Painting depicting a female nude holding a hand mirror against a multi coloured background. Signed (L.l) 'Clifton May/June '74'. On reverse in chalk 'Judith 1974 (T1) (3)'clifton pugh, painting, female nude, mirror, judith

Brass belt buckle depicting a nude female with two dogs contained within a circleNonematcham skipper, belt buckle, bronze, jewellery, diana and the hounds

Female white Port Fairy Bowl's Hat with navy band and silver and blue badge.Headband - Navy blue with 4 air holes and "Port Fairy" embroidered in white Badge - LBA VICTORIA with foliagejanwilley, bowls, port fairy, bowling club

Three of the Telephonists at the telephone exchange in the Post office building in Sackville Street.Black and white photograph of two males and a female gathered around the telephone exchange deskTELE EX PF 1927_0001telephones, telephonists, port fairy, telephone exchange, equipment

Note by T.H. Kneen and E.B. Littlejohn 04.03.1992, who believe it was probably taken c.1940-1941. "Student with foot on spade could be (J.M.) Pixie Scott" (1941).Black and white photograph. A group of mostly female students crowded around the entrance to the Pavilionstudents, pavilion, j.m. pixie scott, 1941, inside classes

Marnoo – Fellowship Class 1898 Marnoo October. Back row: left to Right: H. Newall, Phemie McKinnon, C. Newall, Barb McLennan, Mal Maconachie, Glencioss?, J. Aitkin, Duncan McLennan, Margaret Maconachie, Mal McLennan, May McLennan. Back row (Middle row): Lottie Newall, Ellen Aitkin, Ellen Newall, Liz Maconachie, Miss Allen, Barb McLennan, Liz McLennan, Jane Maconachie, Ag Newall. Front row: Mary McKinnon, Lily McLennan, Jess McLennan (Blaikie?), Nellie McKinnon.Black & white group photo of 24 people consisting of males & females formally dressed. Marnoo Fellowship Class 1898. Marnoo October. Back row: left to Right: H. Newall, Phemie McKinnon, C. Newall, Barb McLennan, Mal Maconachie, Glencioss?, J. Aitkin, Duncan McLennan, Margaret Maconachie, Mal McLennan, May McLennan. Back row: Lottie Newall, Ellen Aitkin, Ellen Newall, Liz Maconachie, Miss Allen, Barb McLennan, Liz McLennan, Jane Maconachie, Ag Newall. Front row: Mary McKinnon, Lily McLennan, Jess McLennan (Blaikie?), Nellie McKinnon.stawell

Donated by Carine Williams Wettenhall in 1991 for the Centenary Year. Black and white photograph. 5 female students standing under or on top of the "Langwarrin" sign.On reverse, "An excursion to Langwarrin 1929."female students, langwarrin, excursion, carine williams (née wettenhall), 1991, centenary, 1929

Donated by Carine Williams Wettenhall in 1991 for the Centenary Year. Sepia photograph. A group of 12 female and 2 male students seated and standing on the lawn.On reverse, "The Seniors in 1929."female students, students, carine williams (née wettenhall), 1991, centenary, 1929, 1929 year group

(a) Donated by Carine Williams (nee Wettenhall) in 1991 for the Centenary Year. (b) Donated by Pat McVickar in 1991 for the Centenary Year.2 copies sepia photographs. 2 female students cutting sapling trees with secateurs. (a) On reverse, "Pat McVickar and-Mathews hard at it 1929." (b) On reverse, "Pat McV & Mathews, Pat McVickar O. Mathews graduated 1930."female students, sapling trees, secateurs, carine williams (née wettenhall), 1991, centenary, pat mcvickar, 1929, o matthews, students working outside

Chelsea State School was built on Argyle Avenue and officially opened on 27 January 1915.Sepia photo of Grades 3 and 4 with two female teachers at Chelsea State School.chelsea, education, chelsea primary school, school, chelsea state school, grade 3, grade 4

A family photo of Stathi and Kassiani Raftopoulos with daughters Leah and Rena and granddaughters. Pictured seated Kassiani and Stathi Raftopoulos. Standing left to right: Casey Koutsounis, Rena Varigos, Leah Koutsounis, Cassandra Varigos, Kathy Koutsounis, Margarita VarigosA coloured family photograph at a restaurant. The couple is seated and the younger females are standing behind them. families, daughterts, granddaughters

Black and white photograph"Written on back of photograph" Ringwood Mayoral Ball - 1954 Country dancing - Male and female dancers. Ken & Laurel Simms.

