See Cat 4575 PThis is possibly a copy. Blue Card folded once. Front cover has British Coat of Arms, with words "National Registration Identity Card". The rear cover has number FC 655746 and three rubber stamps. Inside is written: BCDD 157:2 Van Lier. Abraham. Class Code A. Postal address - 89 Sherwood Avenue, Greenford MDX. Signature - A Van Lier. Stamped 22 Jn 43. Suspect it is a copy, printed onto new white cardboard substrate (Perhaps a training aid?). war, identification

Four receipts. (1) Receipt dated 12 July 1889, signed H & W 14/7/89 for Mrs Haynes proportion of costs. Green Stamp Duty attached. (2) Receipt dated 6 Oct 1888, signed by John Holmes for £8 received from Connelly & Tatchell. Green Stamp Duty attached. (3) Receipt signed by D. Oliver, dated 12 Oct 1888 for cheque. (4) Receipt signed by George Lewis dated 9 Oct 1888 for £1.11.6.business, legal, connelly & tatchell, connelly & tatchell collection - document, mrs haynes, cuthbert hamilton & wynne, mr toy, john holmes, keam, d oliver, g lewis, mitchell, harris

This crucible was raised from the wreck of the LOCH ARD. It is one of six similar relics, in a range of sizes, now in the Flagstaff Hill collection. All bear markings to indicate their manufacture by the Morgan brothers of Battersea, trading as the Patent Plumbago Crucible Co. A crucible is a container used for purifying and melting metals so that they can be cast in a mould to a predetermined shape and use. They must withstand extremely high temperatures, and abrupt cooling, and shed their contents with minimal adherence. The addition of graphite to the traditional firing clays greatly enhanced the durability of industrial crucibles in mid-Victorian Britain, a significant technological advance at a time of great activity in foundries and expansion of demand for refined metals. The Morgans first noticed the advantages of graphite crucibles at the Great Exhibition held in London in 1851. Initially, they contracted to be sole selling agents for the American-made products of Joseph Dixon and Co. from New Jersey, but in 1856 they obtained that firm’s manufacturing rights and began producing their own graphite crucibles from the South London site. The Morgans imported crystalline graphite in 4-5 cwt casks from the British colony of Ceylon (now Sri Lanka) and mixed it with conventional English (Stourbridge) clays to be fired in kilns. Their products were purchased by the Royal Mints in London and India, and exported to official mints in France and Germany. They were successful exhibitors of their crucibles and furnaces at the London Exhibition held in 1861 (Class 1, Mining, quarrying, metallurgy and mineral products, Exhibit 265, Patent Plumbago Crucible Co). The range of sizes represented by the six crucibles retrieved from the LOCH ARD, suggests they may have been part of a sample shipment intended for similar promotion in the Australian colonies ― at Melbourne’s International Exhibition to be held in 1880. The summary of the LOCH ARD cargo manifest, by Don Charlwood in ‘Wrecks and Reputations’, does not mention any crucibles, implying that they were not a large consignment of uniform items. A newspaper account of an 1864 tour of the Morgan brothers’ ‘Black Potteries’ at Battersea indicates: “All the pots were numbered according to their contents, each number standing for one kilogram, or a little over two pounds; a No. 2 crucible contains two kilogrammes; a No. 3, three kilogrammes, and so on.” These numbers are obscured by marine sediment on three of the crucibles in the Flagstaff Hill collection, but those legible on the remaining three are 5, 6, and 8. None of the six is of the same size from a visual appraisal. A brief history of the Loch Ard (1873-1878): - The sailing ship Loch Ard was one of the famous Loch Line of ships that sailed the long voyage from England to Australia. Barclay, Curdle and Co. built the three-masted iron vessel in Glasgow in 1873. It had sailed three trips to Australia and one trip to Calcutta before its fateful voyage. Loch Ard left England on March 2, 1878, under the command of recently married, 29-year-old Captain Gibbs. It was bound for Melbourne with a crew of 37, plus 17 passengers. The general cargo reflected the affluence of Melbourne at the time. Onboard were straw