Tom and May Barrie lived on the family farm at Ferris Road Melton. Window from the Barrie family farmlandscapes of significance

Slim dark green bottle with conical shaped inverted bottom.bottles, containers

Margaret Olley (24 June 1923 – 26 July 2011) Born Lismore, New South Wales In 1941 Margaret commenced classes at Brisbane Central Technical College. In 1943 Olley moved to Sydney and enrolled in an art Diploma course at East Sydney Technical College graduating in 1945 with A-class honours. She is known as a still-life and interior painters Margaret who drew inspiration from her home and studio, and the beauty of the everyday objects she gathered around her. Her paintings often feature arrangements of fruits and flowers, set amid domestic ware art and souvenirs of her travels. For her service as an artist and to the promotion of art, she was awarded the Order of Australia in 1991 and made a Companion of the Order of Australia in 1996. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed oil painting of an apple on a table with red gingham cloth. art, artwork, margaret olley, olley, apple, fruit, still life

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Found at old hotel site by Geelong Gold Prospectors Club March 1991.Small green, long-necked bottle.bottles

Found at old hotel site by Geelong Gold Prospectors Club March 1991.Tall, green bottle with lipped, crooked neck.bottles

Insulators used throughout state. These probably used in Rutherglen. Now (1985) phone lines being put undergroundTelephone cross pole insulators made of clear glass, bell shaped with dome top.On clear glass: "C.C.G." and "4_."telephone, communication, electricity

Insulators used throughout state. These probably used in Rutherglen. Now (1985) phone lines being put undergroundTelephone cross pole insulator made of clear glass, bell shaped with dome top.On clear glass: "C.C.G." and "4_." telephone, communication, electricity

Insulators used throughout state. These probably used in Rutherglen. Now (1985) phone lines being put undergroundTelephone cross pole insulators made of clear glass, bell shaped with dome top.On clear glass: "C.C.G." and "4_."telephone, communication, electricity

Insulators used throughout state. These probably used in Rutherglen. Now (1985) phone lines being put undergroundTelephone cross pole insulators made of clear glass, bell shaped with dome top.On clear glass: "C.C.G." and "4...." telephone, communication, electricity

"PoopCee Brand" feeding bottle. Used for feeding babies, with the addition of teats and corks. This bottle is a 'banana' shape.Babies' glass feeding bottle "Banana style""Poop Cee" brand moulded in clear glassbaby feeding bottle, poopcee

Although glass containers for wine and beer are probably 1,600 years old, much of their use began only in the late 17th century. In the United States, large-scale production of bottles was pioneered by Caspar Wistar in 1739 at his New Jersey plant. In the 1770s the carbonation process for producing soft drinks was developed, and so began an entirely new bottling industry. At the Great Exhibition of 1851 in the Crystal Palace in London, one million “pop” bottles were consumed. The first beer pasteurised in glass was produced in Copenhagen in 1870. Pasteurisation of milk followed soon after. The moulding of a screw thread on a container was invented by John Mason in 1858. The principles of the “press-and-blow” process for making wide-mouth jars were shown in the United States by Philip Arbogast in 1882, and the “blow-and-blow” process for making narrow-neck containers was demonstrated by Howard Ashley in England in 1885. These processes employed manual delivery; fully automatic jar forming by a suction-and-blow process was perfected by Michael Owens over the period 1895–1917 at the Toledo (Ohio) Glass Company, which subsequently became the Owens Bottle Machine Company. The automatic single-gob feeder was developed in 1919–22 by Karl Peiler at the Hartford-Fairmont Company in Connecticut. Fully automatic machines followed, but the true rugged survivor, utilising fully automatic gob delivery to the maximum versatility, was the Individual Section, or IS, machine invented by Henry Ingle at the Hartford Empire Company in 1925. Source: https://www.britannica.com/topic/glass-properties-composition-and-industrial-production-234890/History-of-glassmakingUnlike item 4018, this is a much smaller ink bottle, and was probably used by an individual, as against the supply of ink to pupils from a much larger bottle.Cotton Reel Ink Bottle, green glass, small, chipped around the lip, bubbles in glass.None.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, ink, bottle, glass

