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Clunes Museum
Medal, J. ALLEN. JEWELLER
K. McCULLAGH PURCHASED THE MEDAL AT CASH CONVERTERS IN PERTH - CHRISTMAS 2001, AT A COST OF $300GOLD MEDAL COMMEMORATING BALLARAT TO CLUNES BICYCLE RACE IN 1896.BALLARAT TO CLUNES J ALLAN 9CTlocal history, numismatic, medal, commenorative, sport, bike race -
Stawell Historical Society Inc
Painting, J Bosher, Stawell Court House c1985
Framed Water Colour of Stawell Court House in Patrick Street StawellJ Bosher Stawell Court House -
Melbourne Legacy
Badge, Legacy Appeal Badge - $2
An example of badges issued by Legacy for fundraising during the Legacy Appeal and Badge Week. The donation value was $2. The date is not known. The badge of Legacy is the Torch and Wreath of Laurel. The Torch signifies the undying flame of service and sacrifice of those who gave their lives for their country. The Wreath of Laurel is the symbol of our remembrance of them. Example of Legacy badges that were sold up to raise money for Legacy's work. Legacy Appeal badge with the Legacy torch, it is gold with white enamel around a torch and around the word Legacy with red enamel in the flame. It is a rectangular shape.On the reverse 'A J Parkes / Brisbane / $2'.legacy appeal, fundraising, badge week -
Melbourne Tram Museum
Photograph - Q class tram 197 South Melbourne depot, C J Frazer, c1924
Black and white photograph of Q class No. 197 at South Melbourne depot, probably soon after it's entry into service during Sept. 1923. Has the MMTB name along the rocker panel, and a PMTT-style destination box, showing the destination of Hanna St Depot. This type of destination mechanism would have required a person standing on the bumper bar, to reach up to change the destination.Yields information about the then new Q class trams.Black and white print with photographer's detail on the rear."C J Frazer" photographers stamp.tramways, tramcars, tram 197, south melbourne depot, hanna st depot, q class -
Federation University Historical Collection
Letter, J. Vent, Town of Ballarat East Letterhead, 09/07/1910
Typed letter from Town of Ballarat East Town Clerk, J. Gent, to the Registrar of the Ballarat School of Mines.ballarat east council, town of ballarat east, coat of arms -
National Vietnam Veterans Museum (NVVM)
Letter
These items contributes to an understanding of an understanding of the experience of family and friends of those who serviced in the war in Vietnam.2 letters via Airmail from Vietnam to Australia. To Miss S. Richards from J. Hartwell - 3794001.Air Mail/Australian Force/Vietnam/Free/Miss S Richards/9 Seaview Cres/ Black Rock/3193/Vicletters, j hartwell, 3794001 -
Clunes Museum
Document, COMPILED BY R J PRYOR, History of the Clunes Senior Citizens Club, 26.4.1976
THE CLUNES SENIOR CITIZENS CLUB WAS FORMED IN 1966 A4 sheet of paper with History of Clunes Senior Citizen's Club, compiled and handwritten by R J Pryor in 1976.local history, document, r j pryor, senior citizens club -
Ballarat Tramway Museum
Photograph - Digital image, W. J. Llewelyn, c1960
Yields information about the building known at the Ballarat Orphanage at the terminus of the Victoria St line and known as "Orphanage" during the ESCo operating day.Colour digital images taken by W. J. Llewelyn of the Ballarat Orphanage, Victoria St terminus, Ballarat, c1960.trams, tramways, orphanage, victoria st -
Ballarat Tramway Museum
Photograph - Digital image, W. J. Llewelyn, c1980
Colour digital images taken by W. J. Llewelyn of the view from Black Hill overlooking Ballarat c1980?trams, tramways, black hill -
Kew Historical Society Inc
Book, Jules Feldmann, Gadsden, the first 100 years, 1980
Biography of the Gadsden familyWest Melbourne : J. Gadsden Australia, 1980 iii, 169 p. : ill. (some col.) ; 23 cm. non-fictionBiography of the Gadsden familygadsden family, j gadsden australia -- history, packaging industries -- australia -- j gadsden australia 1879-1979, package goods industry -- australia, australia -- social life and customs -
Flagstaff Hill Maritime Museum and Village
Book - Reference, Samuel Taylor Coleridge et al, Coleridge's Rime of the Ancient Mariner, 1863