hats, umbrellas, perfumes, clay pipes, pianos, clocks, confectionery, linen and candles, and a heavier load of railway irons, cement, lead and copper. Other cargo included items intended for display in the Melbourne International Exhibition of 1880. The Loch Ard had been sailing for three months and was close to its destination on June 1, 1878. Captain Gibbs had expected to see land at about 3 am but the Loch Ard ran into a fog that greatly reduced visibility and there was no sign of land or the Cape Otway lighthouse. The fog lifted at 4 am and the sheer cliffs of Victoria's west coast were much closer to them than Captain Gibbs expected. He tried to manage the vessel but failed and the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. The top deck loosened from the hull, and the masts and rigging crashed down, knocking passengers and crew overboard. The lifeboat was launched by Tom Pearce but crashed into the side of Loch Ard and capsized. He clung onto its overturned hull and sheltered under it. He drifted out to sea and the tide brought him back to what is now called Loch Ard Gorge. He swam to shore and found a cave for shelter. A passenger, Eva Carmichael, had raced onto the deck to find out what was happening and was confronted by towering cliffs above the ship. She was soon swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He swam out and dragged her to the shelter of the cave. He revived her with a bottle of brandy from a case that had washed up on the beach. Tom scaled a cliff in search of help and followed some horse hoof prints. He came from two men from Glenample Station, three and a half miles away. He told the men of the tragedy and then returned to the gorge while the two men rode back to the station to get help. They reached Loch Ard Gorge and took the two shipwreck survivors to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland by steamship. In Melbourne, Tom Pearce received a hero's welcome and was presented with a medal and some money. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost her family in the tragedy. The shipwreck of the LOCH ARD is of State significance ― Victorian Heritage Register S417. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best-known shipwrecks in Victoria’s history.A Morgan’s Patent graphite crucible No.8 (i.e. 8kgs capacity), one of a set. It was recovered from the wreck of the LOCH ARD. It is in its original grey colouring with minimal sediment accretion on the top rim. It rises in a slight curve from a flat circular base to a wider rim with a pouring lip. Maker’s marks on the side of the container clearly identify the manufacturer. The maker's details are stamped into the base around and within a circle. A white sticker is attached. Made by the Patent Plumbago Crucible Company at the Battersea Works in London. Number “8”. Letters “MORGAN’S PATENT”. Details on the base "MORGAN'S PATENT" "THE PATENT PLUMBAGO CRUCIBLE COMPANY" Symbol [8] above "BATTERSEA WORKS LONDON" Handwritten on a white sticker in black pen "LA/89"flagstaff hill, warrnambool, maritime museum, shipwreck coast, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, graphite crucible, plumbago crucible, morgans crucible company, flagstaff hill maritime museum and village, fluxing pots, crucible, morgan’s patent, morgan brothers, patent plumbago crucible co, battersea works, london, port campbell

Pins used in Donalds D/box wool press Patent No 4, Serial No 87086These pins belong to Donald D/Box press in G1/ given originally by Mr Penna. We now have the full set of 6./ JC /22 Sept 89 ....6th pin in press in Gallery 1...shearing wool bales shearing sheds, wool press, shearing, wool bales, shearing sheds

Pins used in Donalds D/box wool press Patent No 4, Serial No 87086.These pins belong to Donald D/Box press in G1/ given originally by Mr Penna. We now have the full set of 6./ JC /22 Sept 89 ....6th pin in press in Gallery 1...shearing wool bales shearing sheds, wool press, shearing, wool bales, shearing sheds

Pins used in Donalds D/box wool press Patent No 4, Serial No 87086These pins belong to Donald D/Box press in G1/ given originally by Mr Penna. We now have the full set of 6./ JC /22 Sept 89 ....6th pin in press in Gallery 1...shearing wool bales shearing sheds, wool press, shearing, wool bales, shearing sheds

