The series of photographs were taken shortly after the opening of the second Secondary College, Sunbury Downs, in Sunbury in 1987. The first high school opened in Sunbury in 1959 in the local Memorial Hall. Sunbury Downs Secondary College was built west of the town in Mitchells Lane.A coloured photograph of the rotunda like library at the Sunbury Downs Secondary College. In the front of the building there is an open area with seats and a grassed area in the immediate foreground.state education, schools, sunbury downs secondary college, ministry of education, george evans collection

Note by T.H. Kneen 8 April 1992, "Refer B91.246-249. Unclear as to whether Burnley participated in what appears to be a Department of Agriculture display - perhaps a search of reports in Journal of Agriculture might provide more information."Black and white photograph. Fenced area with model buildings and real plants set out like a farm. People standing behind the fence looking at it.showgrounds, department of agriculture display, model farm

Note by T.H. Kneen 8 April 1992, "Refer B91.246-249. Unclear as to whether Burnley participated in what appears to be a Department of Agriculture display - perhaps a search of reports in Journal of Agriculture might provide more information."Black and white photograph. Fenced area with model buildings and real plants set out like a farm. People standing behind the fence looking at it.showgrounds, department of agriculture display, model farm

Note by T.H. Kneen 8 April 1992, "Refer B91.246-249. Unclear as to whether Burnley participated in what appears to be a Department of Agriculture display-perhaps a search of reports in Journal of Agriculture might provide more information."Black and white photograph. Fenced area with model buildings and real plants set out like a farm. People standing behind the fence looking at it.showgrounds, department of agriculture display, model farm

Note by T.H. Kneen 8 April 1992, "Refer B91.246-249. Unclear as to whether Burnley participated in what appears to be a Department of Agriculture display-perhaps a search of reports in Journal of Agriculture might provide more information."Black and white photograph. Fenced area with model buildings and real plants set out like a farm. People standing behind the fence looking at it.showgrounds, department of agriculture display

Gathering is a series of contemplative sculptural objects that represent a visual continuity between the Australian landscape and the city. They embody totemic beings which hold the beliefs, values and attitudes of an individual who resides within the urban context, yet has a deep connection to place through their engagement with temporal moments and meaningful interactions. They aim to facilitate dialogue between the viewer and the viewed, seeking to re-orient an individual's perception, awareness and values surrounding the importance of fostering a connection and sense of place with the land we walk on.Wangaratta Art Gallery CollectionA contemporary sculpture made using weaving techniques to create a mesh-like linen cylinder tuft with alpaca fibre, mounted upon a limestone base.tulla carson, sculpture

2 x brass candlestick holders (vase shape) with decorative feather patterns on the side. The opening for the candles is shaped like open flower petalscandlestick holders, candles, light

The man in the photograph is Arthur Edward (Ted) Child. The photograph is from the album of his daughter, Ivy Child. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Black and white photograph showing a man wearing a jacket, jodhpur like trousers, leather gaiters and a wide brimmed hat standing in a bush setting.Written below the photograph in the album: The Old Geaserted child, arthur edward child

FROM THE OLD CLUNES HOSPITALROUND GLASS CONTAINER WITH A SHORT SPOUT OUT ONE SIDE. JUST IN BACK OF THE SHORT SPOUT IS A LONG TUBE-LIKE SPOUT WITH SMALL OPENINGlocal history, medicine, medical equipment, medical

A book of 110 pages based on journals kept by the author, this book gives an authentic, first-hand insight into what cruises were like in the 1950s.non-fictionAfter making a life changing decision to travel overseas on a working and backpacking holiday, the author then had to earn enough money to pay for the voyage, travel and backpack. He resigned from his employment in the railways and began work on a much more lucrative job in his trade. Soon he had all the money he needed for the adventure. The author left Australia in November 1951 on the TSS Moreton Bay and spent two exciting years working in England, and backpacking in the UK, Scandinavia and the Continent. He returned to Australia in October 1953 on the TSS Orion. This book is the story of his very different experiences on board each ship. The TSS Moreton Bay from Port Melbourne to Southampton, and the TSS Orion from Naples to Port Melbourne. Both voyages were filled with many exciting events and experiences, some of which were completely unexpected. The author believes he was very fortunate to have travelled on those ships and will never forget the experience as long as he lives.gordon smith, tss moreton bay, tss orion