This book includes the classic poem ‘Rime of the Ancient Mariner’ by Samuel Taylor Coleridge, the lines of which are set out in twelve pages of double columns. Each section of the poem is titled, such as 'Part the Sixth'. The twenty lithographed line drawings by J. Noel Paton RSA illustrate major events of the story and repeat the applicable verse below them. Most of the drawings have the initials of the artist and the lithographer on the bottom corners, below which are printed their names. The margins of the poem contain printed author's notes. Interestingly, the printer's name is added as a footnote on page 12, at the end of the poem. The book is included in the Rare Books collection of Flagstaff Hill. Its description closely matches one of two copies of the book held by the British Museum. There have been other publications of Coleridge’s poem over the years, based on various editions of his poem and illustrated by other artists. When this book was first published, Paton’s illustrations were available individually for the public to purchase. The author, Samuel Taylor Coleridge (1772-1834), was a notable late 18th to early 19th century English poet. He was the youngest of fourteen children. His father was a vicar as well as the master of a grammar school, with Samuel attended. Coleridge's longest poem, 'Rime of the Ancient Mariner', was written about 1797-1798 and tells of the experiences and adventures of a sailor. It was included in a collection of poetry titled 'Lyrical Ballads', jointly written with his friend William Wordsworth. The volume is considered the beginning of the Romantic era of British poetry. Coleridge acknowledges William Wordsworth in this poem, in ‘Part the Forth’ with the footnote “For the two left lines of this stanza, I am indebted to Mr Wordsworth. It was on a delightful walk from Nether Stowey to Dulverton, with him and his sister, in the autumn of 1797, that this poem was planned, and in part composed”. Sir Joseph Noel Paton RSA (1821-1901) is a well-known Scottish-born artist and painter of historical artwork, created the line illustrations in 1863, highlighting the main points of the poem. In the same year he also illustrated Charles Kingsley's 'Water Babies'. He was appointed Queen’s Limner for Scotland from 1866. The book was published in 1863 by the Art Union of London, an organisation whose members paid an annual subscription, and who received an annual prize of a work of art. The organisation was established in 1837 and membership quickly grew until the 1870's. Membership then slowly dropped off until the organisation was would up in 1912. Lithographer William Husband McFarlane, of Edinburgh, Scotland, created the black and white lithograph outlines from Paton’s drawings, illustrating many of the lines of the poem. The book of poetry and Illustrations was then printed by Neill & Company, Edinburgh, in 1763. The company was formed by Patrick Neill in 176. The company was known for inventing one of the early mechanical typesetting machines, which was used for the Company's publications as well as sold to other companies even into the early 1900s. The firm continued in business until 1973. This copy of the book was presented to Emily Taylor Smith by her father on September 16, 1867, four years after it was published. There is no further information available about Emily at this point in time.This Victorian era book of poetry with illustrated prints, the 'Rime of the Ancient Mariner' by Samuel Taylor Coleridge, is considered to be a rare book. The British Museum holds two copies, one of which is very similar in description. The book is significant for containing a poem written by the renowned British poet Samuel Coleridge, who acknowledges the contribution of a couple of the lines to his friend William Wordsworth. The book's significance is increased for being included in a collection of poetical works jointly written by Coleridge and his friend William Wordsworth, entitled 'Lyrical Ballads' and published in 1797. The printer of the book, Neill & Company, was known for pioneering an early mechanical typesetting machine. It’s significance also includes the collection of Victorian artwork within. Coleridge's poem is significant for being included in 'Lyrical Ballads', which is considered to signify the beginning of the Romantic era of British poetry. Book: large, burgundy linen covered, hard cover, with gold embossed title and images, landscape orientation. Title: Coleridge's Rime of the Ancient Mariner. Author: Samuel Taylor Coleridge Illustrator: J. Noel Paton, R.S.A. Publisher: Art-Union of London in 1863. Lithographer: W.H. McFarlane in Edinburgh, Scotland, 1863. Printer: Neill & Company, Edinburgh, Scotland Contents include the lines of a poem, with lithograph illustrations above applicable short verse. The cover and fly page have the same emblems. A personal inscription is hand written in nib pen inside the book.Printed: "COLERIDGE'S RIME OF THE ANCIENT MARINER" "ILLUSTRATED BY J. NOEL PATON, R.S.A." "ART-UNION OF LONDON, 1863" " W.H. McFARLANE, LITHOGr, EDINBURGH" "Printed by Neill & Company, Edingurgh" Emblems embossed on cover, and a repeat printed on fly page, include stars encircling a crucifix and a snake entwined around a cross bow with a branch in its mouth.