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Tatura Irrigation & Wartime Camps Museum
Carved Wooden Boy, 1940's
Handmade by internee in Camp 3 for his son. Handpainted by George Hoffmann in Camp 1Wood carving of a boy. Painted orange and red dress, yellow shoes, crown on his head. Standing on a triangular shaped black base with a green, spotted yellow, frog at his feet. A character from "The Frog Prince" from Grimms Fairy Talesbox - carved, wood, drescher w, drescher p, hoffmann g, camp 3, camp 1, tatura, ww2 camps 1 and 3, handcrafts, woodcarving, toys, general -
Tatura Irrigation & Wartime Camps Museum
Artwork, other - Carved Wooden Boy, 1940's
Handmade by internee in Camp 3 for his son. Painted by Georg Hoffmann in Camp 1Wooden silhouette of boy dressed in blue coat, red scarf, red shorts, green hat and large grown boots on a green triangular shaped base. Character from "Seven League Boots" from Grimms Fairy Talesbox - wooden carved, drescher w, drescher p, hoffmann g, camp 3, camp 1, tatura, ww2 camps 1 and 3, handcrafts, woodcarving, toys, general -
Creswick Museum
teapot, early 1970s
Handmade pottery teapot made by Doug Alexander at his Springmount Pottery in Creswick about 1972.Doug Alexander was one of Australia's greatest studio potters.Pottery teapot, glazedDoug Alexander's markdoug alexander, pottery, teapot, springmount, creswick, glaze -
Nhill Aviation Heritage Centre
Tool - Rachet spanner
Known to be have been made by an aircraft mechanic stationed here at the air school during the warmechanics tool with fabricated hand containing a rachet mechanism with half inch drive componentnonespanner, tool, handmade, lynch, -
Tatura Irrigation & Wartime Camps Museum
Clothing - Suit - Ladies, Two Piece Woollen Suit
Made by InterneesGrey woollen ladies suit, fully lined jacket, collar has wide lapels, 2 pockets, 3 buttons, back has inverted pleat with 1/2 belt. Skirt has inverted pleat back & front, no waistband hem not finished.tatura, female, wool, handmade -
Whitehorse Historical Society Inc.
Costume - Doll's dress and bonnet, 1945
Dress and bonnet was used on the childhood doll of Rosalie Whalen (nee Schwerkolt). Doll NA5163 and another dress NA5166.Doll, whose name was Janet was given to Rosalie Schwerkolt Whalen as a child in 1945 with a lemon voile dress and matching bonnet and a patterned voile dress.Lemon coloured doll's bonnet and match lemon coloured doll's dress. Dress has bodice with V shaped bib style collar two lines of blue stitching and pink and white variegated thread trim. Sleeves have pink braid with blue stitching vertically from armhole to cuff. Gathered skirt has three lines of blue stitching around hem line. Bonnet has frill and a sun visor trimmed with pink and white variegated thread. Doll is NA5163 and other dress is NA5166doll, dolls clothing, handmade, sewn -
Whitehorse Historical Society Inc.
Clothing - Child's Petticoat, Unknown
McNamara collection Petticoat was made by Isobel from a nightgown (possible from her granddaughter's).- Cotton petticoat made from adult nightdress - Lace (broderie anglaise) trim - Pin tucked front - Back placket with press stud fasteningNilmcnamara collection, cotton, child's clothing, handmade -
Whitehorse Historical Society Inc.
Clothing - Baby bonnet
Knitted for show. Part of donation by Heather and Isobel McNamara.Cream hand knitted bonnet. Ribbon rosette and ribbon ties Fairisle pattern baby bonnet, cream wool, handmade, knitted -
Whitehorse Historical Society Inc.
Clothing - Wedding petticoat, C 1956
The dress and accessories worn by Mrs Margaret Scully for her wedding. Following their engagement in 1956, her husband built their home of 67 years in Box Hill South.- Made from Vilene A65 interfacing - Organza (stiffened) - Bell shaped with added ruffleNilwedding, clothing, handmade, scully -
Whitehorse Historical Society Inc.
Textile - Lace edging, C 19th Century
19th Century Reticella lace - probably Italian.White cotton Reticella needle lace edging. V-shaped pickets are on one end and along one edge. Centre design has leaf-shaped tallies and circle shapes.Nillace, italy, reticella, handmade -
Whitehorse Historical Society Inc.
Textile - Mat
Princess lace flower mat made in Bruges from collection of Nan WarnerCream lace square with ornate lace motifs in each corner and lace edged.lace, handmade, bruges, nan warner -
Whitehorse Historical Society Inc.
