Newspaper - 8 page, free distribution, paper called 'Greater Bendigo Quarterly'. A social and cultural periodical. Vol 1, No.1, March 1966. Includes articles on History, Music, Education, Travel, Photography, Theatre plus adverts for local businesses. Published by JWH Publications, Barnard St, Bendigo. Printed by the Castlemaine 'Mail'.bendigo, r w birrell, reg. bridgland, j k collis, don semmens, don lennox, bendigo competitions

Edison Records was one of the early record labels that pioneered sound recording and reproduction, and was an important player in the early recording industry. The first phonograph cylinders were manufactured in 1888, followed by Edison's foundation of the Edison Phonograph Company in the same year. The recorded wax cylinders, later replaced by Blue Amberol cylinders, and vertical-cut Diamond Discs, were manufactured by Edison's National Phonograph Company from 1896 on, reorganized as Thomas A. Edison, Inc. in 1911. Until 1910 the recordings did not carry the names of the artists. The company began to lag behind its rivals in the 1920s, both technically and in the popularity of its artists, and halted production of recordings in 1929. Thomas A. Edison invented the phonograph, the first device for recording and playing back sound, in 1877. After patenting the invention and benefiting from the publicity and acclaim it received, Edison and his laboratory turned their attention to the commercial development of electric lighting, playing no further role in the development of the phonograph for nearly a decade. Start of the Recording Industry: In 1887, Edison turned his attention back to improving the phonograph and the phonograph cylinder. The following year, the Edison company introduced the ”Perfected Phonograph”. Edison introduced wax cylinders approximately 4+1⁄4 inches (11 cm) long and 2+1⁄4 inches (5.7 cm) in external diameter, which became the industry standard. They had a maximum playing time of about 3 minutes at 120 RPM, but around the turn of the century the standard speed was increased to (first 144) and then 160 RPM to improve clarity and volume, reducing the maximum to about 2 minutes and 15 seconds. Several experimental wax cylinder recordings of music and speech made in 1888 still exist. The wax entertainment cylinder made its commercial debut in 1889 at first, the only customers were entrepreneurs who installed nickel-in-the-slot phonographs in amusement arcades, saloons and other public places. At that time, a phonograph cost the equivalent of several months' wages for the average worker and was driven by an electric motor powered by hazardous, high-maintenance wet cell batteries. After more affordable spring-motor-driven phonographs designed for home use were introduced in 1895, the industry of producing recorded entertainment cylinders for sale to the general public began in earnest. Blank records were an important part of the business early on. Most phonographs had or could be fitted with attachments for the users to make their own recordings. One important early use, in line with the original term for a phonograph as a "talking machine", was in business for recording dictation. Attachments were added to facilitate starting, stopping, and skipping back the recording for dictation and playback by stenographers. The business phonograph eventually evolved into a separate device from the home entertainment phonograph. Edison's brand of business phonograph was called the Ediphone. The collection of three phonograph cylinders are an example of early recorded music use for domestic entertainment. They are significant as they represent the beginnings of the modern recording industry.Cardboard tube-shaped gramophone cylinder box with lid. The printed label on the outside of the box advertises the maker and patent details. The Catalogue Number and Title are either printed or hand written on the cylinder’s lid. This cylinder contained Record no. 49, “B & H Jack” and was made at the Edison Laboratory USA. C. 1905On lid “Edison Record No. 49”, written in pencil “B & H Jack” (it looks like this) On cylinder “EDISON GOLD MOULDED RECORDS ECHO ALL OVER THE WORLD” Patents listed for 1904 & 1905warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, gramophone record, gramophone cylinder, edison cylinder, edison record, home entertainment, music recording, edison laboratory orange nj, usa, national phonograph company of australia ltd sydney, thomas a. edison

