An article including black and white photographs on the Bendigo Preserving Company from the Bendigo 'Advertiser.' It includes photographs of employees at work and information on the B.P.C. itself. Two pages. 24/2/1970.bendigo, industry, tomatoes, lydia chancellor collection, collection, fruit, bendigo, history, bendigo preserving company, mr. ron potter, cannery, b.p.c., tomatoes, farm, farming, food technology, industries, employees, b.p.c. employees, inglewood, canning, agriculture

Colour photographs of the War Memorial in the Victorian town of Guildford. The memorial lists those who served during World War One and World War Two.guildford, world war one, aberdeen, annear, bardi, binns, brocchi, carter, carty, colgan, cox, davidson, davenport, dell, dewsnap, donovan, dunstan, hughes, kidd, kirkpatrick, knights, lockhart, mars, mannington, martin, mcelhinney, mcquay, mein, milligan, morrison, munro, potter, passalaqua, ramsay, slatter, solomano, stevens, greenwell, hill, horn, walker, wilson, wilton, barassi, barlowe, curnow, davis, foletti, franzi, gill, kirkpatrick, mein, mcelhinney, morse, pavilach, simms, sullivan, stevens, williams

Early vase thrown by Doug Alexander who began Springmount Pottery in 1970.A rare early piece, possibly made before he actually started Springmount Pottery. Doug Alexander became one of Australia's most respected potters.Pottery vase, sloped, made by Doug Alexander about 1970.Impressed marker's mark "A".doug alexander, springmount pottery, creswick, ceramic, potter

Made by Doug Alexander at his Springmount Pottery. Typical form and glaze for this time, early 1970s. Doug Alexander was one of Australia's greatest studio potters.pottery vase, glazed, brown and whiteDoug Alexander's markdoug alexander, springmount pottery, creswick, ceramic, potter

Handmade pottery teapot made by Doug Alexander at his Springmount Pottery in Creswick about 1972.Doug Alexander was one of Australia's greatest studio potters.Pottery teapot, glazedDoug Alexander's markdoug alexander, pottery, teapot, springmount, creswick, glaze

a. 546 page ledger book for a General Produce Merchant. No identification but could be Albert Bush? Alphabetical index at front. Approx half the pages are blank. Entries in black ink & Date from Feb 1909 to 1920. Sticker inside front cover with Reference Number - No 154 - 11/9/1902 and the name of the printer Andrew Jack & Co.,347 and 349 Flinders Lane Melbourne. Book has a brown leather cover with a red sticker with gold printing and border and the name Ledger printed on it. Inside the front and back covers is a dark blue, lighter blue and red marble pattern. b. Deposit slip but from The National Bank of Australasia Limited, stamped Bendigo in purple for a deposit of £50 and signed S A Bush. Receipt for Debentures left for Safe Custody, Bairnsdale Branch, due 1923 and 1927. Has description, numbers on Debentures and Total Face Value typed on Receipt. Not signed or dated. Also an unsigned and undated form that the Bank incurs no liability whatever in the event of destruction, theft, miscarriage or loss of the documents in transfer from Bairnsdale to Melbourne. Description of document, their number, value and due date are typed on the form.business, retail, bushs, bush collection - ledger no 154 - 11/9/1902, aust jam coy, bairnsdale district farmers' co-op coy ltd, berry henry, blogg bros, brockoff & coy, bush albert, bush s a, bush f w, bush a estate, bendigo residence 251 view st, bush amy, cordan & co, crosby & co, cannon j e, cockatoo preserves ltd, drevermann & co, dudgeon and arnell, dyason prop ltd, eclipse soap & candle co, felton grimwade & co, fisher j and coy, groves mcvitty & co, gans de saxe coy, harper and co, hagemann j, hawkins a, jack & co a, jefferson miss, kitchen and sons prop ltd, king bros, lewis and whitty, long and coy, levy bros & coy, mitchell and coy, maffra sugar factory, macrobertson, mckenzie j f and coy, mclintock and co a, mcleod's soap coy, noske bros, national bank, peterson and coy, phoenix biscuit coy, power patrick joseph, parsons bros & co, parkin a c and co, potter a, robur tea coy, ross bros, russo bros, ryan w, reid bros james, sutherland & sons, swallow and ariell, saunders a, sniders i & b, sargood bros, sims j & co, k vogt, victoria soap & candle coy, united soap and perfumery co ltd, mcleod's soap coy, war bonds, yates and coy a, yeates jas, the national bank of australasia limited bendigo, commonwealth treasurey bonds

