 2024
A Significance Assessment is the process of studying and understanding the meanings and values of objects and collections. It identifies the historic, aesthetic, scientific and social values that an object or collection has for past, present and future generations. The Kew Historical Society received a Community Heritage Grant from the National Library of Australia in 2023 for a second significance assessment. The Grant was for an assessment of the items in the Henty Family Costume Collection, acquired from the descendants of Francis Henty in 2023.Illustrated 39-page Final Report by Ms Laura Jocic PhD, including: PART I Executive Summary / p2. Methodology / p2. Summary description of the organisation and its collection / p3. History and description of the Henty Costume Collection / p4. Contextual background: Henty family, Merino Downs and Field Place [Kew] / p7. Application of Significance 2.0 criteria / p11. Statement of Significance / p14. Key recommendations / p15. Acknowledgements / p15. References / p16. PART II Dedicated assessment of the items in the Henty Costume Collection / p18. non-fictionA Significance Assessment is the process of studying and understanding the meanings and values of objects and collections. It identifies the historic, aesthetic, scientific and social values that an object or collection has for past, present and future generations. The Kew Historical Society received a Community Heritage Grant from the National Library of Australia in 2023 for a second significance assessment. The Grant was for an assessment of the items in the Henty Family Costume Collection, acquired from the descendants of Francis Henty in 2023.significance assessments, historical society collections, kew historical society collection - significance assessment, community heritage grants, francis henty, henty family -
Glenelg Shire Council Cultural Collection
Programme - Programme - Souvenir 1951 'Queen of the Murray' beauty contest Mildura, n.d
Souvenir programme of the 1951 'Queen of the Murray' beauty contest at Mildura, Easter (23 -27 MAR) 1951, includes a photo of contestants in bathing costumes and sashes and signatures of contestants. Photo also includes queen of the Murray 1950Back: 'J Moore' - red biro. Contestants' signatures -
Federation University Historical Collection
Photograph - Photograph - Black and White, Graduate Diploma in Occupational Hazard Management - Intake 1, 1979, 1979
Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders on the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. VIOSH had its first intake of students in 1979. At that time the Institution was known as the Ballarat College of Advanced Education. In 1990 it became known as Ballarat University College, then in 1994 as University of Ballarat. It was 2014 that it became Federation University. VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree - on the basis of extensive work experience and knowledge. The first intake of students attended the Ballarat College of Advanced Education. Photograph 19979.2 is numbered. Item 19979.3 is the list of names that correspond with 19979.2A timber framed black and white photograph taken at Sovereign Hill of a group of nineteen people dressed in period costume with a name plate at the bottom. Copy of photograph, numbered. A4 sheet with list of numbered names to correspond with 19979.2Typed name plate with namesviosh, viosh australia, graduate diploma in occupational hazard management, alistair allen, noel arnold, peter bailey, neville betts, robert blunt, ronald cordinhgley, william davis, bill embling, john florence, gwyn griffiths, roslyn mancy, laurie mason, john moroney, allen pang, graham suckling, ross wyatt, peter wilson, max brooke, derek viner, lecturer, course co-ordinator, ballarat college of advanced education, first intake group -
Bendigo Historical Society Inc.
Document - RANDALL COLLECTION: THE LAUREL ENTERTAINERS COSTUME COY ,MASONIC HALL, 2 October 1923
Event, The Laurel Entertainers Costume Coy, Masonic Hall, October 2nd, 1923 Presents 14 acts in the program.Programs one penny. J.E.Eadie - Accompanist, H.Pierce - Lighting Effects, Organising Director - J.E.Eadie, Secretary - S. Bull.event, entertainment, the laurel entertainment costume co -
Bendigo Historical Society Inc.
Photograph - WES HARRY COLLECTION: FAMILY PORTRAIT
Sepia toned photograph of a black family of four men and six women. They appear to be in wedding costume. On the side of the photo is printed, ' TALMA ' Swanston St. Opp. Town Hall. Melbourne. And on the reverse is written in pencil, ' A friendship present 'TALMAperson, group, wedding party, talma, swanston street, wedding group -
South Gippsland Shire Council
Photograph, Framed, The Great Southern Festival
Framed colour photograph featuring "Karmai the Giant Worm" at the Great Southern Festival. Includes people in costume on the side of a low hills with the Karmai float supported by children. Tents in the background. Brown wood frame with gold edging. -
Bendigo Historical Society Inc.