The Kew Historical Society, founded in 1958, is one of the oldest continuing historical societies in the Greater Melbourne region. For over 60 years, the Society has worked with local government and other community organisations to stimulate interest in Kew’s history and heritage. Over this period, the Society has regularly held heritage walking tours in the district including at the Boroondara General (Kew) Cemetery. This and other photos taken in the same year are examples of a walking tour held for members of the Royal Historical Society of Victoria.One of a series of photographs of a guided tour of the cemetery, led by members of the Kew Historical Society for members of the Royal Historical Society of Victoria.Reverse: "KH-89. Mrs Walker Lilydale Historical Society / Mr Cuthill (Royal Historical Society) Tour Organiser / Mr Greer (KHS Member) / Mr M Slattery President KHS 1976-77"boroondara general (kew) cemetery, kew historical society — walking tours, royal historical society of victoria

Royal Doulton as part of the Minton Miniature series produced this heron model in 2001. A limited edition of 1,793 pieces were made, and this heron is number 89. The heron is a scaled down model of the original life-size piece first produced by Paul Comolera, c. 1892, as a walking stick and umbrella stand. Comolera was a French artist and sculptor, renowned for dramatic naturalistic forms, and life-size renditions of birds and animals that won him admiration in public and artistic circles. The Warrnambool Art Gallery (WAG) has a life-sized Heron in its collection. A rare miniature heron demonstrates the artistry and skill required to produce Majolica ware during the 19th century and the present.A miniature grey heron standing by bulrushes and holding a struggling fish in its beak, its plumage naturalistically coloured, on a circular base glazed in tones of grey and green and applied with further leaves and water lilies.Inscribed at the base Minton founded 1793, made in Englandminton & co., majolica, miniature model, flagstaff hill maritime museum, stoke upon trent, paul comolera, staffordshire

Nineteen page double sided paper catalogue held with one staple in the top left corner. Pages are blue, yellow and white with black printed text. Cover shows printed text in blue, red, black and white with Dalgety Farmers banner and logo. front: [printed] CATALOGUE / No. G05’g / SEASON / 1988/89 / Dalgety Farmers / WILL OFFER BY AUCTION / AT THE / WOOL EXCHANGE / NATIONAL WOOL CENTRE, MOORABOOL STREET, / GEELONG / ON / WEDNESDAY 30TH NOVEMBER 1988 / 7352 BALES. WOOL.agriculture, wool, sales, dalgety, geelong, wool exchange, national wool centre, auction, catalogue

Set of three Agfa colour blue white plastic mount slides, photo by Keith Caldwell of trams in Bourke St at Spring St with Parliament house in the background. .1 - W6 974, route 88 to Spencer St - with adverts for Exide batteries and pet food. .2 - W7 1040, route 89, with ads for Coffey Ford, Tecalemit? filters and Phillips Shavers. .3 - W6 995, route 96 to East Brunswick Blyth St with adverts for Ferris car radios and Ronald's diamonds. c early, possibly late 1960's, slides not dated.2 - "BXBU"trams, tramways, bourke st, parliament, route 88, spencer st, route 89, route 96, east brunswick, w6 class, w7 class, tram 1040, tram 974, tram 995

The bicentenary was celebrated on the 26th of January 1988 by many Australians to mark the arrival of the 11 ships of the first fleet in Botany Bay and Sydney Cove on Bidjigal and Gadigal Country. The Australian Bicentennial Authority (ABA) was set up to plan, fund and coordinate projects that emphasized the nation's cultural heritage. State Councils were also created to ensure cooperation between the federal and state governments. Engraved pewter tankard with handle.Engraved on front; Image of tall ship with text The Australian Bicentenary / 1788 - 1988 Engraved on back; Presented to the / City of Bendigo / For it's Valued / assistance to / The Bendigo Bicentennial / Community Committee / 1988 - 89 Base; Kirra Pewter Australiacity of greater bendigo events

10 silver mugs from OC of C Coy and CSM of C Coyone side of the mug contains curving with "WO2 Leary CSM C Coy Jan 89 - Mar 91", and other side with "2 Section from CAPT Sammut OC C Coy Jun 88 - January 99"