Edison Records was one of the early record labels that pioneered sound recording and reproduction, and was an important player in the early recording industry. The first phonograph cylinders were manufactured in 1888, followed by Edison's foundation of the Edison Phonograph Company in the same year. The recorded wax cylinders, later replaced by Blue Amberol cylinders, and vertical-cut Diamond Discs, were manufactured by Edison's National Phonograph Company from 1896 on, reorganized as Thomas A. Edison, Inc. in 1911. Until 1910 the recordings did not carry the names of the artists. The company began to lag behind its rivals in the 1920s, both technically and in the popularity of its artists, and halted production of recordings in 1929. Thomas A. Edison invented the phonograph, the first device for recording and playing back sound, in 1877. After patenting the invention and benefiting from the publicity and acclaim it received, Edison and his laboratory turned their attention to the commercial development of electric lighting, playing no further role in the development of the phonograph for nearly a decade. Start of the Recording Industry: In 1887, Edison turned his attention back to improving the phonograph and the phonograph cylinder. The following year, the Edison company introduced the ”Perfected Phonograph”. Edison introduced wax cylinders approximately 4+1⁄4 inches (11 cm) long and 2+1⁄4 inches (5.7 cm) in external diameter, which became the industry standard. They had a maximum playing time of about 3 minutes at 120 RPM, but around the turn of the century the standard speed was increased to (first 144) and then 160 RPM to improve clarity and volume, reducing the maximum to about 2 minutes and 15 seconds. Several experimental wax cylinder recordings of music and speech made in 1888 still exist. The wax entertainment cylinder made its commercial debut in 1889 at first, the only customers were entrepreneurs who installed nickel-in-the-slot phonographs in amusement arcades, saloons and other public places. At that time, a phonograph cost the equivalent of several months' wages for the average worker and was driven by an electric motor powered by hazardous, high-maintenance wet cell batteries. After more affordable spring-motor-driven phonographs designed for home use were introduced in 1895, the industry of producing recorded entertainment cylinders for sale to the general public began in earnest. Blank records were an important part of the business early on. Most phonographs had or could be fitted with attachments for the users to make their own recordings. One important early use, in line with the original term for a phonograph as a "talking machine", was in business for recording dictation. Attachments were added to facilitate starting, stopping, and skipping back the recording for dictation and playback by stenographers. The business phonograph eventually evolved into a separate device from the home entertainment phonograph. Edison's brand of business phonograph was called the Ediphone. The collection of three phonograph cylinders are an example of early recorded music use for domestic entertainment. They are significant as they represent the beginnings of the modern recording industry.Cardboard tube-shaped gramophone cylinder box with lid. The printed label on the outside of the box advertises the maker and patent details. The Catalogue Number and Title are either printed or hand written on the cylinder’s lid. This cylinder contained Record no. 13619, the recording “Poor old England” published by Castling and Godfrey, sung by Billy Williams. Made by National Phonograph Company USA. C.1907On lid “Edison Record” and “This record should turn at 160 revolutions per minute, no faster” Written on lid in blue pen “Trumpet”, “EDISON AMBEROL RECORD / FOUR MINUTE”warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, gramophone record, gramophone cylinder, edison cylinder, edison record, home entertainment, music recording, edison laboratory orange nj, usa, national phonograph company of australia ltd sydney, thomas a. edison

Edison Records was one of the early record labels that pioneered sound recording and reproduction, and was an important player in the early recording industry. The first phonograph cylinders were manufactured in 1888, followed by Edison's foundation of the Edison Phonograph Company in the same year. The recorded wax cylinders, later replaced by Blue Amberol cylinders, and vertical-cut Diamond Discs, were manufactured by Edison's National Phonograph Company from 1896 on, reorganized as Thomas A. Edison, Inc. in 1911. Until 1910 the recordings did not carry the names of the artists. The company began to lag behind its rivals in the 1920s, both technically and in the popularity of its artists, and halted production of recordings in 1929. Thomas A. Edison invented the phonograph, the first device for recording and playing back sound, in 1877. After patenting the invention and benefiting from the publicity and acclaim it received, Edison and his laboratory turned their attention to the commercial development of electric lighting, playing no further role in the development of the phonograph for nearly a decade. Start of the Recording Industry: In 1887, Edison turned his attention back to improving the phonograph and the phonograph cylinder. The following year, the Edison company introduced the ”Perfected Phonograph”. Edison introduced wax cylinders approximately 4+1⁄4 inches (11 cm) long and 2+1⁄4 inches (5.7 cm) in external diameter, which became the industry standard. They had a maximum playing time of about 3 minutes at 120 RPM, but around the turn of the century the standard speed was increased to (first 144) and then 160 RPM to improve clarity and volume, reducing the maximum to about 2 minutes and 15 seconds. Several experimental wax cylinder recordings of music and speech made in 1888 still exist. The wax entertainment cylinder made its commercial debut in 1889 at first, the only customers were entrepreneurs who installed nickel-in-the-slot phonographs in amusement arcades, saloons and other public places. At that time, a phonograph cost the equivalent of several months' wages for the average worker and was driven by an electric motor powered by hazardous, high-maintenance wet cell batteries. After more affordable spring-motor-driven phonographs designed for home use were introduced in 1895, the industry of producing recorded entertainment cylinders for sale to the general public began in earnest. Blank records were an important part of the business early on. Most phonographs had or could be fitted with attachments for the users to make their own recordings. One important early use, in line with the original term for a phonograph as a "talking machine", was in business for recording dictation. Attachments were added to facilitate starting, stopping, and skipping back the recording for dictation and playback by stenographers. The business phonograph eventually evolved into a separate device from the home entertainment phonograph. Edison's brand of business phonograph was called the Ediphone. The collection of three phonograph cylinders are an example of early recorded music use for domestic entertainment. They are significant as they represent the beginnings of the modern recording industry.Cardboard tube-shaped gramophone cylinder box with lid. The printed label on the outside of the box advertises the maker and patent details. The Catalogue Number and Title are either printed or hand written on the cylinder’s lid. This cylinder was made by Edison 1908 and contains Record number 53 by Sandy McNab. c. 1908On label “Edison Record No. 53, Sandy McNab" and "Form no. 1130, April 1908. Patented December 6 1904, No. 2109, and December 6 1904 No. 2110. “This record is sold by the National Phonograph Company of Australia Ltd, at Sydney Australia.” Trade Mark Thomas A. Edison warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, gramophone record, gramophone cylinder, edison cylinder, edison record, home entertainment, music recording, edison laboratory orange nj, usa, national phonograph company of australia ltd sydney, thomas a. edison