Clothing - Jacket, Baby Matinee Jacket, c 1990
Hand knitted to resemble crochet. Simple crochet edging is placed around the garment. The jacket is closed with pearl colored buttons.c1990 hand knitted baby christening garment.Cream silk knitted matinee jacket for a babyNilbaby christening, clothing, handmade, knitted -
Flagstaff Hill Maritime Museum and Village
Bottle
Bottle, Medium size Sauce bottle, 8 sided, English, 2 piece mould, handmade top, cork still inside, c 1880 - 1900. H 23cm x W 7.2cm x D 5cm.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, bottle -
Orbost & District Historical Society
model -outrigger canoe, mid -late 19th century
The outrigger gives greater stability and seaworthiness to the canoe. Outrigger canoes were originally developed by the peoples of the islands of Southeast Asia for sea travel, and were used to transport these peoples eastward through to Polynesia and New Zealand more than 2000 Years ago. Today they are still in use. This item possibly came to Orbost with Reverend Alexander Morton . Morton was the minister at the Presbyterian church about 1890. He had spent time in new Hebrides and went on to New Zealand.This item is an example of a handcrafted artefact from the New Hebrides.Detailed model of an outrigger canoe from the Polynesian islands. It isa handmade wooden (possibly breadfruit wood) model of an outrigger canoe - one outrigger attached to the main hull. Bound with string. It has two wooden paddles.handcraft morton-alexander model-outrigger-canoe -
National Vietnam Veterans Museum (NVVM)
Plaque
Ornate round handmade flag which was made by Vietnam community. It portrays the Australian Flag mounted on polystyrene covered in blue paper. Yellow, blue, white, red flowers. Green leaves. Yellow border. Flag of Australia.flag, plaque -
Tatura Irrigation & Wartime Camps Museum
Tool - Lathe, Metal Lathe
Made at a forge outside the camp 3 perimeter by Gotthilf Kaltenbach & Manuel Kaltenbach. It is made from British Army scrap metal. Used for fine metal turning. The Witworth gauges were not used in Central Europe after 1918. The motor that was on it was a small electric sewing machine motor which was discarded about ten years ago in Germany. Sent from Germany by Elfriede & Paul Faig.Handmade metal turning lathe, 600mls long and weighing 16 kg. Made at a forge site outside the camp perimeter. All dimensions are in imperial inches, all threads are Witworth gauges. Painted in British Army colours.tatura, camp 3, lathe, metalworking, paul faig, gotthilf kaltenbach, manuel kaltenbach -
Tatura Irrigation & Wartime Camps Museum
Cigarette Roller, 1940's
Handmade object nailed to rectangular wooden base. Piece of canvas forms the "roller" and covers 2 movable lengths of wood attached to the metal ends. Rolled cigarette positioned in groove of canvas. Part of a rolled cigarette as well.cigarette roller, fischer g, strecker k, camp 3, tatura, ww3 camp 3, personal, effects, smoking, accessory -
Federation University Art Collection
Mixed media - Artwork, 'Tile I & Tile III' by Caitlin Lowe, 2010
Caitlin LOWE (1990- ) Born Townsville, Queensland Caitlin Lowe completed a Bachelor of Fine Arts (Visual Arts) degree at the University of Ballarat (later Federation University) This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Two framed mixed media artworks consisting of 5 x 5 cm LGH tiles, glazed using Speckled Blue Stoneware and Celadon Stoneware glazes. Presented on handmade paper using cotton hand stitching.art, artwork, mixed media, caitlin lowe, ceramics, available -
Mont De Lancey
Clothing - Leather Boots, Wandin Thomas Sebire JP, Unknown
Bootmaking is a complex process requiring a variety of tools. The leather is cut to shape, glazed & burnished (polished) with heated irons. The pieces are stretched onto, and nailed to, a wooden last to form the boot. Once attached to the insole, the boot is finished on a metal last. Uppers are stitched with waxed thread through holes made with an awl. Heels comprise pieces nailed together and neatened with a heel shave. Metal plates, short nails or hob nails driven into the sole & heel, often in a pattern, improved durability.A pair of handmade, adult brown leather work boots, with brown leather laces, decorative stitching, metal eyelets and are stitched with waxed thread. The soles are covered with hob nails in a decorative pattern. They have metal caps on the heels. bootlaces, boots, footwear, clothing -
Flagstaff Hill Maritime Museum and Village
Container - Bottle, 1840s-1870s
This broken, handmade black glass bottle was made around the mid 1800s. The bottle was found in the coastal waters of Victoria about 100 years from when it was made. It is now part of the John Chance collection. Black glass is one of the oldest bottle colours and dates back to the early 17th century. In the 1840s to late-1870s black glass bottles were mainly used for liquor and ale. All glass is made from silica, which is found in quartz sand. The naturally occurring sand has impurities, such as iron, that determine the colour of the glass. Residual iron leads to green or amber coloured glass, and carbon in the sand makes that glass appear as ‘black’. A strong light behind the glass will show its colour as dark green or dark amber. This handmade bottle appears to be made in a dip mould, with the molten glass blown into a seamless shoulder-height mould to give the body a uniform symmetrical shape and size. After the body was blown, the glass blower continued blowing free-form (without the mould) to form the shoulder and neck, then the base was pushed up with