Yhonnie SCARCE (1973- ) Born Woomera, South Australia Language group: Kokatha, Southern desert region and Nukunu, Spencer region Yhonnie Scarce works predominantly in glass. She majored in glass withing a Bachelor of Visual Arts (Honours) course at the South Australian School of Art, Adelaide, and holds a Master of Fine Arts from Monash University. One of the first contemporary Australian artists to explore the political and aesthetic power of glass, Scarce describes her work as ‘politically motivated and emotionally driven’. Scarce’s work often references the on-going effects of colonisation on Aboriginal people, In particular her research focus has explored the impact of the removal and relocation of Aboriginal people from their homelands and the forcible removal of Aboriginal children from their families. (https://thisisnofantasy.com/artist/yhonnie-scarce/, accessed 10 September 2018)Artist's Statement 'The More Bones the Better', 2016 Yhonnie Scarce was born in Woomera, SA and belongs to the Kokatha and Nukunu peoples. Scarce embraces a non traditional approach to glass blowing using glass as more than a mere material, acting as a lens and a mirror, Scarce reflects and exposes the tragedies of Australia’s colonisation. She applies the technical rigours of traditional glass blowing techniques in an innovative and unconventional manner. In particular Scarce uses glass to explore the lives and histories of Aboriginal Australians. Hand blown glass is shaped, engraved, painted and smashed to create indigenous fruits and vegetables such as bush bananas, bush plums and long yams symbolic of her peoples culture and traditions. With their elongated, torso-like shapes, they even evoke human bodies. Akin to a gatherer of bush food Scarce creates glass-gatherings of the persecuted. The repetition of brittle ambiguous bodies collected for experimentation and examination conjures the relentless impact of colonisation and the litany of abuses suffered by Aboriginal people. Within her research Scarce encountered a variety of ethnographic studies examining the use of scientific interventions amongst Indigenous cultures. These include Government sanctioned illegal drug testing of children in orphanages and other dubious medical practices amongst indigenous prison inmates. This work metaphorically looks at these situations and poses questions of what might have gone on in such a laboratory. The judge of the 2017 Guirguis New Art Prize (GNAP), Simon Maidment, Senior Curator, Contemporary Art, National Gallery of Victoria said; “The winning work by Yhonnie Scarce captures the sensitivity to materials she displays throughout her artistic practice. The blown and shattered glass elements are a delicate contrast to the shocking and little discussed histories of Aboriginal exploitation and abuse in the name of science in Australia. Engaging this topic, this work is haunting, in the same way those lived and documented experiences continue to haunt the collective unconscious of this country. Yhonnie Scarce’s work, The More Bones the Better 2016, I believe makes an important contribution to the Collection of Federation University Australia and will engage and move diverse audiences with its technical accomplishment, beauty and message. Yhonnie Scarce was born in Woomera SA and belongs to the Kokatha and Nukunu peoples. Scarce embraces a non-traditional approach to glass blowing using her medium as more than a mere material. Applying the technical rigours of traditional glass blowing in an innovative and unconventional manner, Scarce’s glass objects act as a lens and a mirror to reflect and expose the tragedies of Australia’s colonisation and, in particular, explore the lives and histories of Aboriginal Australians. Hand-blown glass is shaped, engraved, painted and smashed to represent indigenous fruits and vegetables such as bush bananas, bush plums and long yams, symbolic of Scarce’s people’s culture and traditions. While these elongated shapes on the one hand represent fruit and vegetables, gathered and grouped as in the gathering of bush food, Scarce’s torso-like bodies and forms are glass ‘gatherings’ representative of the gathering of people. Here, the many brittle bodies act as a metaphor for the collection, experimentation and examinations undertaken by government authorities on Aboriginal communities researched by Scarce. Exposing a variety of ethnographic studies, examining the use of scientific interventions on Indigenous cultures, Scarce also revealed Government sanctioned illegal drug testing of children in orphanages and other dubious medical practices undertaken on indigenous prison inmates. Scarce’s gatherings also reflect the impact of colonisation and the relentless conjuring and litany of abuses suffered by Aboriginal people. The More Bones the Better metaphorically looks at these situations and poses questions of what was undertaken and investigated in these laboratories. guirguis new art prize, yhonnie scarce, glass, aboriginal

Metal cylindrical base to store kerosene. Above this area is a cylindrical glass area for the actual lamp light. Above this is a metal cylindrical cover with perforated holes for venting fumes. A thick metal wire handle is attached to the sides of the lamp. Access to the inside of glass area is via two spring-loaded clamps on either side of the glass area.On glass: Pyrex, Aladdin, Made in Australialamp, light, lantern, kerosene

Clear glass bottle 20cm high, with glass stopper. Tapering into a 8cm neck. RED HEART,heart shaped emblem embossedbottle, glass

Wooden frame, glass front, green border, photo enclosed.Top centre written in glass: “HMA Corvettes”photography-photographs, military history - navy, glass technology, corvettes

