1970 National Bank watercolour painting reproduction Penguin Silver Mines , Tasmania signed Á.G'1871 Below the picture title the words - Reproduced by the National Bank in 1970 from the engraving in the national library of Australia by permission of the Trustees A sail / steamship is seen off the coast .The centre of the painting shows a mine shaft , frame and wheels connected to a horse-powered mechanism .There are various other buildings , horses and carts and people .The mine was only to last a year.painting, watercolour, 'penguin silver mines , tasmania / national bank reproductions /

Print of small child wearing a blue and white striped dress, white bonnet and holding a ball, in a wooden frame under glass.artwork, print, child

Religious print of white flowers and fern, framed in a cream wooden frame with brass adornments in corners, under glass with wording, for this God is our God for ever and ever, Psa 48.14artwork, print, religious

Water colour painting of Hustlers Reef Gold mine, framed under glass. Painted by Mr. John Hall.John Hallartwork, water colour, gold mines

19th Century J Harrison,Picture Frame Manufacture of Bottom Block, 64 Pall Mall Sandhurst stick-on advertising leaflet. Attached to brown paper fragment. J Harrison was thanking friends and public of Sandhurst and district of Bendigo for past favours. Kept a large choice at lowest prices of Oil Paintings, Oleographs, Lithographs, Chromos, Steel Engravings, Mottoes, Illuminated Texts, Choice Copies for Drawing and Painting, Birthday Cards, Scraps in Great Variety, & etc.News Office Sandhurst.bendigo, industry, printing, j harrison bottom block, 64 pall mall sandhurst. 19th century printing techniques.

Small print of a man with pipe and a woman carrying a jug, both dressed in Dutch costume, standing on a jetty with ships in the back ground, black frame.artwork, print, group, u5747 old cat ref

Given by Margaret Amess, youngest child of Samuel and Jane, to Mary Clay who was MA's maid until married. M.C. was aunt of donor. One of a pair (see 0344).Artist unknown, may have been Margaret Amess or her cousin Minnie Laurence, both of whom practiced art around the turn of the 20th century.Daylight scene of Churchill Island shore with sailing boat full sails heading towards shore. In large elaborate faded gold gilt frame matching 0344.On back: PREPARED MILLBOARD./(coat of arms)/WINSOR & NEWTON (Limited),/ARTISTS' COLOURMEN/To Her Majesty,/AND TO/T.R.H. THE PRINCE & PRINCESS OF WALES,/ 38, RATHBONE PLACE, W/NORTH LONDON COLOUR WORKS, KENTISH TOWN, N.W.churchill island, oil painting, margaret amess

Given by Margaret Amess, youngest child of Samuel and Jane, to Mary Clay who was MA's maid until married. M.C. was aunt of donor. One of a pair (see 0343).Artist unknown, may have been Margaret Amess or her cousin Minnie Laurence, both of whom practiced art around the turn of the 20th century.Moonlight scene of Churchill Island with rowboat on sea in foreground. Pink lower sky, moon full above. In large elaborate faded gold gilt frame matching 0343.On back: PREPARED MILLBOARD./(coat of arms)/WINSOR & NEWTON (Limited),/ARTISTS' COLOURMEN/To Her Majesty,/AND TO/T.R.H. THE PRINE & PRINCESS OF WALES,/ 38, RATHBONE PLACE, W/NORTH LONDON COLOUR WORKS, KENTISH TOWN, N.W.churchill island, margaret amess, oil painting