The Music Advancement Society of Bendigo Presents 2nd Concert 1969 Series. Second Concert by arrangement with Musica Viva. Recital by Purcell Consort of Voices. City Hall, Bendigo. Wednesday July 16 at 8.15 p.m. Programme 20 cents. Boltons Print. Bendigo.event, entertainment, music, recital by purcell consort of voices, music advancement society bendigo, musica viva. boltons print, e beilharz, madge edgar, emily bright, allan's music

Document, Program, The Music Advancement Society of Bendigo, presents the Fourth Concert 1962 Series Piano Recital ''Ruth Faren-Price''. City Hall, Bendigo, Tuesday 18th September 1962 at 8:15pm. One Shilling, Boltons Print, Bendigo.Boltons Print,Bendigoprogram, music, city hall, the music advancement society of bendigo-piano recital-ruth farren-price

Document, Program, Music Advancement Society of Bendigo presents ''The Dorian Singers ''. Conductor: Leonard Fullard, assisted by Henk Monfroy, Guitarist. Concert at Town Hall, Bendigo, Saturday 29th June 1963 at 8:15pm. Program 1/-. Reporter Print, Box Hill.Reporter Print, Box Hill.document, music, music advancement society of bendigo-the dorian singers

Document, Program, Theatre, Bendigo Operatic Society presents Gilbert & Sullivans ''The Gondoliers'', produced by Len Hall. Words by Sir W.S.Gilbert , Music by Sir Arthur Sullivan, at the Capital Theatre, View Street, Bendigo, for a five-night season commencing 19th June 1970. Printed offset by Cambridge Press, BendigoPrinted offset by Cambridge Press, Bendigo.program, theatre, music, bendigo operatic society, the gondoliers.gilbert & sullivan, capital theatre

Bendigo Operatic Society presents 'South Pacific' by permission of Chappells ltd. A Beatrice Oakley Production. Music & Lyrics by Rodgers & Hammerstein II. Book by Hammerstein II & Joshua Logan. Opening 10th August 1962 for six nights. Arthur Hocking Print.event, entertainment, music, south pacific, bendigo operatic society, beatrice oakley, rodgers & hammerstein ii, joshua logan, arthur hocking print

The Music Advancement Society of Bendigo presents the third concert 1961 series 'The Golden Square Choral Society, Conductor - Cyril Warne. 'Mozart Requiem Mass. City Hall, Bendigo on Saturday, 8th July 1961 at 8.15 p. m. Soloists: Bettine McCaughan - Soprano, Betty Fairbank - Contralto, Gregory Dempsey - Tenor, Morris Williams - Bass. Accompanists: Shirley Clark - Piano, Hedley Jones - Organ. Book of Words - One shilling. Boltons Print, Bendigo.program, music, mozart requim mass, the golden square choral society, bettine mccaughan, betty fairbank, gregory dempsey, morris williams, shirley clark, hedley jones, madge edgar, mary stanistreet, l r harvey, edgars authorised newsagnecy, e. m. i. recordings, allan's, cyril warne

Document, Program, Bendigo Choral Society, 19th Grand Concert, Season 1921, fourth concert. Town Hall, Bendigo, Wednesday, 14th December 1921.W.C. Frazier A.R.C.O., Conductor. Artists; Cecil Parkes; Miss Isabel Biddell; Miss Hilda Veale,L.A.B.; Pianiste: Miss Eileen Hains,A.R.C.I.. Boltons Print.Boltons Printprogram, music, the bendigo choral society, the bendigo choral society, 19th grand concert, music.

