The Andrew Ross Museum was offically opened on 27th March 1993 as part of heritage week. A book launch of "Reminscences of Andrew Ross" was also launched. A set of photographs taken illustrate the displays in place at the time.Colour photographactivities, andrew ross museum, heritage week

The Andrew Ross Museum was offically opened on 27th March 1993 as part of heritage week. A book launch of "Reminscences of Andrew Ross" was also launched. A set of photographs taken illustrate the displays in place at the time.Colour photographactivities, andrew ross museum, heritage week

This photograph depicts the façade of the Burke Museum in Beechworth. Originally built in 1857 by the Young Men's Association as the Beechworth Athenaeum, the building provided a public lecture hall and reading room for men at the peak of the gold rush era of Beechworth. In 1859, it became the Beechworth Public Library, which is why the writing embossed above the main entry says 'Library' rather than 'Museum'. The building was turned into a museum and renamed the Robert O'Hara Burke Memorial Museum in 1863 following the death of Robert O'Hara Burke on the Burke and Wills expedition in 1861, as Burke had been the Police Superintendent of Beechworth. The museum has had several additions built onto the property, most notably significant extensions in the 1970s, but the main façade depicted in the photograph has remained largely intact. The architecture is an example of provincial conservative classicism. The Burke Museum contains over 30,000 individual objects, including Gold Rush era items, taxidermy specimens, a Ned Kelly collection, and this very photograph.The Burke Museum itself is very significant to Victorian history. It is on both the Victorian Heritage Register and is part of the National Trust due to its relevance to the history of the Gold Rush period, its architectural features, and its significant collection. Photographs of it throughout its history are an important part of telling the museum's story. Although this is a modern photograph, it captures the façade of the building with similarity to the mid-nineteenth-century provincial conservative classicism style.A colour rectangular photograph printed on photographic paper.3440.1burke museum, beechworth, beechworth museum, australian museum, museum, architecture, classical architecture, conservative classicism, museum facade, library

"Acquistions curently held by the Andrew Ross Schoolhouse museum Kangaroo Ground on behalf of the the Shire of Eltham Historical Society at at 15th November 1994". Includes lists of a wide range of item dated July 1987 with names of donors. Also includes item added to folder in 2019 - a handwritten list of items "held at Sweeney's" for Shillinglaw Cottage dated 2.5.1969. EDHS did not have the capacity to display artefacts although there was efforts made for Shillingalw Cottage to be a community museum when it was re-located. Artefacts were stored by EDHS members. When ARM was established some of these items were offered for their collection. 8 pagesHG Booklet 56harry gilham collection, andrew ross museum, shire of eltham historical society, judy wadham, phyllis macdonald, maree bishop, marjorie north, shallard, bob manuell, peter bassett smith, opal smith, beth mcinnes, shillinglaw cottage, collection

Museum displayQueenscliff Maritime Centre early days c1986Flyer & newspaper clipping re Queenscliffe Maritime Centre.Reverse " NIL "

Print out of Matron Moore's opening address at the official opening of the north annexe of Tatura Museum. Invited guest speaker, former Matron Beatrice Moore gave a concise and interesting insight into the establishment and history of Camp 1 hospital.2 clear plastic sleeves with 4 pages of printed material. "Tatura POW - Internment camps- camp 1 hospital by Matron Beatrice Moore (Ex AANS)". camp 1 hospital, matron moore, tatura museum

Compact Diskette with CD Audio file within a black plastic case with a clear cover. CD titled "ABC Radio Melbourne Breakfast Show Broadcast from Melbourne Tram Museum on 23rd May 2018". Features the ABC Melbourne 774 breakfast show presenters Sami Shah and Jacinta Parsons, along with Kevin Tierney, Adam Chandler, Roberto D'Andrea, Malcolm Just, Colin Tyrus (former ABC Radio newsreader and now does the stop announcements for Yarra Trams) and "The Singing Connies" See Reg item 2839 for associated photographs.trams, tramways, abc radio news, melbourne tram museum, conductors, hawthorn depot, radio stations, music