Brass Kempthorne lantern ( Shaped like small water canister with lens on front) brass Wire type handle with clip on rear to attach to bicycleOn clip LAMPS ELECTRIC No KEMPTHORNE. AUST 1943 D^D

Dust cover is buff in color and the title and author's name is in navy blue lettering on the front cover and spine.fictionAn Australian children's story set in colonial times.short stories, australian

Murrup Laarr translates as 'Ancestral Stones' in Wadawurrung. This artwork by Dr Deanne Gilson is located in the North Gardens Indigenous Sculpture Park. The park is a significant project for the City of Ballarat and features works by Aboriginal and Torres Strait Islander artists, celebrating the richness and diversity of culture and telling important cultural stories. Dr Deanne Gilson is a Wadawarrung Traditional Custodian and established artist. She installed the first artwork commissioned by the City of Ballarat for the Sculpture Park in early 2019. Murrup Laarr is a contemporary artwork consisting of a traditionally-built stone hut in the middle of a circle of basalt standing stones, marked with ceramic plates reflecting the stories and symbols of dreaming, memory, ceremony.The artwork is of aesthetic and cultural, social and spiritual significance to the people of Ballarat and to Wadawurrung peopleA traditional hut made from river stone and stacked rocks, with the hut surrounded by large basalt rocks with plaques featuring unique designs on stoneware plates imbedded into them. Murrup Laarr (Ancestral Stones), 2019 / By Deanne Gilson / Wadawurrung people have always used stones to mark places of ceremony and important business. The stones are the holders of memory and knowledge, Country and Spirit. They mark the cosmos and seasons. They follow the sun, marking the summer and winter solstice, important dates for planting and harvesting and telling stories of past, present and future. / The stones are alive and still present. Murrup Laar has been created using local basalt stones to tell Wadawurrung stories of dreaming, memory and ceremony. / “Creating Murrup Laarr (Ancestral Stones) at this time has placed Aboriginal people and practices back on Country and created a place to tell our stories. I am very honoured to have had this opportunity. An Aboriginal stone circle existed in Ballarat pre-colonisation; by putting back what was lost throughout colonisation I pay homage to my ancestors, past, present and emerging”/ – Deanne Gilson, March 2019 murrup laarr, wadawurrung

It was and still is customary for a piece of Wedding Cake to be given to the guests on their departure from the reception. . Some customs suggest single women will find a husband if they put this piece of cake under their pillow at night. --- the man of their dreams will come calling …..!A small tin with a lift -off lid for a piece of Wedding Cake traditionally given to guests at the reception as a take home gift .2 wedding bells engraved on lidweddings, early settlers, tinsmiths, moorabbin, bentleigh, cheltenham, celebrations, souvenirs

This letter from Ryan provides detailed comments and major and minor criticisms of the text of Robin Boyd's manuscript for 'The Great, Great, Australian Dream'. He suggests Peter Grose of Curtis brown as a literary agent, and suggests a publisher.Typewritten, quarto, 3 pages.

