An illuminated address presented to James Henry Curnow, Esq., by the Committee of the Geelong Jubilee Juvenile and Industrial exhibition. Hand painted and written on card with committee members signatured, decorated with flowers and with scenes of Melbourne Exhibition building, sailing ship and bordered by a design in blue/grey.Markings - H Frank and Co, Geelong.person, individual, james henry curnow

Black and white photograph showing S S Gippsland in Reeves Channel, sailing west towards Metung, taken from Jemmys Point and showing Snake Island and end of Rigby Island and hummocks on far side of Hopetoun Channel in background. Lakes Entrance Victoriajetties, waterways, ships and shipping

Black and white photograph showing S S Gippsland in Reeves Channel, sailing west towards Metung, taken from Jemmys Point and showing Snake Island and end of Rigby Island and hummocks on far side of Hopetoun Channel in background. Lakes Entrance Victoriajetties, waterways, ships and shipping

Black and white photograph showing S S Gippsland in Reeves Channel, sailing west towards Metung, taken from Jemmys Point and showing Snake Island and end of Rigby Island and hummocks on far side of Hopetoun Channel in background. Lakes Entrance Victoriajetties, waterways, ships and shipping

Black and white photograph showing entrance and piers, viewed from ocean end of pier looking north towards Kalimna, small sailing boat in entrance inside of Eastern Pier, on right amongst the timber piers is a man leaning out. Lakes Entrance Victoriatopography, jetties, waterways

Lionel Lindsay (1874–1961) Art historian Robert C. Littlewood is a Private Press publisher who utilises his skills as a fine art photographer, a video producer, researcher and writer to document the lives and achievements of Australian artists who create (or created) original graphic prints. Littlewood is President of the Australian Bookplate Society and a Trustee of the Keith Wingrove Memorial Trust which administers the world's richest and Australia’s only Bookplate design award..1) An etched book plate by Lionel Lindsay for Brian Stonier in brown ink on cream card. The bookplate features an old sailing ship at sea. .2) Framed etched book plate by Lionel Lindsay for Brian Stonier in blue ink on cream card (as above)Printed on bookplate "Ex libris K. Brian Stonier Melbourne Grammar Melbourne University" Printed lower right below image but within plate-mark, "Lionel Lindsay"bookplate, lionel lindsay, k. brian stonier, melbourne grammar, melbourne university, sailing ship, sea, robert c. littlewood, framed bookplate, keith wingrove bookplate design award, keith wingrove memorial trust

CEMA Art CollectionThe drawing depicts a pier with three boats in the foreground and a building and light poles on the pier. The boats are various sizes and are all moored/anchored in the water below the pier. The boat on the right is the largest one and is a sailing boat. The work is framed in a brown wooden frame with glass and is not mounted.Front: (No inscriptions) Back: Middle Pier Portland (black pen) C. Woolcock (signature) (pound sign)4- 4 - 0 yellows sticker: H/H 19 1999 written in pencil

A gathering of Slovenians at the refugee camp in Italy, Latina prior to sailing to AustraliaSlovenians Moving on from the camp in Latina, Italy to a new future in AustraliaBlack and white photo slovenians in latina, slovenian association melbourne

Part of carpenters' tools used on sailing ships from England to AustraliaMetal file with pointed endtrades, carpentry

An original, flush card mounted, print of the sailing yacht 'Namoi' at sea.Realism, historicalCard mounted flush, an enhanced photograph of the 21 foot restricted class yacht "Namoi" in sepia finishOn the reverse - " NAMOI ONE OF MANY 21 foot RESTRICTED CLASS YACHT 1923"mounted print, sailing yacht, 21 foot class, namoi

Newspaper Clipping from "The Mail", 8-8-1995. P6. "The Polite Achiever" written by Jodi PineTop ranked North Ringwood sailor Sarah Blanck likes to think of herself as polite and Conservative when it comes to the competitive world of sailing. She was recently named the best under 19 female sailor in the world

"Art is the vehicule for communications far Beyond the confines of a space, while design is the aesthetic cradle in which messages are nurtured and processed." "A 586 rework of the iconic building that has withstood the redevelopment of the Melbourne Docklands and defied the odds. On display a large format print 700mm x 1400mm print. Also a limited run of smaller prints on archival paper also available to support Melbourne's first non-profit charitible organisation that is still self funded, ie. not government funded." During the Open House Melbourne 30-31 July 2011, the artist nicknamed "586" participated in one of the Norla Dome Project Space events sponsored by Bendigo Wealth. Made in Melbourne, 586 is an urban digital experimentalist who blends social narrative with found image creating messages that inspire social consciousness and free thought. Cast in a local foundry back in 1991, 586 was a number, amid hundreds of men working between the ladie and the furnace in a clock on - clock off automated industrious landscape. Legend tells of a time when correspondance to workers was addressed to their number, not their name. Disapproval spread rapidly and a revoit soon followed, eventually the power of the masses won out, but the demoralizing treatment of the worker would go on to shape 586's perception and became the catalyst for a personal protest against social imbalance. This print was on display and smaller prints were also sold to raised funds for the Mission.DigitalLarge digital print of a design that overlays various symbols ( 4 flying angels ), the sails of a sailing ship and contemporary cityscapes and seascapes. centrally features a full photograph of the Mission to seafarers building at 717 Flinders St. Melbourne. Mounted in a large black frame and glazed with perspex .mission to seafarers, flinders street, melbourne, windvane, dome, flying angel, sea, norla dome, bendigo wealth, artist 586, 2011, artwork-paintings, open house, norla dome project space