The “Coogee” is an intermediate single seat sailplane designed and built by Tom Proctor in 1940. Only one was built. It was first flown at Stuart Hill near Bendigo Victoria in January 1941 and was maintained in flying condition until 1967. The aircraft was flown extensively by the Victorian Motorless Flight Group (now the Melbourne Gliding Club) and Geelong Gliding Club and several subsequent owners. This exhibit is a "one off" Australian designed and built glider similar in some respects to the Hutter H17. Its usage is relevant to the history of gliding in Victoria in the post war years. Also the aircraft provides an insight into gliding technology in Australia in the 1940s. Wood and fabric single seat glider sailplane with strutted wings and strutted tailplane – features metal framed perspex canopy, central fuselage skid and wheel, small tail skid, instruments include airspeed, turn and bank indicator; variometer and altimeter. Metal parts include struts and fairing covering wing joint. All surfaces are pink doped – awaiting painting.australian gliding, glider, sailplane, coogee, tom proctor, victorian motorless flight group, geelong gliding club

This item was collected because it contributes to an understanding of those involved in the conflict in Vietnam other than Australian servicemen.Framed water colour and ink on rice paper. Image is of Vietnamese women at the market. Green matt surrounds image.painting, market, vietnamese women, vietnamese craft, vietnam

Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series of photographs was taken at a Farm in Kyneton and shows a similar historic farm to Churchill IslandPhotograph of a historical wooden house with building and painting supplies visible in the frameCatalogue number written on reverse in pencil.churchill island, photograph, kyneton

Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series of photographs was taken at a Farm in Kyneton and shows a similar historic farm to Churchill IslandPhotograph of a historical wooden house painted white with building and painting supplies visible in the frameCatalogue number written on reverse in pencil.churchill island, photograph, kyneton

Black and silver wooden frame with 4 gold ornaments Print of the painting "Black Brunswicker" by John Millais R.A. Permanent photograph

Original oil painting, by Harry Clarke of mud brick house & outbuildings near Eaglehawk Golf Course, in a timber frame, signature bottom right corner, with note stuck on rear. Harry Clark lived in Lobb St North Bendigo with his wife and son Max in 1940s. He moved around working for thre mines including Central Deborah (managing or as an inspector). he lived in Alice Springs for a while. He shifted to Wangaratta where he died aged in his 80s. H eloved painting buildings and old houses and landscapes in Central and Goldmines Districts. Information from note attached to painting. Note not signed.Harry Clarkeartwork, oil painting, landscape, victoria-history-eaglehawk

Sepia coloured water colour painting of the Gold Mines Hotel Bendigo by W. Rees. Harrison, under glass in a black and gold timber frame with a burgundy mount, markings on image read '1977 Gold Mines Hotel Bendigo W. Rees. Harrison Mitchem Vic', Donated by Mr Atkinson related to Mary ReibyW. Rees. Harrisonpainting, watercolour, buildings, gold mines hotel, w. rees. harrison

2 small coloured prints showing women's fashions in 1842, framed with thin timber frames cream in colour with glass, markings read 'Fashions for October 1842', 'Fashions for December 1842', Donated by Mr Atkinson related to Mary Reibypainting, print, home life, fashions, fashion

Colour Print of child with flower under glass, in black and gold timber frame, Donated by Mr Atkinson related to Mary Reibypainting, print, portrait, print, framed prints

2 Small Coloured Prints depicting Victorian Women's Fashion, under glass in thin cream coloured wooden frames, Donated by Mr Atkinson related to Mary Reibypainting, print, home life, victorian women's fashion, fashion

Naive painting of the Creswick Post Office painted on site, "en plein air", part of his recording of the town. Litherland was born in Odessa in 1897 and arrived in Creswick in 1938, where he lived until his death in 1978. This painting and 65 others were bequeathed to the town by him.This painting records the life of the town of Creswick at a moment of time, in the naive style. Litherland became a character about town and a noted artist. He is represented in the National Gallery of Victoria, the Art Gallery of Ballarat, the National Gallery of Australia and other regional galleries.Gouache painting on paper of Creswick Post Office in the naive style. Framed by artist. Named on the back by the artist.Signed lower middle "Victor Litherland" and dated 1963. On the back the name "Creswick Post Office" is written by the artist.victor litherland, creswick, naive art, gouache