Newspaper - JENNY FOLEY COLLECTION: LIGHTS, CAMERA, ACTION
BHS CollectionBendigo Advertiser ''The way we were'' from Tuesday, January 27, 2004. Lights, camera, action: this photo depicts the wonderfully costumed cast of the 1894 Baptist Sunday School Christmas holiday concert. The clip is in a folder.newspaper, bendigo advertiser, the way we were -
St Kilda Historical Society
Photograph, The Scarlet Troubadours
Postcard of men and women - "The Scarlet Troubadours" - in costumetwo black and white postcards, original, good conditionThe Scarlet Troubadours -
Australian Lace Guild - Victorian Branch
Textile - Le Puy Lace, Late 19th Century
A black silk lace used as a costume trimmingBobbin lace edging. Sample -
Australian Lace Guild - Victorian Branch
Textile - Le Puy Lace, Late 19th Century
A black silk edging used as a costume trimmingBobbin lace edging. Sample -
Australian Lace Guild - Victorian Branch
Textile - Honiton lace, Early 18th Century
Very fine lace used for costume trimmingBobbin lace edging. Sample -
Australian Lace Guild - Victorian Branch
Textile - Buckinghamshire Point lace, 19th century
A light weight lace used for costume trimmingBobbin lace flouncing -
Australian Lace Guild - Victorian Branch
Textile - Valenciennes lace, 1st half 19th Century
Use: Fine lace used as costume trimming.Bobbin lace edging. Sample -
Kew Historical Society Inc
Accessory, Red Plastic Bead Necklace, 1960s
Personal costume jewellery donated by Dione McIntyre Medium length, clear red plastic necklace made of moulded plastic beads.necklaces, costume jewellery, fashion accessories -
Kew Historical Society Inc
Clothing - Black Silk & Lace Bodice, 1880s
Netta Fuller and her husband Alec were long-term residents of Kew. As a boy, Alec had attended East Kew Primary School and was later highly involved in the Kew Presbyterian Church during the 1950s and 60s. Netta's passion was for historic clothing and its exhibition. In 1985, Netta Fuller and Elizabeth Pace launched a parade of garments sponsored by Kew Historical Society at Holy Trinity Church, Kew. The parade was called 'Downunder Dressmakers' and included a collection of over fifty items of clothing dating from 1800 to 1984. The collection included dresses, hats, scarfs, capes, sporting costumes etc. The core of the parade consisted of a collection of 19th century costumes worn by the ancestors of a Miss Gertrude Murray, a resident of Blackburn. In sourcing items for her collections, Netta Fuller collected costumes stored in old trunks and wardrobes, or even purchased from opportunity shops. (During the period in which she collected and exhibited costumes, the latter could often be a reliable source for the purchase of historic and aesthetically significant costumes.) Not satisfied with purchasing authentic costumes of the period, Netta also used these as models for artistic recreations. Following her retirement from both collecting and exhibiting, Netta Fuller donated a number of 19th Century garments to the Kew Historical Society's costume collection. A number of garments were parts of costumes such as bodices, while others were complete outfits. Some of the latter exhibit signs of old damage, however very few of the costumes had been modified to enable them to be worn in exhibitions. Provenance, apart from that the costumes were donated by Netta Fuller after 1985 is limited to donor information, although some of her donations may have originally been part of the collection owned by the Murray family. While the costumes are old and therefore historic, provenance is less important than the representativeness and/or rarity of the costumes. Similarly, the costumes need to be evaluated as a group and separately, considering their aesthetic and artistic significance as well a their age.Long black silk sleeveless bodice with a wide band of lace on the edging and at sleeves. Silk bow at rear. It has been provisionally dated to the 1880s-90s.women's clothing, bodices, fashion -- melbourne -- 1880s, netta fuller -
Kew Historical Society Inc
Clothing, Black Silk & Lace Bodice, 1880s
Netta Fuller and her husband Alec were long-term residents of Kew. As a boy, Alec had attended East Kew Primary School and was later highly involved in the Kew Presbyterian Church during the 1950s and 60s. Netta's passion was for historic clothing and its exhibition. In 1985, Netta Fuller and Elizabeth Pace launched a parade of garments sponsored by Kew Historical Society at Holy Trinity Church, Kew. The parade was called 'Downunder Dressmakers' and included a collection of over fifty items of clothing dating from 1800 to 1984. The collection included dresses, hats, scarfs, capes, sporting costumes etc. The core of the parade consisted of a collection of 19th century costumes worn by the ancestors of a Miss Gertrude Murray, a resident of Blackburn. In sourcing items for her collections, Netta Fuller collected costumes stored in old trunks and wardrobes, or even purchased from opportunity shops. (During the period in which she collected and exhibited costumes, the latter could often be a reliable source for the purchase of historic and aesthetically significant costumes.) Not satisfied with purchasing authentic costumes of the period, Netta also used these as models for artistic recreations. Following