The meat industry and animal by-product works of Melbourne's West, in the series "Interpreting the Cultural Landscape", with the assistance of the Department of Planning and Development, VictoriaThe Australian Meat Preserving Company was established on the banks of the Maribyrnong River in 1870 on the site of boiling works dating from the 1840s.32 page booklet, A5, Cover illustration of Raleigh's boiling down works on the Maribyrnong River, from water-colour by Greeves C. 1850s Title: Meat and By-Products Author: Gary Vines Melbourne's Living Museum of the West Inc.western suburbs, meat industry

Colour slide of X1 468 turning from Hopkins St Footscray into Leeds St with the destination of Williamstown Road. Another X1 class tram can be seen in the background bound for Russell Street.Yields information about X1 class in Footscray.Kodachrome colour slides, cardboard mount, duplicate.Stamped "Tramways Museum Society Victoria" and "Windsor Publications" on rear along with number 0228leeds st, hopkins st, tram 468, x1 class, mmtb, footscray, tramways, trams

Set of five colour photographic prints of the presentation and btm reps attending the Museum Accreditation Presentation on 15 May 1998 at the ABC centre, Melbourne. 839.1 - Richard Gilbert accepting our certificate from Ms Lorraine Elliott, MLA. 839.2 - Richard Gilbert and Warren Doubleday, holding the framed certificate 839.3 - Peter Winspur, Greg Rodgers, Richard Gilbert and Warren Doubleday 839.4 - as for 839.2 839.5 - as for 839.4. All photos by Carolyn Dean. John Phillips also attended - video. All prints on AGFA paper See Letter from MAP, dated May 1998On rear of all prints "Photo by Carolyn Dean"btm, museum accreditation, awards, presentations

Perfect bound, approx. 60 page document, clear plastic front cover, card rear cover, titled "Early History of Melbourne compiled for The Tram Museum of Melbourne - Stanhope St Malvern", prepared by Jack Cranston, Norm Maddock and assist by the PTC, undated, believed to be c 1990. Photocopied version with low quality B&W photos, extracts from Broadbents Melbourne Guide c 1912, with an index to Melbourne streets, cable, horse and electric tramways, railways, clubs, hospitals, hotels, maps, city sights. Includes notes on George Broadbent and his involvement with the RACV.trams, tramways, melbourne, maps, tramways, guides, cable trams, horse trams

Opening of Queenscliffe Maritime Centre c1987Opening of the Queenscliffe Maritime CentreNews clipping GA 2/7/1987 re Queenscliffe Maritime centre opening.Reverse " NIL "queenscliffe maritime centre

This undated photograph depicts two people standing in the vestibule entrance at the Burke Museum, Beechworth. The museum site dates to the 1857 founding of the Beechworth Public Library and Athenaeum by a newly formed Young Men's Association (YMA). In 1863 the museum was dedicated as a memorial to former Beechworth police superintendent (1854-1858) and explorer Robert O’Hara Burke, following Burke’s death from malnutrition on the Burke and Wills expedition in 1861. Funded by the Victorian Government and the Royal Society of Victoria, the officially titled 'Victorian Exploring Expedition' was tasked with being the first European party to traverse Australia from south to north. The Burke Museum holds objects from the famous expedition and explores the multi-layered history of Beechworth and surrounds from the gold rush era to the present.This photograph is historically significant for its depiction of the Burke Museum and Loch Street streetscape. The Burke Museum is Australia’s oldest regional museum and part of Beechworth's Historic and Cultural Precinct, one of Australia’s best preserved historic-town sites and a popular tourist destination. Once the government centre for a vast gold fields region, this collection of nationally significant buildings tells the story of how Australia grew and prospered. The frequent use of honey-coloured local granite as a building material, which can be seen in the museum's fabric, gives Beechworth’s historic buildings a distinct and cohesive local character. This photograph may be compared and studied alongside other images of historic buildings in the Burke Museum Photographic Collection.Rectangular colour photograph printed on photographic paper.Reverse: 3440burke museum, beechworth athenaeum, beechworth library, beechworth historic precinct, robert o'hara burke, australia's oldest regional museum, indigo shire, beechworth athanaeum, beechworth historic building, historic precinct, honey-coloured local granite, victorian gold fields, historic towns in victoria, victoria's high country, colonial australia, beechworth tourism, things to see in beechworth, beechworth historic trail, historic victorian architecture, burke and wills expedition, first europeans to cross australia, young men's associations