Document, Program, Music, The Music Advancement Society of Bendigo presents the First Concert 1964 series presenting Piano Recital '' Marta Zalan '' City Hall, Bendigo, on Wednesday, 8th April 1964 at 8:15 pm. Programme One Shilling. Boltons Print, Bendigo.Boltons Print, Bendigoprogram, music, city hall, the music advancement society of bendigo- marta zalan-piano recital

This booklet describes the new building at the Defence Force School of Music at Watsonia Barracks, including the upgrade to Meares House. Colour printed booklet with text and colour photos.watsonia army barracks, army school of music, simpson army barracks

Photo of four trams at the intersection of Sturt and Drummond streets, on Music for the People day, 19/2/1950. See Inscriptions for details. Trams 13, 12, 34 and 35. Photo by Wal Jack, No. T652. On Kodak print paper. See item 9479 for a photo of tram 34 most likely at the same time. See image i2 for rear of photograph. See image i3 for hi res scan of print. See image i4 for hi res scan of negative No. 863Yields information about tram services on an event day and Hospital corner,Black and white photographOn rear in ink. "Music for the People day 19-2-50" "No. 13 Gardens via Drummond Nth 12 City 34 Mt Pleasant 35 Gardens via Sturt St West" With "W Jack No. "T652" Copyright" stamp.tramways, trams, hospital corner, drummond st, sturt st, festival, tram 13, tram 12, tram 34, tram 35

a/ Societa Corelli, City Hall, Bendigo. The Music Advancement Society of Bendigo presents the Third Concert 1960 series by arrangement with Musica Viva Society presenting Societa Corelli. Personnel: Violinists: Aldo Redditi, Luigi Gamberini, Scala Anna Maronna, Lando Cianchi, Will Eisma, Anita Rizzo, Gilberto Crepaldi. Viola: Wilhemina Eester, Giocondo Girotto. Cello: Silcano Zuccarini, Italo Gomez. Double bass: Giovanni Zanardi. Harpsichord/Piano: Mirella Zuccarini. Thursday, 25th August 1960 at 9.15pm. Hon. Sec. Mary Stanistreet. Members may move forward to unoccupied seats after interval. Programme. Advertisements: Allan's, Allan's Walk, Bendigo. Edgars', 293 Hargreaves St., Bendigo. Telephone3-4738. Coming Concerts, Saturday, 17th September, Celeste Trio and Miss Ann Levin. Saturday, 22nd October, Oriana Choir and Dorian Singers with Soloists and Orchestra. C1960. b/ Leaflet inside - 120 minutes of Drama and Suspense at Bendigo Repertory Society's production ''The Desperate Hours'' at Girton College HalBoltons Print., Bendigoprogram, music, music advancement society bendigo, a/ societa corelli, city hall, luigi gamberini, scala anna maronna, lando cianchi, will eisma, anita rizzo, gilberto crepaldi. viola: wilhemina eester, giocondo girotto. cello: silcano zuccarini, allan's walk, bendigo. edgars'

Pamphlet - single side A5 size printed on red paper, titled "South Melbourne Tram Depot Open Day", 20/10/1991, giving details of the day, music by Scarecrow Tiggy, Vintage tram service, sponsored by the Public Transport Corporation, with V/Line and The Met logos.trams, tramways, south melbourne depot, open days, ptc, the met

Magazine - 16 pages, colour covers, centre stapled printed on gloss paper, titled "3rd - Tram Conductors Special Issue", Winter 1998, published by The Boite (Vic) Inc - music, culture, arts. Has a number of items about the removal or finishing up of conductors on Melbourne trams with poems or articles written by Malcolm Just, Paul Bateman, Tanya Wolkenberg and Tom Moore. Includes a review of "Melbourne's Marvellous Trams" book, Has a number of photos of conductors at work. 2nd copy for donation of Colin Jones.trams, tramways, conductors, tramways, tickets, poem

Compact Diskette contained within a plastic envelope titled "The Bedroom Philosopher – Songs from the 86 Tram", marked "(Promo only. Not for resale)". Has printed sleeve notes on separate sheets of paper, including a track listing in the form of a route map. Written by Justin Hazelwood - gives contact details and who produced and where it was mastered - New York. See Wikipedia page - https://en.wikipedia.org/wiki/Songs_from_the_86_Tram - accessed 12-1-2016. File downloaded and placed as htd1289i3.pdf See Reg 789 for the poster and 1624 for an article on the CD and the author. Image i4 added 11/6/2017 - fromHas "S&B" in ink on top right hand corner.trams, tramways, route 86, music, northcote, theatre

"Music for the People - Botanical Gardens" Sunday 3 March 1946, 3:15 PM Memo from JM Harry, Dist Traffic Supt SS regarding tram arrangements to Depot Master, Hanna St. Memo dated 27 February 1946. Notice for front of tram (note date is incorrectly printed as Sunday March 5).Notations written in red pencil on memo.trams, tramways, events, hanna st depot, botanical gardens, music