Ceramic bowl found in hut belonging to Georgie Ah Ling, who operated a market garden for about 70 years on the edge of the township of Donald. Hand-molded blue and white ceramic bowl. Outside of bowl has underglaze blue decoration of flowers, leaves and Chinese characters. Saw toothed decoration, with one line underneath, around outside rim. Half moon shape lines, with two lines through them, decorate inside rim. Two lines around inside base with one Chinese character in centre of inside base.One Chinese character on inside base of bowl. Four Chinese characters and five plant symbols on outside of bowl. ceramic, bowl, hut, georgie ah ling, market garden, donald

Softcoverhumour, walsh st library

St. Mary's Anglican Church at Bulla was originally built on the outskirts of Bulla township in 1858. In the early 1970s it was moved to its present site to make way for the flight path at the newly constructed Tullamarine Airport. The former site was on the corner of Oaklands and Sunbury Roads and is covered with vegetation. The church was designed by Thomas Taylor.A coloured photograph of the board which is along the fence line outside St. Mary's Church at Bulla. The white writing is on a navy blue background and is framed in white. The notice gives details of services, clergy and caretaker.churches, religion, anglican church, taylor, thomas, potter, charles e. rev., prior, a., st. mary's anglican church, george evans collection

Hard Copye1, midwifery, nursery, s.i.c., hausler, zehnwirth, paediatrician, reilly, potter, 1956, new, insulcot, gardiner, seers

This bowl is part of a series completed in 1994 on the subject of the sin of 'Vanity' / A smug looking woman flirts coquettishly with a manservant who helps her to put on her shoes / The people depicted on the bowl are dressed in 18th century costumes / The court of Marie Antoinette of France is evoked / The blue and white drawing is in the style of 18th century woodblock prints and was drawn freehand / The bowl is signed and dated on the base / The technique is traditional tin glaze (majolica, maiolica or delft) / Coloured oxides were painted onto a clear glaze which had been opacified with tin oxide, and then fired at 900 degrees / The bowl was exhibited at Christine Abrahams Gallery, Melbourne in 1994 / A bowl from the 'Vanity' series is held in the Collection of the Queen Victoria Museum and Art Gallery in Launceston, Tasmania. Copeland's parents are John and Betty Hipwell, one of the founding members of Potters Cottage (an influential ceramic collective that grew out of Nillumbik) / Copeland grew up surrounded by this artform. Reg Preston (another founding member of Potter's Cottage) introduced her to the Majolica technique which has influenced her ceramic work to this day / This bowl is characteristic of Copeland's speciality and mastery of the Majolica technique. This bowl is hand painted with an image of a couple flirting (man-left side and woman-centre) in 18th century French dress / Decorative circle and polka dot pattern along the rim and underside of the bowl / The bowl is predominantly painted in cobalt blue and orange colour using the Majolica (maiolica or delft) technique; a traditional tinglaze method of application. Coloured oxides are painted onto a clear glaze which has been opacified with tin oxide / The bowl is then fired at 900 degrees.Underside has in colbalt blue artist signature and date / 'A. Copeland . 1.9.1994'.copeland, earthenware, majolica, potters cottage, vanity, bowl, eighteen century, french, marie antoinette

Pugh was one of many artists who brought an Australian experience to attention. This work reveals the colour, textures, harshness and inhabitants of the natural bush, with the angular forms found on the ‘black birds’ dominating the composition with dramatic effect. Shanahan, Albert Tucker, Frank Werther and Fred Williams have at one time settled and or work there. Untitled (Black Birds) from the Bodford Terrace Suite 1978, created by Clifton Pugh - a celebrated Australian artist known for his landscapes and portraiture as well as (three-time) winner of Australia’s Archibald Prize. This piece plays a significant role within the Nillumbik Shire Collection due to Pugh’s strong connection to the local land where he settled in Cottle’s Bridge in 1951, purchasing 15 acres and named it Dunmoochin. Artists, potters and others settled at Dunmoochin and formed the Dunmoochin Artists Co-operative in order to collectively protect the land. Numerous renowned artists worked or resided at Dunmoochin including: Rick Amor, Fred Williams, Albert Tucker, Frank Hodgkinson, Mirka Mora, John Olsen, John Percival and John Howley amongst others. Upon his death in 1990 he left an art collection and extensive properties at Dunmoochin to be appreciated and utilised by artists for years to come lithographic print on French Arches paper. Dynamic and expressive depiction of black birds in flight on far left of composition, cropped elements of Australian landscape in blue and red in the background (trees, shrubs, rocks). Inscribed lower right 'Clifton'; 1:1; 179/300clifton pugh, bodford suite, dunmoochin