Presented to children who travelled on The Santa Tram.Demonstrates an item manufactured by the MuseumBallarat Tramway Museum 'The Santa Tram'' Badge. Made by Peter Waugh for Ballarat Tramway Museum. Sample of badge presented to young passengers on The Santa Tram."The Santa Tram", "Ballarat Tramway Museum", "ABC2000"tramways, ballarat

Yields information primarily about New Zealand tram and bus city systems and what the various NZ Museums were doing at the time.Magazine - Tramway Topics - Vol. 5, No. 5, Oct 1966 - 40 wax cut stencil duplicated pages with printed page of photos and printed covers. Published by Wellington Tramway Museum, Tramway Historical Society - editor J. Wilkinson. Contains articles on Christchurch, Orange Empire, Auckland, Dunedin, Invercargill and Museum News.On inside of front cover in black ink "Ballarat Tramway Preservation society Catalogue No. 110".trams, tramways, christchurch, auckland, dunedin tramways, invercargill

Published by George Allen & Unwin, Ltd., Ruskin House, Museum Street, London. There is no clue as to the owner of this bookThis book provides a factual scientific account of sex and human reproduction as taught in the 1950's. It is particularly interesting to compare the expected conduct of young women in this era with the standards of today.A grey, hard covered text book with the title "Attaining Womanhood" in blue print on the front cover and "Attaining Womanhood George Corner" on the spine of the book Written by George W. Corner M.D., Director, Dept. of Embryology, Carnegie institute of WashingtonOn the first page is the title "Attaining Womanhood" and below this "A Doctor Talks to Girls About Sex". Written by George W. Corner, M.D. and an introduction by Dr. Eustace Chessersex education, book, school, reproduction

Set of three newspaper clippings about the transfer of trams 836 and 1029 to the BTM on 16 August 2019. The trams were loaded at Newport Workshops the previous day. .1 - "Heritage on Track" - Ballarat Times, front page - photo of the loading at Newport of tram 836 - 22/8/2019. .2 - "Museum takes possession of old new trams" - as for .1 .3 - "New home for W class" - The Courier, 17/8/2019 - featuring a photo of Michaela Settle, the MLA for Buniyong and Juliana Addison, MLA for Wendouree and Chris Phillips of the BTM with Cuthberts939 in the background. Story by Greg Gliddon, photo Lachlan Bence. Quotes the President Paul Mong.btm, new trams, victorian government, cuthberts 939, loading trams

Photocopy of an A4 document - 24 pages, stapled in the top left hand corner - titled "Expressions of Interest for Design of Tramway Museum At Hawthorn Depot" dated 28 Jan 1993. Issued by the Public Transport Corporation, providing an information brochure, description of work, general information, selection criteria, mandatory information, conditions of registration and decisions. Had a number of response forms at rear. Technical Queries were to Bob Roberts. .2 - newspaper advertisement - same title - advertising for EOI for design services. Advert not dated, gives closing date of 19/2/1993. Also has a an advert for a EOI for Provision of Design Maintenance and construction services for the PTC.trams, tramways, hawthorn, ptc, museum, construction, tenders, eoi

The diamond firetail bird is native to inland southeastern Australia, inhabiting woodland regions. It is often described as one of the most stunningly coloured birds of the finch family. The nest is built by both partners but only the female does the weaving. Both partners incubate the eggs and care for the young. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. The diamond firetail finch it characterised by the top of its body being ash brown, with crown, forehead and neck grey. The under feathers are white with a crimson rump. There is a black band across its neck which continues down the flank to be dotted with white. The bill and eye ring are coral, and the legs and feet are dark grey. The female is similar to the male although sometimes smaller. 10057 comprises of one male and one female. This specimen stands upon a wooden platform and has an identification tag tied around its legLabel: 41a./ Firetialed Finch / See Catalogue, Page 15. /taxidermy mount, cancel, taxidermy, burke museum, beechworth, australian museum, finch, diamond firetail