her retirement from both collecting and exhibiting, Netta Fuller donated a number of 19th Century garments to the Kew Historical Society's costume collection. A number of garments were parts of costumes such as bodices, while others were complete outfits. Some of the latter exhibit signs of old damage, however very few of the costumes had been modified to enable them to be worn in exhibitions. Provenance, apart from that the costumes were donated by Netta Fuller after 1985 is limited to donor information, although some of her donations may have originally been part of the collection owned by the Murray family. While the costumes are old and therefore historic, provenance is less important than the representativeness and/or rarity of the costumes. Similarly, the costumes need to be evaluated as a group and separately, considering their aesthetic and artistic significance as well a their age.Late Victorian highly remodelled black silk bodice with pleated silk to neck. The bodice has distinctive sleeves in two sections, the lower part constructed of black lace. The bodice has an original arm pad with makers name in it.fashion -- melbourne -- 1880s, bodices, women's clothing, netta fuller -
Kew Historical Society Inc
Clothing - Black Silk & Lace Bodice, 1880s
Netta Fuller and her husband Alec were long-term residents of Kew. As a boy, Alec had attended East Kew Primary School and was later highly involved in the Kew Presbyterian Church during the 1950s and 60s. Netta's passion was for historic clothing and its exhibition. In 1985, Netta Fuller and Elizabeth Pace launched a parade of garments sponsored by Kew Historical Society at Holy Trinity Church, Kew. The parade was called 'Downunder Dressmakers' and included a collection of over fifty items of clothing dating from 1800 to 1984. The collection included dresses, hats, scarfs, capes, sporting costumes etc. The core of the parade consisted of a collection of 19th century costumes worn by the ancestors of a Miss Gertrude Murray, a resident of Blackburn. In sourcing items for her collections, Netta Fuller collected costumes stored in old trunks and wardrobes, or even purchased from opportunity shops. (During the period in which she collected and exhibited costumes, the latter could often be a reliable source for the purchase of historic and aesthetically significant costumes.) Not satisfied with purchasing authentic costumes of the period, Netta also used these as models for artistic recreations. Following her retirement from both collecting and exhibiting, Netta Fuller donated a number of 19th Century garments to the Kew Historical Society's costume collection. A number of garments were parts of costumes such as bodices, while others were complete outfits. Some of the latter exhibit signs of old damage, however very few of the costumes had been modified to enable them to be worn in exhibitions. Provenance, apart from that the costumes were donated by Netta Fuller after 1985 is limited to donor information, although some of her donations may have originally been part of the collection owned by the Murray family. While the costumes are old and therefore historic, provenance is less important than the representativeness and/or rarity of the costumes. Similarly, the costumes need to be evaluated as a group and separately, considering their aesthetic and artistic significance as well a their age.Black-coloured fitted jacket made of silk and lace with added satin ribbons.women's clothing, fashion - melbournesne - 1880s, bodices, jackets, netta fuller -
Kew Historical Society Inc
Clothing, Silk Velvet & Lace Bodice, 1880s
Netta Fuller and her husband Alec were long-term residents of Kew. As a boy, Alec had attended East Kew Primary School and was later highly involved in the Kew Presbyterian Church during the 1950s and 60s. Netta's passion was for historic clothing and its exhibition. In 1985, Netta Fuller and Elizabeth Pace launched a parade of garments sponsored by Kew Historical Society at Holy Trinity Church, Kew. The parade was called 'Downunder Dressmakers' and included a collection of over fifty items of clothing dating from 1800 to 1984. The collection included dresses, hats, scarfs, capes, sporting costumes etc. The core of the parade consisted of a collection of 19th century costumes worn by the ancestors of a Miss Gertrude Murray, a resident of Blackburn. In sourcing items for her collections, Netta Fuller collected costumes stored in old trunks and wardrobes, or even purchased from opportunity shops. (During the period in which she collected and exhibited costumes, the latter could often be a reliable source for the purchase of historic and aesthetically significant costumes.) Not satisfied with purchasing authentic costumes of the period, Netta also used these as models for artistic recreations. Following her retirement from both collecting and exhibiting, Netta Fuller donated a number of 19th Century garments to the Kew Historical Society's costume collection. A number of garments were parts of costumes such as bodices, while others were complete outfits. Some of the latter exhibit signs of old damage, however very few of the costumes had been modified to enable them to be worn in exhibitions. Provenance, apart from that the costumes were donated by Netta Fuller after 1985 is limited to donor information, although some of her donations may have originally been part of the collection owned by the Murray family. While the costumes are old and therefore historic, provenance is less important than the representativeness and/or rarity of the costumes. Similarly, the costumes need to be evaluated as a group and separately, considering their aesthetic and artistic significance as well a their age.Black silk velvet, long-sleeved, waisted padded winter bodice with black lace and beading at cuffs and at basque. women's clothing, bodices, fashion - melbourne - 1880s, netta fuller -