The "Health" Feeding BottleBaby's feeding bottle, marked for tablespoons and with a breathing hole. clear glass ovoid in shapeThe health feeding bottle moulded in the glassdomestic items, infant feeding, baby bottle, feeding bottle, glass bottle, infant bottle, milk feeding bottle

From the home of Mrs Edna Andrews C 1930Wood and metal butter churn in a glass jar with a screw top lid. C 19301L inscribed on bottom of glass jarbutter churns

Dross Drossou established a cordial factory in Orbost in the 1930s. He sold his cordial manufacturing business to Phillips and Stone, a Bairnsdale company, in 1948. Glass bottles were refillable until the 1960s, creating a demand for their collection and onsale back to beverage manufacturers via ‘bottle merchants’. A deposit on the bottles was added to all sales as they left the factory. The returned bottles were washed and the old label removed. The inside was cleaned by pushing the bottle onto a revolving brush. The reusing of the bottles went on until the bottle was broken or the top became chipped. Phillips & stone operated a cordial factory in Orbost. This bottle is an example of a product manufacture by a local industry no longer existing.A tall clear glass cordial bottle with a red printed label on the front of the bottle, It has a metal lid.On glass -"manuf. by Phillips & Stone, Bairnsdale & Orbost 52361 preservative added, artificially coloured & flavoured 850ml" On lid - "Lemonade"beverages phillips-stone bottle

This bottle was used for either food or ointment.This container is an example of a container used in the first half of the 20th century.A small cylindrical brown bottle with a screw thread top.3764 M AGMglass-bottle food-jar-ointment

"The History of Australasia" by David Blair was one of three important publications of the author. Written in 1879, the book relates the history of both Australia and New Zealand from their discovery through to the establishment of self-government in both colonies. Blair was born in Ireland and after studying for the ministry in Ireland came to Australia in 1850. Instead of a missionary career he took up journalism, became a member of the Legislative Assembly in Victoria and published his books on Australasia.A large thick hard leather covered book -History of Australasia by David Blair and published in 1879. The covers are black with a gold pattern border. The front cover shows an embossed Australian crest in gilt with kangaroo and emu and ' Advance Australia'. It is an illustrated edition with beautifully coloured maps for each Australian colony and New Zealand.book blair-david history-australasia

A red covered book - the annual Young Australia for boys Throughout the English-speaking World comprising issues of Young England bound together. On the cover is St George on horseback and the St George's cross flag. Contents - adventure, school and historical stories; articles on many topics such as science, natural history, sports, hobbies and crafts; as well as verse, competitions and puzzles.On spine - Vol X1Vbook magazine young-australia

This book was used by Orbost Cemetery Trust to record letters written especially to provide a running account of the trust's activities. Although the cemetery was officially gazetted in November, 1891, it seemed certain that burials had taken place before that time. The early trusts were diligent in their record keeping and visionary in their planning.The original Trust members approved by the Public Health Department included C. N. Henderson, E. Watt (Ernest), D. Munro (Donald), M. R. Coote (Massy) and James Cameron (recorded at the first meeting of the Trust dated 29th May 1891. The first mention of a Mr. C. Richardson wasn’t until 25th February 1916 whilst the cemetery was under the control of the Orbost Shire Council with select councillors on the committee. Orbost Cemetery is an important part of Orbost's history. Its records are essential in research of local history.A grey covered letter book used by the Orbost Cemetery Trust to record letters written between 1894 and 1907.On spine-Letter Bookorbost-cemetery letter-book

Bottle is sealed with a cork and contains a third of a bottle of the Medicine. A paper label is glued to on side of the bottle, the label is in poor condition. the bottle is in good condition WESTWOOD'S compound sarsaparilla Blood Mixture One of the best curative remedies of the present Unrivalled for removing for removing pimples from the face, Eruptions on the skin, boils, &c. An effectual remedy for Indigestion, Liver Complaint, Languor, and is confidently recommended as a General Tonic and Renovator of the System." "DOSE- A dessert-spoonful three times a day in water, after meals."

This item is cone in shape and appears to have been sealed with a cork.. Clag glue was sold in these jars in the early to mid 1900's"Angus&co" "CLAG" "ISM12" "PTY LTD" ALL MOLDED INTO THE BASE OF THE JARjar, bottle, glue, clag, bottles, angus and co

Framed photograph of Flight Lieutenant E W LinsPlaque affixed; "Donated to THE FRANKSTON RSL 23-8-93 By FLIGHT/LIEUT. E.W. LINS R.A.F - R.A.A.F CX 203 - 521A . ATTACHED 4 YEARS 1942 1946 MIDDLE EAST - ITALY - SICILY "LEST WE FORGET"ww2, e w lins, raaf