The White-necked Heron (also known as the Pacific Heron) is commonly found throughout mainland Australia. It resides mainly in locations with freshwater and in tidal areas. These birds are carnivores and mainly eat fish, crustaceans, amphibians and insects. They are also known to feed on young freshwater rats, young ducklings and lizards. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The White-Necked Heron has been stylised in a standing position on a wooden platform. The bird has long black legs and a long white neck with black spots decorating the front of the neck. The head is also white and the bill black. The front torso of the bird is cream mixed with brown plumage and the back. The rear and wings are a dark brown. [illegible] Heron / See Catalogue, page 33. /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, white-necked heron, heron, pacific heron

The White-necked Heron (also known as the Pacific Heron) is commonly found throughout mainland Australia. It resides mainly in locations with freshwater and in tidal areas. These birds are carnivores and mainly eat fish, crustaceans, amphibians and insects. They are also known to feed on young freshwater rats, young ducklings and lizards. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The White-Necked Heron has been stylised in a standing position on a wooden platform. It is facing forwards but looking over its left shoulder. The eyes of this specimen are made from yellow glass. The bird has long black legs and a long white neck with black spots decorating the front of the neck. The head is also white and the bill black. The front torso of the bird is cream mixed with brown plumage and the back. The rear and wings are a dark brown.taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, white-necked heron, heron, pacific heron

Details the ?Koorie? exhibition presented by the Koorie Heritage Trust in association with the Museum of Victoria. Outlines the history of the Aboriginal people of south-eastern Australia.maps, b&w photographs, cartoons, illustrations, graphs

The spotted quail thrust is a heavily patterned bird native to Australia. It expresses many calls, including a long, very high-pitched "seeeeeep” and a long sequence of doubled whistles, but the main call in inaudible to humans. Due to their heavy camoflague pattern, they are often very difficult to observe. They are often found on the forest floor. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. The spotted quail thrush is characterised by yellow and brown tones with black spots on the flanks. The females (10056) have a yellow ochre-coloured throat patch. This particular quail has lost its tail feathers. This specimen stands upon a wooden platform and has an identification tag tied around its leg.Label: 43a. / Spotted Ground Thrush / See Catalogue, page 15. /taxidermy mount, taxidermy, burke museum, beechworth, australian museum, spotted quail thrust, quail

The Mistle Thrush is native to Ireland and Scotland, North Africa and parts of Asia. It is known as a large, aggressive and powerful bird. They have several different calls: the main call, given by both sexes, is a dry chattering 'krrrr', louder when the birds are alarmed or excited. There is also a squeaky 'tuk' contact call. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. The Mistle Thrush has a pale grey-brown upperpart and a greyish-white chin. The yellow/buff breast and off-white belly are marked with round black spots. The long tail has white tips on the outer feathers, and the underwing coverts are white. The glass eyes are dark brown and the bill is blackish with a yellow base to the lower mandible. The legs and feet are yellow/brown. There is no plumage differences between the male and the female Mistle Thrush. This particular specimen stands upon a wooden platform and has an identification tag tied around its leg.Label: 111a. / Mistle Thrush / Catalogue, Page 28. / Other Label: 57. / Turdus viscivorus /taxidermy mount, cancel, taxidermy, burke museum, beechworth, australian museum, bird, mistle thrush

The spotted pardalote is the smallest of all Australian birds. It has a tendency to nest in a long horizontal tunnel, often dug into the soil of creek banks, the embankments of railway cuttings, and quarries. Its call is characterised by a very clear and repetitive double "ding". The spotted pardalote is common in woodlands and eucalypt forest areas in Australia. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. One of Australia's smallest native birds, the male spotted pardalotte is covered with small, distinct white spots. Males have a pale eyebrow, a yellow throat and a red rump. Females are similar but have less-distinct markings. 10060 comprises of one male and one female. This specimen stands upon a wooden platform and has an identification tag tied around its legLabel: 14a. / Spotted Diamond Bird / See Catalogue, page 9. /taxidermy mount, cancel, taxidermy, burke museum, beechworth, australian museum, bird, spotted pardalote