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, coleridge's rime of the ancient mariner, rime of the ancient mariner, ancient mariner, samuel coleridge, j. noel paton, art-union of london, 1863, rare book, samuel taylor coleridge, art union of london, w.h. mcfarlane, william husband macfarlane, sir joseph noel paton, poem, emily taylor smith, 1867, romantic period, william wordsworth, lithograph, poetry, lyrical ballads, british romantic movement, literary work, neill & company edinburgh, j. noel paton rsa, mechanical typesetting, alexander neill fraser, mechanical typesetting machine -
National Wool Museum
Book, Wool sample, Echuca Wool Class 1954
Wool sample book presumably produced by J. Tynan in 1954 for a class insturcted by V.H. Dorron.Wool sample book presumably produced by J. Tynan in 1954 for a class insturcted by V.H. Dorron.Echuca Wool Class 1954 Echuca Wool Class 1954 Awarded to: J. Tynan Presented by: V.H. Dorron Instructorwool industry education, tynan, j. dorron, mr v, echuca, victoria, wool industry, education -
Hume City Civic Collection
Photograph, c 1916
Mounted sepia coloured photograph of soldier Alfred T. Ozanne standing at ease with riding crop in right hand and left hand behind his back.Printed on front: J. Lockwood - Geelong Typewritten on white paper: Alfred T. Ozanne Handwritten on back: With complements and best wishes - Alfred T. Ozanne.lockwood, j., geelong, ozanne, alfred t., photographers, soldiers, armed forces, george evans collection -
Geelong RSL Sub Branch
Documents, Early 20th Century
These forms relate to the Service History of 1740 Pte K J McKenzie who enlisted 08 April 1915 and served with 6 Aust Machine Gun Coy on the Gallipoli Peninsula. Pte McKenzie was KIA in France 02 July 1916This is the Service History of 1740 Pte K J McKenzieSix (6) Pages of photographed documents Certified True Copies, relating to 1740 Pte K J McKenzieVarious AMF Documents, 1740 Pte K J McKenzieaif, ww!, mckenzie, gallipoli -
Federation University Historical Collection
Document, Ballarat School of Mines Notice of Council Meetings, 1911, 1910-1911
The Ballarat School of Mines is a predecessor institution of Federation University AustraliaTwentyfour printed notices relating to Council meetings of the Ballarat School of Mines. Each is signed by Frederick J. Martell, Registrar. ballarat school of mines, frederick j. martell, ballarat school of mines council -
Port Melbourne Historical & Preservation Society
Book, John J Shillinglaw, "Historical records of Port Phillip", 1972
"Historical records of Port Phillip - the first annals of the Colony of Victoria" edited by John J Shillinglaw, first published 1878melbourne, history, charles grimes, david collins, robert kropwood, john shillinglaw -
Federation University Art Collection
Drawing - Artwork, J. Grigg, [Seated]
Sketch by J. Grigg. If you are able to assist with information on this artist or artwork please contact us via the comment below.artwork, artist, j. grigg, drawing -
University of Melbourne, Burnley Campus Archives
Plan, J. Patrick et al, Yarra Blvd Entry Gate VCAH Burnley, 1988-1989
Design by J. Patrick, S. Mullany, drawn by S.M. On 07.01.1988, amended 12.01.1989. (1) On tracing paper. (2) On paper.j. patrick, s. mullany, vcah, burnley -
Bendigo Military Museum
Accessory - BADGES, 2) Post WW1, .3) 1917-19, .4) 1919-55, .5) 1937
Fanny Isabella Nicol. Refer 1795P for Service history, 1797.5, 1796.9. also 2591Six items relating to Fanny Isabella Nicol. .1) Badge, metal, round,"Australian Red Cross Society Vic Division" .2) Badge, round, metal, "Returned from Active Service" Crown at top, centre Rising Sun depiction with AIF under. .3) Identity Disc, personalised, round, metal with ring at top. Possibly made from an Eygptian coin with one side polished bare. .4) Badge, metal, "RSL Membership" Crown at top with membership clip with "55" denoting financial member 1955. Centre has two figures. .5) Badge, metal, oval shape "Presbyterian Church of Victoria" .6) Badge, metal, round, "Red Cross Society Vic Division" .2) Issued by Dept of Defence. On rear "211483" .3 "F.I.NICOL PRES A.A.N.S" .4) On rear "V33761" .5) "Centenary 1937"badges, membership, service -
Warrnambool and District Historical Society Inc.