Pugh was one of many artists who brought an Australian experience to attention. His landscapes reveal the colour and textures of the natural bush, often with a dramatic emphasis. His reference to the harshness of the bush consistently arises, with angular forms dominating the composition. White Choughs in the Landscape is typical of his representations of the bush as a dynamic environment. White Choughs in the Landscape, 1958, created by Clifton Pugh - a celebrated Australian artist known for his landscapes and portraiture as well as (three-time) winner of Australia’s Archibald Prize. This piece plays a significant role within the Nillumbik Shire Collection due to Pugh’s strong connection to the local land where he settled in Cottle’s Bridge in 1951, purchasing 15 acres and named it Dunmoochin. Artists, potters and others settled at Dunmoochin and formed the Dunmoochin Artists Co-operative in order to collectively protect the land. Numerous renowned artists worked or resided at Dunmoochin including: Rick Amor, Fred Williams, Albert Tucker, Frank Hodgkinson, Mirka Mora, John Olsen, John Percival and John Howley amongst others. Upon his death in 1990 he left an art collection and extensive properties at Dunmoochin to be appreciated and utilised by artists for years to come White Choughs in the Landscape is typical of Pughs' representations of the bush as a dynamic environment. The brittleness and fragility of the landscape is recorded in the surface of the work, where paint is applied in thin layers.Signed 'Clifton Sept. 1958'clifton pugh, dunmoochin, white choughs

Hard Green cover With Black design and colored picture in the center.On Cover: "Lives of Great Men All Remind Us we Can Make Our Lives Sublime" "And Departing, Leave Behind Us. Footprints on the Sands of Time." Longfellow Several Inscriptions including Deep Lead Sunday School Prize Miss A Beaupeurt stawell education, religion

stawell

stawell

B/W copy from Grampians Community Health Centre Book Val is sitting in front of an easel with a paint brush in her right hand painting a canvas. She is wearing a floral shirt and has a bracelet on her right arm. There is a cupboard in background with children's paintings on the wall.

History of Daniel Harvey, 1887 - 1961, 'Manufacturer of agricultural and implement manufacturer'. Description of adaptions made to ploughs used in orchards. Covering letter links Daniel Harvey to the Royal Agricultural Society of Victoria.harvey, malachi, mcnally, elizabeth, hugh gordon, heeney, elaine, shearer, david, doncaster historical museum, hastings museum, potter, r, royal agricultural society of victoria, ploughs

Acquired by Sandringham Council at the inaugural Sandringham & District Arts Council (SANDAC) Acquisition Award in 1982.venus, stoneware, david potter, ceramic, urn

The Adult Deaf and Dumb Society of Victoria, now known as Vicdeaf, (the Victorian Deaf Society), was founded in 1884 as the Victorian Society for Promoting the Spiritual and Temporal Welfare of the Adult Deaf and Dumb. The provisional committee being Mr W Bates, Mr J M Bruce, Mr J D Gowan, Mr Edwin Newbiggin, Mr C M Officer, M. L, A., and the Rev. W. Moss. The Adult Deaf and Dumb Mission's objects were: 1. To provide the means for religious worship and instruction for the adult deaf and dumb of Victoria 2. To visit the deaf and dumb in their homes, especially when sick or in distress 3. To assist the deaf and dumb of good character in obtaining suitable employment 4. To provide technical and other education for the adult and dumb 5. To give pecuniary assistance to adult deaf and dumb who are in needThe Annual Reports of the Adult Deaf and Dumb Society are historically significant providing insight into the history of the evolving Deaf Community in Victoria. They are a annual 'snapshot' of the year with references not only to the progress of the Society but also to the significant people and events within the Deaf Community.Green Cover, Size 21.5Hx13.5W, 80 pagesthomas david gibson carmichael, f. s. grimwade, e. r. peacock, harold kent, h. sumner martin, m. l. miller, h. w. h. adeney, george brown, w. a. dickins, f. e. frewin, s. mauger, s. g. martin, g. g. mercy , j. e. muir, f. j. rose, f. tudor, henry weedon, ernest j. d. abraham, mrs e. j. d. abrahamj. mrs boortz, e. connell, e. empson, a. foster, mrs, mrs s. luke, mrs j. e. muir, mrs h. s. martin, m. potter, mrs a. williamson, mrs a. wilson, alex williamson, a. muir, w. j. craig, john cronin, s. moss, m. g. b mortimer, captain olden, blackburn, w. a. watt, a. t. danks, thomas mcpherson and sons, m eady, george brown, rev j. j. halley, julia mccombe, our monthly letter