The late 19th to early 20th century stone cottage with weatherboard extensions. From research, it has been determined that the cottage was the Port Fairy (Belfast) Lighthouse Keepers cottage. The dome roof in the background indicates a lighthouse, in which case the cottage would have been the living quarters for a lighthouse keeper and assistant keeper. The narrow poles could have been for signals and antennae. The object on the rock stack looks like a large metal milk can.The photograph shows a typical late 19th to early 20th century cottage, abandoned at dilapidated for many years. Black and white rectangular photograph mounted on card. The image shows a dilapidated stone cottage with an old picket fence. Extending behind the stone cottage are gabled roofs above weatherboard walls. The cottage has corrugated roof sheets of different colours, and four chimneys, three with chimney pots. From research, it has been determined that the cottage was the Port Fairy (Belfast) Lighthouse Keepers cottage. Near the fenceline on the left, a corrugated water tank is positioned below a pipe joined to the roof gutter. Nearby are a timber shed and timber walls or screens. In the background are two tall narrow poles with spheres on top, higher than the cottage, with one pole on each side, the left one attached to the building. A domed roof with a knob on top is on the right behind trees. Several angular shapes appear on the horizon on the left, one almost hidden by the trees. The foreground is rocky and slopes uphill on the right. At the foot of the slope is a stack of closely fitted rocks with an object shaped like a milk can on top and an object to its left that is like an open grid. Handwritten Inscriptions are on the reverse side of the photograph.Pencil on board: " D9 / 200 x 150" Pen on sticker: "52"flagstaff hill maritime museum and village, warrnambool, great ocean road, shipwreck coast, cottage, lighthouse, iron roof, stone building, picket fence, water tank, weatherboard building, 19th century cottage, early 20th century cottage, abandoned cottage, antenna, chimneys, milk can

This veterinary item was found in a walk-through dairy at Wombat Track, Orbost. It has been identified by vet, Peter Honey (9.1.2015) as possibly used for flushing abscessed or mastitis teats. It could have been improvised for another use by the farmer and was probably originally for medical use.These items are representative of items used in Orbost on dairy farms in the first half of 20th century.A glass syringe-like tube with a glass plunger inside. There is a small hole at one end and a movable plunger at the other end which has a cork collar.veterinary-equipment dairy farming

This badge is issued to personnel who have served during periods of peacetime and personnel who had not served overseas.This is the last time the Badge has been changed (1990) - a fourth figure has been added to the figures in the centre of the badge, and the name changed to Returned and Services League Australia. The fourth figure, female, recognises our female service personnel.Metal gold coloured badge, white background, blue circle with four figures in a coloured gold centre of the circle. A red ribbon like across the bottom . Front - in the blue circle Returned & Services League, in the red ribbon on the bottom of the badge Australia. Covering the crown the year badge 03. Back - Badge Remains Property of League, V26132.r&sla badge, 1990

Photo shows a close up of a person holding two flowers which look like ducks (Duck Orchids) between their fingers. There is a muted background of foliage.natural history, flora

A tea infuser is a device in which loose, dried tea leaves are placed for steeping or brewing. The tea infuser gained popularity in the first half of the 19th century. This item is an example of a commonly used kitchen utensil not in common use today. It has been superseded by the teabag.A tea infuser spoon which looks like a small covered spoon. It is made from metal (brass?) with small holes. It has a narrow tapered handle.tea-infuser beverages kitchenware

Photo of a paddock with what looks like the tracing of a trench. Trees in the background. At bottom left date stamp in yellow 20/07/1999. Location unknown.Kodakplace, land, paddock

Gas and Fuel Fashion,Food,Fitness. Group on stage - 2 males 6 females in what looks like a fashion parade. Date and location unknownevent, social, gas & fuel fashion, food, fitness

Ornamental plaster statue titled 'Like Papa' of a boy in cap & large boots, hands in pockets with pipe in his mouth, cream in colour with tan highlights.ornaments, plaster, statue

Photograph, black and white. Portrait of a young woman, leaning on a rock, looks like in a garden.She has curly/wavy short hair, wearing earrings(sleepers).Bartlett Bros. Sandhurst.person, individual, female portrait, photograph. portrait of a young woman. unknown family collection.

Black and white photograph, train derailment at Sea Lake. Photo of a group of men looking like trying to sort out what to do. One in overalls.place, train, derailment, photograph. train derailment. sea lake. 19th june, 1961. mileage 139.