Booklet - Recipes given by Mrs Wicken at the Cookery Class Warrnambool, April 1888
Harriet Frances Wicken, 1847-1937 was a cookery lecturer and demonstrator in London and published her first book “Kingswood Cookery Book” in 1885. She migrated to Australia in 1886 and gave cookery classes at Warrnambool. Over the ensuing years she worked as a Technical Teacher in Sydney and published a number of books on cookery and domestic economy and housekeeping. The author is one of renown in her field and spent a period of time in Warrnambool. The contents of the book show methods of cooking and basic dishes of the time. Small 12 page booklet with pale green cover . Title in different text styles inside square patterned border. “Harrison typ ..Castlemaine” in small fine print at the bottom edgeJ. W. Harrison, Printer and stationer, Castlemaine. warrnambool, wicken, harriet wicken, kingswood cookery book, the australian home, cookery, j. w. harrison, castlemaine, fish dainties -
Cheese World Museum
Tin, J Kitchener & Sons, Soft soap
Soft soap was used for washing hands.Tin of soft soap with push on lid. The tin has a blue background with white flashes containing text which is text outlined in blue. An elaborate design on the front with scrolls and flowers encases a star. The back has 2 crosses. Text in one of these is unreadable.J KITCHENER & SONS/PTY.LTD/SOFT SOAPj kitchener & sons, ablutions, soaps -
Coal Creek Community Park & Museum
Bottle, glass
'M' monogram on the base of the glass bottle was used by the Melbourne Glass Bottle Company during 1900-1912.Clear aqua tinted, oval in section, glass bottle with text embossed on side and base.'J BOSISTOW RICHMOND' on side. 'M' on base.eucalyptus oil -
Queenscliffe Maritime Museum
Instrument - Coastal Barometer, 1866
Coastal Barometer No. 5 was installed on the Queenscliff pier in 1866. The purpose was to provide weather data to the Professional Fisherman. It was later installed in the slipway winch shed. Instrument is housed in a cast iron case.Only one left in existanceCoastal Barometer No. 5 was installed on the Queenscliff pier in 1866. The purpose was to provide weather data to the Professional Fisherman. It was later installed in the slipway winch shed. Instrument is housed in a cast iron case.Instrument: J Grimaldi, Case: Langlands Broscoastal barometer, queenscliffe, fishing industry -
National Wool Museum
Machine - Scouring Bowl, J Dyson & Sons Pty Ltd, c.1890
Scouring is the process that removes wool wax and other unwanted products from wool. Wool is washed in a hot detergent solution. It moves through a series of scouring bowls and is then rinsed and dried. Careful handling and washing preserves the strength and softness of wool. If the wool contains lots of seeds and other vegetable matter, it must be cabonized. This means it is treated with a solution of sulpheric acid and then baked at high temperature to remove impurities. The disused scouring water left-over from this process was often let drain into rivers and watercourses causing pollution. Many of Geelong's wool scours along the Barwon River were closed due to environmental damage. The race system on this bowl is not the original it has been modified with a variation of the harrow system. Used at E.P. Robinson South Geelong from c.1890-1970.Scouring bowl.J. Dyson & Sons Pty Ltd, Geelongsouring bowl, j dyson & sons, geelong, wool processing, e. p. robinson, textile industry, factory, mill -
Port Melbourne Historical & Preservation Society
Document - Notice, Marriage, John Russell McKILLOP and Mary NICOL, 4 Jun 1940
Notice of marriage card between John Russell McKILLOP & Mary NICOLweddings, john russell mckillop, mary nicol -
Melbourne Tram Museum
Book, J. K. Moir, "Australia's First Electric Tram", 1957