Moorabbin played initially in the Federal Football League also known as Football Federation Australia, making their debut in 1909 and competing until 1950. The club wore a black and white jumper like Collingwood. During this time the club won 12 premierships, including winning all six premierships staged over the nine years between 1940 and 1948 (the competition was in recess from 1942 until 1944). Moorabbin Football Club was also known as Moorabbin Park Football Club in the early years of its formation. In 1926 – Moorabbin 13 goals 11 points (89) defeated Mordialloc 9 goals 17 points (71). One of the pioneer teams of the City of MoorabbinFlagfederal football league, moorabbin football club, premiership, moorabbin, australian rules football

A property illustration by Margret Picken Commissioned by a real estate agency for the purpose of advertising 1/89 Springfield Rd., Nunawading This property is listed as having sold for $135,000 in 1997 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a black and white line drawing of a two story semi-detached brick house. With a joint driveway on the right leading to an built in garage, which is connected to the neighbours garage. On the left is a garden bed in front of the front door. There are two hole punch holes centre of the upper edge363 Springfield Rd., Nunawading Margaret Picken - 97 Woodards - Balwynwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, nunawading

Red buckram hard covers, black & white photos & illustrations, black & white text on cover. .1) European Land Battles 1939-43, 91 pages .2) European Land Battles 1944-45, 83 pages .3) The Nard Wat in the West .4) The Nard War in the West - The Raiders, 67 pages .5) The Nard War in the West - The Wolf Packs, 60 pages .6) Air War in the West Sept 1939 - May 1941, 76 pages .7) Air War in the West June 1941 - April 1945, 66 pages .8) Expansion of Japan in Asia, 68 pages .9) Japanese Ambitions in the Pacific, 119 pages .10) Allied Victories in China / Burma, 66 pages .11) The Nard War in the Pacific - Rising Sun of Nippon, 90 pages .12) The Naval War n the Pacific, 89 pages .13) The Air War in the Pacific, 88 pages .14) The Air War in the Pacific - Victory in the Air, 89 pages .15) European Resistance Movements, 88 pages .16) Asian and Axis Resistamce Movements, 88 pages .17) Combat Headers of World War II, 126 pages .18) Strategic Directions of World War II, 65 pagesbooks, history, military

Original owner of memorabilia Mr FREDRICK CARLETON. Please see Cat 142 for Service History.1. Photograph: Paper, black and white half portrait of CARLETON Fred with service medals. 2. Notes - handwritten on paper. 3. Service order - paper folded. Presbyterian Church Bendigo. 4, & 5. Dust cover - paper with title, "THE EIGHTH ARMY". Illustrated montage of black and white photographs on both sides. Cover torn in half.1. Handwritten top of photograph - blue ink 'FRED CARLETON". 2. Handwritten on note paper, blue ink CORPORAL FRED/ CARLETON/ Pgs 34, 89, 90,95/96, 97, - Page numbers refer to the book "MUD AND BLOOD" Cat no 4840photographs, ww2, memorabilia

Brown hard cover book of 912 pagesInside front cover, blue sticker with white printing ÄNGUS & ROBERTSON LTD. / BOOKSELLERS & PUBLISHERS / 89 CASTLEREAGH ST., SYDNEY. / 66-68 ELIZABETH ST., MELBOURNE." Front page handwritten in blue ink "Property of - / J.T. Young / C.E.D. / I.C.I.ANZ."non-fiction, steam, power, instruments, electricity, engineering

Twenty four pages titled Reweighs. Date ranges are 2/7/91, 15/1/91, 25/9/90, Jan 90, 5/9/89, 7/2/89,4/10/88, 2/8/88, 26/4/88, 20/10/88, 20/11/90, 4/12/90, 27/11/90. Pages are divided into columns with the agents names, Total No. Weigh, Columns titled Lots and TW are repeated across the page. Agents are: Dalgety, Elders, Hill, McGregor, M & T, McKean, Nevins, Nuttall, Rodwell, Vains, V.P.C., Webster & Co, Reweighs are for Cattle,bendigo, council, cattle markets, bendigo saleyards collection - cattle reweighs, dalgety, elders, hill, mcgregor, m & t, mckean, nevins, nuttall, rodwell, vains, v.p.c., webster & co