a pontil tool, and the finish for the mouth was added. The dip mould gives the body a slightly textured surface, with the free blown shoulders and neck usually looking smoother and shinier. A horizontal line can often be seen around the shoulder where the mould of the body meets the free-blown shoulder. A lump or mark in the centre of the base, called a 'ponty' mark (named after the pontil tool), is also common on this type of bottle. Although the bottle is not linked to a particular shipwreck, it is recognised as being historically significant as an example of bottles imported for use in Colonial Victoria in the mid-to-late 1800s. (Similar bottles were recovered from the 'Loch Ard' shipwreck, lost in 1898.) The bottle is also significant as it was recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. Bottle, thick black glass (dark olive) with matt surface. Mouth has been broken off, leaving sharp edges. Short neck, wide shoulders, body tapers slightly inwards towards base. Wide uneven heel and deep concave base with a fold line in glass. No visible seams.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, bottle, black glass, antique bottle, handmade, mouth blown, blown bottle, liquor bottle, ale bottle, 19th century bottle -
Orbost & District Historical Society
cushion cover, Eaton, Julia (Mrs) nee Thomas, first half 20th century
Handmade by Julia Eaton ( nee Thomas), daughter of George and Granny Thomas, respected Aboriginal couple of Newmerella.This item is an example of a handcrafted item and reflects the needlework skills of women in the first half of the 20th century.Square shaped calico cushion cover. It is hand-embroidered with ribbon embroidered leaves and flowers. The edging is flounced. Flowers are pink with yellow stamens and green stems. handcraft needlework thomas-julia -
Orbost & District Historical Society
pillow sham, first half 20th century
A pillow sham is a decorative pillow case. This is a handmade pillow sham especially crafted for a household in early Orbost.This item is an example of a handcrafted item and reflects the needlework skills of women in the early to mid 20th century. Embroidery was an affordable way to personalise and add aesthetic value to domestic linen and examples of embroidered and crocheted pieces could be found in most Australian homes,A rectangular lace pillow sham. the centre rectangle is white and made of pulled thread lace. The edging is pale pink and blue lace,handcraft pillow-sham needlework -
Stawell Historical Society Inc
Realia, Hand Made Mud Brick from 5 Ellen Street
Handmade mud brick house built by William John Russell around 1935 See Attached sheetLarge heavy clay brickhouse -
Whitehorse Historical Society Inc.
Domestic object - Cradle, C1970s
Handmade for the Society By Grant Mattingly after he visited LaTrobe's Cottage and drew a plan of the cradle in that cottage.Wooden cradle with wooden canopy. Wooden rocking base.furniture, domestic-nursery -
Whitehorse Historical Society Inc.
Textile - Toilet bag
Handmade toilet bag. Example of container for personal items. Donated by Heather McNamara - worked by Isobel McNamara.Cotton cream drawstring toilet bag for brush & comb.toilet bag, frush & comb container, cotton, embroidered -
Hellenic Museum
Juglet, 1800 – 1450 BCE
Cypriot White Painted Ware from the Middle/Late Cypriot Bronze Age. Slipped, Painted, Handmade.The mouth, neck and handle with light brown stripes, the body with crosshatched triangles over wavy line and cross bands of three wavy lines below. cypriot, ancient, pottery -
Hellenic Museum
Scent Bottle, 1800 - 1450 BCE
Cypriot White Painted Ware from the MIddle/Late Cypriot Bronze Age. Slipped, Painted, HandmadeBeak spout and neck painted with black horizontal lines, the body with traces of crosshatched triangles cypriot -
Flagstaff Hill Maritime Museum and Village
Accessory - Purse, ca late 19th century
This purse or coin bag is in pristine condition. It has been handmade from soft brown leather. A strong leather loop has bee added to the top side edge, perhaps for attaching a tie or hook. The ring is used as a closure by folding the edges of the opening together and sliding the loop over the top. It is believed to be a handmade one-off item for domestic use. This purse or money bag is representative of an everyday item similar to those used through the centuries for the convenience of carrying coins and other small, personal effects. Similar items were used by both men and women. The leather fabric is a readily available, strong and long lasting material.Coin purse or bag; brown leather, rectangular shape, with metal ring closure and leather loop near the top. Part of the Chamberlain Dale Less collection.flagstaff hill, warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, purse, leather, money bag, coin purse, pouch, money, change purse -
Tatura Irrigation & Wartime Camps Museum
Bow Saw, 1940's
Used by internees at Camp 3Bow-saw handmade. Wooden frame, turned and shaped handles either end. Centre wooden strut across frame. Metal serrated edged blade made from gramophone spring. Adjustable metal rod at top of framesaw - bow, camp 3, tatura, ww2, trades, tools -
Tatura Irrigation & Wartime Camps Museum
Model hut, Mess Hall, 1990's
Made by former internee of Interment camp 3Handmade model of internment camp mess hall with front section of roof removed to expose interior. (2 central heating stoves, tables and stools, ceiling lights). Has steps to entrance and windows, opened, back and front walls.hut - model, mess hall, streker l, camp 3, tatura, ww2 camp 3, handcrafts, models