Thirty two page book, centre stapled, including light green card covers titled "Australia's First Electric Tram" written by John Kinmont Moir and the story of the Doncaster and Box Hill Electric Road (tramway). Republished by Rotary Club of Box Hill, May 1977, see back cover for publication details. Has a photo on the front cover of the opening ceremony at Box Hill, poster advertising the tramway, a copy of a share certificate, foreword written by J.K. Moir about Mr. H. J. Hilton who operated the tramway, the birth of the tramway, the company that was formed to operate it, a sample ticket, opening, operation, timetable, reminiscences of H. J. Hilton. Includes a number of photographs. See also Reg Item 420 for an AETA version of this publication. 2nd copy added 24/12/2014.trams, tramways, box hill, doncaster, tramways -
Ballarat Tramway Museum
Ephemera - Ticket/s, J. J. Miller, ESCo 4d Day Return tickets, early to mid 1930's
Demonstrates aspects of the Ballarat Tramways ticketing system for use with the daily return from Sebastopol (See Reg Item 3492 for check ticket). Printed by ESCo for a specific route and particularly historic because a weekly set of tickets has been formed.Set of six Day return (4d) tickets for travel between Sebastopol and Grenville St - one for each day of the week. Have day of month around the edge, where it would have been nipped on the inward journey. Notes condition of use and that it must be given up on the return journey for a check ticket - See Reg. Item 3492. All Printed by J. J. Miller Melb. Printing in black ink. Have been nipped or cancelled or inward journey. .1 - Monday - D0179 - purple colour - nipped for the 1st .2 - Tuesday - F 3696 - grey - 27th .3 - Wednesday - F5901 - pink - 5th .4 - Thursday - F5498 - blue - 5th .5 - Friday - E6395 - orange - 13th .6 - Saturday - D1633 - green - 23rd. trams, tramways, tickets, sebastopol, esco -
Port Melbourne Historical & Preservation Society
Book - Issues of Advance, J Kitchen & Sons, J Kitchen & Sons Pty Ltd, 1924 - 1931
.01-.09 Nine copies of "Advance" - a journal of interest to all employees at J Kitchen & Sons Pty Ltd throughout Australia, 1920s .10-.11 Blue bound copies of "Advance" - a journal of interest to all employees at J Kitchen & sons Pty Ltd throughout Australia, Volumes 1 to 7 1924 to 1931Nilbusiness and traders - soaps/candles, industry - manufacturing, workers, j kitchen & sons pty ltd -
Melbourne Tram Museum
Document - Report, A. Cameron, P. J. Pringle, "Report of Sub-Committee of Conference of Tramway Undertakings", Se[p. 1916
Report - carbon copy of 3 typed foolscap sheets, titled "Report of Sub-Committee of Conference of Tramway Undertakings" by A. Cameron dated 21/9/1916, about a Union log of claims, in particular conditions of employment and pay rates. Has a supplementary sheet by P. J. Pringle dated 13/10/1916 about the formation of a Reference Board and the opinion of the Conference, Mr. Home.Handwritten notation on the 3rd sheet.trams, tramways, pmtt, conferences, unions, wages, employment -
Flagstaff Hill Maritime Museum and Village
Furniture - Screen, Thomas Hope, 1905-1913
The fire screen was part of the original furnishings of the Lighthouse Keeper's Quarters in Merri Street, Warrnambool. It was made by Lighthouse Keeper, Thomas Hope. Thomas served two terms as an assistant lighthouse keeper in Warrnambool. His first term was from 1905 to 1907. He later returned from 1910 to 1913, when he was appointed as Keeper five months after the untimely death of his predecessor Peter Quinn. Woodworking was one of Thomas Hope’s hobbies, and the three-panel fire screen he made as a lighthouse keeper is now in the Flagstaff collection and is displayed in the Lighthouse Keeper’s Cottage. Thomas Hope 1857 - 1928 Thomas James Hope was born in Camden, Surrey, England in 1857. His father, also called Thomas, was reputed to be a member of the Royal Family, and Thomas Hope Junior his illegitimate son. Thomas was subsequently brought up on the estate