The Adult Deaf and Dumb Society of Victoria, now known as Vicdeaf, (the Victorian Deaf Society), was founded in 1884 as the Victorian Society for Promoting the Spiritual and Temporal Welfare of the Adult Deaf and Dumb. The provisional committee being Mr W Bates, Mr J M Bruce, Mr J D Gowan, Mr Edwin Newbiggin, Mr C M Officer, M. L, A., and the Rev. W. Moss. The Adult Deaf and Dumb Mission's objects were: 1. To provide the means for religious worship and instruction for the adult deaf and dumb of Victoria 2. To visit the deaf and dumb in their homes, especially when sick or in distress 3. To assist the deaf and dumb of good character in obtaining suitable employment 4. To provide technical and other education for the adult and dumb 5. To give pecuniary assistance to adult deaf and dumb who are in needThe Annual Reports of the Adult Deaf and Dumb Society are historically significant providing insight into the history of the evolving Deaf Community in Victoria. They are a annual 'snapshot' of the year with references not only to the progress of the Society but also to the significant people and events within the Deaf Community.Pink Cover, Size 21.5Hx13.5W, 88 pagesjohn michael fleetwood fuller, w. h. felstead, e. r. peacock, harold kent, h. sumner martin, m. l. miller, h. w. h. adeney, george brown, w. a. dickins, f. e. frewin, s. mauger, g. g. mercy m. l. miller, j. e. muir, hugh monro, f. j. rose, f. tudor, henry weedon, ernest j. d. abraham, mrs e. j. d. abraham, mrs j. boortz, e. connell, e. empson, a. graham, mrs samuel luke, mrs j. e. muir, mrs h. sumner martin, m. potter, mrs a. williamson, mrs a. wilson. w. j. craig, john cronin, alex williamson, s. moss, m. g. b mortimer, blackburn, f. s. grimwade, r. h. luff

The Adult Deaf and Dumb Society of Victoria, now known as Vicdeaf, (the Victorian Deaf Society), was founded in 1884 as the Victorian Society for Promoting the Spiritual and Temporal Welfare of the Adult Deaf and Dumb. The provisional committee being Mr W Bates, Mr J M Bruce, Mr J D Gowan, Mr Edwin Newbiggin, Mr C M Officer, M. L, A., and the Rev. W. Moss. The Adult Deaf and Dumb Mission's objects were: 1. To provide the means for religious worship and instruction for the adult deaf and dumb of Victoria 2. To visit the deaf and dumb in their homes, especially when sick or in distress 3. To assist the deaf and dumb of good character in obtaining suitable employment 4. To provide technical and other education for the adult and dumb 5. To give pecuniary assistance to adult deaf and dumb who are in needThe Annual Reports of the Adult Deaf and Dumb Society are historically significant providing insight into the history of the evolving Deaf Community in Victoria. They are a annual 'snapshot' of the year with references not only to the progress of the Society but also to the significant people and events within the Deaf Community.Green Cover, Size 21.5Hx13.5W, 92 pagesjohn michael fleetwood fuller, w. h. felstead, e. r. peacock,r. j. oehr, m. l. miller, h. w. h. adeney, george brown, w. a. dickins, f. e. frewin, s. mauger, g. g. mercy h. sumner martin, m. l. miller, j. e. muir, hugh munro, f. j. rose, f. tudor, henry weedon, ernest j. d. abraham, mrs e. j. d. abraham, mrs j. boortz, e. connell, e. empson, a. graham, mrs samuel luke, mrs j. e. muir, mrs h. sumner martin, m. potter, mrs a. williamson, mrs a. wilson. w. j. craig, john cronin, alex williamson, a. muir, s. moss, m. g. b mortimer, blackburn, t. williamson, pure oral system, uniform system of sign, provision for apprenticeships, the deaf tramp, harold kent, our monthly letter, australasian deaf and dumb association, miss jones, r. h. luff, w. d. cook, p. holt