Kew Historical Society Inc
Clothing, Black Silk & Lace Bodice, 1890s
Netta Fuller and her husband Alec were long-term residents of Kew. As a boy, Alec had attended East Kew Primary School and was later highly involved in the Kew Presbyterian Church during the 1950s and 60s. Netta's passion was for historic clothing and its exhibition. In 1985, Netta Fuller and Elizabeth Pace launched a parade of garments sponsored by Kew Historical Society at Holy Trinity Church, Kew. The parade was called 'Downunder Dressmakers' and included a collection of over fifty items of clothing dating from 1800 to 1984. The collection included dresses, hats, scarfs, capes, sporting costumes etc. The core of the parade consisted of a collection of 19th century costumes worn by the ancestors of a Miss Gertrude Murray, a resident of Blackburn. In sourcing items for her collections, Netta Fuller collected costumes stored in old trunks and wardrobes, or even purchased from opportunity shops. (During the period in which she collected and exhibited costumes, the latter could often be a reliable source for the purchase of historic and aesthetically significant costumes.) Not satisfied with purchasing authentic costumes of the period, Netta also used these as models for artistic recreations. Following her retirement from both collecting and exhibiting, Netta Fuller donated a number of 19th Century garments to the Kew Historical Society's costume collection. A number of garments were parts of costumes such as bodices, while others were complete outfits. Some of the latter exhibit signs of old damage, however very few of the costumes had been modified to enable them to be worn in exhibitions. Provenance, apart from that the costumes were donated by Netta Fuller after 1985 is limited to donor information, although some of her donations may have originally been part of the collection owned by the Murray family. While the costumes are old and therefore historic, provenance is less important than the representativeness and/or rarity of the costumes. Similarly, the costumes need to be evaluated as a group and separately, considering their aesthetic and artistic significance as well a their age.Black silk and lace bodice.victorian fashion, netta fuller, bodices -
Kew Historical Society Inc
Clothing, Black Silk Bodice, 1880s
Netta Fuller and her husband Alec were long-term residents of Kew. As a boy, Alec had attended East Kew Primary School and was later highly involved in the Kew Presbyterian Church during the 1950s and 60s. Netta's passion was for historic clothing and its exhibition. In 1985, Netta Fuller and Elizabeth Pace launched a parade of garments sponsored by Kew Historical Society at Holy Trinity Church, Kew. The parade was called 'Downunder Dressmakers' and included a collection of over fifty items of clothing dating from 1800 to 1984. The collection included dresses, hats, scarfs, capes, sporting costumes etc. The core of the parade consisted of a collection of 19th century costumes worn by the ancestors of a Miss Gertrude Murray, a resident of Blackburn. In sourcing items for her collections, Netta Fuller collected costumes stored in old trunks and wardrobes, or even purchased from opportunity shops. (During the period in which she collected and exhibited costumes, the latter could often be a reliable source for the purchase of historic and aesthetically significant costumes.) Not satisfied with purchasing authentic costumes of the period, Netta also used these as models for artistic recreations. Following her retirement from both collecting and exhibiting, Netta Fuller donated a number of 19th Century garments to the Kew Historical Society's costume collection. A number of garments were parts of costumes such as bodices, while others were complete outfits. Some of the latter exhibit signs of old damage, however very few of the costumes had been modified to enable them to be worn in exhibitions. Provenance, apart from that the costumes were donated by Netta Fuller after 1985 is limited to donor information, although some of her donations may have originally been part of the collection owned by the Murray family. While the costumes are old and therefore historic, provenance is less important than the representativeness and/or rarity of the costumes. Similarly, the costumes need to be evaluated as a group and separately, considering their aesthetic and artistic significance as well a their age.Long-waisted black fitted silk and lace bodice with black wooden buttons. The lace at the edge of the bodice may have been added at a later period.day dresses, women's clothing, mourning wear, fashion -- 1880s, netta fuller