of the Earl of Hopetoun in Somerset and it was thought that Thomas was the Earl’s grandson. Against the wishes of those in charge of Thomas, he joined the navy at an early age, seeing much of the world until he settled in New Zealand at the age of twenty-four. After some years in New Zealand, he came to Australia to live. One of the jobs Thomas Hope had prior to becoming an assistant lighthouse keeper in 1896 was as a cook in the Lunatic Asylum at Sunbury, Victoria. He served as an assistant keeper at Shortlands Bluff, Gabo Island, Split Point and Warrnambool, retiring in 1918. He bought a house in Nicholson St, Warrnambool and died in March 1928. He is buried in the Warrnambool cemetery. Thomas Hope is recorded in family history as being of short stature and, not surprisingly given his alleged aristocratic connections, possessed a beautiful speaking voice. He and his wife Elizabeth nee Waters, whom he married in New Zealand, had six children (Thomas, killed in World War One), Ellen (Nell), Nora (who was married at the Warrnambool lighthouse keepers cottage), William (who died in Warrnambool), Marion and Alan. Joseph Hoover (Dec 29, 1830, to Aug 7, 1913) Joseph Hoover, the printer of the pictures on the screen, was born in Baltimore, of Swiss-German heritage. He was trained as an architectural woodturner. In 1856 Hoover moved to Philadelphia and began producing elaborate wooden frames in his wood-turning and framing business. By 1865 Hoover had started to produce popular prints for publishers and artists, which included noted Philadelphia artist James F. Queen. In the 1880s Hoover set up a complete plant specialising in chromatography, the process of producing colour prints from lithographic plates. The coloured prints he produced were affordable to business and private customers. In 1893 his son Henry L., a trained lithographer, joined the company as overseer and it was called J. Hoover & Son. It became one of the largest in America by the turn of the century. Hoover won a medal for Excellence for his Chromolithographs of James Queen’s works. In 1904 Joseph’s other son, Joseph W, joined the business as a partner and the company was called Jos. Hoover & Sons. Hoover died of a heart attack in 1913. He was survived by his wife and six children: two sons who were also his business partners, and four daughters. The firm continued in production until around 1985. Hoover’s prints included scenes, still life and landscapes of America and other locations. They were sold in America and overseas to countries including Canada, Germany, Mexico and England. The three-panelled screen in the Lighthouse Keeper’s Cottage was made by the Assistant Lighthouse Keeper, Thomas Hope during one of his two terms at the Lighthouse Keepers' Quarters. It is the only object in the collection known to be connected to Hope. The Lighthouse Keeper's Cottage is part of the Lady Bay Lighthouse Complex, which is listed on the Victorian Heritage Register for being of historical, scientific (technological) and architectural significance to the State of Victoria.Fire screen comprising three black wood framed panels hinged together. Each panel contains a glass-encased print depicting a rural landscape. Ornate stencil cut wood edging and quilt-inspired parquetry sits above each panel. The central panel is taller than those either side. Screen is lined in black-painted cardboard.Printed at the base of each of the three prints “COPYRIGHT 1896 BY J. HOOVER & SON, PHILAD’’A.”flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, firescreen, thomas hope junior, ellen (nell) hope, nora hope, william hope, marion hope, alan hope, jos. hoover & sons of philadelphia, lighthouse keeper, assistant lighthouse keeper, carved screen, merri street, lighthouse keeper's cottage, lighthouse residence, lighthouse, wood carving, lighthouse complex, lady bay lighthouse, fire screen