A special from the Bendigo Advertiser on birthplace of a Nation' issued Wednesday, September 23, 1992. This special issue has 100 pages. On the cover a colour photograph of the monument erected by citizens of Australia to honour the memory of Sir John Quick LLD 1852-1932. Lawyer, Statesman, Judge. Qui Patitur Vincet. Cover story: Sir John Quick (pages 2/26) - The Arts (pages 30/31) - Tourist Time (page32) - Water of Life (pages 38/40) - Snaps in Time (pages 45/56) - The Chinese (pages 62/65) - Education (pages83/89) - The Aged (pages 94/100).newspaper, bendigo advertiser, centenary supplements

The post card features a view of the two storey Rupertswood Mansion which was built in Sunbury by Sir William Clarke in 1874. It had 50 rooms as well as a cellar and outbuildings ands built of bluestone. The tower is 100'(38.5metres) high. The card was sent by Waddy Paterson to his sister, Gladys, who was living at 89 Stirling Street, Perth in WA. He wrote the following message: "Dear Gladys, Keith and Waddy are having a grand time and we are here with Grandma and Auntie Anne in Sunbury we will be home soon now we leave by the SS Caroola on Wednesday 7th Dec. So be good until we come home your loving Waddy & brother Keith." Rupertswood Mansion is an important historic building in Sunbury and has had many functions over the years. A sepia photograph in post card format of a large mansion with a tower in a garden setting. A message has been hand written on the back of the card.RUPERTSWOOD/ SUNBURYrupertswood mansion

Wooden plaque with metal plate with English and Japanese writing "In Commemoration of FRIENSHIP PORTS' Day/ On the occasion of the Yokohama Exotic Showcase '89, celebrating/ Yokohama's centennial as a municipality and the 130th anniversary of the/ opening of is port, 29 August 1989 has been designated as Friendship Ports'/ Day. The day's activities and the participation of Melbourne have brought/ about mutual understanding and have strengthened the ties of/ friendship between Melbourne and Yokohama./ We present this plaque as a symbol of our deep appreciation and of/ our desire for continued friendship and exchange/ 29 August 1989/ Nichachiro Hanamura/ Chairman/ Association for the Yokohama Exotic Showcase '89" Japanese writing on reverse : "PMA 0135"

Demolition appears to be under way in this image of the Alfred Hall. It was built in 1862 for the visit of Queen Victoria's son Prince Alfred the Duke of Edinburgh, across the Yarrowee (which formed the municipal boundary) apparently because the municipalities of Ballarat and Ballarat East could not decide who should have the honour! The Alfred Hall held many of the city's events over 89 years, but was symbolically locked up the day the Civic Hall in Mair Street was officially opened, in August 1956. Mrs Bon Strange and her husband Bert were well known Ballarat residents. When Mrs Strange died some years ago, her extensive slide collection was sorted through and those relevant to Ballarat were gifted to the Ballarat Library. alfred hall, curtis street, holden cars, ballarat

Dale HICKEY (31 July 1937 - ) Born Melbourne Dale Hickey studied art at Swinburne College of Technology before teaching at Phillip Institute of Technology (now Royal Melbourne Institute of Technology) from 1973–89. Leaving that position he devoted himself full-time to painting. In 1968 he was included in the National Gallery of Victoria exhibition of Australian minimalism, 'The Field'. His work is known for an awareness of minamalism, colour field and realism. In 1986 Dale Hickey won the Ballarat Fine Art Gallery's Hugh Williamson Art Prize. In 1988 the Ballarat Fine Art Gallery mounted a large retrospective exhibition of his work which was then toured. His work is widely represented in Australian public collections. Framed painting. dale hickey, available