Xylonite cream colour comb holder with flower trim

Pattern for an apron decorated with flowers and a lace edged bonnetCuffie da Cuginaapron pattern, bonnet pattern, flower embroidery, marcela bole

Autograph book with flowers on every page and space for autographs.books, autograph

doyley made of filet lace with flower design in centrehandcrafts, lacemaking

Birthday postcard to a grand- daughter with girl and flowers on frontGreetings to Gladys from grandmotherdocuments, cards

Red terracotta planter box, decorated with flowers and faces.ceramics, terracotta

Colour photograph. Stained glass window. Flowers in front.buildings, church, stained glass window

The Kew Historical Society's Fashion & Design collection includes a small and representative collection of women's fashion accessories, purchased, inherited or collected by members of the Society. These items date from the Nineteenth and Twentieth centuries, and conform to fashions and styles popular during the period of their use. Some of the items are handmade, while others are mass-produced commercial products. Black silk embroidered with flowers compact with and internal mirrorfashion accessories, personal accessories

An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in a mansion, originally named Illapa, at 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937), his wife Edith Mary Weir (1867-1948) and their children. George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926.This garment is part of a collection of women’s clothing, owned and worn by Edith Mary Weir (nee Betteridge) - born in Clare, South Australia 1867, died Kew 1948 - and also by her daughter. The garments date from the 1880s to the 1930s. The collection includes day dresses, evening dresses, evening coats, capes, and undergarments. As the wife and daughter of a mine manager, the collection includes representative examples of clothing worn by upper middle class Australian women in domestic circumstances, and at social and civic events. A number of the costumes from the 1920s to the 1930s are of a particularly fine quality, being both rare, representative and intact examples of Australian fashion of the period. The garments in the Weir Collection were donated to the Kew Historical Society by a granddaughter of Edith Weir in 2017.Ornamental cream crocheted bodice of ribbing, flowers and leaves.edith mary weir (nee betteridge), illapa -- 84 princess street -- kew (vic.), women's clothing, weir collection, bodices

Square metalwork mandala of a decorative design resembling a flower.Nonematcham skipper, metalwork, mandala, decorative design

Bookplate featuring a couple running nude in flowers with a snake"Ex Libris - Betty and Jeff Bidgood"couple, nude, flowers, snake

Bookplate featuring a couple running nude in flowers with a snake"Ex Libris - Betty and Jeff Bidgood"bookplate, nude, couple, flowers, snake

The Port Fairy Botanical Gardens were formed in 1856 making it one of the earliest gardens in Victoria. The first curator was James Prior, he was paid fifty-two pounds per annum. He was an outstanding curator having been apprenticed to the trade in England at the age of 12, his brother Edward in later years was the Curator of the Koroit Gardens. Prior retired in 1903. During the years of his curatorship Port Fairy was said to have the best gardens outside the city of Melbourne, he was constantly in touch with Baron Von Mueller and later Guilfoyle of the Royal Botanical Gardens of Melbourne. In the early years plants from all over the world were planted here with varying rates of success many of them sent by Baron Von Mueller. In the 1930’ and 40’s the gardens were still very beautiful, and the curator was Roy Manuell. The beautiful iron gates at the entrance were destroyed in the 1946 floods and were replaced in 1989 using some of the material from the original gates. From the 1950’s on the gardens went into a state of decline, much being taken up by the caravan park until in 1986, after a public meeting ‘Friends of the Gardens’ was founded when the entrance section was restored. Bless keep and white photograph of a circular flower gardengarden, flowers, paths, trees

8 slightly different poses of 3 Alstroemeria flowers.plants, alstroemeria

Hand painted tea cosy, black with pink flowers.tea-cosies

Used by Mrs. H. N. Lord in the 1960's.Beaded evening bag with silver and pastel flower pattern.beads, handbags

Black and white photograph. Lily Pond with waterlilies in flower.On reverse, "1944-1945 Blue lilies in Ponds under Willows."water lilies, ponds, helen dudley, 1991, centenary, lily ponds, luffmann ponds

Owned by Patrice's grandmother, Elsie Doris Whitten (ne Williams).Length of beaded motif. Black beading in the shape of flowers.beading, motif