This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. The Regent Parrot has two separate populations separated by the Nullarbor Plain: one in the Mallee regions of eastern Australia, and the other in the Wheatbelt region of southern Western Australia. Though the populations are widely separated, the birds of each region do not appear especially different, one being a little duller than the other. There are, however, other differences between the two populations, especially in how they have fared: eastern populations are endangered, while the western population is thought to be increasing. The Regent Parrot eats seeds of grasses and plants and cereal crops, especially wheat. It also eats buds and flowers, insect larvae, psyllids and lerps. It forages in pairs or small parties, usually on the ground, but also in the canopy of trees or in spilled grain on the ground. The Regent parrot is endangered in NSW and Vulnerable in VIC This Particular specimen has been mounted correctly.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.A slim parrot with a long, dusky tapering tail and back-swept wings. It is mostly yellow, with blue-black wings and tail. There is a prominent yellow shoulder patch and red patches in the wings. The bill is deep pink. It is mounted on a thin wooden branch that is attached to a wooden mount with the scientific name located Label: T.L. 430MM / W.S. 540MM / WT. 200GMS / SEX [female symbol] Mount: Polytelis / Anthopeplus / Regent Parrot taxidermy mount, regent parrot, taxidermy, animalia, burke museum, bird, parrot

The Olive-Backed Oriole are very common birds for northern and eastern Australia, as well as New Guinea. Similar to the Yellow Oriole, this species is more versatile yet less distinctive in colouring. The streaked underparts and red bill and eyes are easy identification features of this bird. Both sexes look very similar, with female colouring being slightly duller than males. This species frequents open forests and woodlands, and can tolerate dry climates. Most of this species breeds from September to January during the tropical wet season in northern Australia, but some are known to migrate south to breed in the summer. This species eats mainly native fruit, berries, and insects. This specimen is a good example of this species, but the colouring is very dull compared to living birds. This specimen has one red eye, which is a good example of a distinctive feature of this species. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Olive-Backed Oriole has a faint olive-green head and back, and a faint red-tinged beak. Its body is cream coloured with brown streaks. It has one red eye. This specimen appears to be immature and/or female, as it has a pale pill and a duller-olive green back, with streaks quite high up on it's chin, which is indicative of an immature female of this species. This specimen stands upon a wooden platform and has an identification tag tied around its leg.Swing-tag: 52a / Australian Oriole / See catalogue page 17. taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, oriole, olive-backed oriole, yellow oriole, australian birds

The Satin Flycatcher is a small and energetic bird commonly found along the east coast of Australia from far northern Queensland to Tasmania. They are also located in south-eastern South Australia and New Guinea. These birds prefer to reside in tall forests and are fond of wetter habitats like forested gullies but not rainforests. These birds are dimorphic, meaning male and females have distinct forms. The male Satin Flycatcher is blue-black in colouring while the female are brown-grey with a distinct orange band on the chin, neck and breast. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This female Satin Flycatcher is stylised on a wooden platform with a paper tag attached to its leg. This specimen has small glass eyes, wings positioned to its sides and a long straight tail. The colouring on this bird is a brown-grey and cream colour. It has patch of orange feathers on the neck and chin which identify the gender of this specimen. The male has glossy blue-black colouring and lack the orange plumage.33A. / Shining Flycatcher - See Catalogue, Page 13. / 50 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, satin flycatcher, small bird, flycatcher

CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee residency 1983 and 1984Screenprint of cartoon-like male and female. The male wears a black suit, the female wears a white dress and hat with green trim, and a pink necklace. The background is a montage of figures and text. Prominent colours in the background are blue, red, yellow and green.Front: 18/37 (lower left) The Wedding, 1924 (lower centre) A. Gee (lower right) Back: (no inscriptions)

Unknown female No. 1, Unknown female No. 2, Dorothy Hall (nee Curtis)dorothy hall (nee curtis), peter stirling collection

Unknown female No. 1, Unknown female No. 2, Dorothy Hall (nee Curtis)peter stirling collection, rev. c. wright, jean wright

CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee residency 1983 and 1984Laminated screenprint of cartoon-like male and female. The male wears a black suit, the female wears a white dress and hat with green trim, and a pink necklace. The background is a montage of figures and text. Prominent colours in the background are blue, red, yellow and green.Front: 27/37 The Wedding, 1924 A Gee Back: 17

Parade commemorated Major Mitchell's visit in 1838. Man with Beard is John Miller, Woman is Janet Witham. Band is Stawell Brass Band. Parade was held in conjunction with the Wildflower Show.Photo shows 1 male, 1 female, 1 girl in the foreground. Musicians in uniform are seated. A crowd of onlookers fill the background. Male is wearing a hat and has a beard. Female is wearing a cream coloured hat decorated with wildflowers and a blue ribbon.events, parades

A female with a white cane is standing with another female at the head of stairs, possibly at RBS Enfield.1 B/W photograph of two woman in stairway, one using a white caneFile: Field Servicesroyal blind society of new south wales, white cane day, orientation and mobility

See also Cat. No. 4530.4Paper recruitment poster. There is a photo of a female in uniform and helmet holding a pair of binoculars, looking skywards.wwii, awas, recruitment

Small painted wooden female Asian doll with pink floral traditional dress and green capwritten with white pen on bottom: "PMA 0256"

Madge Connor was one of Victoria's first police women. She was appointed as a police agent in 1917 and a fully sworn police officer in 1924.Photograph of Madge Connor, one of the first female police agents employed by Victoria Police in 1917. police agents, connor, madge irene 7711, police women, police woman, policewomen, policewoman

Not yet knownThompson collectionStudio B/W photograph mounted on sepia board of young female aged 9 years. No manufacture mark, but bottom of card has been cut off. Inscription on back reads: 'To Harry With best love from his sister Joan aged 9 years'thompson collection, nightingale