Ship model in glass bottle mounted on timber with presentation plaque on front of timber. Ship is 3 masted sailing ship, no sails, towing small boat, flying red flag with blue and white cross. Background includes cliffs and two lighthouses. There is an inscription of the bottom of the model.Plaque on front of timber mount "To / FLAGSTAFF HILL MARITIME MUSEUM / WARRNAMBOOL AUSTRALIA …" Inscribed on Bottom "NORSK HÅKON skib No Filo Nilsen 230" flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, model ship, model ship in bottle, norwegian model ship, shipwreck-coast, flagstaff-hill-maritime-village

A black and white photograph of Cape St Jacques 'Back Beach'. Medics from 1st Australian Field Hospital enjoying a few hours off duty sailing and surfing. The baech was fenced into areas for Australians, Americans and Vietnamese. The diggers were safeguarded by the 1ALSG Surf Clubphotograph, 1st australian field hospital, cape st jaques back beach, 1 alsg, gibbons collection catalogue, digger

Part of collection of Carpenters' tools used on sailing ships from England to Australia7 metal centre bits of various sizes for drilling in wood.NA987.1 Arthur NA987.2 Marples and Sons 11/16 NA987.3 Larnshaw BRC Sheffield NA987.4 JOHN WILSON Sheffield NA987.5 1 1/4 NA987.6 W.Marples + Sons NA987.7 R.Sorby Casteeltrades, carpentry

Part of collection of Carpenters' tools used on sailing ship from England to AustraliaSharpening stone which may be natural stone. Set on piece of wood with wooden cover inset inside to contain stone.trades, carpentry

Part of collection of carpenters' tools used on sailing ships from England to AustraliaRound wooden centre with metal tools at each endtrades, carpentry

Part of collection of carpenters' tools used on sailing ships from England to AustraliaRosewood and Brass mortice gaugeDuncan on stocktrades, carpentry

Part of collection of carpenters' tools used on sailing ships from England to AustraliaBeech marking gaugeW B D on wooden beam or stemtrades, carpentry

Part of collection of carpenters' tools used on sailing ships from England to Australia14 shell bits - two different types and in differing sizesThe name Sorby, Mathieson and Ridgway are endorsed on some bits.trades, carpentry

Part of collection of carpenters' tools used on sailing ships from England to Australia8 hand made nails in various sizestrades, carpentry

Part of collection of carpenters' tools used on sailing ships from England to AustraliaMetal file with pointed endtrades, carpentry

Part of collection of carpenters' tools used on sailing ships from England to AustraliaMetal file with pointed endtrades, carpentry

Part of collection of carpenters' tools used on sailing ships from England to AustraliaRasp - type of file with very rough sidestrades, carpentry

Part of collection of carpenter's tools used on sailing ships from England to AustraliaThin round 'rat-tail' file with flat faceted endtrades, carpentry

Possibly cannon from sailing ship 'Nelson'. Cannons were removed to Bendigo. Photograph. Harry Biggs Collection. Black and white photo of a cannon and many ropes on a ship. It is on a pulley, perhaps ready to be lifted off the ship. -1 black & white photo on card backing of cannon on the ship. The deck can be seen in the background. military, maritime, harry biggs collection, cannon, nelson

Ship model relief of unnamed, three masted sailing ship, painted green. British flag is flying from mast. Other ships and a rowing boat are also in the water and land on both sides has lighthouse and buildings. Wooden case has sloping sides and glass front. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, ship model, sailing ship model, water craft

Information of construction of Pride of the Murray. Construction: Composite Tonnage: 71 gross 36 net Dimensions: L 82.4 ft B 15.5 ft D 4.4 Date of Registration: Melbourne 1870 no.88, 918 Built: Echuca, Vic. 1865 Owners: Permewan, Wights & co.This photo has Social and historical significance,depicting some of the boats and the wharf in the 1980's. It gives a very clear visual of the Port of Echuca wharf and the Echuca banks of the Murray with some of the beach visible. Black and white satin photograph of the starboard side of the P. S. Canberra sailing upstream on Murray river between the Port of Echuca wharf and the Echuca bridge. The Pride of the Murray (front on) can be seen further behind , on the left, with the Pevensey, which appears to be moored in front of the wharf in the background. On front of photo paddlesteamers are marked Canberra & Pride of the Murray. On back of the photo is marked in pencil: please return to Mrs H.Coulson, Port of Echuca, Box 35, Echuca.echuca wharf, p.s. canberra

Black and white photograph showing early Eastern Pier at entrance to Gippsland Lakes from ocean, tip of Western Pier showing next to sailing boat, two ladies and one child far left on Eastern Pier, two bollards on eastern pier. Lakes Entrance VictoriaLakes Entranceocean, shipwrecks, waterways

Used for decoration in the home.A small rectangular badly damaged oil painting of a clipper ship sailing in calm waters with seabirds in the background. It has a decorative leaf patterned cream painted wooden frame with rusted wire at the back for hanging. It is backed by a wooden board secured by four small nails and a layer of paper.oil paintings, paintings, artworks, objects